Tag: English Entertainment

  • FICCI Frames 2016: Digitization is a boon, but subject to how it is utilized by all stakeholders

    FICCI Frames 2016: Digitization is a boon, but subject to how it is utilized by all stakeholders

    MUMBAI: Even as a general consensus emerged on digitization being a boon, questions were raised at the ongoing FICCI FRAMES meet on whether the concept and advantages of the concept have been fully understood.

    Even as the TV industry has leapfrogged to more than 800 channels, and Indian Pay TV made the leap from analogue to digital and travelled from single to multi-platforms, the session on ‘Future Proofing Broadcast Distribution’ showed there are still some apprehensions on how the new technology can be used.

    The panelist included Times Network MD& CEO MK Anand, Ortel Communication CEO Bibhu Prasad Rath, Indusind Media and Communication MD & CEO Tony D Silva and Microsoft Corporation India Microsoft Azure and server business country head Srikanth Karnakota. The session was moderated by Zee Network president (Legal & Regulatory) Avnindra Mohan.

    Mohan set the ball rolling with a perplexing question on whether the industry had fully understood the implications of ditigization and convergence and whether stakeholders realized that they can use the same network for delivering different content through different modes of mediums. Thus, he said it shows a paradigm shift in the entire gambit of the distribution system.

    “Digitization has been a boon for the broadcast industry. From the broadcaster point of view, digitization started when the Direct to Home (DTH) system launched in 2003 in India. English news and other English general entertainment channels were being treated as the outsiders for the broadcast business. We had 65 million viewers in English from 2000 to 2005 whereas the total number of television viewers was 400 million. The number of English viewers has grown to 200 million now and that happened because of digitization,” says Anand.

    Anand added that in the next five to ten years, the English entertainment viewership should cross 300 million which is almost close to Hindi general entertainment channels viewership due to digitization.  “Times Now has a very strong and loyal audience in a month we cross the viewership of two and half crores but people don’t know that we have 13 crores of viewers on New Media platform,” informs Anand.

    Being a multi-system operator sharing views on the kind of business opportunities Ortel Communication can have in such a scenario, Rath felt India has grown in a unique fashion for the last two decades but the quality of the networks has been compromised. “The Set Top Box is not a solution to a network and we need to handle Phase III and IV in a different manner and not as Phase I and II”, he added.

    Noting that “we in India do not have one definition for Digitisation.It has been portrayed differently by others”, D’silva asked what the country wanted to achieve through digitization. “I believe there should a national objective about what they want to achieve from digitization. In most the industry today including DTH, 50 per cent of revenue goes in tax”. He felt progress was difficult unless the tax was supportive, but this was not going to happen. “It is the MSOs who are putting up the money and buying the STBs. So there has to be a logical regime of taxation. The STB is the only starting point of digitization. There should be an environment where technology and digitization should go hand in hand,” he felt.

  • FICCI Frames 2016: Digitization is a boon, but subject to how it is utilized by all stakeholders

    FICCI Frames 2016: Digitization is a boon, but subject to how it is utilized by all stakeholders

    MUMBAI: Even as a general consensus emerged on digitization being a boon, questions were raised at the ongoing FICCI FRAMES meet on whether the concept and advantages of the concept have been fully understood.

    Even as the TV industry has leapfrogged to more than 800 channels, and Indian Pay TV made the leap from analogue to digital and travelled from single to multi-platforms, the session on ‘Future Proofing Broadcast Distribution’ showed there are still some apprehensions on how the new technology can be used.

    The panelist included Times Network MD& CEO MK Anand, Ortel Communication CEO Bibhu Prasad Rath, Indusind Media and Communication MD & CEO Tony D Silva and Microsoft Corporation India Microsoft Azure and server business country head Srikanth Karnakota. The session was moderated by Zee Network president (Legal & Regulatory) Avnindra Mohan.

    Mohan set the ball rolling with a perplexing question on whether the industry had fully understood the implications of ditigization and convergence and whether stakeholders realized that they can use the same network for delivering different content through different modes of mediums. Thus, he said it shows a paradigm shift in the entire gambit of the distribution system.

    “Digitization has been a boon for the broadcast industry. From the broadcaster point of view, digitization started when the Direct to Home (DTH) system launched in 2003 in India. English news and other English general entertainment channels were being treated as the outsiders for the broadcast business. We had 65 million viewers in English from 2000 to 2005 whereas the total number of television viewers was 400 million. The number of English viewers has grown to 200 million now and that happened because of digitization,” says Anand.

    Anand added that in the next five to ten years, the English entertainment viewership should cross 300 million which is almost close to Hindi general entertainment channels viewership due to digitization.  “Times Now has a very strong and loyal audience in a month we cross the viewership of two and half crores but people don’t know that we have 13 crores of viewers on New Media platform,” informs Anand.

    Being a multi-system operator sharing views on the kind of business opportunities Ortel Communication can have in such a scenario, Rath felt India has grown in a unique fashion for the last two decades but the quality of the networks has been compromised. “The Set Top Box is not a solution to a network and we need to handle Phase III and IV in a different manner and not as Phase I and II”, he added.

    Noting that “we in India do not have one definition for Digitisation.It has been portrayed differently by others”, D’silva asked what the country wanted to achieve through digitization. “I believe there should a national objective about what they want to achieve from digitization. In most the industry today including DTH, 50 per cent of revenue goes in tax”. He felt progress was difficult unless the tax was supportive, but this was not going to happen. “It is the MSOs who are putting up the money and buying the STBs. So there has to be a logical regime of taxation. The STB is the only starting point of digitization. There should be an environment where technology and digitization should go hand in hand,” he felt.

  • Chrome Week 11: English Movies gains 4.9 % of growth; Movies Now leads the genre

    Chrome Week 11: English Movies gains 4.9 % of growth; Movies Now leads the genre

    MUMBAI: English Movies emerged as the most benefited genre with 4.9 percent growth. Movies Now was at the top of the chart with 54.5 per cent opportunity to see (OTS) in week 11 as reported by Chrome Data Analytics & Media.

    Next in the tally was Business News in the six metros which witnessed growth of 3.8 per cent with CNBC Awaaz as the most benefited channel in the genre with 82. 6 per cent OTS.

    The sports genre bagged the third spot in the chart which saw growth of 3.6 per cent with DD Sports leading the genre with 80.0 per cent OTS on an all India basis. Last but but not the least, English News in the six metros grabbed the fourth slot with LokSabha TV topping the chart with 92.4 per cent OTS.

    Among the losers this week, the religious section recorded a fall of 1.8 per cent with Aastha, which emerged as the most affected channel in the genre with 94. 0 per cent OTS.

    English Entertainment in eight metros recorded a decline of 1.1 per cent and Comedy Central led the genre with 48. 2 per cent.  Third in the list was Infotainment on an all India basis which witnessed downfall of 1.0 per cent with History TV 18 topping the chart with 82.2 percent OTS.

    Hindi News in the Hindi speaking market (HSM) declined by 0.7 per cent and ABP news with 92.1 per cent OTS led the genre.

  • Chrome Week 11: English Movies gains 4.9 % of growth; Movies Now leads the genre

    Chrome Week 11: English Movies gains 4.9 % of growth; Movies Now leads the genre

    MUMBAI: English Movies emerged as the most benefited genre with 4.9 percent growth. Movies Now was at the top of the chart with 54.5 per cent opportunity to see (OTS) in week 11 as reported by Chrome Data Analytics & Media.

    Next in the tally was Business News in the six metros which witnessed growth of 3.8 per cent with CNBC Awaaz as the most benefited channel in the genre with 82. 6 per cent OTS.

    The sports genre bagged the third spot in the chart which saw growth of 3.6 per cent with DD Sports leading the genre with 80.0 per cent OTS on an all India basis. Last but but not the least, English News in the six metros grabbed the fourth slot with LokSabha TV topping the chart with 92.4 per cent OTS.

    Among the losers this week, the religious section recorded a fall of 1.8 per cent with Aastha, which emerged as the most affected channel in the genre with 94. 0 per cent OTS.

    English Entertainment in eight metros recorded a decline of 1.1 per cent and Comedy Central led the genre with 48. 2 per cent.  Third in the list was Infotainment on an all India basis which witnessed downfall of 1.0 per cent with History TV 18 topping the chart with 82.2 percent OTS.

    Hindi News in the Hindi speaking market (HSM) declined by 0.7 per cent and ABP news with 92.1 per cent OTS led the genre.

  • English entertainment scores 3.4 percent OTS in Chrome week 9

    English entertainment scores 3.4 percent OTS in Chrome week 9

    MUMBAI: The English entertainment genre emerged as a gainer in Chrome’s opportunity to see (OTS) analysis for the six metros. The sector registered an increase of 3.4 per cent and saw Comedy Central as the leader with 49.9 per cent OTS in week 9.

    Infotainment was the next in the tally, and witnessed an increase of 2.3 per cent OTS on all India basis and History TV 18 emerged as the most benefitted channel with 82.0 per cent OTS.

    Music genre in the Hindi speaking market (HSM) recorded 1.9 per cent OTS while Sony Mix registered highest with 85.1 per cent OTS in the section.

    Next in the section was Hindi Movies which registered 0.8 per cent OTS and Max with 88.9 per cent OTS became the most benefitted channel.

    Meanwhile witnessing a drop of 1.0 per cent Hindi general entertainment channels (GEC) topped the loser category with DD National scoring 94.6 per cent OTS.  With a fall of 0.3 per cent Youth genre booked a second spot with Channel V as the most affected channel with 83.6 per cent OTS.

    In six metros, business news saw a drop of 0.3 per cent with CNBC Awaaz registering 82.2 per cent OTS.  Last but not the least, English news registered 0.19 per cent OTS in six metros with Loksabha TV scoring 91.6 per cent

  • English entertainment scores 3.4 percent OTS in Chrome week 9

    English entertainment scores 3.4 percent OTS in Chrome week 9

    MUMBAI: The English entertainment genre emerged as a gainer in Chrome’s opportunity to see (OTS) analysis for the six metros. The sector registered an increase of 3.4 per cent and saw Comedy Central as the leader with 49.9 per cent OTS in week 9.

    Infotainment was the next in the tally, and witnessed an increase of 2.3 per cent OTS on all India basis and History TV 18 emerged as the most benefitted channel with 82.0 per cent OTS.

    Music genre in the Hindi speaking market (HSM) recorded 1.9 per cent OTS while Sony Mix registered highest with 85.1 per cent OTS in the section.

    Next in the section was Hindi Movies which registered 0.8 per cent OTS and Max with 88.9 per cent OTS became the most benefitted channel.

    Meanwhile witnessing a drop of 1.0 per cent Hindi general entertainment channels (GEC) topped the loser category with DD National scoring 94.6 per cent OTS.  With a fall of 0.3 per cent Youth genre booked a second spot with Channel V as the most affected channel with 83.6 per cent OTS.

    In six metros, business news saw a drop of 0.3 per cent with CNBC Awaaz registering 82.2 per cent OTS.  Last but not the least, English news registered 0.19 per cent OTS in six metros with Loksabha TV scoring 91.6 per cent

  • BARC week 6: AXN, Movies Now continue to lead English entertainment genre

    BARC week 6: AXN, Movies Now continue to lead English entertainment genre

    MUMBAI: The English entertainment players continue to dominate the space as per week 6 ratings data of Broadcast Audience Research Data (BARC) India across 6 Mega Cities: NCCS AB : 4+ Individuals.

    AXN led the English GEC space, while Movies Now stayed put in the top position in the English movies’ genre.

    English Entertainment

    AXN stands at the number one position with 259 (‘000s) followed by Comedy Central with 226 (‘000s) in the second place. The third position is secured by Zee Café with 171 (‘000s) while Star World holds the fourth position with 113 (‘000s). Colors Infinity SD takes the fifth spot with 107 (‘000s).

    English Movies

    Movies Now continues to stay in the first place with 2542 (‘000s). Star Movies with 2310 (‘000s) and HBO with 1810 (‘000s) grabbed the second and the third positions respectively. Sony Pix secured the fourth position with 1517 (‘000s) followed be Zee Studio with 1300 (‘000s) in the fifth place.

  • BARC week 6: AXN, Movies Now continue to lead English entertainment genre

    BARC week 6: AXN, Movies Now continue to lead English entertainment genre

    MUMBAI: The English entertainment players continue to dominate the space as per week 6 ratings data of Broadcast Audience Research Data (BARC) India across 6 Mega Cities: NCCS AB : 4+ Individuals.

    AXN led the English GEC space, while Movies Now stayed put in the top position in the English movies’ genre.

    English Entertainment

    AXN stands at the number one position with 259 (‘000s) followed by Comedy Central with 226 (‘000s) in the second place. The third position is secured by Zee Café with 171 (‘000s) while Star World holds the fourth position with 113 (‘000s). Colors Infinity SD takes the fifth spot with 107 (‘000s).

    English Movies

    Movies Now continues to stay in the first place with 2542 (‘000s). Star Movies with 2310 (‘000s) and HBO with 1810 (‘000s) grabbed the second and the third positions respectively. Sony Pix secured the fourth position with 1517 (‘000s) followed be Zee Studio with 1300 (‘000s) in the fifth place.

  • Zee Café to premiere ‘House of Cards’ season 4 on 12-13 March

    Zee Café to premiere ‘House of Cards’ season 4 on 12-13 March

    MUMBAI: Zee Café will premiere the entire fourth season of the Netflix original show House Of Cards on 12 and 13 March, 2016 from 5 pm onwards.

     

    The channel will be bringing the new season of the Kevin Spacey starrer in India just a week after its international release.

     

    Last year, Zee Café premiered the complete third season of House Of Cards over one weekend, which also marked the beginning of a new trend of marathon or binge viewing.

     

    “Bringing our viewers the best in English entertainment is especially true with a high-impact show such as House Of Cards. That is why we consider it particularly important to give the audience a chance to watch the entire fourth season just one week after its international release, while the world is abuzz with talk of House Of Cards. Moreover, the audience’s desire for marathon viewing has grown significantly lately. Hence, we encourage fans of the show to #StayImpatient and experience it all together on Zee Café,” says Zee English cluster business head Ali Zaidi.

  • Zee Café to premiere ‘House of Cards’ season 4 on 12-13 March

    Zee Café to premiere ‘House of Cards’ season 4 on 12-13 March

    MUMBAI: Zee Café will premiere the entire fourth season of the Netflix original show House Of Cards on 12 and 13 March, 2016 from 5 pm onwards.

     

    The channel will be bringing the new season of the Kevin Spacey starrer in India just a week after its international release.

     

    Last year, Zee Café premiered the complete third season of House Of Cards over one weekend, which also marked the beginning of a new trend of marathon or binge viewing.

     

    “Bringing our viewers the best in English entertainment is especially true with a high-impact show such as House Of Cards. That is why we consider it particularly important to give the audience a chance to watch the entire fourth season just one week after its international release, while the world is abuzz with talk of House Of Cards. Moreover, the audience’s desire for marathon viewing has grown significantly lately. Hence, we encourage fans of the show to #StayImpatient and experience it all together on Zee Café,” says Zee English cluster business head Ali Zaidi.