ITV

Tag: DNEG

  • DNEG group raises $200M to boost innovation in visual entertainment tech

    DNEG group raises $200M to boost innovation in visual entertainment tech

    Mumbai: The DNEG Group (“the Group”), the London headquartered world leader in visual entertainment technology and services, announced today that United Al Saqer Group (“UASG”) will make a strategic investment of $200 million in the Group, at a total enterprise valuation over $2 billion.

    The DNEG Group has a consistent 25-year track record of innovating to lead in the visual effects (VFX) segment and strong profitable growth. Like all parts of the media & entertainment sector, the market in which The DNEG Group operates is undergoing a rapid evolution. The investment by UASG will accelerate The DNEG Group’s strategy of innovation and diversification to evolve from a pure visual effects services provider to a sector-agnostic content production and AI-powered technology partner, ensuring continued technology and creative leadership. In particular:

    The DNEG Group will fully activate its technology division, Brahma, which is developing the industry’s most comprehensive AI-powered, photo-real CGI creator, including Ziva, to which DNEG recently acquired the exclusive license from Unity. Brahma will democratize photo-real content creation in a wide range of applications and will be built on over 25 years of industry-leading proprietary data to create a product of unique quality.  

    The DNEG Group’s intellectual property (IP) and content creation arm, Prime Focus Studios, will be enabled to expand its investment in, and production of high-quality content, following its recent successful co-production of The Garfield Movie.

    The DNEG Group will open a new office and visual experience hub in Abu Dhabi, with plans to develop a world-class ecosystem in the Middle East for content production, storage, and distribution. This will support the creation of highly skilled jobs across the media and technology sectors, strengthening the region’s place as a creative powerhouse.

    DNEG Chairman and CEO Namit Malhotra will continue in his current role. He will be joined on the Group’s Board of Directors by Nabil Kobeissi and Edouard Zard from UASG, and by Prabhu Narasimhan from NaMa Capital, a leading investor in The DNEG Group, who will also become Executive Chairman of Brahma. Prabhu Narasimhan will take a leave of absence from NaMa Capital to oversee the launch and expansion of Brahma.

    The DNEG Group consists of:

    DNEG, which will continue providing its Academy Award® winning visual effects, animation, and associated creative services to Hollywood and global visual entertainment creators. DNEG is known for its work on numerous high-profile movies and animations, such as Dune, Oppenheimer, Interstellar, Tenet and Blade Runner 2049, as well as the Harry Potter, James Bond, Fast and Furious, Mission: Impossible and Marvel Cinematic Universe franchises.

    Brahma, which will be fully activated and will provide the industry’s leading AI-powered, photo-real CGI creator.

    Prime Focus Studios, will increase its content and IP investment and development across live-action, animation, and gaming. Prime Focus is currently co-producing several high-profile feature films, including Animal Friends, the Indian epic Ramayana, and The Angry Birds Movie 3.  

    Prime Focus Technologies, a leader in cloud-based software and artificial intelligence (AI) technology, including the CLEAR AI content creation, content management and content marketing and distribution suite.  

    His excellency  Abu Dhabi Department of Economic Development Al Zaabi, chairman Ahmed Jasim said, “The strategic investment by United Al Saqer Group in The DNEG Group is a testament to Abu Dhabi’s emergence as a global powerhouse for creativity, innovation, technology, and investment. This partnership not only accelerates technological advancements in the media and entertainment sectors but also underscores our commitment to fostering a robust ecosystem for content creation. By establishing a new visual experience hub in Abu Dhabi, we are creating numerous job opportunities and enhancing our ecosystem that supports high-tech industries and creative excellence. This move reaffirms Abu Dhabi’s status as a prime destination for groundbreaking investments, visionary enterprises, and a thriving environment where creativity and technology converge.”

    UASG CEO  Nabil Kobeissi said, “We are thrilled to join forces with Namit, Prabhu, and the DNEG Group. Namit’s visionary approach to revolutionizing the media and entertainment industry through cutting-edge technology is unparalleled. This strategic partnership not only turbo-charges the development of Brahma, the Group’s ground-breaking AI-powered CGI creator but also, under Namit’s leadership, demonstrates Abu Dhabi’s positioning as a global epicentre for content creation and distribution. By championing advanced AI technologies and expanding Prime Focus Studios, we are set to drive innovation and generate significant job opportunities across the UAE.”

    DNEG chairman and CEO Namit Malhotra said, “My career has been built on investing in and leading visual creativity with technology. Our partnership with UASG, the launch of Brahma, and the success of our content creation platform are all being fuelled by the power of our technology. We are redefining our business model as a leader in top-end solutions across the world, raising the bar in storytelling by using the latest technology and creative capabilities.

    “This investment will accelerate our plans to further drive The DNEG Group’s existing activities and enable the Group to expand its offering, both in terms of the services we provide and the markets we operate in. We are building on our success with the opening of a studio in Abu Dhabi, bringing content creation and technological capabilities to the region, positioning us as a leader there, and allowing us to leverage our global capabilities like no other.”

    Brahma executive chairman Prabhu Narasimhan said, “Our aim is to enable every storyteller to translate their imagination to screen faster, cheaper, and better, by equipping them with Brahma, which we are developing to be the most comprehensive AI-driven photo-real CGI creator. In the coming months, we will add to the leadership team of Brahma, fusing top technology and AI talent with visual effects creatives to make Brahma available to everyone with a story to tell.”

  • Daniel Jurow joins DNEG as COO

    Daniel Jurow joins DNEG as COO

    Mumbai: Double Negative (DNEG) has roped in former Technicolor and R/GA executive Daniel Jurow as chief operating officer.

    With over twenty years of expertise in the creative industry, Jurow will be based out of DNEG’s London studio. He will be reporting directly to DNEG chairman & CEO Namit Malhotra.

    Speaking on Jurow’s appointment, Malhotra said, “As we continue to scale our business, growing our creative teams, bringing in the industry’s best creative leaders, and building out our technology infrastructure, it is important that we have a strong, forward-thinking executive committee dedicated to leading, supporting and empowering our teams.”

    “Daniel’s career-long passion for creative technology, his experience of delivering breakthrough results for both brands and for the teams that he oversees, and his strategic and methodical approach to his work, all mark him out as a great leader. I am delighted to welcome him to DNEG’s senior management team, where I have no doubt he will make a great impact,” he added.

    Jurow was serving as the Film and Episodic VFX division’s Chief Operating Officer .

    At Technicolor, Daniel was appointed as chief operating officer for the Film and Episodic VFX division. He spent more than 15 years with the international digital product and marketing agency R/GA before that, where he advanced to the position of EVP, global head of production, overseeing more than 200 producers.

    Jurow launched the ground-breaking Nike+ product agreement between Nike and Apple in 2006, which earned R/GA the title of “Digital Agency of the Decade” by Adweek. By the time of his departure in 2019, the agency had grown from 200 workers to over 2,000 across 17 global sites.

    Jurow has spoken at a number of international conferences, including the first 4 A’s Digital Conference for Agencies,Internet & Mobile World, Innovation Summit, ArabNet Digital Summit, and the annual Creative Equals conference, which aims to advance women in creative roles into leadership positions in the advertising industry.

    Commenting on joining his new role as DNEG COO, Daniel said, “I have long admired DNEG’s focus on its people, uniting the business in support of its incredibly talented artists, creative technologists, production and support staff. As a result of this focus, DNEG has a great track record of leaping from strength to strength, delivering stunningly innovative creative work, navigating unprecedented industry shifts, and stewarding impressive global growth. I feel very privileged to join Namit and his team as we usher in the next brilliant act of the DNEG story.”

  • DNEG appoints Academy Award, Bafta winner Janek Sirrs as visual effects supervisor

    DNEG appoints Academy Award, Bafta winner Janek Sirrs as visual effects supervisor

    Sirrs’ list of production VFX supervisor credits to his name includes Marvel movies like “Doctor Strange in the Multiverse of Madness” (2022), “Spider-Man: Far from Home” (2019), “Spider-Man: Homecoming” (2017), “The Avengers” (2012), and “Iron Man 2” (2010). Other client-side VFX supervisor credits in his filmography include “Terminator Genisys” (2015), “The Hunger Games: Catching Fire” (2013), and “Batman Begins” (2005).

    In 2000, Sirrs received the Academy Award and the Bafta Award for Best Special Visual Effects for his work on “The Matrix” (1999). He has subsequently received two additional Academy Award nominations, for his work on “The Avengers” and “Iron Man 2,” and two additional Bafta nominations, for his work on “The Avengers” and “Batman Begins.”

    “I am proud to announce that Janek Sirrs is joining DNEG’s creative leadership team. I have admired Janek’s work for many years, and he is a truly outstanding creative leader who pushes the boundaries of what is possible on all of his projects. There are huge opportunities ahead for DNEG, as we drive our company forward in a world of technological advancement and new creative possibilities, and I am delighted that Janek is onboard as an important part of the DNEG creative team that is helping to lead that charge,” said DNEG chairman and CEO Namit Malhotra.

    Sirrs said, “As a client-side supervisor, I have worked with DNEG for more than twenty years, all the way back to Batman Begins and Mission: Impossible II. I am a big fan of the company’s work and its ethos. This new extension of my relationship with DNEG is incredibly exciting for me, as it allows even closer collaboration with DNEG’s talented teams, and the opportunity to develop groundbreaking and unconventional ideas, concepts, and approaches. One of my goals in designing and world-building for movies is to create something that has never been seen before, and I am looking forward to working with interesting and esoteric filmmakers to help bring a different take and a unique approach to the craft of storytelling.”

  • DNEG hires Academy Award winners Eric Brevig, Greg Butler as visual effects supervisors

    DNEG hires Academy Award winners Eric Brevig, Greg Butler as visual effects supervisors

    MUMBAI: Visual effects (VFX) and animation studio DNEG has announced on Friday the hiring of Eric Brevig and Greg Butler as visual effects supervisors. Brevig and Butler each join DNEG with decades of experience in the film industry.

    Brevig’s notable award-winning credits as VFX supervisor include ‘Total Recall’ (1990), for which he received the Academy Award for Best Visual Effects, “Hook” (1991), for which he was nominated for the Academy Award for Best Visual Effects, “Men In Black” (1997), which earned him a Bafta nomination for Best Visual Effects, and “Pearl Harbor” (2001), which earned him an Academy Award nomination for Best Visual Effects.

    Butler’s portfolio of credits as VFX supervisor includes Sam Mendes’ ‘single shot’ war drama ‘1917’ (2019), which earned him an Academy Award and a Bafta for Best Visual Effects, and ‘Harry Potter and the Deathly Hallows: Part 2’ (2011), which earned him his first Bafta. Earlier in his career, Butler received a Visual Effects Society Award for ‘Outstanding Character Animation’ for his work on Gollum in ‘The Lord of the Rings: Return of the King’ (2003).

    “I am proud to have both Eric and Greg, two highly accomplished industry veterans each with their own incredible legacy of breathtaking work, join DNEG’s creative ranks. Eric and Greg will certainly help us continue to push the creative boundaries of what is possible during this period of technological advancement in our industry and unprecedented demand for our services. Adding professionals with track records, talent, and expertise such as theirs further solidifies DNEG as the VFX and animation studio leader in the category” said DNEG chairman & CEO Namit Malhotra.

    Talking about his new role, Brevig said, “I have had the pleasure of working with DNEG and Namit on several projects in the past and I am delighted to become part of this world-class creative team. DNEG’s commitment to excellence and future growth plans make this a very exciting time for me to join the company.

    “My approach to the craft of VFX has always been to find the right techniques to create the most believable, engaging, and immersive experience for the audience. Using both virtual and physical tools, we can now realize anything the filmmaker can envision.”

    Butler joins DNEG from Method Studios, where he worked as a VFX Supervisor on various feature, episodic, and advertising projects, including most recently on a large scale, yet to be announced project for Amazon.

    “I have been following DNEG for many years – even before my London Soho days – as a competitor, a collaborator and as the home to many of my favorite people in visual effects. I am very excited to join DNEG’s Montréal office and I know we are going to make some great work together.

    “Visual effects is a magic trick. Its purpose, to keep the audience engaged in the story and the world of the film. Whether it is used to create fantastic wand duels in Harry Potter or invisible cuts in 1917, visual effects is a series of illusions created in service of the story. While it’s the end result that matters, I have always been enthralled by the filmmaking process; the dynamic behind-the-scenes collaboration of VFX artists and the live action crews whose work is their foundation” said Butler.

  • DNEG renews visual effects services agreement with Netflix

    DNEG renews visual effects services agreement with Netflix

    The leading technology-enabled visual effects and animation company, DNEG, has signed a multi-year agreement with Netflix. The agreement covers the provision of visual effects and virtual production services for Netflix series and feature programming.

    This agreement extends and expands on a previous agreement that the companies signed back in September 2020 and creates a pipeline of Netflix programming work for DNEG through 2025.

    The DNEG-Netflix agreement aligns DNEG’s scale and global footprint as one of the world’s largest content services companies with Netflix’s diverse programming slate. As part of the agreement, DNEG will build upon its existing award-winning Netflix work with a significant expansion of its premium VFX work, both domestic and abroad. DNEG’s redefine division will also supply VFX services and top-end creative supervision for select Netflix programming.

    DNEG has previously delivered visual effects services for Netflix episodic series including Locke & Key seasons one and two, Shadow & Bone, The Irregulars, Cursed, Altered Carbon seasons one and two, Jupiter’s Legacy, Away, The Letter For The King, Black Mirror seasons four and five and The Dark Crystal: Age of Resistance as well as a number of Netflix movies. DNEG won a Visual Effects Society Award for its work on Altered Carbon and a BAFTA TV Craft Award for its work on Black Mirror. ReDefine has delivered VFX for Netflix movies such as “The White Tiger”, “Mimi and Sweet Girl”, and is currently in production on the upcoming Adam Sandler movie, “Hustle”.

    Commenting on this agreement, DNEG chairman and CEO Namit Malhotra said, “Netflix is the leader in the field of streaming content, and DNEG is at the forefront of VFX and virtual production services. This agreement is transformative for DNEG and creates the opportunity for further expansion of our global scale and further investment in DNEG’s industry-leading technology.”

    He added, “The signing of this multi year agreement reflects the success of our partnership with Netflix to-date and validates DNEG’s strategic direction and worldwide growth initiatives.”

    Malhotra continued, “This deal allows us to continue providing Netflix with the very highest levels of quality and service across its programming globally. I am proud of the long relationship DNEG enjoys with Netflix and our work on some of their most popular and critically acclaimed shows. To meet the strong demand for our services and drive even further growth, DNEG is looking to expand our capacity up to 40 per cent by year-end 2022.”

    DNEG, which in recent years has won seven Academy Awards® for its visual effects work, including six of the last eight awards, is already working with Netflix on a number of projects in its upcoming slate, including the highly anticipated Stranger Things Season four; Rian Johnson’s Knives Out two; fantasy action-dramas The School for Good and Evil and Avatar: The Last Airbender; origin story The Witcher: Blood Origin; and upcoming fantasy comedy-adventure Slumberland for director Francis Lawrence. DNEG Animation is providing animation services for the much anticipated animated feature film Nimona, which will be released by Netflix in 2023.

  • DNEG receives two nominations for VFX at 94th Academy Awards

    DNEG receives two nominations for VFX at 94th Academy Awards

    Mumbai: The VFX and animation studio DNEG, led by Namit Malhotra, has received two nominations in the ‘Best Visual Effects’ category for the 94th Academy Awards, scheduled for 27 March in Los Angeles. DNEG has been nominated for its work on “Dune” and “No Time to Die.”

    “I am very grateful to the Academy of Motion Picture Arts & Sciences for these nominations and I am proud to see our teams receiving this well-deserved recognition,” said DNEG chairman and CEO Namit Malhotra. “These nominations validate our high ambitions for DNEG to become the foremost and most highly-regarded VFX and animation company in the world, and to make my country, my India, proud.”

    DNEG’s VFX work has previously won six Academy Awards for ‘Best Visual Effects’ including five of the last seven – for “Tenet,” “First Man,” “Blade Runner 2049,” “Ex Machina,” “Interstellar,” and “Inception.”

    Earlier this month, DNEG won a BAFTA for its VFX work on “Dune.” Four of the five 2022 BAFTA-nominated films in the ‘Special Visual Effects’ category feature DNEG-led VFX work including “Dune,” “Ghostbusters: Afterlife,” “The Matrix Resurrections,” and “No Time to Die.”

    DNEG also received 12 nominations for the 2022 Visual Effects Society (VES) Awards, across six shows – “Dune,” “The Matrix Resurrections,” “No Time to Die,” “Last Night In Soho,” “Venom: Let There Be Carnage” and “Foundation.” The studio picked up seven awards out of 12 nominations.

    In the past, DNEG has won seven BAFTA Awards, 18 Visual Effects Society (VES) Awards and three Primetime Emmy Awards.

  • 20th VES Awards: DNEG sweeps seven awards for visual effects

    20th VES Awards: DNEG sweeps seven awards for visual effects

    Mumbai: The London-based VFX major Double Negative (DNEG) has received seven awards at the 20th Visual Effects Society (VES) Awards held in Los Angeles on Tuesday. The company is a technology-enabled visual effect and animation studio for the creation of feature film, television and multiplatform content.  This year’s seven VES awards bring The company’s all-time total to 18.

    The four of DNEG’s seven awards honoured its VFX work on Denis Villeneuve’s Oscar 2022 frontrunner “Dune,” including the main award for ‘Outstanding Visual Effects in a Photoreal Feature,’ which was presented by the filmmaker himself.

    DNEG also received two awards for its work on the Apple TV+ drama “Foundation,” as well as the award for ‘Outstanding Supporting Visual Effects in a Photoreal Feature” for Edgar Wright’s “Last Night In Soho.”

    DNEG’s dominant and expansive awards haul on the evening provides further evidence of the company’s leading capabilities in the visual effects and animation industries. This year’s extraordinary levels of success and the recognition of the Visual Effects Society add to DNEG’s impressive list of recent and historical accolades, said the statement.

    “Thank you to the Visual Effects Society for honouring the incredible work of our teams and congratulations to all of our winners, collaborators, global teams and clients on this epic achievement,” commented DNEG chairman and CEO Namit Malhotra. “It is important to note that these projects were all in production during the pandemic. Despite the challenges of finding new ways of working in this incredibly difficult time for the world, DNEG has produced work of a quality that has been recognised as outstanding by the VES – an industry body that provides a detailed and comprehensive gauge of the technology and artistry that makes this work so special.”

    “This, alongside the unprecedented number of awards that we won last night, is a massive testament to the capabilities of our teams, and the trust of our customers that DNEG will always deliver their vision to the highest possible standard. It is also a huge validation of DNEG’s ambitious growth plans as we go from strength to strength, scaling our business, and delivering great results across all of our global teams,” Malhotra further said.

    DNEG’s complete 2022 VES Award winners are:

    Outstanding Visual Effects in a Photoreal Feature: “Dune” – Paul Lambert, Brice Parker, Tristan Myles, Brian Connor, Gerd Nefzer

    Outstanding Supporting Visual Effects in a Photoreal Feature: “Last Night in Soho” – Tom Proctor, Gavin Gregory, Julian Gnass, Fabricio Baessa

    Outstanding Visual Effects in a Photoreal Episode: “Foundation” – The Emperor’s Peace – Chris MacLean, Addie Manis, Mike Enriquez, Chris Keller, Paul Byrne

    Outstanding Model in a Photoreal or Animated Project: “Dune” – Royal Ornithopter – Marc Austin, Anna Yamazoe, Michael Chang, Rachael Dunk

    Outstanding Effects Simulations in a Photoreal Feature: “Dune” – Dunes of Arrakis – Gero Grimm, Ivan Larinin, Hideki Okano, Zuny An

    Outstanding Effects Simulation in an Episode, Commercial, or Real-Time Project: “Foundation” – Collapse of the Galactic Empire – Giovanni Casadei, Mikel Zuloaga, Steven Moor, Louis Manjarres

    Outstanding Compositing & Lighting in a Feature: “Dune” – Attack on Arrakeen – Gregory Haas, Francesco Dell’Anna, Abhishek Chaturvedi, Cleve Zhu

    DNEG served as lead VFX partner on each of the above projects, with work completed throughout its worldwide studios, according to the company.

  • DNEG set to become the only Pure-play publicly-traded visual effects, animation company

    DNEG set to become the only Pure-play publicly-traded visual effects, animation company

    Mumbai: DNEG, a technology-enabled visual effects, and animation company, and Sports Ventures Acquisition Corp, a publicly-traded special purpose acquisition company have entered into a definitive business combination agreement that will result in DNEG becoming a public company.

    Upon closing of the transaction, the combined company will be renamed DNEG and it is expected that its ordinary shares will be listed on the Nasdaq. The combined company will be led by DNEG chairman and chief executive officer Namit Malhotra.

    A subsidiary of Prime Focus, DNEG creates visual effects and animation for feature films, television, as well as multiplatform content, with operations based in North America (Los Angeles, Montréal, Toronto and Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai and Mumbai)

    Commenting on this merger, DNEG chairman and CEO Namit Malhotra said, “This transaction creates long-term stability for our teams while also allowing us to exploit the tailwinds in the media and entertainment industry and the explosion in demand for content, which are huge growth drivers for our company. Leveraging our leading technology stack, DNEG is already making great strides into new growth areas such as gaming and content creation partnerships, and we are perfectly positioned to exploit massive new opportunities in the metaverse and the convergence of all forms of content creation.”

    DNEG’s work has earned the company six Academy Awards®️ for Best Visual Effects and numerous BAFTA and Primetime EMMY®️ Awards. Current and upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Uncharted (February 2022), Death on the Nile (February 2022), Moonfall (February 2022), Borderlands (2022), Stranger Things S4 (2022), Aquaman and the Lost Kingdom (2022), Knives Out 2 (2022), The Last of Us (2022), The Flash (2022), and Shazam! Fury of the Gods (2023).

  • Tom Jacomb takes charge as DNEG president, animation division

    Tom Jacomb takes charge as DNEG president, animation division

    Mumbai: Animation and VFX studio DNEG on Wednesday announced the promotion of Tom Jacomb as president of the animation division.

    Previously serving as managing director, Jacomb helped launch the feature animation division at DNEG in 2014. Based in London, he has guided the growth of the team to more than 500 employees across DNEG’s animation studios in London, Los Angeles, Montréal, and Mumbai. 

    “In his new role as president, Jacomb will oversee further worldwide investment and expansion of DNEG Animation, including expansion into Vancouver and the creation of up to 100 new animation roles in the city,” said the company in a statement.

    Jacomb’s promotion is effective concurrently with the appointment of five new senior members of DNEG Animation’s team and the studio’s expanding slate of new feature film and episodic animation productions.

    Freddy Chaleur and Yancy Lindquist have joined DNEG Animation’s team of VFX supervisors, which includes Philippe Denis, Archie Donato, and Taylor Moll; animation director Jay Boose joined the team’s animation leadership group, which includes Kapil Sharma, Troy Saliba, and Dave Lowry – all led by Ted Ty. The new hires are rounded out by the head of look development Sonja Burchard and producer Audrey Ford.  

    “Jacomb’s promotion and the onboarding of five new senior members of his team support our ambition for DNEG Animation to become one of the best and most highly regarded animation studios in the world,” said DNEG CEO Namit Malhotra. “Jacomb will continue to build a superlative global team and build upon the great successes.”

    “DNEG has long been known for its creative pedigree in visual effects, and I am incredibly proud of the opportunity to lead our amazing team and prove that DNEG can also excel in delivering the highest-quality animation projects,” said Tom Jacomb. “The team’s talents and hard work get the credit for our growth and the incredible projects that we are embarking on. Looking to the future, I am very pleased to welcome our new senior crew members, who will bolster DNEG Animation’s global capabilities with even more creativity, experience, and expertise.”

  • DNEG expands global footprint with new Toronto Studio

    DNEG expands global footprint with new Toronto Studio

    Mumbai: DNEG- visual effects (VFX) and animation studio for the creation of feature film, television and multiplatform content- has announced plans for increasing its Canada-based VFX and animation operations and talent pool.

    With surging worldwide demand for its content across all platforms, DNEG is planning a new studio in the Greater Toronto Area that will initially employ up to 200 people, including many new technology positions. It will also expand its existing Vancouver and Montreal offices, and add a new studio for its Feature Animation division in Vancouver.

    DNEG also has North American operations in Los Angeles. North American expansion and investment will bolster DENG’s leadership and multi-platform capabilities as a modern-day content production powerhouse for major Hollywood and independent studios and production companies, it said in a media statement.

    DNEG chairman and CEO Namit Malhotra said, “We are also continuing to build out our studios in Vancouver and Montreal to support our upcoming slate of VFX projects, and extending our highly successful Feature Animation team to Vancouver as they move into production on five new animation projects. Growth in our Canadian talent and capabilities will help us strategically align with the demands of the entertainment industry and seize upon our new growth initiatives and content creation opportunities.”

    The new Toronto studio will create up to 200 new jobs, initially in a remote-work capacity. Roles will encompass visual effects for film and episodic projects, feature animation, and technology positions. Opportunities will be posted at DNEG.com.

    DNEG Global CTO Paul Salvini added, “I’m excited that DNEG is bringing these new opportunities to the visual effects and technology communities of the Greater Toronto Area. This is a great chance for technologists working in AI, machine learning, UX and across a broad spectrum of technology areas to refocus their talents on helping to create incredible imagery for some of the world’s biggest feature films and episodic series. We are not fixed on candidates having previous film or media industry experience – we’re looking for passionate and curious technologists who are excited at the prospect of a new challenge.”

    DNEG will be creating up to 300 new roles across its Vancouver and Montreal offices, including up to 100 new positions in Vancouver for its Feature Animation team, to support their upcoming slate of animation projects. Opportunities will be posted at DNEG.com.