Tag: EMEA

  • FremantleMedia International wins top BBC slot with Serena

    FremantleMedia International wins top BBC slot with Serena

    MUMBAI: Launching on BBC2 on Sunday 3 July at 10:30pm, Serena reaches beyond the sports world to provide an unfiltered glimpse into the life of one of the greatest sports icons of this generation during her historic 2015 – 2016 season.

    Produced by Film45, the 1 x 120 documentary is executively produced by the award-winning Peter Berg (Lone Survivor,Friday Night Lights), directed by Ryan White (Good Ol’ Freda, Case Against 8) and distributed globally by FremantleMedia International.

    Jamie Lynn, Executive Vice President, Head of Sales and Distribution, EMEA, FremantleMedia International said, “With Wimbledon in full swing, Serena offers the BBC2 viewers and tennis fans a never-before-seen look into the life of one of the greatest athletes of our time. The documentary perfectly captures Serena’s strength and dedication for the sport, as well as an intimate look into the uncompromising pressures that come with being the best.”

  • Indian TV AD EX to grow at 12 .3 per cent in 2016: Carat report 2016

    Indian TV AD EX to grow at 12 .3 per cent in 2016: Carat report 2016

    MUMBAI:  Based on data  received from 59 markets across the Americas, Asia Pacific and EMEA, Carat’s latest global forecast highlights that advertising spends will reach  US$538  billion in 2016,  accounting for a +4.5 per cent year-on-year increase. The report also forecasts India growing begun on a positive note with a forecast growth rate  of +12.0 per cent in 2016. Carat’s first forecast for worldwide advertising expenditure in 2017 also predicts India’s ad spends will leapfrog to a growth of 13.9 per cent by 2017.

    Unlike growth in the other BRIC markets – Brazil, Russia and China – advertising expenditure in India would continue to accelerate in this year, supported  by the  India T20  Cricket World Cup and  the  state  elections. TV advertising revenues  are forecast  to grow by +12.3 per cent in 2016,  supported  by strong spending from e-commerce companies and FMCG brands.

    While TV is expected  to  remain  dominant for many  years  to  come,  advertisers  are increasingly  utilising online  video as  an  invaluable  complement. In spite of the much talked about digital marketing drive in the country, the overall   share of total digital advertising spends in India is still relatively low at 8.9 per cent (2016).

    Whereas the global ad spends on news paper  are declining  in markets like North America and Latin, India shows a  positive newspaper  advertising  spend    at +10.5 per cent in 2016,  primarily due  to investment  from e-commerce, automotive and a small contribution from government spending.  Retail advertisers also continue to spend on print.

    Carat’s first forecasts for 2017 predict continuing strong growth for the advertising market in India with an estimated increase  of +13.9 per cent and expected  favourable  economic  conditions in which advertisers vie for the consumers’  attention.

    The report makes it clear that while TV  will continue to dominate the lion share of advertising spends, digital is the real growth driver. Powered by the upsurge  of mobile (+37.9 per cent), online video (+34.7 per cent) and social media (+29.8 per cent) in 2016,  the strength  of digital is expected  to continue  to grow at double digit prediction levels of +15.0 per cent this year, and a further +13.6 per cent in 2017.  

    Overall, Carat predicts the upsurge  of digital to account for 27.0 per cent of advertising spends in 2016  and extend significantly to 29.3 per cent in 2017,  reaching  US$161  billion globally.

    Whilst digital is constantly closing the gap, TV continues to command the majority of market share with a steady 42 per cent. In 2015 ad spends is predicted to grow by +3.1 per cent this year as the Olympic Games and US elections are predicted to generate significant TV viewership across various markets.  In addition, Carat’s forecasts reconfirm the steady decline in Print* in 2016  and into 2017  with Newspapers declining by -5.4 per cent and Magazines  by -1.7 per cent in 2016  whilst highlighting positive year-on-year growth in 2016 for all other media, including Outdoor (+3.4 per cent),

    Radio (+2.2 per cent) and Cinema (+2.8 per cent), with the latter expected to grow further at +5.0 per cent in 2017.

  • Indian TV AD EX to grow at 12 .3 per cent in 2016: Carat report 2016

    Indian TV AD EX to grow at 12 .3 per cent in 2016: Carat report 2016

    MUMBAI:  Based on data  received from 59 markets across the Americas, Asia Pacific and EMEA, Carat’s latest global forecast highlights that advertising spends will reach  US$538  billion in 2016,  accounting for a +4.5 per cent year-on-year increase. The report also forecasts India growing begun on a positive note with a forecast growth rate  of +12.0 per cent in 2016. Carat’s first forecast for worldwide advertising expenditure in 2017 also predicts India’s ad spends will leapfrog to a growth of 13.9 per cent by 2017.

    Unlike growth in the other BRIC markets – Brazil, Russia and China – advertising expenditure in India would continue to accelerate in this year, supported  by the  India T20  Cricket World Cup and  the  state  elections. TV advertising revenues  are forecast  to grow by +12.3 per cent in 2016,  supported  by strong spending from e-commerce companies and FMCG brands.

    While TV is expected  to  remain  dominant for many  years  to  come,  advertisers  are increasingly  utilising online  video as  an  invaluable  complement. In spite of the much talked about digital marketing drive in the country, the overall   share of total digital advertising spends in India is still relatively low at 8.9 per cent (2016).

    Whereas the global ad spends on news paper  are declining  in markets like North America and Latin, India shows a  positive newspaper  advertising  spend    at +10.5 per cent in 2016,  primarily due  to investment  from e-commerce, automotive and a small contribution from government spending.  Retail advertisers also continue to spend on print.

    Carat’s first forecasts for 2017 predict continuing strong growth for the advertising market in India with an estimated increase  of +13.9 per cent and expected  favourable  economic  conditions in which advertisers vie for the consumers’  attention.

    The report makes it clear that while TV  will continue to dominate the lion share of advertising spends, digital is the real growth driver. Powered by the upsurge  of mobile (+37.9 per cent), online video (+34.7 per cent) and social media (+29.8 per cent) in 2016,  the strength  of digital is expected  to continue  to grow at double digit prediction levels of +15.0 per cent this year, and a further +13.6 per cent in 2017.  

    Overall, Carat predicts the upsurge  of digital to account for 27.0 per cent of advertising spends in 2016  and extend significantly to 29.3 per cent in 2017,  reaching  US$161  billion globally.

    Whilst digital is constantly closing the gap, TV continues to command the majority of market share with a steady 42 per cent. In 2015 ad spends is predicted to grow by +3.1 per cent this year as the Olympic Games and US elections are predicted to generate significant TV viewership across various markets.  In addition, Carat’s forecasts reconfirm the steady decline in Print* in 2016  and into 2017  with Newspapers declining by -5.4 per cent and Magazines  by -1.7 per cent in 2016  whilst highlighting positive year-on-year growth in 2016 for all other media, including Outdoor (+3.4 per cent),

    Radio (+2.2 per cent) and Cinema (+2.8 per cent), with the latter expected to grow further at +5.0 per cent in 2017.

  • Huawei extends commercial partnership with CNN

    Huawei extends commercial partnership with CNN

    MUMBAI: Huawei is extending its commercial partnership with CNN International launching a 12-week integrated campaign that spans program sponsorship, on-air weekly segments and vignettes, spot advertising, banner ads and digital components.

    The centre-piece of the campaign is the sponsorship of CNN International flagship program Connect the World in Asia and Latin America. Live from Abu Dhabi, Connect the World is hosted by Becky Anderson and analyses today’s news stories, anticipates their consequences and contextualises their origins.

    The Connect the World program sponsorship is complemented with the launch of a new on-air series called The Connectors, which will be seen across APAC, LATAM, and EMEA.

    The Connectors explores the creative thinking behind some of the world’s most successful products, as well as the innovative business solutions shaping brands today. Each week will see a creative team take audiences on a journey from idea to fruition.

    Beginning week of 1 February, 2016, the first segment features internationally-renowned Aardman Animations, the creators of the iconic Wallace and Gromit series. Aardman creative director Peter Lord and his team discuss the creative process behind Special Delivery, a new immersive 3D interactive short story project commissioned by Google Spotlight Stories.

    In addition to the segments, weekly vignettes will showcase people from the world of business and lifestyle who use straightforward logic to solve problems plaguing their industry. Kicking-off the series is Dearman, a start-up clean tech company that uses liquid air and nitrogen to deliver zero-emission power and cooling.

    CNN International vice president advertising sales Asia Pacific Sunita Rajan said, “CNN International and Huawei have had a long-standing relationship but this new campaign which incorporates program sponsorship and an on-air series takes the partnership to a much deeper level. We’re delighted to partner with Huawei across CNN’s television and digital platforms and we’re confidentThe Connectors will resonate with audiences around the world.”

    Huawei Consumer Business Group CMO Glory Zhang added, “We are thrilled to further our relationship with CNN and its exceptional reach. The Connectors series perfectly complements our vision of ‘Building a Better Connected World,’ emphasising a need for greater agility, creativity and compelling content behind businesses today. Being able to reach audiences via integrated platforms that resonate is key for us. We are confident the latest CNN campaign will propel our message to new heights, be it to showcase the newest Huawei watch, Mate 8 or P8 Smartphones.”

    The Connectors begins week of 1 February, 2016 and airs in CNN International flagship programConnect the World.

  • Huawei extends commercial partnership with CNN

    Huawei extends commercial partnership with CNN

    MUMBAI: Huawei is extending its commercial partnership with CNN International launching a 12-week integrated campaign that spans program sponsorship, on-air weekly segments and vignettes, spot advertising, banner ads and digital components.

    The centre-piece of the campaign is the sponsorship of CNN International flagship program Connect the World in Asia and Latin America. Live from Abu Dhabi, Connect the World is hosted by Becky Anderson and analyses today’s news stories, anticipates their consequences and contextualises their origins.

    The Connect the World program sponsorship is complemented with the launch of a new on-air series called The Connectors, which will be seen across APAC, LATAM, and EMEA.

    The Connectors explores the creative thinking behind some of the world’s most successful products, as well as the innovative business solutions shaping brands today. Each week will see a creative team take audiences on a journey from idea to fruition.

    Beginning week of 1 February, 2016, the first segment features internationally-renowned Aardman Animations, the creators of the iconic Wallace and Gromit series. Aardman creative director Peter Lord and his team discuss the creative process behind Special Delivery, a new immersive 3D interactive short story project commissioned by Google Spotlight Stories.

    In addition to the segments, weekly vignettes will showcase people from the world of business and lifestyle who use straightforward logic to solve problems plaguing their industry. Kicking-off the series is Dearman, a start-up clean tech company that uses liquid air and nitrogen to deliver zero-emission power and cooling.

    CNN International vice president advertising sales Asia Pacific Sunita Rajan said, “CNN International and Huawei have had a long-standing relationship but this new campaign which incorporates program sponsorship and an on-air series takes the partnership to a much deeper level. We’re delighted to partner with Huawei across CNN’s television and digital platforms and we’re confidentThe Connectors will resonate with audiences around the world.”

    Huawei Consumer Business Group CMO Glory Zhang added, “We are thrilled to further our relationship with CNN and its exceptional reach. The Connectors series perfectly complements our vision of ‘Building a Better Connected World,’ emphasising a need for greater agility, creativity and compelling content behind businesses today. Being able to reach audiences via integrated platforms that resonate is key for us. We are confident the latest CNN campaign will propel our message to new heights, be it to showcase the newest Huawei watch, Mate 8 or P8 Smartphones.”

    The Connectors begins week of 1 February, 2016 and airs in CNN International flagship programConnect the World.

  • FremantleMedia acquires two factual docs from Arrow Media

    FremantleMedia acquires two factual docs from Arrow Media

    MUMBAI: FremantleMedia International (FMI) has extended its relationship with UK’s Arrow Media, having acquired international distribution rights to two new factual titles namely Operation Burma (2 x 60) and Nightmare on Everest (1 x 60).

     

    FMI director of non-scripted, UK, EMEA and Asia Pacific Angela Neillis said, “It’s great to be working with the Arrow Media team again and to represent them on such diverse stories. Arrow’s trademark ability to deliver a compelling narrative, uncover new footage and gain the trust of first-hand eyewitnesses is unparalleled, and that’s why FremantleMedia International is proud to have these shows in our catalogue.”

     

    Arrow Media joint creative director John Smithson added, “Our heritage is in unearthing fascinating stories and telling them in a way that will appeal to audiences all over the world. Operation Burma  and Nightmare on Everest are a testament to this. Both reveal the truth behind two very different events, but equally take viewers on an emotional journey back in time. We are delighted to be working with Fremantle on both docs and extending our relationship further.”

     

    Operation Burma – tells the story of world-renowned mountaineer, Joe Simpson as he embarks on a journey of discovery to learn more about the father he barely knew. Best known for his book and film adaptation, Touching the Void, Joe takes viewers on a unique 160 mile adventure in an unexplored part of the world as he undertakes this most personal of quests. Accompanied by survival expert, Ed Stafford, the first man to walk the length of the Amazon, Joe uses details recorded in his father’s secret, coded diary, to retrace the steps his father took seventy years ago as part of the second Chindit “Special Forces” campaign against the Japanese. Operation Burma is a BBC Two commission and Nick Metcalfe is executive producer.

     

    Nightmare on Everest – tells the gripping and emotional story of two days in the spring of 2015 which saw two catastrophic earthquakes strike the Himalayas killing 18 mountaineers and trapping many more for days. Almost one year on from this momentous event which took place on 15 April, the series uses a combination of user-generated content, previously untold stories and CGI to capture the impact of the natural disaster which sparked a series of devastating avalanches on Mount Everest. It has been commissioned in the UK by Channel 4.

     

    FremantleMedia International also represents two additional Arrow Media titles. Dogs: Their Secret Lives, which has gone on to sell into 43 territories and is a fascinating hidden-camera series that captures the extraordinary behaviour of some of the nation’s dogs and their owners; and Hitler: The Biography (w/t) a six-part documentary series which chronicles Hitler from childhood to his downfall and has several pending deals across global territories.

  • FremantleMedia acquires two factual docs from Arrow Media

    FremantleMedia acquires two factual docs from Arrow Media

    MUMBAI: FremantleMedia International (FMI) has extended its relationship with UK’s Arrow Media, having acquired international distribution rights to two new factual titles namely Operation Burma (2 x 60) and Nightmare on Everest (1 x 60).

     

    FMI director of non-scripted, UK, EMEA and Asia Pacific Angela Neillis said, “It’s great to be working with the Arrow Media team again and to represent them on such diverse stories. Arrow’s trademark ability to deliver a compelling narrative, uncover new footage and gain the trust of first-hand eyewitnesses is unparalleled, and that’s why FremantleMedia International is proud to have these shows in our catalogue.”

     

    Arrow Media joint creative director John Smithson added, “Our heritage is in unearthing fascinating stories and telling them in a way that will appeal to audiences all over the world. Operation Burma  and Nightmare on Everest are a testament to this. Both reveal the truth behind two very different events, but equally take viewers on an emotional journey back in time. We are delighted to be working with Fremantle on both docs and extending our relationship further.”

     

    Operation Burma – tells the story of world-renowned mountaineer, Joe Simpson as he embarks on a journey of discovery to learn more about the father he barely knew. Best known for his book and film adaptation, Touching the Void, Joe takes viewers on a unique 160 mile adventure in an unexplored part of the world as he undertakes this most personal of quests. Accompanied by survival expert, Ed Stafford, the first man to walk the length of the Amazon, Joe uses details recorded in his father’s secret, coded diary, to retrace the steps his father took seventy years ago as part of the second Chindit “Special Forces” campaign against the Japanese. Operation Burma is a BBC Two commission and Nick Metcalfe is executive producer.

     

    Nightmare on Everest – tells the gripping and emotional story of two days in the spring of 2015 which saw two catastrophic earthquakes strike the Himalayas killing 18 mountaineers and trapping many more for days. Almost one year on from this momentous event which took place on 15 April, the series uses a combination of user-generated content, previously untold stories and CGI to capture the impact of the natural disaster which sparked a series of devastating avalanches on Mount Everest. It has been commissioned in the UK by Channel 4.

     

    FremantleMedia International also represents two additional Arrow Media titles. Dogs: Their Secret Lives, which has gone on to sell into 43 territories and is a fascinating hidden-camera series that captures the extraordinary behaviour of some of the nation’s dogs and their owners; and Hitler: The Biography (w/t) a six-part documentary series which chronicles Hitler from childhood to his downfall and has several pending deals across global territories.

  • Mindshare named MMA EMEA Mobile Agency of the Year 2015

    Mindshare named MMA EMEA Mobile Agency of the Year 2015

    MUMBAI: WPP’s Mindshare has been named Mobile Agency of the Year 2015 in the MMA EMEA Smarties awards. The award follows hot on the heels of the agency being named Agency Network of the Year in the APAC MMA Smarties and Global Media Agency of the Year in the MMA Global Smarties.

     

    The work that secured the EMEA title includes:

    Gold

    Brand Awareness: Rexona – Who Does More?

    Cross Media / Cross Mobile Integration: Rexona – Who Does More?

     

    Silver

    Promotion: Magnum – #celebratemagnum

    Mobile Site: Vodafone – Share Your Passion

     

    Bronze

    Marketing Within a Mobile Gaming Environment: Vodafone – Freezone Gaming Stars

     

    Mindshare Worldwide global mobile director James Chandler said, “It’s fantastic to see our Mindshare teams receive the recognition that they richly deserve for leading the industry in Europe. Congratulations too to all our clients who have been true partners in pushing the boundaries of mobile.”

     

    In addition to the EMEA title, Mindshare Turkey also picked up four gold, one silver and one bronze award in the local MMA Turkey awards that were announced at the same time:

     

    Gold

    Brand Awareness: Rexona – Who Does More?

    Cross Media / Cross Mobile Integration: Rexona – Who Does More?

    Mobile Social: Vodafone – Between Us Hurriyet Social

    Innovation: Rexona – Who Does More

     

    Silver

    Mobile Native: Neutrogena – Winter Love

     

    Bronze

    Mobile Native: Vodafone – Between Us Hurriyet Social

  • FremantleMedia strikes multiple deals for ‘Simply Nigella’

    FremantleMedia strikes multiple deals for ‘Simply Nigella’

    MUMBAI: FremantleMedia International has closed deals for a new cooking show Simply Nigella and Nigella’s Christmas Special. Four major networks consisting of Prime (New Zealand), Foxtel (Australia), TV2 (Norway) and Discovery Networks (Asia-Pacific) have acquired the series, which stars internationally renowned food writer and celebrity chef Nigella Lawson. 

     

    FMI, EMEA and Asia Pacific, non scripted (UK) director Angela Neillis said, “We’re incredibly excited that Simply Nigella has had this much impact with buyers. The deals reflect the high quality of this feel-good series and Nigella’s enduring ability to resonate with audiences worldwide.”

     

    Produced by BBC Productions, Simply Nigella will see the cook create a handful of dishes per episode and showcase her talents in the kitchen. Lawson shares the story behind each meal and focuses on specific ingredients revealing what makes them her favourites as well as divulging her culinary tips to ensure cooking is as stress free as possible. She also ventures beyond the kitchen visiting local suppliers and independent food stores to source fresh quality produce to include in her recipes.

     

    In addition to the acquisition of Simply Nigella and Nigella’s Christmas Special, Discovery Networks Asia-Pacific has also picked up a comprehensive mix of lifestyle and entertainment content including Jamie’s Super Food, which sees the globally renowned chef revolutionise how we think about nutrition, popular series Project Runway S14 (16 x 60), Project Runway All Stars S5 (13 x 60), which sees the best contestants return to compete once again and Project Runway Junior S2 (10 x 60) showcasing America’s most talented young fashion designers aged 14-17 years.

  • Indian advertising market leads BRIC with 11% growth rate in 2015: Carat

    Indian advertising market leads BRIC with 11% growth rate in 2015: Carat

    MUMBAI: The Indian advertising market is all set to witness a double digit growth rate of 11 per cent in 2015, which is the highest growth rate amongst the BRIC markets. The growth boost came from the ICC Cricket World Cup, which was held earlier in the year. Moreover, in 2016, India is poised to see a growth rate of 12 per cent, according to the Carat Ad Spend Report of September 2015.

    The year 2015 looks buoyant for the Indian advertising market as optimism continues to flood the market with growth prospects remaining high in the country, propelled by the election of a pro-business government in 2014 and the revival in investment.

    Of the other BRIC countries, while the advertising market in both Brazil and China is expected to see a growth rate of six per cent each in 2015, Russia will be an aberration as the economy has been affected by the sharp drop in oil prices and Western sanctions following the annexation of Crimea last year. The Russian advertising market has been severely affected with advertising revenues decreased by 16 per cent in 1H 2015. Carat predicts the total is market forecast to decrease by 14 per cent in 2015, a revision down from the decrease of 7.1 per cent previously forecast in the March 2015 report.

    DIGITAL AND MOBILE FORECAST

    From a regional perspective, Carat confirms on-going positive momentum in 2015 for most regions although volatility occurs in some individual markets, with Western Europe at 2.6 per cent, 4.2 per cent in North America, 4.1 per cent in Asia Pacific and 12.7 per cent in Latin America.

    Despite a slight decline in growth forecasts due to China’s economic downturn, Asia Pacific remains strong in 2015 with an above global spend rate of 4.1 per cent, driven by high-performing India at 11 per cent and growing Australia at 2.4 per cent. 

    The report predicted continued optimism through positive global and regional outlook and solid growth in Digital and Mobile. Based on data received from 59 markets across the Americas, Asia Pacific and EMEA, global advertising spend will grow by four per cent in 2015 to $529 billion, a slight decline from the 4.6 per cent predicted in March 2015. Moreover, in 2016 it is predicted to grow by 4.7 per cent, accounting for an additional $25 billion in spend as per Carat’s latest global advertising expenditure report. 

    Fuelled by the rise of Mobile and Online Video spending trends, the report reconfirms the continued solid growth for Digital media, evident through the upsurge in the predicted share of advertising spend in 2015 of 24.3 per cent and 26.5 per cent in 2016. For 10 of the markets analysed, including the UK, Ireland, Canada and Australia, Digital is now the principle media used based on spend, with the US market predicted to join this list in 2018 when digital advertising spend is forecast to overtake TV advertising by more than $4 billion.

    DIGITAL

    By media, Digital with 15.7 per cent growth in 2015, continues to be the only channel warranting double digital growth and is predicted slightly lower at 14.3 per cent in 2016. This is driven by the high demand for Mobile and Online Video advertising especially across social media, with 51.2 per cent and 22 per cent year-on-year growth expected this year.

    TELEVISION

    Programmatic buying is also experiencing rapid growth at a rate of 20 per cent each year. TV remains both dominant and resilient with a steady 42 per cent market share of global advertising spends in 2015 and is predicted to grow by more than three per cent in 2016, as the upcoming Olympic Games and US elections are expected to drive considerable viewership.

    Thirty eight out of the 59 markets analysed, report TV still as their leading medium, with 17 out of these 37 markets showing that more than 50 per cent of their advertising spend is still placed on TV, including Italy, China and Brazil. 

     

    ONLINE VIDEO

    Online Video is forecast to grow at a rate of 22 per cent this year and a forecast of 19 per cent in 2016, as previously predicted in the March 2015 report. With cross-device measurement tools becoming more robust, and access to premium content increasingly available, greater investments from TV budgets are being allocated into Digital, moving from a ‘channel-first’ mind set to an ‘audience-first’ focused approach. Brands are starting to understand the reach and potential of moving their investment to Online Video as the lines between linear broadcasts and digital increasingly blur. Growth in Online Video will also be fuelled by the rise of programmatic video and more efficient/scalable video production via media partners.

    MOBILE

    Mobile is experiencing the greatest spend growth across all media. The opportunities
    to re-target consumers closer to purchase activity is a big driver. Carat forecasts growth in Mobile spend at 51.2 per cent in 2015, up from the previous prediction of 49.7 per cent in the March 2015 report and a predicted 44.5 per cent in 2016 up from the previous prediction in March 2015 of 41.9 per cent. In the US, Mobile ads targeted to both smartphones and tablets are predicted to capture up to 40 per cent of online display spend by 2019, currently accounting for 24 per cent of digital budgets.

    SOCIAL MEDIA

    Mobile and Online Video are also the key factors for Social Media advertising spend growth. Social Media advertising spend is rising, and moving to mobile and in-app placements. Both Twitter and Facebook report that over 70 per cent of their advertising revenue now comes from mobile, and the vast majority of this is now likely to be in-app rather than through the mobile web.

    NEWSPAPERS

    The age old Newspaper continue to capture the third highest share of total advertising spend, being the second most popular media type in India, and the third most popular for nine of the 13 top spending markets, including the US, Japan and UK. However, the market as a whole continues to fight against a difficult structural trend of spend shifting to digital platforms. As a result, traditional Print spend has been declining every year since 2008. Newspaper share of total advertising spend has been falling by over a percentage point each year, from 23 per cent in 2008 to a predicted 13 per cent in 2015 and 12 per cent in 2016.

    MAGAZINE, CINEMA, RADIO, OOH

    Despite the ongoing decline in Print spend, Carat’s forecasts confirm year-on-year growth for all other media with updated predictions for 2015 highlighting year-on-year growth in Cinema at 4.7 per cent, Radio at 1.3 per cent and Outdoor at 3.4 per cent, with the latter two slightly revised down from March 2015 figures.

    Magazines are forecast to decline by two per cent in 2015 and by 1.9 per cent in 2016. Magazine share of spend is forecast at 6.9 per cent in 2015 and 6.5 per cent in 2016.

    Dentsu Aegis Network CEO Jerry Buhlmann said, “Carat’s latest advertising spend forecast shows optimism balanced with realism during a year of increased volatility in major markets such as Russia and China. Noticeably, the landscape is becoming increasingly complex as previously grouped markets, such as the BRIC economies are now operating differently and economic situations can quickly change markets at pace. Our teams are well positioned to navigate our clients through this multi-faceted marketplace and successfully assimilate new market opportunities at speed.”

    “Digital media continues to achieve outstanding growth as the effectiveness of this medium and results achieved, especially with the millennials, warrants the upsurge in spend levels. As digital rapidly evolves into a more established asset and programmatic and search bring stronger performance and efficiency, we continue to add value to our clients by delivering innovative solutions that are different and better,” he added.

    Carat Global chief strategy officer Sanjay Nazerali said, “The media landscape is more complex and multi-faceted than ever before. The diversity of media, market volatility and the rising impact of geographical events are all influencing advertising spend. For global clients, this means a greater need to be aware of such evolving scenarios, to be agile and able to move spend where it can deliver the greatest return.”