Tag: entertainment

  • Kamal Haasan signs up with Alliance Media & Entertainment

    Kamal Haasan signs up with Alliance Media & Entertainment

    MUMBAI: Padma Shri actor-writer-director Kamal Haasan has agreed to do brand endorsements and has signed up exclusively with celebrity and talent sourcing and management firm Alliance Media & Entertainment for this purpose.

    This marks a first in the actor’s nearly five decade long career which began when he started acting as a 3-year-old.

    Alliance Media & Entertainment founder and MD Sunil Doshi said, “We shall soon announce which brand Mr Kamal Haasan will be endorsing. Mr Kamal Haasan is known for his ideals and principles, and needless to say, we shall advise him to pick a brand that fits with his values and stature, and will have a campaign to match.”

    Haasan said, “I have signed up with Sunil Doshi’s Alliance Media because I believe it is India’s most respected talent management firm and is known to provide excellent strategic counsel to several top celebrities and personalities. I look forward to yet another first – that of brand endorsement – in my creative life, and to keep being able to do my bit for society.”

    Revealing why Kamal Haasan has decided to go in for brand endorsement, Doshi said, “Kamal Haasan has certain plans for his work in social service, but is also unwilling to rely on external sources of funding those plans. Therefore, he feels that endorsements with leading companies and brands that have a strong commitment to society and causes would be an appropriate and independent means of fulfilling his vision.”

  • Spielberg’s Jaws to release on Blu-Ray on 14 August

    Spielberg’s Jaws to release on Blu-Ray on 14 August

    MUMBAI: Steven Spielberg‘s Jaws that shattered box office records in 1975 debuts in high definition this August with improved picture, an expanded sound mix and a collection of in-depth bonus materials.
     
    It releases on Blu-ray on 14 August on Universal Studios Home Entertainment According to a press release issued by Universal, Jaws was restored from the original camera negative after researching and evaluating all of the existing film elements, which included inter-positives, 35mm prints and other materials.
     
    Using New York‘s Cineric restoration facility, Universal scanned the negative "through a liquid gate process that eliminates surface scratches." The files of this scanned film were transferred to servers at Universal Studios Digital Services, where technicians of the studio‘s balanced colour, removed dirt and scratches and otherwise repaired any damage on a frame-by-frame basis.

    The 1975 film joins a collection of 13 that Universal is digitally re-mastering and restoring to commemorate the studio‘s 100th Anniversary celebration.

  • Rohit Gopakumar joins as Percept Intellectual Properties COO

    Rohit Gopakumar joins as Percept Intellectual Properties COO

    MUMBAI: Rohit Gopakumar has joined as Percept Intellectual Properties chief operating officer.


    In his new role, Gopakumar will be responsible for managing and leveraging the IPs currently owned by Percept Group. He will also be focused on conceptualising and developing new and innovative IPs for the group.


    The Percept IP vertical includes all Intellectual Properties created and owned by the Percept Group, including IPs in the live entertainment, sports, celebrity management, digital and media space.


    Gopakumar comes with an experience of over 17 years in the media industry spanning print, television, experiential and digital domains. He was previously with Aidem Ventures in the capacity of director and executive vice- president and spearheaded multiple projects, client businesses and partnership. He has also created Intellectual Properties like Business Leadership Awards and the Car & Bike Awards.


    Percept Limited joint managing director Shailendra Singh said,”Percept is India’s only conglomerate that provides 360- egree services in the Entertainment, Media and Communications (EMC) Industry. We are now scaling up our strategic efforts to develop Intellectual Properties, thereby creating a remarkable and memorable legacy forever. With Rohit’s diverse exposure to the Media industry, we shall take Percept’s IPs into its next glorious phase.”


    Gopakumar said, “Clients are now looking for that one differentiator to be spelt out, before partnering on any new ideas. Having been exposed to a multitude of client needs across various media, I feel it is a perfect platform to identify those need gaps and create offerings tailor-made for genres or specific client needs. I look forward to consolidating and leveraging our efforts in the area of IP creation and management, giving a new phase to the Percept IPs vertical.”

  • Kids channels travel the extra mile in 2009

    Kids channels travel the extra mile in 2009

    Kids channels ran the extra mile in 2009, expanding the genre by 7.9 per cent as they localised and became more interactive with their target group consumers.

    The 5.8 per cent share of the overall TV viewership pie was led by a 13 per cent growth in the Hindi speaking market (HSM) as the tiny-tots migrated from other genre channels. This despite various property launches among Hindi general entertainment channels (GECs), reality shows and the Indian Premier League (IPL).

     
    Kids Genre Share %
     
    2008
    2009
    % Growth
    All India
    5.4
    5.8
    7.98
    HSM
    5.7
    6.5
    13.35
    Source: TAM, C&S 4-14
     

    Admits Nick India SVP and GM Nina Elavia Jaipuria, “During the year, kids moved away from news, sports, cable and music. This is because within such categories, kids have mostly acted as passive viewers. Kids always prefer to be active audiences, thereby desiring for tailor-made content that suit their viewing tastes.”

    Agrees Turner International India VP and deputy general manager entertainment networks – South Asia Monica Tata: “Changes in genre consumption amongst kids and family audiences, who preferred a bit more of news and regional entertainment, combined with single TV phenomenon has led to this blip in 2009 kids genre shares.”

    The HSM market also saw a boost in its 2009 viewership as the target group was provided with more choices due to increased competition. Last April, Viacom18‘s Nick edged out market leader Cartoon Network to become the most-watched kids channel across the HSM. Later, Hungama TV from the Disney stable also occupied the number one spot during various weeks, thereby offering kids with more selection penchants.

    So what led to such fluctuations in the HSM space?

    Says Jaipuria, “2009 brought in more food to the audiences and with consumers acting as the clear kings, broadcasters became more innovative and stepped outside the television sets. Competition rose high, and content was infused with various spikes and reactive strategies to pull in more audience stickiness. This led to quite a few fluctuations in the top slot.”

    Within the all-India and HSM category, again, there are a few transitions. While Cartoon Network continues to hold the fort in the all-India segment, the channel has seen a three per cent dip over the previous year to end 2009 with a 24 per cent market share.

    Sibling channel Pogo too has managed to retain the number two slot in the space. The channel has seen a rise in its market share from 20.34 per cent in 2008 to 22.23 per cent in 2009.

     
    Kids Genre Share % All-India
    Channel
    2008
    2009
    Cartoon Network
    27.53
    24.10
    Pogo
    20.34
    22.23
    Nick
    15.56
    19.29
    Hungama
    19.06
    17.61
    (Disney XD) Jetix
    10.79
    9.10
    Disney Channel
    6.697
    7.25
    Spacetoon Kids TV
    0
    0.42
    Source: TAM, C&S 4-14, All India
     

    Says Tata, “2009 sealed another year of supremacy for Cartoon Network and Pogo as the clear kids‘ favourite channels across India with a combined market share of 44.1 per cent.”

    The HSM leadership slice, however, has a new story to narrate as with the year ending, the segment has seen a rise of a new leader in Nick. Dethroning market leader Cartoon Network from the top, the Viacom18 channel has emerged as the No 1 channel in the HSM space.

    The channel has closed the year with a 23 per cent market share, one point above the new second in command, Cartoon Network.

     
    Kids Genre Share % HSM
    Channel
    2008
    2009
    Nick
    20.18
    23.01
    Cartoon Network
    24.33
    22.08
    Pogo
    17.95
    21.33
    Hungama
    25.03
    20.98
    Disney Channel
    8.15
    8.17
    (Disney XD) Jetix
    4.33
    3.91
    Spacetoon Kids TV
    0
    0.53
    Source: TAM, C&S 4-14, HSM
     

    Says Jaipuria, “The Nicktoon-characters have helped Nick establish space and engagement with the kids leading to an increase in the stickiness of the channel.”

    Also, the channel has managed to take viewers beyond television, thus making it more tangible. “And I think we did that very successfully with our experimental 360 degree marketing philosophy – we wanted to be in every place where children are,” she adds.

    Meanwhile, when combined, Cartoon Network and Pogo are still placed at the top and enjoy an increased combined relative share of 43 per cent in 2009 (compared with 42 per cent in 2008) in HSM, says Tata.

    South Story
    And now, as far as trekking the southward street is concerned, the journey was a little more rutted as the genre de-grew by 10 per cent. As per Tam, the segment that had grabbed a 4.02 per cent of the overall kids‘ pie in 2008 fell to capture a 3.6 per cent of the slice in 2009.

     
    Kids Genre Share %
     
    2008
    2009
    % Growth
    South
    4.02
    3.6
    -10.447
    Source: TAM, C&S 4-14
     

    Says Tata, “South India also has very unique viewing dynamics in terms of consumption of TV genres compared with the rest of India, with each of the four states having distinct consumer preferences and habits.”

    Elaborating further, Jaipuria explains that southern viewers prefer general entertainment channels more than any other category as they cater to kids and family through regional characters and localised products.

    Meanwhile, CN indisputably continues to rule the region exhibiting its leadership crown. Placing itself at the second spot, however, is not CN‘s sibling channel Pogo, the second in command in the all-India market, but Disney‘s XD channel that is fed on action adventure content and targeted at only boys between the age-group of 6-10.

     
    Kids Genre Share % South
    Channel
    2008
    2009
    Cartoon Network
    30.30
    26.13
    Disney XD (Jetix)
    23.13
    24.10
    Pogo
    22.28
    20.91
    Chutti TV
    16.12
    19.05
    Nick
    2.85
    3.59
    Hungama
    2.84
    3.28
    Disney Channel
    2.43
    2.94
    Spacetoon Kids TV
    0
    0
    Source: TAM, C&S 4-14, South
     

    Says Tata, “Despite challenges, Cartoon Network continued its leadership and sustained its number one position with the highest market share in 2009.”

    Advertising potential

    As the year hit straight into slowdown, kids broadcasters faced an ad slump. As a result, initially kids channels were stressed to move to quarterly deals with big advertisers, slash ad rates and see brands walk out. However, things began to improve from the second half of the year wherein the category grew by almost 20 per cent over 2008.

    Says Jaipuria, “In 2008, the ad revenue size of the all-India kids sector accounted for about Rs 1.5 billion. And despite recession, the size has grown by about 20 per cent to end the year at about Rs 1.7-1.8 billion.”

    Apart from traditional advertisers, broadcasters state that a lot of non-traditional advertisers across sectors like FMCG, investment banks and durable products are also eyeing the kids space. The rationale behind this, they feel, is an increase in the co-viewing pattern and also the mere pester power of kids who have the ability today to influence parent‘s decisions.

    According to marketers, almost 30 per cent advertisers reach out to the adult audience (that is 15+). These include companies such as Procter & Gamble, Eureka Forbes, Samsung, Honda Jazz, Gillette, Titan, Aegon Religare Life Insurance, LIC India, Godrej Sara Lee, Sun Direct TV, Tata-Sky, Reliance Big TV, Johnson & Johnson, Colgate Palmolive, Hindustan Unilevers, Reckitt Benckiser, SC Johnson, Marico, Vodafone, Bharti Airtel, LG Electronics, Voltas, Whirlpool, Hitachi, Tata Tea and L‘Oreal.

    And thus, CN is looking at upping its non-traditional clientele in the New Year.

    Says Tata, “We expect great growth from non traditional clients as over 30 per cent of advertisers on Cartoon Network are non-traditional advertisers, strongly reiterating that animation cuts across age-groups and compelling content has legs that travel across.”

    Welcome 2010

    As localisation almost became a mantra for kids broadcasters in 2009 to drive viewership range, the year witnessed the increase of home grown content. Kids channels plan to remain aggressive in creating more localised products to improve viewership as a whole.

    Says Tata, “Today, there is a marked increase and recognition within the industry on the merit and need for localised content. Cartoon Network and Pogo have led the way in both home grown animations as well as live action shows with Pogo‘s Original Productions. As we see it, 2010 will have a stronger focus on localisation with more increased local collaborations.”

    The year also intends to call for a further exploration of different programming as kids already consume a wide cross section of genres that include action, comedy, drama, movies and game shows. “2010 will see exploration within these genres mining different proportions,” says Tata.

    Meanwhile, kids channels believe that digital media will play a key role during the year and fast become a key growth avenue for broadcasters.

    Says Tata, “The real and virtual world divides are getting blurred as is evident from Cartoon Network‘s patented research study on kids‘ lifestyle, New Generations 2009. 49 per cent of the kids aged 7-14 years have used a computer in the past one month, and 15 per cent of all kids 7-14 who surfed the internet in the past one month, two-thirds are at least weekly users. In 2008, it was 10 per cent.”

    Challenge ahead….

    Currently, kids broadcasters populate about seven per cent of the total television viewership region but in terms of ad revenues, it is just 2 per cent of the total television ad pie.

    Thus, the challenge ahead will continue to be to get rid of the baggage that the space has been carrying over the years where advertisers are used to paying to the GECs.

    Meanwhile, for kids channels gearing up for more action down South this year, the braving of the swords will be even more.

    Disney, which already has two of its channels (Disney XD and Disney Channel) talking in Tamil and Telugu, recently localised Hungama TV in these two markets. And now Nick, the only kids channel to stay out of this play zone, is also readying for a launch in the southern market later in the year.

    Says Jaipuria, “South is an extremely challenging zone. This is because in this region, kids are used to watching general entertainment channels in their local language which exhibit regional relevance. Therefore, just syndicating HSM product and dubbing will not help in creating channel stickiness. It will be an extremely challenging task to dub and make relevant content.”

    It is pertinent to note here that kids broadcasters are being propelled to speak in the southern language because South India comprises a substantial viewing of the all India universe. In 2010 (first 2 weeks only, Tam‘s expanded Universe estimation), South comprised 27 per cent of All India kids Universe (42.7 million Kids All India).

    “Thus, by the sheer size of the market, there is immense scope of expansion for revenue and viewership,” says Tata.

    Elaborating on this, Madison Media Group CEO Punitha Arumugam notes that treading the South zone will help kids channels not just garner national but also attract regional revenues.

    “The entry of new players in the South zone will actually help the genre to grow with each grabbing a share of its own pie. However, the share of revenues will not grow much but, instead, only get dispersed,” she opines.

  • First NT Awards Delhi jury meet ends, 200 entries screened

    NEW DELHI: The three-day New Delhi chapter of the jury meetings for nominating awardees for the country’s first NT Awards of Indiantelevision.com concluded here today, after the jurors watched close to 200 representations sent by various news channels.

    The channels had sent in their representations in various categories – with each category having separate Hindi and English sections.

    Of the entries received, those in the categories of Entertainment, Lifestyle & Fashion and Talk Show (Hindi) – were screened today and were evaluated by a jury comprising some of the leading scribes and creative persons in the respective fields.

    The categories screened yesterday – the second day of the jury meeting – had included both hard news and business news reports.

    Of these, the hard news segment included daily newscast (Hindi and English); news documentary programme (Hindi and English) and crime show (Hindi).

    The business section included various other categories, like talk shows, news reports and documentary among others, for which jurors with specialisation in business reporting met in a screening room separate from the one in which the hard news items were watched.

    The jurors found the entire exercise free and independent, with entries being marked first on a rough score card. These entries had to be transferred by the jurors themselves into the final ballot, and signed by them.

    The final ballots were then shipped to the independent auditing team from the reputed agency, Ernst & Young, who were present in the same building complex in a separate room.

    The ballots marked by them were then tabulated by the auditors and the names of the top five were given in print in the stationary of the auditing company.

    Finally, the jurors were required to sign the names of the top five sent in by the auditing firm, though the names of the final winners are still being kept a strict secret known to the auditors alone.

    The elaborate procedure has been made fool proof and tamper free, in the usual international standard and procedure followed.

    The jurors had the freedom to do two things: one, decide how long of each item they would like to watch; and two, whether an individual entry did not at all fit into the category for which the particular channel had sent the representation. In both instances, the jury had to come to a consensus, without which no decision on these two issues were taken.

    The Mumbai chapter of jury meeting will take place later this month, with categories like sports, promos, etc., being evaluated for nomination.

    The final award ceremony will be held in Delhi in the middle of July and prizes for the best products in at least 50 categories would be given away.

  • Disney’s ‘Haunted High School Musical’ to be released in theatres in 2008

    MUMBAI: Walt Disney Motion Pictures president of production Oren Aviv has announced that the High School Musical franchise will hit the big screen in 2008 with a musical feature titled Haunted High School Musical.

    The Disney musical has received global recognition and has become a phenomenon among youngsters across the world. Aviv states, “Given the enormous universal appeal and phenomenal popularity of the ‘High School Musical’ franchise, we wanted to bring that same energy, excitement and entertainment to the big screen with a unique and original idea. We’re now ready to transform ‘High School Musical’ into a memorable theatrical musical experience with ‘Haunted High School Musical.”

    The Emmy Award-winning Disney Channel original movie premiered in 2006 and went on to reach over 100 million viewers worldwide. In the U.S. the movie’s soundtrack was the No. 1 album of the year in 2006 (certified quadruple platinum by the RIAA) and is a top-seller in international territories. Additionally, 6.5 million DVD units have been sold to date around the world, states the company.

    High School Musical 2, reuniting the film’s original cast with director Kenny Ortega, will premiere on Disney Channel this summer.

    As a take off from the movie, the 42-date arena concert tour featuring cast members Ashley Tisdale, Vanessa Hudgens, Lucas Grabeel, Corbin Bleu, Monique Coleman and special guest star Drew Seeley (Zac Efron was unavailable due to his movie production schedule) was sold-out. Additionally, Disney Theatrical has licensed the script for local school productions, and it is anticipated that 2000 schools will produce stage versions in the first year alone.

    Internationally the High School Musical aired on Disney Channels (26 worldwide) and free-to-air broadcasters, reaching over 100 countries. For the September 2006 premiere in India, the music was re-recorded in Hindi with Indian instrumentation and rhythmic beats to achieve a “Bollywood” sound.

    In India the HSM phenomenon spread to a multi-city on ground activity tilted ‘My School Rocks,’ giving an opportunity to twinkle toed kiddies from across the country to represent their schools by auditioning to the music of the local adaptation of the musical.

    Disney Channel Worldwide president Rich Ross stated, “When people think ‘big screen’ for a TV movie, they generally don’t think this big – but no plasma TV could contain our plans for ‘High School Musical 3,’ thanks to the Walt Disney Studios.”

    Disney Channel Worldwide president – entertainment Gary Marsh commented, “‘High School Musical’ exploded off the TV screen and into the lives of kids and families everywhere. It skyrocketed to heights never before achieved by a TV movie, so it’s only fitting that its next incarnation should be as a major motion picture. Now millions of kids and families can ‘get their heads in the game’ one more time — and continue to experience this cultural phenomenon”

    High School Musical premiered on Disney Channel on 20 January 2006, and went on to win the Television Critics Association Award for Outstanding Children’s Programming, and received two Emmy Awards (of its total six nominations), a DGA Award, an Imagen Award for Best Children’s Program and a Humanitas Prize nomination. The soundtrack received a Billboard Music Award for Soundtrack of the Year, and was nominated for an American Music Award in the Favorite Album (Pop/Rock) category. The film even earned an entry in the Guinness World Record Book as the first TV movie to deliver nine concurrent singles on the Billboard Hot 100 chart.

    Additionally, High School Musical has spawned a No. 1 New York Times bestseller – High School Musical – The Novel, which has sold over 1.2 million copies. High School Musical was also the first TV movie to be offered on the iTunes Music Store, adds the release.

     

  • bbcnews.com to hold mobile photo contest for South Asia

    bbcnews.com to hold mobile photo contest for South Asia

    MUMBAI: BBC News website has launched its first Mobile Photo Contest for South Asia.

    Themed My Changing World’, the contest will be open till 31 March 2007, with prizes to be won every week. Details of the contest are available on bbcnews.com/contest.

    BBC News Interactive head Steve Herrmann said, “The pictures we receive every day from our audience are changing the way we report the world. This contest is specifically for our South Asian audience. We think this will be a good way to engage with younger audiences across the region, and hope it will be fun to take part in.”

    The contest invites mobile photos from people across South Asia, and offers participants a chance to win BBC merchandise every week. This is in addition to prizes such as an iPod Video, Digital Camera, and Worldspace radio at the end of the contest. Every week, the website will feature some of the best and most interesting picture entries.

    The BBC News website offers a selection of news, entertainment, business, science, technology, and sport news.

    The BBC News website claims to receive over 900 million page impressions every month, and has around 40 million unique users a month.

  • Nickelodeon unveils virtual community playground ‘Nicktropolis’

    Nickelodeon unveils virtual community playground ‘Nicktropolis’

    MUMBAI: Nickelodeon, a division of Viacom Inc.’s MTV Networks, has launched new kid-targeted virtual community titled Nicktropolis on 30 January. It promises to offer visitors multi-media experience giving them an opportunity to engage in a virtual world filled with web-based activities.

    According to an official release issued by the company, (at Nicktropolis, available at http://www.nicktropolis.com/ or through http://www.nick.com/), kids will have their own virtual community where they will have the opportunity to play games, watch video, explore Nickelodeon-branded and original environments, interact with other kids or Nickelodeon characters in real time, and create their own personalized 3D rooms.

    “Virtual worlds like Nicktropolis are part of our strategy to bring immersive, relevant entertainment experiences to our audiences wherever they are, and to build communities around our content across every kind of platform,” said MTVN chairman and CEO Judy McGrath. “The virtual worlds we’ve been building across our networks give the fans of our brands the high level of interaction they want with one another, and with the content itself.”

    Kids enter Nicktropolis by assuming an “avatar” that they design and personalize, choosing from an array of hairstyles, skin tones and clothing styles. Once a user selects a destination, the avatar appears in the particular environment and can move around simply by clicking where he/she wants to go.

    “Nickelodeon has a deep connection with kids, and Nicktropolis is built from our knowledge that kids’ interest in social networking is all about gaming,” said Nickelodeon and MTVN Kids and Family Group president Cyma Zarghami. “Nicktropolis serves as a one-of-a-kind multimedia virtual entertainment playground for kids that allows them to watch video from our immense library of programming, play games, interact with our characters and safely communicate with each other through controlled chat.”

    The site offers a 3D environment consisting of four main areas containing multimedia experiences, gaming, and opportunities to personalize their space, create video play lists of their favourite Nickelodeon content, and interact in a safe, community environment. Additionally, the company states that Nicktropolis incorporates numerous safety features to ensure kids’ virtual playground experience is as safe as possible. Participation in Nicktropolis relies entirely on the anonymous registration system, which does not allow kids to divulge personal, identifiable information, adds the release.

    Nickelodeon’s Nicktropolis is MTV Networks’ latest move in serving its audiences through original online and wireless content across all of its brands. This follows from Nickelodeon’s latest research study, Living in a Digital World (2006), which found that 86 per cent of kids 8-14 are gaming online; more than half (51 per cent) are watching TV shows and videos online; 37 per cent are instant messaging and 12 per cent are participating in chat rooms.

  • Sirius Satellite Radio launches urban comedy channel

    Sirius Satellite Radio launches urban comedy channel

    MUMBAI: SIRIUS Satellite Radio announced the launch of its ‘exclusive urban comedy, entertainment and lifestyle channel’ The Foxxhole with actor and comedian Jamie Foxx.

    Foxx will take on the role of an executive producer, on-air host and contribute content for the channel. Marcus King who has worked with Foxx on many television series will also serve as executive producer.

    An official press release states that the 24/7 channel will feature urban comedy hits from a large number of comedians, and will create groundbreaking approaches to presenting comedy to radio listeners, as well as showcase music, skits, radio theater and more. The Foxxhole will launch on SIRIUS channel 106.

    “The Foxxhole will break new ground in comedy, blurring the lines between stand-up, sketch, and music,” said Foxx. “SIRIUS Satellite Radio gives me the opportunity to create urban entertainment and programming like you have never heard on the radio.” An added attraction is that Foxx will be heard on the channel daily with a segment featuring dispatches from Jamie no matter where he is in the world. Also, Foxx and his team of contributors will host a weekly show on the channel. The show will feature original comedy bits and explore new approaches to radio theater.

    Jamie Foxx is a triple threat in the world of entertainment and we are thrilled to have him make his radio home at SIRIUS,” said SIRIUS Satellite Radio president entertainment and sports Scott Greenstein. “SIRIUS has established itself as a leader in groundbreaking exclusive programming. The Foxxhole adds yet another compelling element to our channel lineup.”

    The Foxxhole joins a powerful lineup of comedy, music, variety and entertainment channels on SIRIUS, including Raw Dog: Comedy Uncensored, Blue Collar Comedy, Laugh Break, Eminem’s Shade 45, Hip-Hop Nation, and SIRIUS Hits 1.

  • CFOs to play bigger role in media and entertainment business: E&Y

    MUMBAI: Media and entertainment companies are redifining the role of their finance executives in the changing landscape of convergence and competition, according to a report by Ernst & Young.

    “As companies scale up, the chief financial officer’s role is becoming increasingly critical both in capital raising for growth and management of risks,” the survey said.
    Driving this change are the advances in mobile technologies and increasing public expectations as on-demand content gains in the marketplace. The key agents for change in the industry are changing content and distribution models as well as mobile entertainment devices.

    The survey, “Center Stage: CFOs and Finance Executives In The Spotlight Of An Industry In Transition,” was released in Mumbai today by Ernst & Young global head – media & entertainment practice John Nendick. The interview covered over 200 finance executives including views of 46 CFOs (six from India) and 140 online participants from major media and entertainment (M&E) companies across the world.

    Says John Nendick, “We are delighted to release this global survey in Mumbai, which is home to one of the most vibrant and fastest-growing M&E markets in the world today. Several Indian M&E players are in the midst of rapid transition, brought on by a booming consumer base and the twin forces of convergence and competition.”

    Finance executives are playing a larger role in the media and entertainment industry, which includes moving beyond handling the plain vanilla finance function to assisting the CEO in strategic decision-making, including scenario analysis, customer product analysis and investment optimisation.

    “Maintaining a risk-reward balance, rapid changes in the M&E industry have made it more complex and unpredictable. While this has brought many opportunities, there are risks that also have to be considered. This has placed the CFO function in a critical position. CFOs in the M&E space have to analyse how enterprise can derive more value from existing investments and operations,” the study points out.

    CFOs play a key role in mergers and acquisitions activity, starting from assessment, evaluation and integration. This includes post merger performance tracking of an acquired entity against original investment criteria.

    CFOs interviewed in the study also feel that they are prone to missing out on opportunities to reduce taxes. According to the study, 76 per cent of the CFOs believe tax planning should be a key priority for executives.

    Anytime Anywhere Entertainment

    Changing content and distribution models will have a severe impact on the industry over the next two to three years, 86 per cent of participants felt.

    Adoption of personal entertainment and communication devices (MP3 players, mobile telephones etc.) will have the greatest impact, according to 79 per cent of the participants. Expanding global universe of mobile wireless subscribers ensures that the ‘anytime, anywhere’ entertainment will continue.

    According to the study, finance executives of global M&E companies believe that the businesses that will emerge as winners are those that welcome the new distribution channels and are capable of identifying the right content for the specific delivery vehicle.

    The Future is Internet

    To the question of business models for media and entertainment companies most likely to thrive in future, 77 per cent of the study participants consider Internet media providers as the most likely market winners, whereas only 24 per cent view cable operators as thriving businesses in the future. New (independent or cable channel) content creation and electronic gaming are rated as second and third business models in a best position to thrive.

    Radio broadcasting, newspapers and periodical publishing are not thriving business models, CFOs and finance heads of global M&E companies said. Whiler only 11 per cent favoured radio, 13 per cent were keen on publishing businesses as best positioned to thrive in next two to three years.

    The survey is a continuation of Ernst & Young’s series of studies exploring strategic issues and trends transforming the media and entertainment industry worldwide.