Tag: Doordarshan

  • Schedules fixed for broadcasts in five poll-bound states

    Schedules fixed for broadcasts in five poll-bound states

    NEW DELHI: All India Radio and Doordarshan, which provide a platform for political parties to make poll broadcasts before every election, will also organise a maximum of two panel discussions and/or debates on the Kendras/Stations for the forthcoming elections to the state assemblies in Goa, Punjab, Manipur, Uttarakhand & Uttar Pradesh.

    Each eligible party can nominate one representative to such a programme, but the Election Commission of India will approve the names of coordinators for such panel discussions and debates in consultation with the Prasar Bharati Corporation.

    The Commission has, as in previous years, worked out a schedule for the time to be given for poll broadcasts to different parties. The facilities of use of broadcast time and telecast time will be available only to National Parties and Recognized State Parties in the states where the polls are scheduled.

    The facilities will be available from the Regional Kendra of the All India Radio and Doordarshan and in the headquarters in the relevant states and relayed by other stations within the respective States.

    A base time of 45 minutes will be given to each National Party uniformly on the Regional Kendra of Doordarshan network and All India Radio network in the respective states.

    The additional time to be allotted to the parties has been decided on the basis of the poll performance of the parties in the last assembly election from the respective above mentioned States/UTs.

    In a single session of broadcast, no party will be allocated more than 15 minutes.
    The period of broadcast and telecast will be between the last date of filing the nominations and will end two days before the date of poll in the respective states.

    However, there will be no telecast or broadcast during the 48 hours preceding the close of polls as per specific provisions of the Representation of People Act, 1951. Prasar Bharati in consultation with the Commission will decide the actual date and time for broadcast and telecast. This will be subject to the broad technical constraints governing the actual time of transmission available with the Doordarshan and All India Radio.

    The guidelines prescribed by the Commission for telecast and broadcast will be strictly followed. The telecasts/broadcasts on Doordarshan/AIR will not permit criticism of other countries; attack on religions or communities; anything obscene or defamatory; incitement of violence; anything amounting to contempt of court; aspersion against the integrity of the President and Judiciary; anything affecting the unity, socereignty and integrity of the Nation; or any criticism by name of any person.

    The parties will be required to submit transcripts and recording in advance. The parties can get this recorded at their own cost in studios, which meet the technical standards prescribed by Prasar Bharati or at the Doordarshan/All India Radio Kendras. They can, as an alternative, have these recorded in the studios of Doordarshan and All India Radio by advance requests. In such cases, the recordings may be done at the State Capital and at timings indicated by Doordarshan/All India Radio in advance.

    Time Vouchers will be available in the denomination of 5 minutes with one voucher having time allotment from one to four minutes and the parties will be free to combine them suitably. The allotment of time to different political parties is given in a statement enclosed herewith.

    Introduced for the Lok Sabha elections in 1998, the scheme of free broadcasts was extended by the Commission to the State Assemblies held after 1998 and General Elections to the Lok Sabha in 1999, 2004 and 2009.

    With the amendments to the Representation of People Act 1951 through “Election and Other Related Laws (Amendment) Act, 2003” and the rules notified thereunder, equitable time sharing for campaigning by recognized political parties on electronic media now has statutory basis.

    In exercise of the powers conferred by clause (a) of the Explanation below section 39A of the Representation of People Act, 1951, the Central Government has notified all such broadcasting media which are owned or controlled or financed wholly or substantially by funds provided to them by the Central Government as the electronic media for the purposes of that section. Therefore, the Commission has decided to extend the said scheme of equitable time sharing on electronic media through Prasar Bharati Corporation to the ensuing General Election to the five State Legislative Assemblies.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air1.jpg?itok=fIWl61t7

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air2_0.jpg?itok=xkznzoWo

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  • Schedules fixed for broadcasts in five poll-bound states

    Schedules fixed for broadcasts in five poll-bound states

    NEW DELHI: All India Radio and Doordarshan, which provide a platform for political parties to make poll broadcasts before every election, will also organise a maximum of two panel discussions and/or debates on the Kendras/Stations for the forthcoming elections to the state assemblies in Goa, Punjab, Manipur, Uttarakhand & Uttar Pradesh.

    Each eligible party can nominate one representative to such a programme, but the Election Commission of India will approve the names of coordinators for such panel discussions and debates in consultation with the Prasar Bharati Corporation.

    The Commission has, as in previous years, worked out a schedule for the time to be given for poll broadcasts to different parties. The facilities of use of broadcast time and telecast time will be available only to National Parties and Recognized State Parties in the states where the polls are scheduled.

    The facilities will be available from the Regional Kendra of the All India Radio and Doordarshan and in the headquarters in the relevant states and relayed by other stations within the respective States.

    A base time of 45 minutes will be given to each National Party uniformly on the Regional Kendra of Doordarshan network and All India Radio network in the respective states.

    The additional time to be allotted to the parties has been decided on the basis of the poll performance of the parties in the last assembly election from the respective above mentioned States/UTs.

    In a single session of broadcast, no party will be allocated more than 15 minutes.
    The period of broadcast and telecast will be between the last date of filing the nominations and will end two days before the date of poll in the respective states.

    However, there will be no telecast or broadcast during the 48 hours preceding the close of polls as per specific provisions of the Representation of People Act, 1951. Prasar Bharati in consultation with the Commission will decide the actual date and time for broadcast and telecast. This will be subject to the broad technical constraints governing the actual time of transmission available with the Doordarshan and All India Radio.

    The guidelines prescribed by the Commission for telecast and broadcast will be strictly followed. The telecasts/broadcasts on Doordarshan/AIR will not permit criticism of other countries; attack on religions or communities; anything obscene or defamatory; incitement of violence; anything amounting to contempt of court; aspersion against the integrity of the President and Judiciary; anything affecting the unity, socereignty and integrity of the Nation; or any criticism by name of any person.

    The parties will be required to submit transcripts and recording in advance. The parties can get this recorded at their own cost in studios, which meet the technical standards prescribed by Prasar Bharati or at the Doordarshan/All India Radio Kendras. They can, as an alternative, have these recorded in the studios of Doordarshan and All India Radio by advance requests. In such cases, the recordings may be done at the State Capital and at timings indicated by Doordarshan/All India Radio in advance.

    Time Vouchers will be available in the denomination of 5 minutes with one voucher having time allotment from one to four minutes and the parties will be free to combine them suitably. The allotment of time to different political parties is given in a statement enclosed herewith.

    Introduced for the Lok Sabha elections in 1998, the scheme of free broadcasts was extended by the Commission to the State Assemblies held after 1998 and General Elections to the Lok Sabha in 1999, 2004 and 2009.

    With the amendments to the Representation of People Act 1951 through “Election and Other Related Laws (Amendment) Act, 2003” and the rules notified thereunder, equitable time sharing for campaigning by recognized political parties on electronic media now has statutory basis.

    In exercise of the powers conferred by clause (a) of the Explanation below section 39A of the Representation of People Act, 1951, the Central Government has notified all such broadcasting media which are owned or controlled or financed wholly or substantially by funds provided to them by the Central Government as the electronic media for the purposes of that section. Therefore, the Commission has decided to extend the said scheme of equitable time sharing on electronic media through Prasar Bharati Corporation to the ensuing General Election to the five State Legislative Assemblies.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air1.jpg?itok=fIWl61t7

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air2_0.jpg?itok=xkznzoWo

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air3.jpg?itok=G-wYK1BF

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air4.jpg?itok=wB0-DAKu

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/air5.jpg?itok=UxUc30Ox

  • Guest Column: Measure by Measure

    Guest Column: Measure by Measure

    Year ends are always a good a time to reflect on the past, take stock of the present and plan for the future. So let me begin, by reflecting on the year that was.  

    In 2016, the state of audience measurement in India grew by leaps and bounds. From just 10,000 homes in the previous system, we are already at 22,000 homes, with the course set for 55,000 as mandated. Over the year, the broadcast industry got a better idea of ‘What India Really Watches’, thanks to the addition of rural viewership measurement which BARC introduced– a fact that has been applauded by all. In fact, BARC’s investment in technology has ensured greater robustness in the system, with more automation and less manual interventions. Our system is also very scalable as our Bar-o-meter costs less than US$400 compared to the previously used meters which cost US$2500!

    The watermarking technology adopted by BARC, is two generations ahead of the rest. It not only captures catch up TV but also simulcast. What this means is that BARC can monitor any recording of a programme, seen within seven days of its telecast, and can also accurately measure a simultaneous telecast of a cricket match across say 20 channels, including Doordarshan, and can report which channel is drawing the highest eyeballs. In fact, the watermarking technology is also future-ready which can be used for digital measurement, which BARC currently is evaluating.

    Taking stock of the present, we at BARC are immensely proud of the credibility we have established and the trust that we have earned from the industry. This has come about as a result of support of our stakeholders and our commitment to transparency. Incidentally, the need for transparency was also the one big reason industry came together and formed BARC. It propelled the need for the formation of a joint industry body, where all stakeholders’ representatives are part of the board and the technical committee. A unique aspect of that is BARCs governance structure which ensures that decisions must necessarily be agreed to jointly. To further strengthen transparency and credibility, BARC has partnered with Ernst & Young (E&Y) so that data can be audited by an external independent auditor. Evidence enough to the seriousness of thought that was given to credible data by the three industry bodies which make up BARC.

    Having established credibility in our data and systems, our task for the year ahead on that front is cut out: we will leave no stone unturned in our endeavour to maintain integrity, and take every step possible to ensure a robust and reliable viewership measurement environment: which is essential for the broadcast industry to thrive and grow. The support of our Board validates the faith we have in our systems and processes, and we will continue to build on that. We have set up a vigilance team that works with specialist agencies on the ground to track mala-fide activities. Any attempt to unfairly influence our measurement system has been dealt with firmly and we will continue to maintain zero-tolerance towards any acts of infiltration or tampering of our panel homes.

    The TV Industry draws in multiple crores of rupees worth of advertising in a country with over 153.5 million TV homes, where watching TV firmly remains a family routine. Be it entertainment or news, sports or movies, music, kids shows or a national events like Independence and Republic Days, TV will continue to take centre stage in the lives of Indians. And monitoring who is watching what will continue to remain a critical need for the growing stakeholders.

    While welcoming 2017, we at BARC, promise to continue our commitment to a transparent and credible viewership measurement system, because that’s the only way we know to measure things.

    public://Parth.jpg The author of this article is Broadcast Audience Research Council India CEO. You can follow him on Twitter @parthodasgupta. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them

     

  • Guest Column: Measure by Measure

    Guest Column: Measure by Measure

    Year ends are always a good a time to reflect on the past, take stock of the present and plan for the future. So let me begin, by reflecting on the year that was.  

    In 2016, the state of audience measurement in India grew by leaps and bounds. From just 10,000 homes in the previous system, we are already at 22,000 homes, with the course set for 55,000 as mandated. Over the year, the broadcast industry got a better idea of ‘What India Really Watches’, thanks to the addition of rural viewership measurement which BARC introduced– a fact that has been applauded by all. In fact, BARC’s investment in technology has ensured greater robustness in the system, with more automation and less manual interventions. Our system is also very scalable as our Bar-o-meter costs less than US$400 compared to the previously used meters which cost US$2500!

    The watermarking technology adopted by BARC, is two generations ahead of the rest. It not only captures catch up TV but also simulcast. What this means is that BARC can monitor any recording of a programme, seen within seven days of its telecast, and can also accurately measure a simultaneous telecast of a cricket match across say 20 channels, including Doordarshan, and can report which channel is drawing the highest eyeballs. In fact, the watermarking technology is also future-ready which can be used for digital measurement, which BARC currently is evaluating.

    Taking stock of the present, we at BARC are immensely proud of the credibility we have established and the trust that we have earned from the industry. This has come about as a result of support of our stakeholders and our commitment to transparency. Incidentally, the need for transparency was also the one big reason industry came together and formed BARC. It propelled the need for the formation of a joint industry body, where all stakeholders’ representatives are part of the board and the technical committee. A unique aspect of that is BARCs governance structure which ensures that decisions must necessarily be agreed to jointly. To further strengthen transparency and credibility, BARC has partnered with Ernst & Young (E&Y) so that data can be audited by an external independent auditor. Evidence enough to the seriousness of thought that was given to credible data by the three industry bodies which make up BARC.

    Having established credibility in our data and systems, our task for the year ahead on that front is cut out: we will leave no stone unturned in our endeavour to maintain integrity, and take every step possible to ensure a robust and reliable viewership measurement environment: which is essential for the broadcast industry to thrive and grow. The support of our Board validates the faith we have in our systems and processes, and we will continue to build on that. We have set up a vigilance team that works with specialist agencies on the ground to track mala-fide activities. Any attempt to unfairly influence our measurement system has been dealt with firmly and we will continue to maintain zero-tolerance towards any acts of infiltration or tampering of our panel homes.

    The TV Industry draws in multiple crores of rupees worth of advertising in a country with over 153.5 million TV homes, where watching TV firmly remains a family routine. Be it entertainment or news, sports or movies, music, kids shows or a national events like Independence and Republic Days, TV will continue to take centre stage in the lives of Indians. And monitoring who is watching what will continue to remain a critical need for the growing stakeholders.

    While welcoming 2017, we at BARC, promise to continue our commitment to a transparent and credible viewership measurement system, because that’s the only way we know to measure things.

    public://Parth.jpg The author of this article is Broadcast Audience Research Council India CEO. You can follow him on Twitter @parthodasgupta. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them

     

  • Hindi GECs to be bigger and better in 2017

    Hindi GECs to be bigger and better in 2017

    MUMBAI: As the new year 2017 begins, broadcasters across Hindi general entertainment channels, are all set to come up with their big bang shows. Be it Star Plus, Colors, Sony Entertainment Television, Zee TV, Life OK, &TV or Sab TV. Each channel has pulled up its sleeves to offer a wide range of entertainment. On the one hand where Star Plus is launching its grand singing reality show ‘Dil Hai Hindustani’ from 7 January, Colors is bringing up an international format to India Rising Star.

    After strengthening the weekend time slot and rising higher and higher in the GEC space, courtesy its  reality show Super Dancer, Sony is betting big on its weekday programming with some big budget shows. Zee TV too is not leaving any stone unturned when it comes to content experimentation. Life OK changed its programming strategy altogether. Focusing more on the male audience, the channel is now experimenting with content to attract male TG for Life OK.

    &TV and Sab TV too have geared up for the race.

    With DD’s third auction bidding in December  for the prime time slot, Doordarshan too girded up its loins to launch television shows. Gajendra Singh’s Saaibaba Telefilms and Ekta Kapoor-promoted Balaji Telefilms are putting together programming ranging from family dramas to youth-oriented shows to music reality shows which may lead to the revival of viewership of the network. Indiantelevision had reported that Balaji bid successfully for four slots, and Saaibaba bagged two slots on Doordarshan’s prime time slot auctions. 

    Lets see what the Hindi GECs have for their viewers in 2017:

    Colors

    Rising Star: Originally created and produced by Tedy Productions and Keshet Broadcasting, it has since inception in 2013, enthralled  global audiences with the most vivid talent. With more than 250 episodes globally to its credit, the format has been aired across more than 16 countries including Israel, the U, Brazil, Portugal, Argentina, China, Cambodia and Indonesia.

    The show is slated to launch in January-end. It will be a weekend programme which will replace Bigg Boss 10. Rising Star’s Indian adaptation will be produced by Optimystix Entertainment.

    Another offering from Colors is ‘Dil Se Dil Tak’, produced by Shashi Sumeet Mittal Production which will probably replace Bigg Boss 10 on weekdays at 9pm.

    ‘Chhote Miyan’ featuring the most talented kids from India is back with Season 4. After a gap of four years, the show is bringing a new format and much more laughter and entertainment.

    Star Plus

    Starting 7 January, Star Plus will launch its first show of 2017. Produced by Frame Production, ‘Dil Hai Hindustani’ will celebrate the popularity of Bollywood music through talent from across the globe, from different cultures and nationalities, bound by their love for Bollywood. The talent will be judged by an expert panel who put India on the world map of music. The panel would consist of director Karan Johar who travelled the globe to handpick singers while Bollywood’s favourite rapper Badshah will be seen making a debut as a judge on television. Music sensation – Shekhar Ravjiani and Shalmali Kholgade will be seen monitoring the contestants and judging the show.

    Another show, ‘Meri Durga’ directed by Ravindra Gautam and produced by Paperback Films is slated to launch by January-end. Set in the backdrop of Haryana, this show is a drama serial which will dramatise the relationship of a man and his daughter. Star Plus will also be offering ‘Nastik’ slated to launch by February.

    Zee TV

    Produced by Sidharth Malhotra’s Alchemy Films, ‘Wo Apna Sa’ is slated to launch on 23 January in the 10pm time-band from Monday to Friday. The show will have Disha Parmar. And it will be  Ridhi Dogra Vashisth is come back to television after a long hiatus. Zee TV is back with one of its most popular shows ‘Saregamapa Little Champs’..  

    Sony Entertainment Television

    Sony will soon launch one of its most-awaited shows ‘Peshwa Bajirao.’ Produced by Sphere Origins and creatively produced by Nilanjana Purkayasstha’s company Invictus T Mediaworks, the show is based on Bajirao Mastani. It is  slated to launch in January and will replace ‘Ek Rishta Sanjhedari ka’.

    Written by Saba Mumtaz and produced by Rahul Tewary, ‘Yeh Moh Moh ke Dhaage’ is a series about a family which is set in Gujarat. The story of the new show revolves around three lovers.

    Life OK

    Produced by Saurabh Tewari in association with Life OK, Ghulaam promises to focus on life in Berahampur, especially the atrocities meted out against women and focus on the men who rule the land. The men here will go to any length to terrify all to rule this town where  the law of the land has no jurisdiction. The show will be aired from 16 January from Monday to Friday at 9pm.  Another show, ‘Har Dard Ka Mard,’ is the new offering from Life OK this month. It has been produced by DJ’s  Creative and is directed by Parmeet Sethi.

  • Hindi GECs to be bigger and better in 2017

    Hindi GECs to be bigger and better in 2017

    MUMBAI: As the new year 2017 begins, broadcasters across Hindi general entertainment channels, are all set to come up with their big bang shows. Be it Star Plus, Colors, Sony Entertainment Television, Zee TV, Life OK, &TV or Sab TV. Each channel has pulled up its sleeves to offer a wide range of entertainment. On the one hand where Star Plus is launching its grand singing reality show ‘Dil Hai Hindustani’ from 7 January, Colors is bringing up an international format to India Rising Star.

    After strengthening the weekend time slot and rising higher and higher in the GEC space, courtesy its  reality show Super Dancer, Sony is betting big on its weekday programming with some big budget shows. Zee TV too is not leaving any stone unturned when it comes to content experimentation. Life OK changed its programming strategy altogether. Focusing more on the male audience, the channel is now experimenting with content to attract male TG for Life OK.

    &TV and Sab TV too have geared up for the race.

    With DD’s third auction bidding in December  for the prime time slot, Doordarshan too girded up its loins to launch television shows. Gajendra Singh’s Saaibaba Telefilms and Ekta Kapoor-promoted Balaji Telefilms are putting together programming ranging from family dramas to youth-oriented shows to music reality shows which may lead to the revival of viewership of the network. Indiantelevision had reported that Balaji bid successfully for four slots, and Saaibaba bagged two slots on Doordarshan’s prime time slot auctions. 

    Lets see what the Hindi GECs have for their viewers in 2017:

    Colors

    Rising Star: Originally created and produced by Tedy Productions and Keshet Broadcasting, it has since inception in 2013, enthralled  global audiences with the most vivid talent. With more than 250 episodes globally to its credit, the format has been aired across more than 16 countries including Israel, the U, Brazil, Portugal, Argentina, China, Cambodia and Indonesia.

    The show is slated to launch in January-end. It will be a weekend programme which will replace Bigg Boss 10. Rising Star’s Indian adaptation will be produced by Optimystix Entertainment.

    Another offering from Colors is ‘Dil Se Dil Tak’, produced by Shashi Sumeet Mittal Production which will probably replace Bigg Boss 10 on weekdays at 9pm.

    ‘Chhote Miyan’ featuring the most talented kids from India is back with Season 4. After a gap of four years, the show is bringing a new format and much more laughter and entertainment.

    Star Plus

    Starting 7 January, Star Plus will launch its first show of 2017. Produced by Frame Production, ‘Dil Hai Hindustani’ will celebrate the popularity of Bollywood music through talent from across the globe, from different cultures and nationalities, bound by their love for Bollywood. The talent will be judged by an expert panel who put India on the world map of music. The panel would consist of director Karan Johar who travelled the globe to handpick singers while Bollywood’s favourite rapper Badshah will be seen making a debut as a judge on television. Music sensation – Shekhar Ravjiani and Shalmali Kholgade will be seen monitoring the contestants and judging the show.

    Another show, ‘Meri Durga’ directed by Ravindra Gautam and produced by Paperback Films is slated to launch by January-end. Set in the backdrop of Haryana, this show is a drama serial which will dramatise the relationship of a man and his daughter. Star Plus will also be offering ‘Nastik’ slated to launch by February.

    Zee TV

    Produced by Sidharth Malhotra’s Alchemy Films, ‘Wo Apna Sa’ is slated to launch on 23 January in the 10pm time-band from Monday to Friday. The show will have Disha Parmar. And it will be  Ridhi Dogra Vashisth is come back to television after a long hiatus. Zee TV is back with one of its most popular shows ‘Saregamapa Little Champs’..  

    Sony Entertainment Television

    Sony will soon launch one of its most-awaited shows ‘Peshwa Bajirao.’ Produced by Sphere Origins and creatively produced by Nilanjana Purkayasstha’s company Invictus T Mediaworks, the show is based on Bajirao Mastani. It is  slated to launch in January and will replace ‘Ek Rishta Sanjhedari ka’.

    Written by Saba Mumtaz and produced by Rahul Tewary, ‘Yeh Moh Moh ke Dhaage’ is a series about a family which is set in Gujarat. The story of the new show revolves around three lovers.

    Life OK

    Produced by Saurabh Tewari in association with Life OK, Ghulaam promises to focus on life in Berahampur, especially the atrocities meted out against women and focus on the men who rule the land. The men here will go to any length to terrify all to rule this town where  the law of the land has no jurisdiction. The show will be aired from 16 January from Monday to Friday at 9pm.  Another show, ‘Har Dard Ka Mard,’ is the new offering from Life OK this month. It has been produced by DJ’s  Creative and is directed by Parmeet Sethi.

  • Saaibaba musicals & comedy, Balaji dramas may lift DD’s fortunes from Feb

    Saaibaba musicals & comedy, Balaji dramas may lift DD’s fortunes from Feb

    MUMBAI: Starting February, pubcaster Doordarshan is geared up to launch television shows following the prime time programming slot auction in December.

    Saaibaba Telefilms and Ekta Kapoor-promoted Balaji Telefilms are putting together programming ranging from family dramas to youth-oriented shows to music reality shows which may lead to revival of the viewership and finances of the network. indiantelevision had reported that Balaji bid successfully for four slots, and Saaibaba bagged two slots on Doordarshan’s prime time slot auctions.

    Saaibaba, which is popular for shows such as SaReGaMa, Antakshari, and Star Voice of India, will produce music-focused reality and fiction shows for Doordarshan. Saaibaba won bids for 7.30 pm to 8 pm from Monday to Friday, and 8pm to 9pm on Saturday and Sunday, indiantelevision.com had reported.      

    Saaibaba director Shweta Singh on Tuesday told indiantelevision.com, “We had not applied for initial two bids but put the hat in the third ring because it was feasible and fortunately got two slots. In terms of content, we are looking for musical reality shows for weekends and comedy show on weekdays.”     

    Balaji COO – television business Ketan Gupta reportedly said that one of the shows was going to be a youth-focused show, while another would be a love story. A daily soap opera (family drama) has been planned for the Friday slot, he added.

    Balaji has made superhit fiction shows such as Kumkum Bhagya on Zee and Pavitra Bandhan (which runs on DD National). It successfully pocketed three slots (half an hour each for 8-9:30pm programming) from Monday to Thursday. The production house won two slots for 8-9pm programming on Friday.

    After a Prasar Bharati Board meeting in October, Doordarshan had announced a series of concessions once the programmers come on board, including lowering the base price for a 30-minute slot to Rs. 1,50,000.      

    DD sources had told indiantelevision.com that the only eligibility criterion that has been relaxed is that the basic price for auction has come down to Rs 1,50,000 (Rs 1.5 lakh) for a 30-minute slot. It was Rs 250.000 when the auction was announced in June this year, and was decreased to Rs 200,000 when the new date was set in early September 2016.

    However, most of the other eligibility norms remain the same as earlier in the New Content Acquisition Scheme that has been approved by Prasar Bharati Board.

    Also Read: Balaji & Saaibaba bag prime time slots on DD National

    DD non-prime time slots programmes invited; FCTs specified

  • Saaibaba musicals & comedy, Balaji dramas may lift DD’s fortunes from Feb

    Saaibaba musicals & comedy, Balaji dramas may lift DD’s fortunes from Feb

    MUMBAI: Starting February, pubcaster Doordarshan is geared up to launch television shows following the prime time programming slot auction in December.

    Saaibaba Telefilms and Ekta Kapoor-promoted Balaji Telefilms are putting together programming ranging from family dramas to youth-oriented shows to music reality shows which may lead to revival of the viewership and finances of the network. indiantelevision had reported that Balaji bid successfully for four slots, and Saaibaba bagged two slots on Doordarshan’s prime time slot auctions.

    Saaibaba, which is popular for shows such as SaReGaMa, Antakshari, and Star Voice of India, will produce music-focused reality and fiction shows for Doordarshan. Saaibaba won bids for 7.30 pm to 8 pm from Monday to Friday, and 8pm to 9pm on Saturday and Sunday, indiantelevision.com had reported.      

    Saaibaba director Shweta Singh on Tuesday told indiantelevision.com, “We had not applied for initial two bids but put the hat in the third ring because it was feasible and fortunately got two slots. In terms of content, we are looking for musical reality shows for weekends and comedy show on weekdays.”     

    Balaji COO – television business Ketan Gupta reportedly said that one of the shows was going to be a youth-focused show, while another would be a love story. A daily soap opera (family drama) has been planned for the Friday slot, he added.

    Balaji has made superhit fiction shows such as Kumkum Bhagya on Zee and Pavitra Bandhan (which runs on DD National). It successfully pocketed three slots (half an hour each for 8-9:30pm programming) from Monday to Thursday. The production house won two slots for 8-9pm programming on Friday.

    After a Prasar Bharati Board meeting in October, Doordarshan had announced a series of concessions once the programmers come on board, including lowering the base price for a 30-minute slot to Rs. 1,50,000.      

    DD sources had told indiantelevision.com that the only eligibility criterion that has been relaxed is that the basic price for auction has come down to Rs 1,50,000 (Rs 1.5 lakh) for a 30-minute slot. It was Rs 250.000 when the auction was announced in June this year, and was decreased to Rs 200,000 when the new date was set in early September 2016.

    However, most of the other eligibility norms remain the same as earlier in the New Content Acquisition Scheme that has been approved by Prasar Bharati Board.

    Also Read: Balaji & Saaibaba bag prime time slots on DD National

    DD non-prime time slots programmes invited; FCTs specified

  • Pvt b’casters also to gain from new DTT model by Feb; Rs 320 cr budgeted

    Pvt b’casters also to gain from new DTT model by Feb; Rs 320 cr budgeted

    MUMBAI: Pubcaster Doordarshan is making strategic plans to expand its digital terrestrial transmission (DTT) service across India. The public broadcaster, which runs the service in 16 cities at present, will be expanding it to three more cities by March 2017. Plans are afoot to further expand DTT to 44 additional cities in two years. The pubcaster will invest around Rs 320 crore to achieve its targets by 2018.

    Doordarshan has, for this purpose, also tied up with Indian Institute of Management – Ahmedabad (IIMA) to develop a relevant business model for the platform which it expects will be drafted by February 2017.

    The DTT service is an internet-free distribution service, through which consumers are able to receive television channels on the move or at home through television sets, tablets and smartphones with the use of a unique dongle and a DD application.

    Doordarshan director-general Supriya Sahu said that the business model would be ready by February. As reported by indiantelevision.com earlier, they might, Sahu added, share the capacity by auctioning channel slots to the private broadcasters, which could be a game-changer for the industry.

    As reported by indiantelevision.com earlier, a consultation paper on Digital Terrestrial Transmission by the Telecom Regulatory Authority of India has been pending finalisation. Meantime, Doordarshan on 23 December held a workshop with stakeholders to explore the potential of DTT services. Experts from the Indian Institute of Management Ahmedabad, various stakeholders including Content providers, private broadcasters, receiver manufactures, and officers at Doordarshan participated.

    DD, which presently has the exclusive domain over terrestrial broadcasting, ranks amongst the world’s largest terrestrial television networks. It has a network of 1412 analog transmitters that provide TV services through two national channels namely, DD National and DD News. In addition to this, the network also broadcast several regional TV channels over the terrestrial network in a time sharing mode to meet the local and regional needs of people in different parts of the country. All TV channels provided by DD are free-to-air.

    In its paper, TRAI had asked whether DTT broadcasting should be opened for participation by the private players, and which model or a combination thereof for DTT will be most suitable in Indian context.

    Also read

    http://www.indiantelevision.com/regulators/trai/dtt-could-be-thrown-open-for-pvt-sector-companies-160606

    http://www.indiantelevision.com/regulators/trai/dds-digital-terrestrial-transmission-meet-tomorrow-as-trai-paper-awaits-finalisation-161222

    http://www.indiantelevision.com/regulators/trai/trai-extends-time-for-views-on-opening-up-dtt-to-private-players-160723

  • Pvt b’casters also to gain from new DTT model by Feb; Rs 320 cr budgeted

    Pvt b’casters also to gain from new DTT model by Feb; Rs 320 cr budgeted

    MUMBAI: Pubcaster Doordarshan is making strategic plans to expand its digital terrestrial transmission (DTT) service across India. The public broadcaster, which runs the service in 16 cities at present, will be expanding it to three more cities by March 2017. Plans are afoot to further expand DTT to 44 additional cities in two years. The pubcaster will invest around Rs 320 crore to achieve its targets by 2018.

    Doordarshan has, for this purpose, also tied up with Indian Institute of Management – Ahmedabad (IIMA) to develop a relevant business model for the platform which it expects will be drafted by February 2017.

    The DTT service is an internet-free distribution service, through which consumers are able to receive television channels on the move or at home through television sets, tablets and smartphones with the use of a unique dongle and a DD application.

    Doordarshan director-general Supriya Sahu said that the business model would be ready by February. As reported by indiantelevision.com earlier, they might, Sahu added, share the capacity by auctioning channel slots to the private broadcasters, which could be a game-changer for the industry.

    As reported by indiantelevision.com earlier, a consultation paper on Digital Terrestrial Transmission by the Telecom Regulatory Authority of India has been pending finalisation. Meantime, Doordarshan on 23 December held a workshop with stakeholders to explore the potential of DTT services. Experts from the Indian Institute of Management Ahmedabad, various stakeholders including Content providers, private broadcasters, receiver manufactures, and officers at Doordarshan participated.

    DD, which presently has the exclusive domain over terrestrial broadcasting, ranks amongst the world’s largest terrestrial television networks. It has a network of 1412 analog transmitters that provide TV services through two national channels namely, DD National and DD News. In addition to this, the network also broadcast several regional TV channels over the terrestrial network in a time sharing mode to meet the local and regional needs of people in different parts of the country. All TV channels provided by DD are free-to-air.

    In its paper, TRAI had asked whether DTT broadcasting should be opened for participation by the private players, and which model or a combination thereof for DTT will be most suitable in Indian context.

    Also read

    http://www.indiantelevision.com/regulators/trai/dtt-could-be-thrown-open-for-pvt-sector-companies-160606

    http://www.indiantelevision.com/regulators/trai/dds-digital-terrestrial-transmission-meet-tomorrow-as-trai-paper-awaits-finalisation-161222

    http://www.indiantelevision.com/regulators/trai/trai-extends-time-for-views-on-opening-up-dtt-to-private-players-160723