Tag: entertainment

  • Shemaroo Entertainment became first Indian company to be a finalist at Promax Global Awards 2023

    Shemaroo Entertainment became first Indian company to be a finalist at Promax Global Awards 2023

    Mumbai: Shemaroo Entertainment, a mainstream player in the media and entertainment industry is to share its success at the Promax Global Excellence Awards 2023 securing a total of 13 trophies. This achievement elevates Shemaroo’s total Promax Trophies count to 117.

    The triumph at this global event underscores the company’s steadfast commitment to delivering marketing campaigns and promoting content. Among the 13 accolades, Shemaroo bagged 6 gold awards in the categories of in-house program promo campaign, sound design, total program package, micro video content, something for nothing, best use of music. The company secured 2 silver awards for stunt promotion and holiday/seasonal/special event design Promo. The remaining 5 were bronze awards for directing, marketing creativity-animation, art direction & design, animation, vertical video, best use of score or music without lyrics.

    Reflecting on these achievements, Shemaroo Entertainment Ltd COO Arghya Chakravarty said, “We are elated to have clinched 13 trophies at the Promax Global Excellence Awards 2023. Becoming the first Indian company to be a finalist for the esteemed ‘creative marketing team of the year’ at this global event fills us with pride. We consistently strive to set new benchmarks by capturing the essence of storytelling through innovative campaigns. This recognition further fuels our team’s dedication to push creative boundaries and deliver impactful content worldwide.”
     

  • RunnTV crosses 50 thousands app downloads

    RunnTV crosses 50 thousands app downloads

    Mumbai: RunnTV, the Indian FAST (Free Ad-Supported Streaming Television) based content streaming platform targeting only Indian audiences, has achieved a benchmark by surpassing 50,000 downloads in a short timeframe while targeting only selective Indian cities. This response underscores RunnTV’s relevance and experience for OTT users in India.

    Since its launch in November 2023, RunnTV has built and captivated audiences with its curated content and experience delivered with user-friendly interface, and innovative features. The app’s instant appeal to a broad audience can be attributed to RunnTV’s aim to deliver high-quality entertainment experience that caters to the evolving preferences of today’s digital audience.

    RunnTV is targeting the emerging and high growth FAST market in India. This initial response to RunnTV clearly highlights the void and a need for a free TV platform with great user experience and good content without any clutter created with a dump of available free content. RunnTV will soon be available on Smart TVs and other aggregator platforms.  

    OTT App Name stands out with its features, such as mentioning any unique features which have garnered positive feedback from users and contributed to the app’s rapid growth.

    Runn TV founder & CEO Manish Sinha said, “We are thrilled to have reached the milestone of 50,000 downloads in such a short span. This achievement is a testament to our RunnTV team’s dedication to delivering exceptional entertainment and streaming experience. We are grateful to our users for their support and trust in our platform, this is definitely a great start to our vision to make RunnTV the Entertainment Experience Destination for Indians across the globe.”  

    As RunnTV continues to evolve and expand its channels and content offerings, the company is optimistic to provide an entertainment experience that brings many firsts to the Indian OTT audience.

  • The rise of Playflix OTT app

    The rise of Playflix OTT app

    Mumbai: One Take Media, the global content producer, syndication and distribution company has entered the OTT space with its app Playflix. Playflix is a wholesome entertainment app – and a true one-stop destination for Korean dramas in Hindi and other regional languages. Besides, its library also boasts of Hollywood movies, kid’s animated shows and movies, and many more.

    Amid the rise of the OTT wave globally, Playflix has crossed millions of downloads in the past one year. One of the strongest content forces the app has is its popular Korean dramas. One Take Media founder & CEO Anil Khera said, “Our Korean dramas are carefully curated keeping the Indian audience in mind. The fact that they are dubbed in regional languages like Hindi, Tamil and Telugu make it an exciting offer for the diverse viewers of India.”

    Even before the SVOD trend started in India, OTMC strongly believed in the SVOD model and Playflix has always been a subscription-based app. The recently released FICCI-EY Media & Entertainment report 2023 says that the number of households paying for at least one subscription video-on-demand (SVOD) service will rise up to 52 million by 2025 from 45 million currently. Adding to its already rich library, Playflix boasts of popular K-dramas like ‘Cyborg Mom, ‘Shopping King Louie’, ‘20th century Boy and Girl’, ‘Lucky Romance’, ‘Money Flower’ and many more. Playflix has also started a content feature called ‘Korean Paathshala’ where avid Korean viewers can learn the Korean language as well as know more about Korean culture through Indian Korean teachers and presenters.

    Playflix is determined to curate popular Korean dramas and Korean movies for the diverse Indian diaspora. Besides Korean content, Hollywood movies, kids animated shows cooking content can also be accessed on Playflix. Playflix app can be also be subscribed as a bundled app with Tata Binge, Airtel Xtream, or downloaded via Amazon Firestick or from app stores.

  • Exploring the World of Online Casino Gaming for Entertainment in India

    Exploring the World of Online Casino Gaming for Entertainment in India

    Online casino gaming has become increasingly popular in India as a form of entertainment. With a wide range of games available, such as slots, poker, blackjack and roulette, players can experience the thrill of a casino wherever they are in just a few clicks.

    This article will look at the benefits of playing with the best casino app in India and also assess how technology continues to enhance the industry.

    The Advantages of Playing Online Casino in India

    There are several advantages to playing online casino games in India and it’s important you find the ideal app to suit your wagering preferences. Some advantages associated with casino app gaming are;

    Convenience

    This is arguably one of the biggest advantages associated with online casino gaming, especially in casino apps. You can play your favourite casino games from the comfort of your own home at any time that suits you. There is no need to travel to a physical casino or adhere to their operating hours.

    Wide Variety of Games

    In casino apps, games are always in variety. This ranges from classic table games like blackjack and roulette or popular slot machines. Additionally, new games are introduced regularly, keeping the experience fresh and exciting.

    Safety and Security

    Reputable operators will always prioritise the safety and security of their players. They use advanced encryption technology to protect personal information. Additionally, licensed online casinos are regulated by gaming authorities, ensuring fair play and transparency.

    How Technology Has Changed How Gamers in India Play Online Casino

    Technology has had a significant impact on how people in India play games online in recent years.    
    The advancement of technology has led to one major change and that is the shift from traditional brick-and-mortar casinos to online platforms. Gamers can now enjoy their favourite casino games from apps in the comfort of their own homes without the need to travel.

    Technology and new innovations have improved the overall gaming experience for Indian players. Online casino apps now offer high-quality graphics, immersive sound effects and realistic gameplay.

    Overall, technology has transformed the way gamers in India play online. It has made online casino games more accessible and enjoyable, providing Indian players with a wide range of options and a seamless gaming experience.

    Why Strong Customer Support is Key when Playing Online Casino in India

    Strong customer support is imperative when engaging in online casino apps in India. When issues are dealt with in a swift and efficient manner, then the gameplay is enhanced and players are provided with a sense of security and trust.

    Receiving adequate assistance also demonstrates the casino’s commitment to its players. It shows that the casino values its customers and is dedicated to providing a high level of service. This can foster a positive relationship between the player and the casino.

    Therefore, for a successful and enjoyable online casino app experience in India, it is crucial to choose one that offers strong customer support.

    Disclaimer: This article is a paid publication and does not have journalistic/ editorial involvement of Indiantelevision.com. Indiantelevision.com group or its websites does not endorse/ subscribe to the contents of the article/advertisement and/or views expressed herein.

    The reader is further advised that Online Casino, Crypto products and NFTs are unregulated and can be highly risky. There may be no regulatory recourse for any loss from such transactions.

    Indiantelevision.com group shall not in any manner, be responsible and/or liable in any manner whatsoever for all that is stated in the article and/or also with regard to the views, opinions, announcements, declarations, affirmations etc., stated/featured in same. The decision to read hereinafter is purely a matter of choice and shall be construed as an express undertaking/guarantee in favor of Indiantelevision.com (Indiantelevision.com group) of being absolved from any/ all potential legal action, or enforceable claims. The content may be for information and awareness purposes and does not constitute financial advice.

  • STB’s future outlook: Envisioning vibrant India-Singapore travel bonds

    STB’s future outlook: Envisioning vibrant India-Singapore travel bonds

    Mumbai: The Singapore Tourism Board (STB) in partnership with MX Player’s content arm, MX Studios is set to unveil the interactive film on an Indian OTT platform. Titled ‘Lost and Found in Singapore’, this innovative film introduces a choose-your-own path approach that invites viewers to actively shape the unfolding narrative against the backdrop of Singapore.

    A first-of-its-kind initiative by an NTO in India, this film captures and blends the elements that define Singapore’s character, creating an immersive exploration. Seamlessly integrating triggers for engagement, the interactive component promises a captivating experience. This collaboration caters to evolving preferences, especially among young Indian travelers. As audiences seek innovative ways to engage with travel content, ‘Lost and Found in Singapore’ offers fresh, firsthand inspiration.

    STB has also previously collaborated with  Singapore Airlines, Mandai Wildlife Reserve, etc. Even during COVID, it was the only NTO that gave Chhota Bheem in Singapore cartoon series as a gift of smiles to the children who were at home because of COVID.

    Indiantelevision.com on the sidelines of the trailer launch caught up with Singapore Tourism Board regional director, India, Middle East, South Asia & Africa, GB Srithar to chat further on their collaborations, offerings, and much more.

    Edited Excerpts:

    On STB’s collaboration with MX Player and the thought behind it

    First of all, we have been very focused and continuously looking for very bold and creative projects. And this is not one of the first in fact, we have done quite, various projects over the last couple of years. Even during COVID, we had some virtual events going on. But post-COVID, we have done a couple of things. We have done a web series in English, focusing on young women traveller’s, and that was done just earlier this year. We have also collaborated with Street Art India Foundation, to offer Singapore in a very different light to the Indian audiences. So there have been always very agile, bold, creative, and effective content marketing partnerships, and technical partnerships, along that lines. We have always been on the lookout for such collaborations.

    MX Player came up with this idea and we were where looking at how do we engage the young Indian audiences. I mean, you’ve got a very young Indian population 67 per cent under the age of 35. Presenting Singapore as a cool lifestyle events destination to the Indian audience was very important to us. So then we said, okay, let’s try out something new and we didnt want to do a typical run-of-the-mill series. So this idea of an interactive OTT, where you are choosing as the story develops. So you come to a juncture, and you choose your own ending kind of plot and we liked that idea. Then we collaborated with MX Player and we are happy that it has turned out quite well. So this ‘Lost and Found in Singapore’ project is our way of saying, getting yourself lost in the vibrant and exciting offerings of Singapore and finding yourself and living up your passions in Singapore. So I think that this concept worked, the idea and the story plot was very interesting for us. We have been consistently engaging the consumers in very different ways, and this is one of our initiatives in that journey.

    On the ROI that STB is looking at during these collaborations, tie-ups, web series, etc

    We are in a very unique situation. Singapore is well known by Indian audiences and also not so well known to them. What do I mean by that? So what happens is, that we have been here for more than two and a half decades, and Singapore has been portrayed in movies in very good light in the socio-political, economic, environment, and journalism. So Singapore is a destination that Indians know, either by themselves or through friends, or through movies.

    We are now coming to an interesting confluence of things. One on the India outbound set-aside. The Indian traveller is getting a lot more discerning. He wants experiences, he wants to immerse himself, he wants to know the local cultures, he wants to go and walk the neighborhoods. We have been doing this for the last few years and we are now able to offer this even more. So this kind of partnership helps us bring Singapore, even closer to the hearts and minds of Indian audiences, because it is like you being able to have a destination that you will visit, revisit and revisit again. So for us, this kind of collaboration is to reach out to different types of audiences. It is no longer a push message. So this particular MX Player venture/collaboration will allow us to talk to the audiences of that platform, that community that consumes this kind of content, and let them know that in a very nice storytelling fashion, hey, while you’re enjoying the story, and these two characters moving around, and, seeing themselves and finding themselves, you also see Singapore. So our purpose for these kinds of projects is where Singapore is integral to the plot and the story. We say yes, let’s do it, and in that way, we get into the communities that are consuming this content, letting them know Singapore has got so many other things to offer.

    On the cities you get the maximum Indian footfalls to Singapore

    So, we have got today direct connections from 17 cities across India. Probably Singapore is among the most well-connected destinations for Indian audiences. The four metros – Mumbai, Delhi, Chennai, and Bangalore give us the maximum number of tourists and travelers. Then there are cities like Kolkata, Ahmedabad, Trichy, and Hyderabad, all these give us good numbers as well. Then you have the other cities like Bhubaneswar, Amritsar, Vizag, and Madurai which are the latest to start a direct connection to Singapore.

    On the packages that STB is giving a traveler who’s coming into Singapore today to see things that are not advertised or not spoken about

    STB’s role in content partnerships is to highlight upper-funnel marketing—showcasing Singapore broadly and presenting diverse activities available, effectively capturing attention. Furthermore, we collaborate with key stakeholders such as Sentosa, Singapore Zoo, Gardens by the Bay, hotels, and others. They actively promote their offerings in India through road shows held in major cities, including Mumbai, Delhi, Bangalore, and Chennai. Recently, we organized a successful roadshow in Jaipur, Pune, and Coimbatore for stakeholders from Singapore, facilitating interactions with the Indian travel trade. Alongside these efforts, we partner closely with Indian travel agents, collectively emphasising the wide array of experiences available during a six to seven-day stay in Singapore. Our collaborative work with the travel trade significantly amplifies the reach of these unique offerings.

    On STB’s upcoming plan for the next two years

    Pre-COVID India was our third largest source market after China and Indonesia and we welcomed 1.41 million visitors. Today as we speak, mid-August now, we are about two-thirds of the number of 1.41. So, what we are hoping is that we will be able to capture the pre-COVID numbers. We want more travellers from India to Singapore. Number two, I think the diverse audiences we are targeting. Families continue to be very important and they should come to Singapore to enjoy all the family-friendly attractions and experiences. Young Indians coming to Singapore to see the lifestyle, events, entertainment, and offerings are very important. Cruise, the Indian cruise traveller is a very important traveller for us as a cruise hub. Meetings and inceptions is another important segment and finally weddings. We are now positioning Singapore as a destination wedding. Alright, so for those 50 to 250 intimate Indian weddings in Singapore is another area we are looking at. So my hope is that in the next couple of years, you will see India seeing Singapore as that destination to go to for many reasons on many occasions in many parts of your lifetime.

  • Mass layoffs undoubtedly tarnish a brand’s image

    Mass layoffs undoubtedly tarnish a brand’s image

    Mumbai: Seems like Elon Musk’s takeover of Twitter has proved to be ominous! Ever since the business tycoon took the reins of the social media company in his hands and sacked a hefty number of employees, the news hasn’t been too favourable for the workforce of most digital and information technology (IT) companies. Not that it was any better before that. The last three months have been exceptionally bleak for IT personnel in India and across the globe. In a conversation with Indiantelevision.com, industry experts gauge factors concerning brand image and brand trust in such a situation.

    To put things in perspective, as per Layoffs.fyi Tracker, around 787 companies across the world have let go of a total of 1,20,699 employees this year. Majority of them owe this to the global recession that the world is undergoing.

    Meta, which had employed 87,000 people across the globe as of September, has fired the most number of employees ever done by any organisation—it sacked more than 11,000 employees, which is about 13 per cent of the social media firm’s global task force. Its Indian counterpart was affected too. The company has also decided to freeze hiring until Q1’24. The company’s feeble Q3 performance and a rise in the overall costs of the firm by a fifth in the previous quarter made Meta CEO Mark Zuckerberg take such a step.

    After Musk stepped in at the helm of Twitter, he dismissed about 3,700 employees (including the top-level management of the firm), which amounts to about 50 per cent of the company’s overall working strength. The marketing and communications team of the social media company’s India bureau was shown the exit door; a total of 180 people were fired from the Indian office. Musk reasoned that he couldn’t let the firm lose four million dollars a day.

    Very recently, media and entertainment conglomerate Walt Disney announced a layoff as well as a freeze in its hiring process. The firm’s chief executive, Bob Chapek, made this decision as part of a cost-cutting measure as the firm’s streaming business goes through losses.

    Computer software major, Microsoft, fired around 1,000 employees across multiple divisions last month, owing to setting business priorities and making structural adjustments. According to some media reports, chip maker Intel, was also considering job cuts by 20 per cent in the previous month. The organisation went through a dip in sales and profits in its second quarter performance this year.

    Salesforce, an enterprise software company that had previously thought of sacking about 2,500 people, has let go of about 1,000 personnel. In what could be termed as a hypocritical scheme of events, edtech company Byju’s has fired about 2,500 employees in the name of cost-cutting and in turn hired one of the most expensive brand endorsers in the world, celebrity footballer Lionel Messi, for its social initiative.

    Unacademy, the SoftBank-backed edtech giant, laid off about 10 per cent of its workforce, or about 350 employees, in accordance with the current funding crisis that is being faced by start-ups.

    Udaan, a B2B e-commerce platform that raised $120 million last month, decided to forego hiring about 350 employees.

    Also, media reports suggest that Snap, the company that runs Snapchat, was considering downsizing its staff by 20 per cent, in August. This was due to the 80 per cent drop in its stock price this year.

    Affecting brand image

    Considering that these are not just sizeable firms but also successful brands in their respective domains, how does this chain of mass layoffs affect the brand image of these companies?

    Brand guru and Samsika Marketing Consultants founder, chairman & managing director Jagdeep Kapoor explains that every company represented by a brand has two types of customers. External customers who are consumers. Internal customers who are employees.

    “The brand’s image gets affected by both external customers (consumers) and internal customers (employees). Brands are built in the minds and hearts of customers. Any such large layoffs affect and shake hearts and minds, and hence the brand image does get affected,” he cites.

    He adds, “Ultimately, companies are showcased through brands, which are served by employees and consumed by consumers. This kind of ‘earthquake’ leads to a ‘shake’ of internal and external confidence and faith. Instead of the brand being in the ‘make’ mode, it goes into the ‘shake’ mode.”

    Sideways Consulting co-founder Abhijit Avasthi agrees that for certain brands, the image gets dented. “For the established tech companies, the consumer brand might not be affected that much, but the employer brand will take a beating for sure. For the newer ones, like the edtech ones, the consumer brand will suffer big time as well because it will raise questions about their ability to deliver the service well,” he points out.

    Communications consultancy, Treize Communications founder & CEO Sonam Shah believes that while this does affect the brand’s image to a certain extent, employees today are more accepting of the fact that they can lose their jobs at any time.

    She believes that if this is handled sensitively, the brand will not have a difficult time managing its public image. She goes on, “Public memory is short, and there is enough and more for the audience to read and talk about. Once people get new jobs and the situation gets better, the brand can work on reviving its brand image easily.”

    Advocacy platform, Socxo chief marketing officer Ajit Narayan, feels that the layoffs all around will have a negative buzz, as is natural. And these are not one or two but in thousands. “People will talk about it. For a while. But then, as with everything else, people’s memories are short. And life goes on as usual. Depending on the company and how they manage the situation. And if they do turn around. Then all will be forgotten,” he emphasises.

    He spells out, “The ‘be negative’ impact will be temporary. More like a setback. The ones that ease out of it better will be the ones that show empathy for those being told to go. And then there will be those who will be ego-driven. And if the turnaround does not bring results, they will carry the negative image with them.”

    Building trust

    By taking such harsh steps in terms of downsizing, how easy or difficult will it be for these firms to revive their brand name and build trust after being splashed about so negatively in the media and undoubtedly through word-of-mouth too?

    Avasthi is of the opinion that it will take a fair bit of time. “Companies very often confuse increasing awareness with trust. Big budget splashes can help you build awareness, but earning trust takes time and patience and consistently delivering the goods with integrity,” he reiterates.

    “Trust is another word for a brand. It takes decades to build brands and trust. It just takes a moment to let it slide. Building a brand or an organisation is difficult. Re-building it is even tougher because a lot of intangibles like feelings, emotions, and sentiments also need to be rebuilt, not only of internal and external customers but also of their families,” Kapoor highlights.

    On the contrary, Shah thinks, “It will not be a very difficult road, but a lot of this depends on the business model of the company and if the company needs to restructure its core offerings or work on escalating the current ones.”

    Narayan, too, thinks that this is a temporary phase, and most of the brands will come out of it over the next few quarters. “Also the market reality and future plans will have a major impact. There is a recession looming large, and this and other stories now will be washed away if that becomes a reality,” he specifies.

    Layoffs particularly in the digital and IT industry

    There is an economic recession across the globe, which has affected and continues to affect a lot of industries. Surprisingly, most of these layoffs seem to be happening in the digital and IT industries. What could be the reason behind this?

    Avasthi mentions that the reasons for the layoffs vary from company to company, so one can’t attribute them to any generic reason. However, he brings out, “Broadly speaking, for some of the newer venture capital (VC) funded startups, it’s simply because they were badly run businesses that were trying to move ahead of themselves—trying to do too much in too little time—chasing unrealistic, unsustainable growth. There is a sense of misplaced arrogance that some of the founders had; it’s catching up with them.”

    “For the big, established tech giants, I feel it’s another manifestation of insatiable capitalist greed. I can understand layoffs to save a sinking ship, but if you are sitting on billions of dollars, I can’t comprehend why it’s not okay to make a little less money for a few years and let people keep their livelihoods till optimal solutions are found. But then that’s a larger philosophical debate,” he expresses.

    According to Narayan, tech is the industry which has given large scale employment and also the large paychecks. “The industry has been driven by the scale and adoption idea and not profitability. To achieve scale and the speed at which it is being envisaged, it needs people. So they hired for scaling plans,” he brings out.

    Further, he points out, “The ‘what if’ of growth not leading to profitability had been discounted. And that is what is playing up as access to capital dries up. And demand for profitability goes up. Business is driven by profits. And the leaders of the business will have to keep that in focus as they run their businesses. Not just fancy talk of scale, growth, and adoption. This is the hard truth.”

    Shah sheds light on some facts – the layoff spree has been frequently happening within the start-up and tech space. There was a phase for a few years, pre-pandemic, where IT companies and even start-ups had a series of layoffs. Pink slips were shown to employees.

    She says, “The market and economic conditions are too dynamic for job stability, especially in the IT and tech sector. People who join here are aware of this. So what’s important here is how the process is executed and if all the HR policies and compensations are in place or not.”

    “These things have happened in many industries. But the service sector, which is dependent on people, gets affected and highlighted more. But these companies and brands will rebound back after a time lag. One will have to watch to see whether these companies and brands have a permanent layoff or just a time lag off,” Kapoor signs off.

  • Weekend Unwind with: ThinkInk Communications CEO & founder Radhika Nihalani

    Weekend Unwind with: ThinkInk Communications CEO & founder Radhika Nihalani

    Mumbai: With another weekend upon us, it is time to unwind with the latest Q&A edition of Indiantelevision.com’s Weekend Unwind—a series of informal chats that peek into the minds of corporate executives through a fun lens in an attempt to get to know the person behind the title a little better.

    This week’s session features ThinkInk Communications CEO and founder Radhika Nihalani, who has a proven track record of designing and delivering strategic communication plans and campaigns that have a long-term impact on the brand’s target audience.

    Nihalani set up Think Ink Communications to offer effective and engaging PR solutions. With over 15+ years of expansive experience across fields.

    Nihalani’s repertoire of work includes corporate communications, media relations, and image management. Prior to founding Think Ink Communications, Nihalani led publicity strategies for personalities like Ronnie Screwvala and Shiamak Davar and brands like Imagine TV, Wizcraft, and Blue Dart, amongst others. In a short span of five years, Radhika has led Think Ink Communications to be recognised as one of the top ten PR agencies in the country that offers the most innovative PR solutions in the business.

    Till date, the company has serviced over 100 clients across hospitality, lifestyle, entertainment, and corporate. An avid reader and traveller, Nihalani’s passion also includes fitness and music.

    So, without further ado, here it goes…

    • Your mantra for life

    Aim for the stars, and the sky will be yours one day. 

    • A book you are currently reading/plan to read

    I haven’t found time to read a book in a while. But I am a huge fan of thrillers and plan to get my hands on the latest Keigo Higashino book soon.

    • Your fitness mantra, especially during the pandemic

    Every day, set aside 30 minutes for yourself to do something you enjoy, such as running, walking, stretching, climbing stairs, or dancing. Intensity is not as important as consistency.

    • Your comfort food

    Pizza, pasta, butter chicken! 

    • When the chips are down a quote/ philosophy that keeps you going

    There is nothing that can’t be figured out. 

    • Your guilty pleasure

    Instagram.

    • When was the last time you tried something new?

    I am a mother of two who owns and operates two businesses; I am constantly trying new things. 🙂

    • A life lesson you learnt the hard way

    Humour helps you sail through the hardest situations.

    • What gets you excited about life?

    The thrill of setting personal and professional goals for myself and seeing them come true!

    • What’s on top of your bucket list?

    Opening many new verticals in my company and buying a vacation home.

    • If you could give one piece of advice to your younger self, what would it be?

    Never stop working hard. 

    • One thing you would most like to change about the world

    Less hate and less judgement. 

    • An activity that keeps you motivated / charged during tough times

    Thinking of ideas and figuring out solutions. It completely revitalises me!

    • What lifts your spirits when life gets you down?

    Hanging out with my children!

    • Your go-to stress buster

    A good run!

  • Yatin Mehrishi appointed as CEO of Mirchi, ENIL

    Yatin Mehrishi appointed as CEO of Mirchi, ENIL

    Mumbai: Entertainment Network India’s (ENIL) Mirchi, one of India’s largest city-centric music and entertainment companies, has strengthened its leadership position as it has announced the appointment of Yatish Mehrishi as its CEO.

    Prashant Pandey, who was previously managing director & CEO of Mirchi, ENIL, will continue his role and duties as managing director.

    Mehrishi will be spearheading the company’s performance across all dimensions and will continue to ensure Mirchi remains the audience’s go-to destination for all things music and entertainment.

    He is a seasoned professional with over 23 years of experience across diverse sectors spanning FMCG, telecom, and fashion, having worked with organisations like Pepsico, Motorola, and Arvind Fashions, which was his previous stint as chief revenue officer.

    Having worked with ENIL earlier for 11 years as chief operating officer, he brings with him a rich experience and a strong understanding of the radio, media & entertainment industry.

    Commenting on Mehrishi’s appointment, BCCL managing director Vineet Jain said, “Over the past 20 years, Mirchi has evolved into a multi-platform, multi-format brand that has a presence across FM, live, and digital realms. In line with Mirchi’s new transformational journey, I am confident that Yatish’s return to ENIL will help accelerate our journey of being a digital-first brand.”

    Commenting on his new role, Mehrishi said, “I am super excited to be back with ENIL. For years, Mirchi has been the consumers’ go-to for music and entertainment, dominating the audio industry, and now, with its new app, Mirchi Plus, it is set to redefine the audio entertainment industry further. With the recent shift in consumer behaviour towards digital, I am looking forward to championing Mirchi’s digital journey and replicating our radio journey’s success.”

  • Sony-Zee merger marks the start of consolidation in the TV industry: Ashish Bhasin

    Sony-Zee merger marks the start of consolidation in the TV industry: Ashish Bhasin

    Mumbai: Recently, the shareholders of Zee Entertainment Enterprises (ZEEL) gave their approval for the proposed merger with Sony. RD&X Network co-founder & chairman Ashish Bhasin feels that this is the first step of consolidation in the TV industry.

    “I think that in the coming three to five years you will see more major players being born through consolidation with deeper pockets and more muscle. They will join Disney-Star India, Sony-Zee, Warner Bros. Discovery and others. On OTT as well, there will certainly be consolidation. OTT will run through a similar cycle to TV. TV saw lots of smaller players. Now consolidation is happening. In OTT, I expect something similar, though, with a lag in the timeline. Furthermore, as 5G expands and consumers begin to cut the cord, the line between what is TV and what is OTT will blur. I am certain that consolidation will be the rule. All the big players will look for more and more consolidation opportunities.”

    He further pointed out that mediums that do not go in for consolidation will always struggle. He gives the outdoor industry as an example. “The strength to invest is not there. Bettering the quality of the medium will not happen till there are fewer but larger, consolidated players, with a longer-term vision. Not consolidating will be a handicap for the medium. Print is reasonably consolidated in some ways. And print is slightly different as many organisations have a long history. Some were set up before our independence. It plays a role that is beyond commercial. So the journey there will be different. But apart from print, consolidation will be important moving forward in every medium.”

    Talking about the ramifications of the Sony-Zee merger, he noted that this is the beginning of consolidation in the Indian TV industry. “There will be fewer, bigger, consolidated players. The reason for this is that content is becoming more and more expensive in games. Distribution does not come easy and cheap. The Sony-Zee merger is probably the first step towards that. Consolidation will happen across genres and languages.” He added that there are many regional channels and smaller channels that may be acquired. Also, with OTT becoming important, there is scope for better consolidation there and with digital in general.

    A larger player means more content investment, which will have a positive impact on ad revenue growth. “A very strong entity will be created. Between the two of them, excluding sports, they have a market share of closer to 25 per cent. That gives them the opportunity to get better content. This will also result in better distribution. If that happens, viewership will improve and so will ad revenues. Ultimately, ad revenues are a function of supply and demand. If they create stickiness through better content, then ad revenues will also go up. Zee and Sony are very experienced players. So together they will become an even more formidable combination.”

    He agrees that they will get better bargaining power both on the content side and the advertising side. Furthermore, they can engage in more innovations and experiments. “But it is not just about power. There will be a combination of many benefits. They will be able to do better, bigger packages, deals across genres.” He also noted that stronger consolidated players can result in better deals and gave the example of cricket rights being sold for a huge upside (IPL, ICC).

    On the OTT front, he believes that the merger provides the entity with a greater opportunity to acquire better content. “A merger of this size will give clout in multiple areas, not just in one silo.” In terms of cultural synergy, he noted that in any merger and acquisition, one of the key targets is how do you integrate? Culture is a key part. “Acquiring organisations are geared up to make sure that this area is addressed. Each organisation has a different DNA. The challenge of the leadership is retaining the essence of the DNA while at the same time getting them to work in one direction. This is an on-going exercise. I am sure that Sony-Zee have already thought of it and they already have a plan.”

    Speaking about the Warner Bros.-Discovery merger, he said that it is important to measure potential impact not against the universe but within the niche that it is playing within. “Every merger handled well has a positive impact. If an advertiser only targets kids and the merger creates a big leader, say in kids, then it is a very different scenario for both the entity and that advertiser.”

  • Sony Pictures Networks India rebrands channel portfolio

    Sony Pictures Networks India rebrands channel portfolio

    Mumbai : Sony Pictures Networks India (SPNI) has rebranded all its network channels to be more aligned with Sony’s global ethos.

    Sony’s networks exist at the crossroads of technology and entertainment, and the logos reflect that the new branding colors are vibrant, inspiring, and reminiscent of a brilliant light spectrum.

    The logo’s curve is inspired by the swing of the Sony-S, and the dominant background is synonymous with the Sony brand.

    Sony has created a visual thread that connects the diverse family of Sony’s networks and reflects the 360-degree entertainment experience with this uniform shape and associative color play.

    SPNI managing director & CEO N.P Singh said, “The power of the Sony brand and its values have driven our work ethics so far, and today, it reflects in our channel-brand architecture as well.”

    “The work that we started three years ago has now reached fruition. We are creating a powerful unified entertainment conglomerate with a broader appeal by refocusing our existing channel portfolio in its latest look and feel,” he adds.