Tag: Disney+Hotstar

  • Disney+ Hotstar announces over 250 job openings

    KOLKATA: Disney+ Hotstar has announced over 250 job openings across different levels and verticals to drive its next phase of rapid growth and transformation. The streaming platform plans to recruit multifaceted talent right from engineers to marketers and consumer growth personnel across client platforms, personalisation of video content, payments, and subscriptions, it said on Thursday.

    The platform provides diversified entertainment offerings to its fast-expanding subscriber base including thousands of hours of movies and television, across international and local titles.

    “Our commitment to expanding our workforce reflects our confidence in India’s immense growth potential as we seek to create engaging content for the next billion digital viewers,” said Disney+ Hotstar president & head Sunil Rayan. “In these disruptive times, we are keen to create opportunities for talent to thrive in an environment built on the core values of diversity and inclusion.”

    Disney+ Hotstar was among the strongest contributors to net subscriber additions, making up approximately one-third of the total Disney+ subscriber base. The company continues to rapidly expand its streaming service in the APAC region. Post the India launch, Disney+ Hotstar was made available in Indonesia, followed by Malaysia to have access to its massive content offering on the platform.

    “Disney+ Hotstar provides an opportunity to work with the best minds in the business, offering multiple specializations under one team. It not only enables engineers to deliver top-quality entertainment to millions of customers but also hone their skills in video, machine learning, personalization, payments, subscription, identity, security and fraud and an array of client platforms,” it said in a release.

     

    The app has notched over 400 million downloads, and also secured top spots on the Google Play Store as well as the Apple App Store.

  • CNN+  to accelerate launch in US

    CNN+ to accelerate launch in US

    Mumbai: This one is for those news channel executives and owners in India who don’t seem to have the confidence to launch their own streaming services. Cable TV news pioneer CNN – part of the WarnerMedia (now WarnerBros.Discovery) group, is working on its OTT service called – what else do you expect –CNN+, according to a report in the Wall Street Journal.

    The platform is likely to be subscription driven and launch plans are being speeded up to allow it to debut much before the merger between CNN owner Warner Media and Discovery gets completed and the combined media behemoth resurfaces as Warner Bros.Discovery.

    CNN+ has signed up deals with its prime anchors led by Anderson Cooper and Don Lemon to create new programmes – aside from the ones they have on the cable TV news service – , offering them higher packages, and possibly even bonuses related to subscriber growth.

    Rivals such as Fox News got into the streaming fray 18 months ago as Fox Nation, offering differentiated programming than what is served on the network. Subscription numbers are just in the hundreds of thousands, but the new streamer has helped the Murdoch owned news service stay relevant to a new generation of digital first customers.

    The Comcast owned streamer Peacock, also has given space to programmes from sister news services MSNBC and CNBC, as has the Viacom owned Paramount+ which has news shows such as 60 minutes  from its CBS News operation.

    Will Indian news channel leaders take a cue from the bustle of activity taking place in the US and also launch their own streaming services? So far they have been happy have a meek presence with their online web site avatars or have their linear channels streamed on other OTTs such as Disney+Hotstar or Zee5. It’s over to the news channel managements.

  • Salman Khan’s Dabangg-The Animated Series on Disney+Hotstar

    Salman Khan’s Dabangg-The Animated Series on Disney+Hotstar

    Mumbai: Superstar Salman Khan’s iconic character Chulbul Pandey in the Dabangg franchise has now made its grand return to the television screen with Dabangg-The Animated series. The first eight episodes of this animated series are now available for streaming on Disney+Hotstar VIP, in Tamil, Telugu, and Hindi. 

    An adaptation and reimagination of the blockbuster Bollywood franchise, the action-comedy series chronicles the day-to-day life of police officer Chulbul Pandey, who faces up to evil to keep the city safe. Pandey is now joined by his younger brother Makkhi, also a police officer.  

    Produced by Cosmos-Maya and Arbaaz Khan Productions, Dabangg – The Animated Series marks the latest addition in an extensive collection of kids’ content that ranges from all-time favourites like Toy Story, Doraemon, Mickey Mouse Clubhouse, and Sound of Music, to contemporary super hits including, Selfie With Bajrangi, Chacha Chaudhary and Sofia the First. 

    To ensure a safe, entertaining, and controlled experience, parents can navigate through the platform’s unique kids-safe mode to access age-appropriate content. 

    Speaking about the return of Chulbul Pandey, Salman Khan said, “I couldn’t be happier that Chulbul, Makkhi, and Rajjo are returning in animated avatars to entertain the children of our country. I cannot wait to binge-watch all episodes of Dabangg – The Animated Series with my nieces and nephews while at home. Animation has opened up yet another dimension for this character and I’m thrilled Cosmos-Maya did that. I hope that all children, along with their families, take time out and enjoy watching this together.” 

    “Dabangg, for me, goes beyond just a film or a franchise; and to see it coming to life in an all-new format is overwhelming and we were on board with the idea, the moment we met team Cosmos-Maya. They have revolutionized Indian animation & I couldn’t have asked for a better animation studio partner for our Dabangg. I’m happy to have collaborated with Disney+ Hotstar VIP to bring kids and their parents all episodes of this fun and entertaining series that they can watch at their convenience, from the safety of their homes,” said Dabangg producer Arbaaz Khan. 

    “Audiences of all ages love Salman Khan, and we’re delighted to be bringing his iconic character and movie in a form that can be enjoyed by kids and their families. Time spent indoors can be made entertaining with this latest series along with engaging offerings like the new season of the popular show, Selfie with Bajrangi, successful Disney titles and much more. We have had a wonderful collaboration with Cosmos-Maya and are happy to further build this with a blockbuster Bollywood franchise reimagined in a creative yet entertaining manner,” said the Disney spokesperson. 

    Cosmos-Maya CEO Anish Mehta said, Dabangg is a landmark IP launch for Cosmos-Maya as it marks the 10th year of original Indian IP creation. “We are privileged to have such an iconic franchise which fits in the Cosmos-Maya formula of ‘familiarity with novelty’. We couldn’t have asked for a bigger & better character for our 20th show, than my personal favourite, the cult icon Chulbul Pandey who has been immortalized by Salman Khan, while working beside Arbaaz Khan and a fabulous platform partner like Disney+ Hotstar VIP,” he said.

  • Flexibility is the future of cinema exhibition, says Disney CEO Bob Chapek

    Flexibility is the future of cinema exhibition, says Disney CEO Bob Chapek

    Mumbai: So how does the world of cinematic exhibition look like currently and how will it shape up beyond the pandemic? To get a perspective, let’s take a look at how Walt Disney CEO Bob Chapek sees it. Speaking at the JP Morgan media summit last week, Chapek summarised the future of cinema exhibition in a single word, ”flexibility.”

    Chapek revealed that the Covid pandemic has redefined cinema exhibition, with customer behaviour changing due to the new normal. According to Chapek, ”flexibility” plays a crucial role in determining the future of cinematic exhibition, where films will be either released in theatres with a short window before going the OTT way or a hybrid release mechanism where movies are streamed simultaneously in theatres as well as OTT platforms, distinct from exclusive OTT premieres. 

    “We are looking at exclusive theatrical releases with a dramatically short window between the first and second offerings or a simultaneous theatrical premiere along with our Disney+ offering and our direct Disney+ premieres. We are trying to offer consumers more choices as they gain confidence in how they want to return to theatres. It helps us build our franchises. But as we have seen domestic box offices, it seems to be recovering in some markets. But we are seeing some hesitancy in returning to normal like back in 2019,” said Chapek. 

    Chapek added that shortening the theatrical window before OTT releases to 45 days was necessary as audiences are less patient to watch their favourite content. “We are celebrating the flexibility that we have gotten into. If you are a fan, six weeks is a long time. Six days, maybe, but consumers are driving for shorter windows. They have the power to take that call and we are a consumer-friendly company. We saw a lot of midnight fervour when new content was released on Disney plus. And that is the reason why we chose the 45-day theatrical window,” revealed Chapek. 

    Citing the example of Black Widow, he said big movies that demand a theatrical watch will be released on big screens, and also have a simultaneous OTT release that will allow people to enjoy the flick in the comfort and safety of their homes as well. 

    “If it is a big tent pole theatrical franchise, fans tend to consume the film in theatres. For Black Widow, we had to give the theatrical exhibition a chance, but we didn’t put all our eggs in the same basket. We gave the consumers a choice; watch it in a theatre or in the safety of your homes. The theatrical marketplace will recover more fully, in time. Flexibility is a good thing,” added Chapek.

    Black Widow is one of the most anticipated Hollywood movies of the year, as it is the 24th installment in the much-celebrated Marvel Cinematic Universe. Starring Scarlett Johanssen in the lead role, the film will hit theatres on 09 July, along with a simultaneous Disney+ Premium streaming for US$30.  

  • Revolutionary streaming shift; Disney to close 100 cable TV channels

    Revolutionary streaming shift; Disney to close 100 cable TV channels

    Mumbai: In a major announcement, Disney has declared that it will shut as many as 100 cable channels this year. The decision was confirmed by Disney CEO Bob Chapek at the recently concluded JPMorgan’s annual Global Technology, Media, and Telecommunications conference. 

    Disney has decided to take this revolutionary move to push their direct-to-consumer strategy, mainly using its OTT platform Disney+. The closure of 100 cable channels come in addition to the 30 foreign networks the company shut down last year.

    Migrating content to Disney Plus

    “The great majority of that content will migrate to Disney+. That continues to be a core strategy for us as we pivot towards direct-to-consumer,” said Chapek during the talk, adding that he remains confident about the d2c business. “We now have an organization that’s pretty much built to scale up this d2c business. We can guarantee that we have enough content flow no matter which distribution model we choose to employ. We have also been working on our global expansion and got a very flexible distribution model that can toggle on consumer behaviour and Covid recovery.”

    The Disney CEO also added that the closure of channels will depend on contracts, the company has in individual markets. Chapek made it clear that consumers are increasingly choosing to watch content online, and Disney always wants to stay ahead of trends.

    Talking about maintaining the balance between the linear and d2c business, Chapak said, “To some extent our linear business is generating tonnes of cash-flow, especially if we see it as a business that’s emerging from a very tough year. It gave us a better cash position. So, it’s nice to have a strong cash flow business like the linear business, a lot of it is actually funding our direct-to-consumer investment. It would have been difficult without that.”

    Opportunities in the Indian market 

    Disney has already decided to shut down numerous channels in South East Asia and Hong Kong that include, Star Sports 1, Star Sports 2, Fox Sports, Fox Sports, and Fox Sports 3. However, it is unlikely to impact Star Sports, one of the most popular sports channels in India that holds rights to some of the biggest sporting properties in the country including IPL, BCCI Rights, and ICC Rights. 

    During the talk, Chapek gave a glimpse of Disney’s approach in the Indian market, which he believes is very diverse. Chapek described India as a mobile-first market, where diversified audiences watch content in different languages.

    According to Chapek, due to low bandwidth, it is highly necessary to deliver tailored content for Indian audiences. The Disney CEO also talked about the obsession of Indians towards cricket and added that Disney+Hotstar has plans to broadcast cricket matches in various local languages.

    “India is a unique market. We have a mass market for pricing and distribution. It is a highly unique market in terms of distribution because it is really a mobile-first market, which is kind of unusual. They have low bandwidth. It means we have to tailor our offerings to match their low bandwidth. And local languages are particularly important there, which means we have to customize the content,” said Chapek. 

    Chapek claimed that Disney+Hotstar has unparalleled content in multifarious genres available for Indian audiences, and it includes over 17,000 hours of local content. 

    It was in last year that Disney introduced Disney+Hotstar in the Indian market. The service which features cricket matches, local content, and movies now account for 30 per cent of Disney+’s total subscriber count of 103.6 million globally.

  • The Family Man 2 to Xtreme: OTT shows you do not miss

    The Family Man 2 to Xtreme: OTT shows you do not miss

    Mumbai: Amazon Prime Video, Disney+Hotstar, and Netflix, the most popular OTT platforms in India have lined up movies of multifarious genres for audiences this week. From thrillers to drama, these movies are expected to enthral audiences providing a whole new world of home entertainment. 

    Indiantelevision.com lists the must-watch movies on OTT, to be released this week. 

    The Family Man 2 (Amazon Prime Video)

    The Family Man 2 is undoubtedly the most anticipated series among Indian audiences. The series premiered on Amazon Prime Video on 04 June. The series has already succeeded in creating a huge pre-release hype, as the Tamil Nadu government recently sought a central government ban on the series claiming that this Amazon original portrayed Tamil Eelam (struggle) in a bad light. 

    Created by Raj and DK, The Family Man 2 revolves around the life of a middle-class man who secretly works as an intelligence officer for the Threat Analysis and Surveillance Cell (TASC), a fictitious branch of the National Investigation Agency (NIA). The Family Man 2 stars Manoj Bajpayee, Samantha Akkineni, and Priyamani in the lead roles. 

    The Dead Don’t Die (Netflix)

    Last week, Netflix had released Army of the Dead, a zombie movie that received rave reviews from all corners. And this week, the OTT giant is releasing a 2019 movie named The Dead Don’t Die for zombie movie lovers. 

    Directed by Jim Jarmusch, the film stars Bill Murray, Adam Driver, Chloë Sevigny, Steve Buscemi, Tilda Swinton, Tom Waits, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Carol Kane, and Selena Gomez in the lead roles. The Dead Don’t Die revolves around the life of a team of police officers who are on a mission to combat a zombie invasion. The film will be streamed on Netflix on 04 June. 

    Raya and the Last Dragon (Disney+Hotstar)

    Raya and the Last Dragon, one of the most acclaimed animation movies released this year will be streamed on Disney+Hotstar on 04 June. The film takes audiences on an exciting journey to the fantasy world of Kumandra, where humans and dragons lived together long ago in harmony. However, when an evil force invaded the land, dragons sacrificed themselves to save humanity. 

    Directed by Don Hall and Carlos López Estrada, this animated movie’s voice cast includes Kelly Marie Tran, Awkwafina, Gemma Chan, and Izaac Wang. 

    Dom: Season 01 (Amazon Prime Video)

    Brazilian series Dom: Season 01 will be streamed on Amazon Prime Video on 04 June. The series which is originally shot in Portuguese will be available in other languages that include English, Hindi, Tamil, and Telugu. 

    Dom revolves around the life of Victor, a police officer who is determined to demolish the narcotic mafia in the country. Apart from wiping out the evil forces from society, Victor should also help his son Pedro, a drug addict who became one of the most wanted criminals in Brazil. The series stars Gabriel Leone, Flávio Tolezani, and Filipe Bragança in the lead roles. 

    Xtreme (Netflix)

    Netflix is offering a treat to action movie lovers with the movie Xtreme, which will be streamed on 04 June. The film is directed by Daniel Benmayor, and it stars Oscar Jaenada, Sergio Peris-Mencheta, Óscar Casas, Luis Zahera, and Teo García in the lead roles. 

    The film revolves around the life of a retired hitman, along with his sister and a troubled teen who takes revenge on his lethal step-brother. 

  • The drama unfolding over OTT content self-regulation

    The drama unfolding over OTT content self-regulation

    KOLKATA:  There was a time when no one even believed that over-the-top platforms like Netflix, Amazon Prime Video, Hotstar (now Disney+Hotstar) would go beyond the premium urban audience. The digital fillip that most of India  got since Jio’s rollout, and the pandemic and lockdowns has seen streamers not only reach out to nooks and crannies in interior India, but also become a must-have service for hundreds of millions of Indians. The rapid spurt in popularity of the edge-of-the-seat risque content that these platforms have been serving has brought with it some woes as well – the main one being regulatory intervention by the Indian government.

    While praise has been showered on them for unlocking creative freedom in terms of stories, the OTTs have been flagellated more than once by an audience set whose sentiment was hurt either on account of some “objectionable” scenes or dialogue. The aggrieved folks fled to the courts and filed public interest litigation after litigation against several series and films as well.

    When there’s a hue and cry from a certain section of society, politicians obviously have no option but to take a closer look-see and then force the government to step in. Which is exactly what happened when the Modi-led central government started paying close attention to the streamers and eventually introduced new rules to regulate OTT content at the beginning of this year which came into effect on 26 May.

    “That is the first battle we lost. We wanted to resist the government’s interference but the new rules have been introduced,” a senior official with a leading OTT platform commented, on condition of anonymity.

    On 27 May, the ministry of information and broadcasting (MIB)  sent a letter seeking compliance reports to the new rules from OTT platforms as well as digital news publishers in 15 days. The government is within its rights to ask for the information as the law has been notified. At this juncture, the information it is asking appears to be harmless, albeit the spirit of the law is questionable, a legal expert with a leading law firm explained.

    But what is more concerning at the moment is the action that is taking place amongst the various players around the rules.  There is the Internet & Mobile Association of India (IAMAI) – under whose umbrella most of the digital publishers and early-mover  OTT platforms – had banded  over the past few years. The association had been consulted by the authorities for members’ feedback before the new rules were drawn up. And announcements had been made that a structure would be created  under it to meet the regulatory requirements. But there was talk all along that all was not well among its members, some of whom were not agreeable with the direction that the legislation was taking.

    That there are differing points of views became more than apparent last week when the  Indian Broadcasting Foundation  (IBF) – the association for linear television  broadcasters – announced that it would extend its purview to cover digital streaming platforms under a new name the Indian Broadcasting & Digital Foundation (IBDF). It would also form a self-regulatory body, the Digital Media Content Regulatory Council (DMCRC), as required under a three-tier oversight mechanism.

     According to the official quoted earlier, some of the players were not happy with the way the IAMAI was dealing with the situation. With so much back and forth, the body also started losing its relevance before the MIB, he added. Hence, the broadcaster-led OTT platforms like Disney+Hotstar, SonyLIV wanted to look out for other options, especially when the top management of these organisations wanted to ensure their rapidly  expanding digital business does not fall foul of the law..

    On the other hand, the IAMAI has formed the Digital Publishers Content Grievances Council (DPCGC) as part of the self-regulatory and grievance redressal framework for online curated content [OCC] publishers. Ten OTT platforms including Netflix, Amazon Prime Video have confirmed their allegiance to the IAMAI structure. The reason, the official told us, is that they did not want to be a part of a body that is dominated by broadcasters.

    Top MIB officials are today bewildered by the situation that has cropped up. Where earlier, there was a vacuum in terms of industry responding to demands to get its act together on content self-regulation, now it is grappling with problems of plenty. A question that is begging for an answer, according to sources, is should the two bodies be recognized or not? 

    Although no rule under the new guidelines restricts two independent bodies having oversight over the sector,  a part of the ministry is skeptical about the efficacy of such a step. Others however, point out to the news broadcasting vertical – which  also has two independent bodies overseeing , one serving the old guard of early newscasters, and the other, the newbies.

    In this situation, what is more important for both bodies is to reach out to the ministry with all their compliance reports, an industry observer noted.  IBDF has announced that it will file a new content code and self regulatory mechanism that is going to be similar to the Broadcast Content Complaints Council (BCCC) model that the MIB has been asking for.   

    On the other hand, the OTT platforms are in talks with the ministry asking for more time to fall in line, which it has been loath to do. According to multiple industry sources, the platforms are putting in their best efforts to comply with the timelines. Although digital publishers have challenged the regulation in courts, it is unlikely that OTT platforms will take that route. Moreover, observers believe that MIB will not take any cohesive proactive  step against non-compliant platforms in the first instance.

    The days ahead will reveal in which direction the OTT sector and the MIB  will tilt. In the meanwhile, streamers have achieved what they do best: come sharply under the spotlight, once again.

    (Indiantelevision.com reached out to all the players in the streaming sector. No one was willing to speak let alone come on record, keeping in mind how delicately posed the situation is. However, a couple of the platforms finally agreed to share their views with us, but they preferred to stay anonymous.)

  • Rahul Sarangi quits MX Player to join Disney+Hotstar

    Rahul Sarangi quits MX Player to join Disney+Hotstar

    KOLKATA: Senior media professional Rahul Sarangi has joined Disney+Hotstar as vice president- head of short form & new content initiatives.

    Last year, when streaming service MX Player branched out into short-format video through MX TakaTak , it had appointed Sarangi as MX Player new business vice president and head.

    Sarangi was earlier with TVF, one of the pioneers in the online content ecosystem of India, as global head-content and business.

    He is an Emmy nominated content creator with nearly two decades of experience across digital and linear content as well as production & content operations (short and long formats across scripted, unscripted & live Sports), with a comprehensive understanding of media business across geographies. He is also an active angel investor.

    In the early days of his career, Sarangi worked with MTV Asia as the senior supervising producer. He worked in India and Singapore in the content team and was also part of the MTV’s regional brand solutions team. Later, he was also a part of the launch team of Colors. 

  • Zee5 pockets Friends Reunion; delights Indian fans

    Zee5 pockets Friends Reunion; delights Indian fans

    MUMBAI: This is one show special which is setting social media ablaze. Ever since, Friends Reunion special’s premiere date on HBO Max in the US was announced as 27 May, many an ardent fans’ pulse was racing, wondering which platform would  do the honours in India. Well, it’s Zee5 which has beaten the likes of Netflix, Prime, Disney+Hotstar  to the final post and picked up the rights. The announcement was made on Sunday by Zee5 chief business officer Manish Kalra

    For a generation and after, Friends, which ran from 1994 to 2004,  had a massive following. In India too. To date, it is one of the more popular series on Netflix, even after almost 27 years since its first episode was aired on TV.

    The special episode’s trailer has racked up hundreds of millions of views across several channels on YouTube, and wherever else it has been released.

    It shows Jenifer Aniston, Courteney Cox, Matt LeBlanc, David Schwimmer, Matthew Perry and Lisa Kudrow touring their old sets on the Warner Brothers studio lot followed  by a sit down question and answer session with funny man James Corden in front of a live audience. Naturally Corden’s conversations with the six sees a lot of re-enacting from old episodes, reminiscing, leg pulling, and poignant moments leading to a lot of laughs and even tears for them.

    For those who came in late, Friends –  which was created by David Crane and Marta Kauffman, who executive produced the series with Kevin Bright through Bright/Kauffman/Crane Productions in association with Warner Bros. Television – featured six mates – . Rachel Green (Jennifer Aniston), Monica Geller (Courteney Cox), Phoebe Buffay (Lisa Kudrow), Joey Tribbiani (Matt Le Blanc), Chandler Bing (Matthew Perry), and Ross Geller (David Schwimmer) – in New York and their journey into adulthood.

    A gaggle of celebs is slated to join the cast: David Beckham, Justin Bieber, BTS, James Corden, Cindy Crawford, Cara Delevingne, Lady Gaga, Elliott Gould, Kit Harington, Larry Hankin, Mindy Kaling, Thomas Lennon, Christina Pickles, Tom Selleck, James Michael Tyler, Maggie Wheeler, Reese Witherspoon and Malala Yousafzai.

    The show had also caused major waves towards its ninth and tenth seasons when the six main leads were paid a million dollars in remuneration for each episode. And it is also known for the cameos that some of the biggest stars in Hollywood at that time  made in some episode or the other, right from Brad Pitt to Julia Roberts to Bruce Willis to Sean Penn to Dermot Mulrooney to Winona Ryder to Robin Williams to Billy Crystal to George Clooney to Susan Sarandan to Bonnie Somerville.

    The Friends Reunion special credits Aniston, Cox, Kudrow, LeBlanc, Perry, and Schwimmer as executive producers with Ben Winston directing and executive producing alongside Kevin Bright, Marta Kauffman, and David Crane. A production of Warner Bros Unscripted Television in association with Warner Horizon, Fulwell 73 Productions and Bright/ Kauffman/ Crane Productions, it features Emma Conway, James Longman and Stacey Thomas-Muir as  co-executive producers.

    Observers wonder, why Zee5, which has been focusing on producing originals in different Indian languages, took a decision to acquire the rights for an American show in English and coughed up top dollars for a one-off program.

    Kalra gives the reason why. Says he: “Friends is amongst the world’s most watched and loved sitcoms and it is a great opportunity for us to present their reunion, something that the world has been talking about, on Zee5 for Friends fans in India.”

    Currently, Zee5 is available at Rs 499 for a 12-month premium plan. The streaming platform has been striving to sign on subscribers; hence it picked the rights to Salman Khan’s Radhe at Rs 230 crore, which led to some 4.2-odd million concurrent viewers logging onto the film’s premiere.  Hopefully, the Friends Reunion gamble will pay off and lead to a similar surge.

  • From Army of the Dead to Solos: Five must-watch OTT shows to enjoy this week

    From Army of the Dead to Solos: Five must-watch OTT shows to enjoy this week

    Mumbai: Post the coronavirus outbreak, the OTT platforms in India have witnessed a rapid surge in popularity. As people remained confined to their homes, they turned to the streaming platforms to binge watch some of their favourite shows and films. With the second wave of pandemic ravaging the country, the restrictions on movement will continue and so, will the influx of new viewers on these platforms.

    Indiantelevision.com presents you with a list of five most-anticipated movies and shows that audiences can watch this week on the OTT platforms.

    Army of the Dead (Netflix) 

    After the mammoth success of Justice League: Snyder’s Cut, acclaimed Hollywood filmmaker Zack Snyder is revisiting his favourite zombie genre with Army of the Dead. Starring Dave Bautista, Ella Purnell, Omari Hardwick, Ana de la Reguera, Theo Rossi, Matthias Schweighofer, Nora Arnezeder, Hiroyuki Sanada, and Tig Notaro in the lead roles, this film will be premiered on Netflix on 21 May. 

    Apart from the stellar Hollywood star cast, Indian actress Huma Qureshi is also playing a crucial role in this film. Army of the Dead is set in the backdrop of a zombie outbreak in Las Vegas. As the entire city is quarantined, a group of mercenaries plans the greatest heist ever to secure their lives. 

    Sardar Ka Grandson (Netflix)

    Bollywood movie Sardar Ka Grandson will have its premiere on Netflix on 18 May. Directed by Kaashvie Nair, this romantic drama stars Arjun Kapoor, Rakul Preet Singh, and Neena Gupta in lead roles, while Bollywood superstar John Abraham and Aditi Rao Hydari will be seen playing extended cameos. 

    The film is produced by Bhushan Kumar, Divya Khosla Kumar, Krishan Kumar, Monisha Advani, Madhu Bhojwani, Nikkhil Advani, and John Abraham under the banners T-Series, Emmay Entertainment, and JA Entertainment.

    Solos (Amazon Prime Video)

    Produced by Amazon Studios, Solos is an American anthology drama directed by David Weil, Sam Taylor-Johnson, Zach Braff, and Tiffany Johnson. The seven-episode series is set to premiere on Amazon Prime Video on 21 May. 

    Solos has an ensemble star cast that includes Morgan Freeman, Anne Hathaway, Helen Mirren, Uzo Aduba, Anthony Mackie, Constance Wu, Dan Stevens, and Nicole Beharie. 

    Who Killed Sara (Netflix)

    It was on 24 March that Netflix premiered the first season of Who Killed Sara. In an unexpected move, the OTT giant is now all set to premiere the second season of Who Killed Sara on 19 May. 

    The first season of Who Killed Sara took the audience on a lurid journey through the dark underground of the powerful Lazcano family, and the second season is expected to begin from where the first season ended. 

    Jurassic World Camp Cretaceous: Season 3 (Netflix)

    The much-anticipated third season of the animated series Jurassic World Camp Cretaceous will premiere on Netflix on 21 May. The series which won the award for Outstanding Achievement for Animated Effects at the 48th Annie Awards is expected to offer an ultimate visual treat to young audiences in the nation.