Tag: Endemol

  • Private equity firm Apollo may get management control of Endemol

    Private equity firm Apollo may get management control of Endemol

    MUMBAI: US-based Private equity firm Apollo Global Management is close to taking control of Endemol, the world’s largest independent television production company, according to media reports.

     

    Apollo owns a 30 per cent stake in Endemol, which produces popular television shows including ‘Big Brother’ and ‘Deal or No Deal’.

     

    The reports said Apollo has arrived at an agreement with the creditors of Endemol, including Royal Bank of Scotland and goldman Sachs, that allows it to take a majority stake in the Dutch entertainment company.

     

    The reports also suggested that the management of Endemol would back the move to let Apollo have a majority stake in the company as it would strengthen its capital position.

     

    Apollo also owns Core Media, which produces formats like ‘American Idol’ and ‘So You Think You Can Dance’.

     

    Endemol in India has adaptations of its reality formats in ‘Big Boss’ and ‘Khatron Ke Khiladi’, and original formats like ‘Emotional Atyachar’ and ‘The Great Indian Laughter Challenge’.

     

    The reports said Dasym Investment Strategies, which has a 25 per cent stake in Endemol, has given up on its bid for having management control of the company.

  • ‘Khatron Ke Khiladi’ to return soon in a repackaged avatar

    ‘Khatron Ke Khiladi’ to return soon in a repackaged avatar

    MUMBAI: “When you burst the blocks of your life, a blockbuster is created,” says filmmaker Rohit Shetty, who after giving blockbusters like the Golmaal franchise and Chennai Express is set to take on a new role that of a TV show host. The director, who is known for reviving the action genre on the celluloid, will be hosting the fifth edition of Fear Factor: Khatron Ke Khiladi with the tagline “Dar Ka Blockbuster”.

     

    As the tagline suggests, the show is going to burst the fear blocks of 12 celebrities in its upcoming edition, the announcement  was made amid much fanfare in the city last night. The show is set to return on the General Entertainment Channel – Colors after almost two years. With a changed format that will see 12 celebrities and no commoners, the show will be shot in Cape Town, South Africa over a month.

     

    “Few people from the production team are already in South Africa to make sure that the pre-production work is all done and set,” says Endemol India CEO Deepak Dhar, who is producing the show. Another group is ready to fly next week with the contestants.

     

    The last season of the show that premiered on Colors in June 2011 was also shot in South Africa. Dhar says that the country has been chosen again because the Endemol South Africa team is really well-equipped and would be helpful in coming out with a season full of adrenaline-rushing adventure.

     

    Dhar describes this season as a “really mean season” as the level of stunts have just gone up and the animals coming on the show are going to add to it. “With Rohit on board, the scale of the show has elevated. Plus, some of the best stunts from the Fear Factor US have been replicated,” he says.

     

    To give the audience a close view of what a contestant is going through while in a box full of cockroaches or a cage full of snakes, multiple cameras will be used. “Go Pro cameras, fly cameras and a lot of other hi-tech devices will be used to capture all the actions in the best possible way,” says Dhar.

     

    However, it is not so much about the technique in terms of filming as much as it is technique in terms of stunting, he remarks.

     

    But considering the varied types of stunts, a lot of new techniques have also been used to capture them. “The kinds of stunts we have picked up this time are varied in nature. We have chopper stunts, car stunts, bike stunts, underwater stunts besides a lot of other interesting activities that will make the show really entertaining,” says Colors Weekend programming head Manisha Sharma, adding that the show will be packed with edgy content and will explore some of the most interesting locales of South Africa.

     

    Dhar says the budget has also gone up by about 20 per cent as compared to the last season. While he doesn’t disclose the figure, a reliable source from the channel informs the production of a non-fiction show like this costs approximately 50-60 crore.

     

    Hitherto, the slot hasn’t been decided as the production is yet to begin. “That’s a discussion that going on internally as well,” says Colors CEO Raj Nayak when we quizzed him if KKK is going to replace India’s Got Talent. However, for the time-being what is fixed is that the show will be aired during the weekends.

     

    The last season was aired after Indian Premiere League got over. However, Nayak thinks that since cricket has become a year-round affair, it isn’t a threat for the show. “We may start the telecast alongside IPL,” he says as he remarks that if big budget Bollywood movies that were not released during the IPL season earlier can be released then KKK can also be telecast. However, if it runs parallel to the IPL, the channel may think of running a ticker with the score of the cricket match being played on that day.

     

    Nayak says that discussions about the advertisers and sponsors are still on. However, the channel is expecting good sponsorship deals. “Our sponsors come last as we ask for lots of money and a lot of negotiations go on,” he quips.

     

    Media planners think there shouldn’t be a problem in getting interesting deals for a show like KKK. Madison Media Sigma COO Vanita Keswani thinks that since the show is coming back after a gap, the interest of the viewers as well as the advertisers around it will be enthusiastic.

     

    “The telecast of a format year after year leads to decaying of the idea. A break is good as it would bring certain rejuvenation,” she says and adds the show already has a brand name that will work for it. As far as the sponsors and advertisers are concerned, Keswani thinks that till the time the content of a show is good, they will put in their money. “Any way, these days the advertisers look for better content and not ratings as ratings may or may not come in even if the show is good,” she remarks.

     

    Contestants who will be vying to conquer their phobias comprise Ranvir Shorey, Nikitin Dheer, Mugdha Godse, Dayanand Shetty, Rajniesh Duggall, Rochelle Maria Rao, Gauahar Khan, Kushal Tandon, Pooja Gor, Mahhi Vij, Salman Khan and Geeta Tandon.

  • Endemol buys a stake in Israeli broadcaster Reshet

    Endemol buys a stake in Israeli broadcaster Reshet

    MUMBAI: Big Brother creator Endemol has confirmed that it has taken a 33 per cent stake in Tel Aviv-based Reshet, one of Israel’s foremost commercial broadcasters, hiking its presence in the Israeli market, one of the world’s hotspots for groundbreaking TV production.

    The partnership unites Endemol’s expertise in the creation, production and distribution of hit content with Reshet’s strong platform as a leading and innovative broadcaster in one of the industry’s most innovative and prolific markets globally. The two companies will collaborate to launch new original content – created and produced by Endemol – for the Israeli market on Reshet’s platforms, which will be shared and exploited throughout Endemol’s worldwide network. By leveraging its global resources, Endemol will internationally distribute new shows, as well as produce Israeli versions of worldwide hits for the broadcaster. 

    Headquartered in Tel Aviv, Reshet has undergone significant growth in recent years and is currently the highest rating channel in the country, with local versions of international blockbusters as well as its own locally created popular formats such as Comedians at Work, Irreversible and State of the Nation.

     

    CEO of Endemol Group Just Spee commented on the Endemol website, “Israel is one of the world’s most innovative and creative markets; delivering exciting and successful formats with international appeal. Reshet is already a leading broadcaster in the region and with an outstanding management team the company is strongly positioned to continue its impressive growth. By joining forces with them we are able to significantly build our capacity to create new original, multi-platform content with global potential, which will be shared among Endemol’s worldwide creative network.”

    CEO of Reshet Avi Zvi added, “We are extremely excited about this partnership; Endemol choosing to invest in our company is a strong vote of confidence and recognition, not only in Reshet but also in the creativity and innovation of the Israeli TV market that has been renowned worldwide in recent years. Endemol’s vast experience in the international arena will allow Israel’s vibrant creative industry to bring premium programming to the global market, efficiently and successfully. Strengthening Reshet’s ownership structure with one of the largest television and format companies in the world will accelerate Reshet’s growth in both local and international markets.” 

    The Reshet tie-up follows Endemol’s acquisition in April of a controlling share in Israel’s leading independent producer Kuperman, now Endemol Israel. Terms of the Reshet deal were not disclosed

  • Endemol bets on gaming, backs social casino site

    Endemol bets on gaming, backs social casino site

    MUMBAI: Endemol, the production house that is known to have produced internationally popular formats like Big Brother, Deal or No Deal, Fear Factor is now set to enter the online gaming business. The company has announced that it would be investing $ 13 million in social casino start-up Plumbee as it wants to go beyond the traditional video production.

    Till now, the company has been building its digital gaming business internally, mostly by launching gaming apps based on popular shows. Earlier in the year, it had even announced a $40 million investment in Endemol Beyond, an online video network, backed by investor Idinvest Partners. Even in the new initiative, the investor is backing the company.

    Endemol and Plumbee together will create premium social casino games. The deal is going to benefit both the companies. Endemol will leverage Plumbee’s international network and will boost the growth of its worldwide user base.

    Plumbee that was launched in October 2011, already boasts of games like Mirrorball Slots that is among the top 10 highest grossing social casino games on Facebook. It has more than one million monthly active users and other popular games like Playfish. With a new focus on a mix of free-to-play and real-money games, it wants to tap into both areas. And now, Endemol also plans to cash in on the popularity.

    Endemol’s current digital gaming projects include a new initiative to move into app publishing, launching with gaming apps based on shows Pointless and Deal or No Deal.

  • Colors gets notice for Bigg Boss 7

    Colors gets notice for Bigg Boss 7

    MUMBAI: The popular reality show Bigg Boss, now in its seventh season, has landed into trouble, weeks after its launch. A show cause notice has been served by the Ministry of Information and Broadcasting regarding the content that has been aired on the channel Colors saying that it was not appropriate for unrestricted public exhibition.

     

    The objections raised are on episodes where concern was raised regarding the language used by some contestants as well as the scene where participants are seated in a chair and given electric shocks. The source told PTI that these scenes violate the programming code under the cable TV act.

     

    The channel, Colors, has been asked to explain itself. Bigg Boss is currently one of Colors’ flagship shows and it claims to have molded it to suit a family audience. Previously also the channel has got into trouble due to Bigg Boss’ content.

     

    Bigg Boss is created by Endemol for the channel Colors, an adaptation of the popular international reality show Big Brother. In its seventh season, this year the show is themed around ‘Heaven and Hell’ where participants are in two houses – one themed around heaven and the other themed around hell.

  • Bigg Boss Seven plays with hell and heaven

    Bigg Boss Seven plays with hell and heaven

    MUMBAI: Each year they try to take it up a notch, and it’s not getting any easier. But Bigg Boss never fails to surprise and entertain TV viewers and Hindi GEC Colors believes that this year as well, the seventh season, will ring well with TV audiences.

    Deepak Dhar, Vivek Mathur, Salman Khan and Raj Nayak at the launch of Bigg Boss Saath Saat.

    And it introduced it to the media on 11 September evening with a high profile launch with oodles of glam themed around a mix of heaven and hell, which is the signature for the year. And of course with the announcement that long time loyal backer Vodafone has signed on as the presenting sponsor for the fifth year.

    Admits Vodafone representative Vikas Mathur: “The program has huge followers and it gives us good impact and reach making it valuable for Vodafone.”

    With the set in Lonavala once again, 80 to 90 cameras have been rigged to give audiences a peep into the lives of the 14 contestants who will this time face ‘jannat’ and ‘jahannum’ as part of the deal.

    The show produced by Endemol takes up a good 300 days annually to be put together by a dedicated bunch of 150-170 professionals right from creatives to the casting and technical crews.

    Like in the case of most international formats, the creative folks at Endemol India (the producer of the show) and Colors rely heavily on the Big Brother bible to add elements which have worked elsewhere where the show is telecast globally. The ‘Global Creative Team’ is also constantly working at coming up with new and different ideas. This team meets up twice in a year to look at the progress and variety in Big Brother across the globe.

    “We are constantly looking at what are the best elements and we add to it as well as adapt,” says Endemol MD Deepak Dhar.

    Once the conceptualization has been done, the art director and set designer moves the ship forward to create the set which takes up about four months in all. “It’s less of a set and more of a house because people have to live in it,” adds Dhar.

    Today, Bigg Boss has moved beyond being produced for Hindi audiences; language editions in Kannada and Bengali have also aired on television, the credit for which Dhar attributes to Colors CEO Raj Nayak.

    “We are slowly paving our way into the regional markets of India as well,” reveals Dhar.

    The show has already started making a buzz in the digital sphere with the Facebook and Twitter engagement activities in the form of heaven and hell anecdotes.

    “The fact that there is so much of expectation from Bigg Boss puts a lot of pressure on the digital team because we need to ensure it matches to it,” admits Colors digital head Vivek Srivastava.

    The most important and integral part is prior to the launch when the curiosity needs to be built without giving away names or details about the show. “It gets easier once it has launched but then the workload is more as well,” adds Srivastava. The current idea is using cartoons to get across the dual nature of the show to the viewers.

    The marketing mix seems to be the usual 360 degree campaign involving a lot of focus on TV, on both, Network18 group channels and other channels. “We believe we can reach many viewers through TV,” says Colors marketing head Rajesh Iyer.

    Salman Khan has been the host for four seasons of the show and this is his fifth stint. He gleefully says that he will continue with Bigg Boss till the time Colors gets tired of him. Not much has been revealed about this season although rumors are floating aplenty.

    “The beauty of this show is the surprise and suspense,” says Nayak.

    The launch date has been fixed for 15 September at 9 pm. And as Bollywood’s biggest Salman says audiences will definitely tune in. Says the man: “Why should you watch my shows or movies? Because I’m in them!”

    The coming weeks will reveal whether they are falling for his lines!

  • Big Brother enters Vietnam

    Big Brother enters Vietnam

    MUMBAI: Endemol has sold Big Brother into Vietnam for the first time, with VTV commissioning 65 episodes to air later this year.

     

    The local version will run over nine weeks on VTV6. In total, more than 20 series of Big Brother will air this year in more than 70 countries, including the US, the UK, Spain, Israel, Latin America, CEE, Asia and Africa.

     

    Endemol managing director of Asian operations Fotini Paraskakis commented: “Big Brother continues to be an unstoppable blockbuster more than a decade since it first launched. Following the format’s proven success in other Asian territories we are proud to be bringing it to Vietnam for the very first time and we’re in no doubt that VTV6’s audience will love it.”

  • Bigg Boss 7 takes the road to heaven and hell!

    Bigg Boss 7 takes the road to heaven and hell!

    MUMBAI: What do James Bond and Colors’ reality show Bigg Boss share in common? It’s the number 7. In its seventh edition this year, the Endemol-produced Bigg Boss will begin airing from 15 September promising action like ‘never seen before’.

     

    A pointer is the new theme that has been planned for this year’s theme, which plays with the two afterlife abodes – heaven and hell amplifying the message the pleasure of heaven and the pain of hell. And the tag word they have coined for this year is Bigg Boss Saath 7 (Remember Big Boss Five Five and Season 6 Alag Che?).

     

    Says Colors marketing head Rajesh Iyer: “This season Bigg Boss will make sure that you get to see heaven and hell *saath-saath* on Bigg Boss Season 7.”
     

    The teasers that hit TV screens this week show an open gate with one side leading towards heaven and the other towards damnation or hell. And if you look closely at the promos which are on air you will see Sallu aka Salman Khan donning the avatars of an angel and the devil. The campaign will involve print, digital, mobile and below the line mediums. The face behind the TV campaign is Orchard Advertising and Tubelight films.

     

    The number 7 has been incorporated into many aspects apart from the tagline. The number of participants is 14 (2 X 7) and all the action during the show will be captured on 70 cameras. “The message is simple – pleasure or pain: both are inevitable and there is nothing to be taken for granted,” says Iyer.

     

    Inspiration has been taken from the mythological space and the pleasure of heaven has been articulated as ‘wow’ and pain as aao. Khan will be seen his usual cheerful self and being an improviser himself has created his own catchphrase ‘By God.’ Seems to be very pun intended!

     

    Speaking about what made them choose this particular theme this year Orchard Advertising Executive Creative Director Hemant Kumar Sivan says that they had two tasks to deal with: to raise the curiosity and interest levels amongst viewers and to present Khan in a fresh manner.

     

    “We worked with the simple truth of life that, heaven and hell are of man’s own making. It all depends on how one deals with what life has to offer,” he says intending that the inmates are going to face some hell-like situations and only one of them will survive the best of both worlds.

     

    Living up to its reputation of being very interactive on social media, a heaven versus hell interaction will be initiated every day post the trailer launch. “As of now, we are just feeding cues for people to pick up,” says Colors digital head Vivek Srivastava.

     

    Previously, the fifth season saw two biggies Salman Khan and Sanjay Dutt, both involved in the promotional campaign with a special music video featuring the two while the sixth season played on the theme alag che (it’s different).

     

    Bigg Boss hasn’t gone without its share of controversies. The year 2011 saw the show go into a slightly negative zone with Indo-Canadian porn star Sunny Leone and the channel was pulled up for using the national anthem to promote the show in movie theaters last year. It hasn’t given up hope but. Even this year it will continue to air its promos on theater screens.

     

    According to Colors CEO Raj Nayak its non-fiction shows generate more traction from advertisers than its fictional shows and Bigg Boss gets some of the biggest brand. However, he adds that it works as a loss leader and the channel has been investing in it because it is a cult show. This apart, it generates a lot of buzz. Estimates are that it is in the region of Rs 15-20 crore.

     

    Going by the lyrics of Black Sabbath’s song if it seems to be real, it’s illusion the happenings in the house surely seem to be on the same path. The number seven is lucky for a lot of people. Will it be the same for the Bigg Boss’ Eye or will it suffer a seven year itch with its viewers?

  • What keeps Life Ok ticking…?

    What keeps Life Ok ticking…?

    MUMBAI: In December 2011, when Star India launched its second Hindi GEC christened Life OK, the network made a promise to its viewers that through the channel they will see not only different but also out-of-the-box content.

     

    And keeping to it, the channel is launching a new show wherein the wife is the “other” woman. Gustakh dil portrays the life of a simpleton (Laajo) from a village whose husband (Nikhil) continues to be madly in love with his childhood sweetheart (Ishana).

     

    Commenting on how the show stands apart from the rest Life OK general manager Ajit Thakur asserts, “Disruption has always been a key thrust for us at Life OK and with Gustakh Dil we are aiming to bring out the other side of a love triangle. We are confident that people will accept this unique storyline and will appreciate our modest attempt at providing quality entertainment.”

     

    This is not for the first time that the channel has tried to do something different. In the past too, the channel has tried to grab eyeballs through it shows. It recently launched a reality crime-based show Police Dial 100 where the channel took a completely different track. Here, the team from Endemol follows policemen in Delhi, as they attempt to solve crimes and face different situations.

     

    “Police Dial 100 is Life OK’s effort to delve deeper into the functioning of law enforcing agencies and capturing on camera the highly stressful lives of our police forces lead”, Thakur had expressed earlier during the show’s launch in Delhi.

     

    Apart from it, another major property by the channel has been Savdhan India. However, one cannot deny that the crime based shows have done well for the genre.

     

    On the other hand, unlike the other channels which have failed to garner ratings and viewership through mythology, the channel struck gold with its mythological show – Mahadev – which is the most popular show on the channel.

     

    HavasMedia, MD, Mohit Joshi emphasis on it and adds, “Mahadev has set the grounding for the channel. And with good production quality and new shows every now & then, the channel has been able to grow significantly as well as make a mark for itself in the market. What even sets it apart from sister-concern Star Plus is the fact that it’s more contemporary.”

     

    What is interesting is that the channel not only brings out innovative shows but also has interesting FPCs. On 23 June, the channel showed non-stop 12 hours of fresh content comprising of crime, terror, mythology programming and Bollywood movies. Life OK plans to make it a regular initiative at least once a month as it feels that such kind of experimentation will make it a game changer. Before baara-se-baara, it had experimented with 6 a.m. – 6 p.m. and that too had worked well with the channel.

     

    Moreover, Life OK has acquired the format of the popular US reality dating game show The Bachelor and has commissioned the Zodiak owned SOL Productions to produce the Indian version – The Bachelorette India – Mere Khayalon ki Mallika which is expected to be on-air in September.

     

    “The series will strengthen Life OK’s programming and set another benchmark in quality entertainment”, states Thakur optimistically.

     

    However, Helios Media MD Divya Radhakrishnan resounds, “Though Life OK has been taking a lot of initiatives to make a name for itself among the leading Hindi GECs, it still has to do a lot more. Today the Hindi GEC cluster is leaving no stone unturned to come up with new shows, but are not moving any boulders. It’s just like any other GEC.”

  • Endemol India takes Hindi re-make rights of Traffic

    Endemol India takes Hindi re-make rights of Traffic

    MUMBAI: Endemol India‘s motion pictures arm Eyedentity Motion Pictures has acquired the remake rights of Malayalam emotional thriller, Traffic.

    The film will have an eclectic ensemble cast with Manoj Bajpai in the leading role. Traffic is slated to go into production in July and is scheduled for release later in the year. Rajesh Pillai, the director of original Traffic, has signed up to direct the Hindi remake as well.

    Based on an inspiring true story, the plot of Traffic intertwines multiple stories around one particular incident bringing together five protagonists from diverse backgrounds and a series of events that change their destiny. This emotional thriller with a powerful narrative and a dramatic climax has been adapted in Hindi by Suresh Nair.

    Endemol India CEO Deepak Dhar said, "Our acquisition of Traffic heralds the advent of Eyedentity Motion Pictures in mainstream Bollywood cinema. At Endemol, we have always believed that if the content is strong, it will always find its audience and Traffic meets that criteria in every respect. As part of our move into a new phase of significant growth, we look forward to producing some great content for the silver screen."

    Eyedentity Motion Pictures will produce 3-4 films every year with an equal mix of scripts for both regional as well as mainstream Bollywood audiences.