Tag: Endemol Shine

  • Level up: Banijay Asia and Nodwin Gaming partner  to power up India’s youthverse

    Level up: Banijay Asia and Nodwin Gaming partner to power up India’s youthverse

    MUMBAI: In a match made in gamer heaven, Banijay Asia and Nodwin Gaming have teamed up to turbocharge India’s youth entertainment and gaming landscape. The two powerhouses have inked a strategic partnership that will see Banijay Asia take the reins of Playground — Nodwin’s flagship gaming reality show — and co-create a slew of fresh, disruptive content across gaming, esports, and influencer-led formats.

    With gaming now a full-blown lifestyle, this collaboration aims to tap into India’s ever-evolving Gen Z mindspace by fusing Banijay’s storytelling muscle with Nodwin’s pulse on the gaming community. And they’re not stopping at one franchise — the duo plans to unleash an entire ecosystem of new scripted and reality IPs.

    “This collaboration with Nodwin Gaming is an exciting extension of our vision to create content that resonates with evolving youth audiences. Gaming is not just a sport; it’s a culture, a lifestyle, and a massive content opportunity. With Playground and our upcoming IPs, we aim to redefine engagement and storytelling in this space. I look forward to the creative collaboration with Akshat Rathee, and Joost Roset who we previously worked with, in bringing iconic global IPs to India. This is an invaluable opportunity to create clutter-breaking formats in the youth and gaming space,” said Banijay Asia & Endemol Shine India founder & group CEO Deepak Dhar. 

    Nodwin Gaming co-founder & managing director Akshat Rathee added, “”Youth entertainment is evolving rapidly, and our partnership with Banijay Asia positions us perfectly to lead that change. With Playground, we’ve just begun to explore what’s possible. Backed by Banijay’s global expertise, we’re now set to scale the IP across multiple languages and markets, with the ambition of building an international format. At the heart of our approach is our philosophy of ‘timeshare of mindshare.’ We’re not just creating content, we’re creating cultural moments. This is just the beginning of a bold new chapter in gaming and youth content.”

    The Rusk Media creative team — original minds behind Playground — will stay involved as the format evolves from a single show into an annual line-up of five to 10 marquee IPs. Expect more drama, more battles, and more screen time as the series expands.

    Backed by its success with Comic Con India, BGMI Masters Series, and NH7 Weekender, Nodwin Gaming is already a big player in the youth space. Now with Banijay — whose global playbook includes brands like MasterChef, Peaky Blinders, and Black Mirror — the stage is set for a full-blown format revolution in Indian gaming content.

    From stream to scream, it’s into the playground for the two. At least for now!

    (Deepak Dhar – left – and Akshat Rathee -right- pictured above. source: Banijay Asia)

  • Phenomenal-Ent appoints former Lionsgate India executive as partner

    Phenomenal-Ent appoints former Lionsgate India executive as partner

    MUMBAI: Phenomenal-Ent has announced the appointment of Mrinalini Khanna as partner, effective February 2025. Khanna brings extensive experience in content development and strategy across television, digital and live entertainment sectors.

    Prior to joining Phenomenal-Ent,  Khanna served as vice president of originals at Lionsgate India from August 2021 to December 2023. She previously held senior positions at Endemol Shine India for over a decade, including vice president and associate vice president roles, where she spearheaded content strategy and development for various entertainment channels.

    Khanna’s career spans multiple facets of the media industry, including a stint as a writer for Miditech, where she contributed to the award-winning children’s programme “Galli Galli Sim Sim”. Her work on the show earned a Gold Plaque at the 44th Chicago Film Festival in the Education for Child Audience category.

    Her expertise includes creating original intellectual property, adapting international formats for Indian audiences, and developing content strategies for general entertainment, youth, and specialty channels. She has also worked extensively on brand communication through branded content initiatives.

  • Bigg Boss 18 faces Peta India’s ire on account of donkey

    Bigg Boss 18 faces Peta India’s ire on account of donkey

    MUMBAI: A donkey has got the People for the Ethical Treatment of Animals (Peta) India frothing at the mouth. The ass called Max has been featuring in episodes of  Colors’ Bigg Boss18, along with 18 other human contestants. The show, produced by Endemol Shine, added a new twist to the eighteenth season by introducing Max  on it.

    Peta India, which has more than two million members and supporters, has written to host Salman Khan imploring him to get  Max, who has been brought into the BB house by advocate Gunaratna Sadavarte  (a contestant in BB18),  off the show.

    “We are being inundated with complaints by members of the public who are deeply distressed over the keeping of a donkey in the Bigg Boss house.,” Peta India advocacy associate Shaurya Agrawal has appealed to Salman in a letter addressed to the hero. “As one of India’s most influential stars and the host of Bigg Boss, you have the power to set a compassionate example. We respectfully ask that you use this influence to urge the show’s producers to avoid using animals as props for entertainment. This would not only prevent stress to the animal and upset to viewers but also set a powerful precedent. We also urge you to encourage advocate Gunaratna Sadavarte, who has reportedly brought Max into the house, to surrender the donkey to Peta  India to rehome in a sanctuary with other rescued donkeys.”
     
    Agrawal further states in the letter that the use of animals on a show set is no laughing matter as donkeys are naturally nervous and they would find the lights, sounds and clamour confusing and frightening. “That a show set is no place for an animal is obvious to viewers who are saddened to see the donkey kept in a small, confined space standing in waste,” he adds in the letter. “Moreover, donkeys are social animals, whose wellbeing is best ensured by permitting them to be part of a herd. Just as we humans live in family groups, so do donkeys. It is reported advocate Sadavarte keeps the donkey for research regarding milk. But donkeys produce milk strictly for their foals.”

    He ends the letter to Salman stating that society has evolved, and the caring public finds the use of animals on shows sad, not funny. “Please take the steps suggested in this letter to show that Bigg Boss recognises animals deserve our compassion and respect.”

    Will Salman, Viacom18 and the show’s producers Endemol Shine India heed Peta India’s plea? Will they evict Max and make him the first one to exit BB18?

    It’s over to them.  
     

  • MyGlamm steps aboard as make-up partner of ‘Bigg Boss season 16’

    MyGlamm steps aboard as make-up partner of ‘Bigg Boss season 16’

    Mumbai: MyGlamm announced that it is joining hands with Bigg Boss as its official make-up partner. The reality show is set to return for a thrilling season 16 on Colors with the theme “Game badlega, kyunki Bigg Boss ab khud khelega.”

    As India’s largest direct-to-consumer make-up brand, MyGlamm embraces the philosophy of building a community with its users, engaging with them, and eventually creating products with their insight. MyGlamm’s association with Colors’ Bigg Boss season 16 is the right step in that direction, tapping into the entertainment-loving audience present in multiple markets cutting across geo-social cross-sections.

    MyGlamm is all set to accentuate the glam quotient on the show this season with a dedicated space in the Bigg Boss house called the ‘MyGlamm Zone,’ where you will see the contestants work on their glam game, get ready for the weekend episodes, and perform fun tasks and activities.

    This zone will also see Bollywood celebrities visit the Bigg Boss house over the weekends and on special occasions. MyGlamm uses a combination of technology, content, and social media to allow consumers to not only discover its products, but also create a rich, personalised, and tutorial-fuelled post-purchase experience through its app.

    Commenting on the association, The Good Glamm Group CEO of beauty & FMCG brands Sukhleen Aneja shared, “We are thrilled to be the make-up partner of Bigg Boss Season 16! MyGlamm is a brand that empowers women to create their own glamour by taking inspiration from popular culture. With this collaboration, we aim to strengthen our endeavour to democratise beauty at a whole new level. This association allows us to penetrate the tier two and three and below cities and leverage the immense reach and traction across consumer segments provided by Bigg Boss.”

    “As the largest DTC make-up brand in India, MyGlamm creates innovative and personalised beauty products by understanding the beauty needs of women. We’re working with the finest global labs to create formulas that are vegan, toxin-free, with ingredients that are great for the users and are highly efficacious, marrying the best of make-up and skin care,” she added.

    Viacom18 revenue head of Colors Pavithra KR said, “Bigg Boss is one of the most beloved and entertaining reality shows in India with a strong fanbase that is spread across the length and depth of the country, offering a unique value proposition for brands. Every year we innovate to provide more value to brands who partner with us on Bigg Boss. While this association provides MyGlamm with an audience reach unparalleled in television, the programmatic integration of the MyGlamm Zone takes brand-consumer engagement to a whole new level, delivering on the brand’s needs for both performance and perception. We’re thrilled about this association that will serve as a bankable platform for the brand to further deepen its community of users and interact with them.”

    Furthermore, viewers can vote for their favourite contestants, and the contestant with the most votes will earn the title of ‘MyGlamm Face of the Season.’ Voting can be done by downloading the MyGlamm app on their devices.

  • Colors announces ‘Bigg Boss 16’ in all new avatar

    Colors announces ‘Bigg Boss 16’ in all new avatar

    Mumbai: Colors announced it is bringing back the latest season of Bigg Boss. Megastar Salman Khan is all set to return as the host of the reality show.

    Produced by Endemol Shine India, Bigg Boss Season 16 with special partner Ching’s Schezwan Chutney, make-up partner MyGlamm, and tasting partner Priya Gold Hunk will premiere on 1 October at 9:30 p.m. on Colors & Voot.

    For this game-changing season of Bigg Boss, the channel has devised a 360-degree extensive marketing and digital strategy spread across television, outdoor, print, digital, and cinema. 

    With the tagline of the season, “Game Badlega Kyunki Ab Bigg Boss Khud Khelega,” four unique promos will be aired on network and non-network television channels in Hindi and in regional genres. The show will also be promoted in the soon to be released movie, “Vikram Vedha,” across multiplex cinema theatres in Mumbai and Delhi. 

    Moreover, key junctions in Mumbai and Delhi will host large impact billboards. On the digital front, a stylized behind-the-scenes of the promo shoot featuring megastar and host Salman Khan was captured and released to excite the viewers. In an exclusive segment, digital creator RJ Karishma is set to unveil the most anticipated ‘Bigg Boss House.’ 

    Additionally, for the first time ever, a fun interactive element has been added where the fans of the show will get a chance to ask questions to the contestants before they step into the house. To keep the buzz going, the ‘Bigg Boss emoji’ will be live on Twitter from the launch week along with an Instagram filter with this year’s contestants, which will be created post-launch.

    Speaking about the launch of the biggest reality show on the network, Viacom18 Hindi mass entertainment and kids TV network head Nina Elavia Jaipuria said, “Bigg Boss is one of India’s most celebrated reality shows and enjoys exceptional fandom. A spectacular marvel from our plethora of diverse content, this most anticipated show brings a massive dose of entertainment to our viewers. Extending engagement across all platforms, the show offers a great canvas for advertisers to connect with their target audience. After the grand success of Khatron Ke Khiladi, we aim to keep the entertainment quotient high with an unprecedented season of Bigg Boss.” 

    She further added, “We are delighted to welcome onboard our special partners Ching’s Schezwan Chutney, make-up partner MyGlamm, and taste partner Priya Gold Hunk. We look forward to adding another outstanding season with associate partners Garnier Men and Hershey’s Kisses. With this exciting new theme, we are certain that this unpredictable season will keep the viewers enthralled.”

    Satiating the curiosity around everything that happens inside the house, Bigg Boss 16 will continue to have a 24-hour live feed every Monday to Thursday only on Voot.

    Viacom18 Hindi mass entertainment chief content officer Manisha Sharma said, “15 years back, Bigg Boss revolutionised the world of entertainment by introducing Indian households to captive reality. Since then, this show has empowered us to experiment, grow, innovate, and unlock an entirely new level of entertainment. With the theme “Game Badlega, Kyunki Kb Bigg Boss Khelega,” the idea is to bring a twist to the most loved and authoritative character on the show. We’ve seen Bigg Boss in many avatars over the years, and for the first time, he will be seen playing the game. This season, we have an eclectic mix of celebrity contestants from different walks of life. The viewers already love some of them, and they’ll get to know the rest of them very soon. We are elated to have Salman Khan bring his star power and a sense of justice to the show once again.”

    Host, Salman Khan commented, “Coming back to Bigg Boss as a host every year feels like a tradition and I look forward to it. The immense love from the audience, the exciting mix of contestants, and the innovative themes undoubtedly make the journey truly special. The sixteenth season is set to be even more exciting with the theme, “Game Badlega, Kyunki Ab Bigg Boss Khud Khelega” and will bring a pandora of whole new twists. My best wishes to all the contestants, who will take on the challenge of competing with Bigg Boss.

    “The Bigg Boss of reality shows is back with the 16th season. Our endeavour at Endemol Shine India has been to consistently evolve, reinvent, and revolutionise the format of the show and up the game, season by season. This year, we will reveal a never-seen-before facet of the show with the mastermind of the house, Bigg Boss, not playing by the rules. The diverse mix of contestants will enhance the entertainment flavour as they compete against each other while courting the favour of their fellow contestants and audience. We look forward to a great season with the one-and-only Dabangg-host Salman Khan.”

  • Lionsgate Play greenlights fourth original series in India

    Lionsgate Play greenlights fourth original series in India

    Mumbai: Lionsgate Play has commissioned its fourth original series in India which will be directed by action designer Rohan Khambati and produced by Endemol Shine India and Hypaethral Media.

    The new series will be a spy thriller that explores the action-adventure genre with a unique storyline.

    The streaming service recently launched its first original series “Hiccups and Hookups” starring Lara Dutta and Prateik Babbar. In 2022, the platform will release an ensemble-based college drama starring Arjun Mathur and Sumit Vyas followed by a slice of life series.

    Rohan Khambati, who is helming the new project, has 19 years’ experience in the entertainment industry. He is associated with some of the biggest action blockbusters and has worked on over three hundred ad films.

    “We are glad to have Rohan on board with us,” said Lionsgate South Asia and networks and emerging markets Asia managing director Rohit Jain. “With his experience we are certain that the show will be well mounted with cutting edge action set pieces that will be at par with any international action show in scale and execution yet retaining a strong emotional connect between the characters that the Indian audiences have always related to.”

    “We are happy to partner with Hypaethral Media to bring alive this thrilling narrative for Lionsgate Play,” said Endemol Shine India CEO Abhishek Rege. “Helmed by the action prodigy Rohan Khambati, this show is a high concept action espionage series with a gripping storyline. With local audiences becoming privy to the best of action available globally, our ambition is to create a globally relevant, cutting-edge product with Indian roots.”

    “This show was conceived by Hypaethral Media and Endemol Shine India, stemming from a deep desire to bring a world class original franchise to Indian streaming viewers, mounted on par with the best that Lionsgate offers internationally, while keeping the series entertaining, relevant and rooted,” stated Hypaethral Media founder CEO Sushama Reddy.

  • Colors Marathi to launch ‘Bigg Boss Marathi’ S3 on 19 Sept

    Colors Marathi to launch ‘Bigg Boss Marathi’ S3 on 19 Sept

    Mumbai: Colors Marathi will air the third season of “Bigg Boss Marathi” starting from 19 September. The show will have a four-hour launch episode starting from 7 p.m and will be subsequently aired every Monday to Sunday at 9:30 p.m.

    Produced by Endemol Shine India, Viacom18 has roped in Brooke Bond Red Label as ‘presenting sponsor’ and TRESemme, A23 and Haier as ‘special partners’ for this edition of the show.

    “Bigg Boss Marathi proved to be one of the topmost viewed shows in the Marathi general entertainment space for both the seasons, attracting not only television viewers but also a massive number of digital viewers on Voot,” said Viacom18 business head of regional entertainment (Kannada and Marathi) Ravish Kumar. “The show provides various opportunities for brands to reach out to their target audience as is evinced by the number of sponsors on board.”

    Actor-director-producer Mahesh Manjrekar returns as the show host alongside 15 new celebrity housemates, who will be quarantined in the ‘Bigg Boss’ house for 100 days. “As we get used to the new normal, I’m glad to be back with Bigg Boss and entertain every one of you,” remarked Manjrekar.

    There are more than 60 cameras in the house that are accessible to Voot users giving digital audiences 24*7 live access. These audiences can not only vote for their favourite contestants but also ask them questions, send them messages and share their views on what’s going on via digital innovations introduced on the OTT platform.

    “From a format perspective, we have tried to make this season different, innovative and made sure that we have the right kind of contestants and housemates. The audience will also get to see Marathi flavour be it in the tasks or routine,” said Colors Marathi business head Aniket Joshi.

    “Our overall approach with Bigg Boss Marathi season three is to celebrate the Marathipan by displaying the various cultural nuances of Maharashtra,” said Colors Marathi head of programming Viraj Raje. “Be it the design elements inside the house, the tasks, and even naming Weekend ka Daav as Chavadi, we have tried to bring in the true essence to Maharashtra’s rich culture into the show,” he added.

    “We at Endemol Shine India have gone the extra mile to ensure that the housemates are kept on their toes throughout this new season,” said Endemol Shine India CEO Abhishek Rege.

  • Wondrlab appoints Haiderali Amir as  head – content production

    Wondrlab appoints Haiderali Amir as head – content production

    NEW DELHI: Wondrlab has appointed Haiderali Amir as its head – content production. Amir will be based out of Mumbai and will report to Wondrlab co-founder and managing partner – content platform Rakesh Hinduja. 

    Amir will be involved with delivering a myriad of content across Wondrlab’s clients ranging from hygiene production to high-level deliverables such as branded content and web series. With his vast experience, Ali infuses technology and platforms to tell an impactful brand story. 

    Rakesh Hinduja said, “We welcome Haiderali to the Wondrlab family. Content is one of the most important pillars of communication today, and we needed someone with formidable experience such as Haiderali’s. He perfectly fits Wondrlab’s vision of creativity delivered through technology, and with a platform-first lens. His experience brings in the understanding needed to create content at scale that’s contemporary, high-level and customised for brands’ business challenges.”

    Added Haiderali Amir,  “When it comes to content in today’s times, the sky is the limit. Wondrlab gives me the freedom and encouragement to explore different realms of content and creativity to solve clients’ business problems. Its platform-first lens is an interesting approach to content and a big step forward in the right direction. I’m excited to work in a start-up like Wondrlab that is dynamic, progressive and limitless in its thinking.”

    In a career spanning over a decade, Amir has diverse and rich experience in content and media production. He started his professional journey with Viacom18 as an assistant producer, further expanding his horizon with some of the biggest content houses like Endemol Shine, 120 Media Collective, and Medium Rare Productions among others. His last stint was as an executive producer at Content Factory by Prodigious, where he associated with clients across the Publicis Groupe network to produce cost-efficient, high-quality content solutions. 

  • Banijay to acquire Endemol Shine in $2.2 billion deal

    Banijay to acquire Endemol Shine in $2.2 billion deal

    MUMBAI: Now that’s what we call a mother of an acquisition. French production company Banijay Group  – which is headed in Asia by Deepak Dhar – has announced that it will acquire the Walt Disney: Appollo Global Management-owned Endemol Shine Group at a sticker price of $2.2 billion.

    A press release stated that the deal will encompass Endemol Shine’s 120 production labels with an estimated 66,000 hours of scripted and non-scripted programming together with over 4,300 registered formats. Upon completion of the acquisition, Banijay Group will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content. The merged entity will have around 100,000 hours of content, making it the largest non-US production outfit. Total pro-forma revenue of the combined group is expected to be approximately $3.3 billion for the year ending 31 December 2019.

    Parleys for a deal between the two have been going on for more than 18 months now. The asking price early on was a humungous $4 billion, which lead to other interested parties like talent agency Endeavor and ITV losing interest quickly.

    The acquisition will be financed through a capital increase of Banijay Group and committed debt financing, which includes a committed full refinancing of Banijay and Endemol Shine’s existing financial debt, supported by Deutsche Bank, Natixis and Société Générale. Endemol Shine’s respective debt was approximately $486 million ($539.5 million) and $1.83 billion ($2 billion) as of December 2018. Postclosing, the combined group will be held by LDH (67.1 per cent ) and Vivendi (32.9 per cent).

    LDH is a holding company controlled by Financière LOV (52 per cent), Banijay chairman Stéphane Courbit’s investment arm. LDH has the following other shareholders: the Italian Group De Agostini with 36 per cent  of the capital, and Fimalac, the investment company of Marc Ladreit de Lacharrière, which will own 12 per cent of the capital through a reserved capital increase dedicated to the financing of the Endemol Shine acquisition. In addition to a direct investment in LDH, Fimalac will reinforce its long-term partnership with Financière LOV by increasing its stake in Financière LOV from 5.75 per cent to 8.4 per cent.

    The press release stated that: “Boosting Banijay Group’s scripted credentials and further building its reputation as a go-to provider of high-quality unscripted IP, the combined catalogue is expected to include some of the world’s best known brands and formats such as Black Mirror, Versailles, The Millennium Trilogy, Peaky Blinders, Big Brother, MasterChef, Survivor, Temptation Island, Wife Swap and The Island. Furthermore, with a significantly broader brand portfolio, and larger creative platform, the combined group will be in an even stronger position to create, nurture and drive fresh IP for both linear broadcasters and new players.”

    “Endemol Shine brings an incredible array of industry-leading talent, globally-renowned brands and high-quality creative content. Combining the resources of these two companies will instantly strengthen our position in the global market, and our capabilities across genres will further define us as a go-to provider of first class IP worldwide. Welcoming the Endemol Shine brands and talents to our existing business will signal enhanced opportunities in the marketplace, and we are all excited by what the future holds for the combined entity,” said Banijay CEO Marco Bassetti.

    “At Endemol Shine, we have continually inspired and entertained audiences around the world, a testament to every single person across the Group. This deal takes us into a whole new and exciting chapter and into a new enhanced global content house with many opportunities ahead,” added Endemol Shine Group CEO Sophie Turner Laing.

    The merger – when it is approved by the authorities  – is likely to lead to a rationalisation of manpower at both the groups.

    In India, Endemol Shine is amongst the top three production companies by revenue and is headed by CEO Abhishekh Rege. The overseas merger will probably result in him once again reporting to his former Endemol Shine India boss Deepak Dhar who has since gone on to set up Banijay Asia. The latter has been on an overdrive and in a very short span of time has emerged as amongst the top 10 producers in India. The Rajeash Kamat, Paul Aiello-headed Emerald Media group is one of the equity owners in Endemol Shine India.

  • The Content Hub 2019: Creators discuss digital adaptation, creativity and originality

    The Content Hub 2019: Creators discuss digital adaptation, creativity and originality

    MUMBAI: Indiantelevision.com on Wednesday wrapped the third edition of its popular event The Content Hub in presence of some of the biggest names from the TV, digital, and the movies industry. Spanned across several panel discussions and fireside chats, this edition of The Content Hub discussed ‘the new era of content creation’ with a focus on the digital boom, need of good content creators, the synergy between creators and producers, and creating properties that can travel globally.

    Starting the day was a panel discussion on ‘The TV Production Story: Reality, Not Fiction’, moderated by Bodhi Tree Multimedia co-founder and director Mautik Tolia. In discussion were some of the most successful and prominent names in the TV industry – Contiloe Pictures Pvt Ltd founder and producer Abhimanyu Singh, Endemol Shine India CEO Abhishek Rege and SOL India – Banijay Group founder and MD Fazila Allana.

    The distinguished panel discussed the opportunities and challenges fiction and non-fiction formats today face in the TV and digital world. They also shed some light on the prospects premium content has in the Indian industry.

    The panel agreed that non-fiction producers face bigger challenges in creating content as compared to those investing in fiction and dramas. Allana noted that while earlier people were chasing formats, now they are chasing stories. However, she quipped that there is a vast opportunity for non-fiction shows on OTT platforms citing examples of TV shows like MTV Troll Police.

    Singh reflected the same sentiments as he noted that this is a very good time for the content creators. He said, “I feel it is a great time to tell stories. I think we as an industry haven’t delivered premium content because the nature of delivery has always been daily content. So, this is an opportunity to deliver premium content.”

    Rege mentioned, “Scripted becomes a little easier to tell stories more across TV, OTT or across multiple platforms. The challenge here is making attractive content for the viewers and targeting the right people. With OTT I don’t think it’s easy to do as many talent shows that we do on linear.”

    The second session was a fireside chat between Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari and Swastik Productions  & One Life Studios founder and chief creative officer Siddharth Kumar Tewary.

    Tewary, based on his extensive experience of industry work, reflected upon many aspects of content creation and production including formats, IP rights, and disruptors in the industry. He noted while most of the people believe that longer formats don’t work internationally, the reality is not the same.

    Speaking about IP rights of content, Tewary made some relevant points saying, “IP creation is a scientific thing related to the socio-political situation in the country and the world. We need to know where the world is heading. If you are going to add value and bring something unique for the TV, then you will get the IP.” He also announced the foray of his group in the animation category at the platform.

    The next session was a discussion on the animation industry with an esteemed panel of Discovery Kids head Uttam Pal Singh, Golden Robot Animation head of business development RK Chand, Paperboat Animation co-founder and chairman Soumitra Ranade and Bioscopewala Pictures managing partner Nishith Takia. The session was moderated by Kinsane Entertainment Inc chief marketing officer Pranab Punj.

    The panel highlighted the vast opportunities OTT platforms are offering them right now. Takia shared that his company is in talks with several big digital players to create content for them. Another point that the panel highlighted was that Indian audience is not very keen to visit theatres to consume animated content and that closed their avenues of creating content for a wider audience and not just the kids.

    Answering a question on why there aren’t more female-led animated shows in India, the panel shared a similar tone as they mentioned that in most of their shows, the female characters have an equal prominence as the mail lead, they are inclusive to the storyline. They added that male-led shows are doing well in the market and from a business perspective they are focusing on that aspect as well.

    The next session was an interesting and insightful chat on ‘The Syndication Opportunity’ between Sony head networks—licencing Malvika Prabhu, Go Quest Media Ventures MD Vivek Lath, Swastik Productions and One life studio producer and managing director Rahul Kumar Tewary, MX Player head of content acquisition Mansi Shrivastav and ANM Global co-founder partner Nidhish Mehrotra. Moderating the panel was Wanvari.

    Wanvari started the discussion by asking the panellists whether the demand for Indian content in the global market is going up or declining. To this, the panel stated that it has probably reduced over time. However, the Indian creations are performing well at markets like Thailand and Sri Lanka.

    The panel mentioned that genres like romance, drama, horror, and good animation has a lot of markets overseas. They also added that premium content will also attract a lot of traction towards Indian creations. Kumar stated that we need to relook at the type of content we are creating and invest more in subjects that have the potential to travel. He also said that Indians do not value their content enough.

    Lath said, “We have to think like a programmer and not from a sales perspective,” as he elaborated on the right approach to sell content overseas. He predicted that India has the potential to make around Rs 400-500 crore with content syndication (minus the movies) because it is still young in the market and has a lot of potential to improve in the coming times. Kumar added that in the next few years Indian premium content will find a lot of audiences globally.

    Taking the insightful day ahead was the next panel of digital producers including Addatimes Pvt Ltd managing director Rajiv Mehra, The Viral Fever (TVF) global head of business and content Rahul Sarangi, Viacom18 EVP and head content Monika Shergill, MX Player chief content officer Gautam Talwar and One Digital Entertainment COO and co-founder Gurpreet Singh. The panel was moderated by industry veteran and Hungama Digital Media Entertainment executive producer Sanjeev Lamba.

    While the panel agreed that there is a great influx of male-oriented and sexually-oriented content performing on OTT platform, they all are looking beyond that. They all mentioned that the industry is currently focusing on good writing talent and meaningful stories. Sarangi said that TVF is not looking towards creating violent or sexual content at all, at least for the next four to five years. Its focus is on stories like Pitchers and Yeh Meri Family that touch the hearts of the people.

    Shergill shared that Voot is looking at ideas that bring new and original voices to the stories. Unless platforms experiment, she believes they will lose their audience.

    Talwar shared that the focus of recently launched MX Player is on creating content that can be watched on a 5-inch phone screen rather on a 50-inch TV. The TG for the player is 18-30-year-old male and it wants the platform to be genre-agnostic.

    The next event was a fireside chat between Wanvari and Applause Entertainment CEO Sameer Nair. The duo discussed ‘The New Studio Model’.

    Nair started with launching an amazing showreel of upcoming programmes from the Applause banner. They included a wide variety of content ranging from humour to political to drama. It also included the Indian version of the very popular The Office series.

    Nair stated that he did not want to start a company which goes on to become just a production house but he rather wanted to invest in good content. He thus worked with some amazing directors, writers, and actors like Ronit Roy, Pankaj Tripathi and Swara Bhaskar to create the first instalment of the Applause shows. One of the flagship series, Rasbhari-starring Swara Bhaskar and written by Shantanu Shrivastava—has in fact already been selected for ‘Series Mania’ festival in France. Warning them of slacking in content, he said, “If the content industry is not careful right now, it will end up becoming a replica of TV.”

    The day continued with a panel discussion on how new Hindi film producers are making their mark and what business models they are drawing up. Part of the discussion were Essel Vision (Zee Studios) CEO Shariq Patel, Viacom18 Studios chief operating officer Ajit Andhare, Alliance Media and Entertainment owner Sunil Doshi and Fox Star Studios India CEO Vijay Singh. Moderating the panel was film reviewer at Film Companion Suchitra Tyagi.

    The panel was a light-hearted but with insightful discussions on the current trends of the Indian movie industry, the need for well-written scripts and content that performs. The panel agreed that today is an amazing time for good storytellers and content creators. They forced upon the fact that literature is the sibling of cinema. The panel also discussed on creating avenues to make the system more approachable to the budding writers who want to reach out to the studios.

    The evening was concluded by an overview of the MIP platform by MIP China Hangzhou director of market development Ted Baracos, who in an interactive session apprised the gathering of various opportunities this global content-sharing platform brings and how they can leverage on that.