Tag: Disney

  • Disney editor for 45 years, Norman Palmer expires

    Disney editor for 45 years, Norman Palmer expires

    MUMBAI: After serving Disney Studios for 45 years, Norman Palmer expired on 23 March, the studio has announced. He was 94.
     
    In his service at Disney, Palmer slowly became closely associated with the studio‘s acclaimed True-Life Adventure short-subject series of documentaries.
     
    Palmer was part of the Disney live-action films Ten Who Dared (1960), The Legend of Lobo (1962), The Incredible Journey (1963), The Gnome-Mobile (1967) and The Shaggy D.A. (1976) and had almost two dozen credits on Walt Disney‘s Wonderful World of Color and other TV shows from the mid 1950s to the early ‘80s.
     
    The True-Life Adventure nature films provided early production experience for Roy E. Disney, who began his career in the studio‘s editorial department and went on to become the studio‘s vice chairman and head of animation. Palmer served as his mentor.
     
    "Stormy was one of the key players in creating the classic Disney True-Life Adventures series, and he was a true pioneer in the field of nature documentaries," said Dave Bossert, producer and creative director at Walt Disney Animation Studios and the producer (along with Roy Disney) of the True-Life Adventures DVD collection.
     
    "He took tens of thousands of feet of raw footage and was able to craft it into some of the most riveting, beautiful and entertaining nature films ever created. That series of Oscar-winning films set the gold standard for years and helped to inspire the many generations of nature filmmakers that followed," he added.
     
    Palmer edited other titles in the True-Life series as Beaver Valley (1950), Nature‘s Half Acre (1951), The Living Desert (1953), The African Lion (1955) and White Wilderness (1958). He also edited the CinemaScope film Grand Canyon, the 1959 Oscar winner for best live-action short.
     
    He retired from Disney in 1983.

  • Tata Sky to show Disney’s international titles on pay-per-view

    Tata Sky to show Disney’s international titles on pay-per-view

    MUMBAI: Tata Sky has said it will showcase titles from Disney on its pay-per-view (PPV) service, making it the first time a Hollywood Studio is offering all its premium titles on one DTH platform in India.

    Disney enthusiasts can now order and watch their favourite Disney movie such as Beauty & the Beast, Cinderella, Toy Story 1,2 and 3, Lion King 1 and 2, Tangled, Disney Pixar UP, Wall-E, Finding Nemo, Cars 1,2 and 3 and many more only on Tata Sky for a period of three months.

    “Disney delivers the world’s best family entertainment through its wealth of great stories, wonderful characters and magical experiences. By working with Tata Sky we are bringing the world’s most popular content into the homes of Indians anywhere and everywhere and anytim,” said Disney UTV Executive Director – Syndication, International Distribution & Disney Media Distribution, Studios Amrita Pandey.

    “Disney has been one of the favorite and the most popular channels among our subscribers especially the younger generation. We are very excited to add the premium Disney line-up on our showcase channel for subscribers to enjoy during the entire holiday period.

    The 2012 Hollywood box-office blockbuster, Marvel’s The Avengers did exceedingly well when we showcased it on our platform and we are positive the recently added Disney’s Classics will be enjoyed by the Disney fans on Tata Sky,” said Tata Sky VP-Content Mukund Sharma.

    The weekday block is available at a price pack of Rs 50 where one feature will be showcased over two days. The weekend block runs from Friday to Sunday at a price pack of Rs 75.

  • Disney focusing  on four lines of business in India around five brands: Andy Birdrd

    Disney focusing on four lines of business in India around five brands: Andy Birdrd

    MUMBAI: The Walt Disney Company, which gobbled up UTV Software Communications last year, is building four specific lines of business in India centring around five brands.

    Television, Film, Digital Media and Consumer Products will be the four verticals Disney will focus on. "We have five franchises – Disney, UTV, Marvel, Bindass and the newly acquired Star Wars – to play around in India. The acquisition of UTV has given us 250 million new consumers in this market that we couldn‘t reach before," said Disney International MD Andy Bird.

    Consumers already have a strong relationship with two of those five brands, and seek them in at least three of those core businesses.

    Delivering the keynote address at Ficci Frames 2013, Bird said that with the acquisition of UTV and the creation of the new Walt Disney Company India, Disney became India’s leading film studio and TV producer. "We are now one of India’s leading broadcasters, reaching more than 100 million viewers every week across the country. The UTV deal also positioned us as a significant player in the digital media space, thanks to Indiagames, the number one mobile gaming company in this market. And, just as importantly, the deal gave us the brilliance and vision of Ronnie Screwvala – the man behind UTV’s incredible rise – to build The Walt Disney Company in India.”

    What was the thinking behind buying UTV? “When we made the decision to buy UTV, we did it with two considerations in mind – the first was to create a diverse company in India; but also importantly it was to acquire the talents of Ronnie Screwvala to run the new company. As many of you know, Ronnie is a rare breed of entrepreneurs who has successfully built UTV and embraced Indian and Western cultures. I am so proud to count Ronnie as one of my friends and to have him lead the Walt Disney Company in India with his magnificent creative management team,” Bird said.

    He also spoke about Disney in India being different from what it is elsewhere. “The Walt Disney Company India will be unlike any other Indian media company: none will have the breadth of brands and franchises that TWDC India will have. No other Indian media company will have the breadth of businesses we will have and no other Indian media company will connect with generations of consumers like The Walt Disney Company India will do.

    “In India, we have built a creative prowess, second only to that found in the U.S. We have creative teams here in India who produce a slate of diverse films, produce a spectrum of original TV programming across our networks, build mobile games and applications and create style guides for our consumer products business. We are building a company that is far greater in scope than just one business, or being defined as being just in distribution and marketing. We are building the Indian Walt Disney Company.”

    Bird is excited about working with Indian talent, in-front and behind the camera, to create local franchises and look to export this talent to markets outside of India – offering opportunites for talent in Hollywood movies. “The Disney-UTV team is already working with their colleagues at Disney, Pixar, Marvel and now Lucas to innovate and produce even better product for here in India. Our Interactive team is working very closely with our Japan team – where we do the most amount of innovation in interactive and mobile outside the US – to really take this space in India to the next level and be ready for the Broadband wave that India will no doubt see."

    The aim at the end of the day is to build a content, creative, brand and franchise company in India. “ Of course, I have not touched on our Live Entertainment business as that is a work in process..so watch this space,” Bird added.

    He also spoke about the rapid rise of new technology and the fact that India’s more recent focus on this sector means that the country is capable of the kind of instantaneous shifts and opportunities in the media and entertainment space that simply are not possible in countries like the U.S. that will literally have to rip out existing infrastructure in order to replace it with the new technology that will drive the future. “ That’s an expensive proposition and one that will slow critical change in some of those more established markets – while India has the chance to define itself with the latest technology and innovation unencumbered by the remains of technology that defined the last century.”

    Differences in Markets: Disney recognises that there are different markets around the globe and it is no longer “domestic” versus “international”.

    “We recognize that each market we enter essentially needs its own “Disney” company – with strategies and products and messages that are compatible with the culture and relevant to local consumers. And we see tremendous opportunity in rapidly emerging markets like China, Russia, Latin America, South Korea – and, of course, India – so connecting with consumers in these regions is a key strategic priority for Disney, and will be integral to our future growth," Bird said.

    That’s why Disney‘s strategy for each region reflects local market realities and opportunities. "Our approach here in India is focused on media and entertainment – because that’s where we see the greatest potential for Disney, not only because the industry here is poised for a huge leap forward, but because of the rapidly rising middle class of consumers and their traditional focus on the family," Bird noted.

    “This is radically different than our strategy in China, for example, which is much more restrictive on the content imported into the country. In China, we’re focused on building our presence and our brand by telling Disney stories through theme parks and a strong retail effort. Likewise, our China strategy is quite different from our approach in Latin America, where we’re transitioning Disney from a high-end, rather elite brand, into the broader mass market.

    “The Disney brand will remain strong and clear and everything we do anywhere in the world will reflect the brand values consumers know and trust – but each market will dictate how consumers access and interact with that brand. At the Walt Disney Company, we believe that in stories we find the imagination needed to envision a better tomorrow, and the inspiration to make that vision come true. This belief guides how we act as a company, and how we connect kids, families, and friends first with each other, and then with the causes they care most passionately about,” Bird stated.

    Meanwhile, Disney Media Networks co-chair and Disney-ABC Television Group president Anne Sweeney spoke about the importance of understanding audiences and what they aspire for. That is why Disney is in the field everyday listening to kids, parents in terms of who they are what they do and what they aspire for. Then Disney builds stories around this. This is the strategy that Disney decided to do back in 1996 when Sweeney joined the company. "At that time there was confusion about the brand identity of Disney Channel. By doing research which focused on the quality of conversation with kids and parents rather than on the quantity Disney channel was able to become a powerhouse," she said.

    Sweeney also noted that to make great content at times one has to make unexpected choices. She gave the example of ’Hannah Montana’ where Miley Cyrus, an unknown, was cast as the channel spotted her potential. “We decided to take the riskier road and that led to greater reward," she said.

    Speaking on localisation, Sweeney said Disney started doing local shows in India in 2011. "We have five local shows in production," she added. "We also have a further four pilots in the pipeline. We celebrate cultural events like Diwali and Holi.”

    Sweeney said that it is important to strike a balance between adapting foreign formats and creating truly original content. She also touched on technology saying that one can make feature film content on a television budget. "One could do things that a few years ago were considered unthinkable. The drama ‘Lost’, for instance, used CGI," she averred.

  • Disney plans sequel to Oz the Great and Powerful

    Disney plans sequel to Oz the Great and Powerful

    MUMBAI: Planning for sequels has slowly become the norm in Hollywood.
     
    Even before the release of the fantasy-adventure Oz the Great and Powerful, the makers have already planned a sequel. The film opens today in theatres worldwide.

    Expecting a box-office bonanza this weekend, Disney has taken this measure. In this connection the makers have hired Mitchell Kapner to write a script for the follow-up that would continue the adventures of Oz played by James Franco.
     
    It may be remembered that Kapner came up with the concept and ideas for the origin story of Oz that is based on the classic L Frank Baum books. He pitched the idea to producer Joe Roth who set it up at Disney.

    The film stars Franco, Mila Kunis, Rachel Weisz and Michelle Williams.

    Before Oz, Kapner wrote The Whole Nine Yards and its sequel, The Whole Ten Yards, and also worked on the action movie Romeo Must Die.

    Planning for sequels has slowly become the norm in Hollywood.

  • BoxTV partners Sony Pictures & Disney UTV for content

    BoxTV partners Sony Pictures & Disney UTV for content

    MUMBAI: Times Internet Ltd‘s BoxTV has entered into content agreement deals with Sony Pictures Television and Disney UTV in order to provide premium titles on its video streaming service.

    Other content providers that the online video/content streaming platform has associations with include UTV Motion Pictures, Shemaroo Entertainment, Rajshri Entertainment and Everymedia Technologies for Bollywood and regional content in addition to international studios like Celestial Entertainment – for Hollywood content.

    Times Internet CEO Satyan Gajwani said, “With these partnerships, we provide our users access to a vast content library of popular choices to watch.”

    BoxTV is a provider of premium video service that offers a large bouquet of entertainment, including blockbuster movies, TV shows, short films, documentaries and more, which users can watch on a regular web browser or through the device of their choice.

    Sony Pictures Television Asia Pacific executive vice president distribution Angel Orengo said, “The Indian digital media industry has grown rapidly in the last few years and we support BoxTV‘s efforts to launch this service and another exciting medium for content consumption in this evolving digital landscape.”

    Disney UTV Studios executive director – syndication, international distribution and Disney UTV Media distribution Amrita Pandey added, “We are excited to offer some of our best content from ABC Studios, Disney Pixar, Disney UTV and Disney UTV Studios to the consumer at one destination. We believe that BoxTV will be a great platform for us to showcase our wide breadth of entertaining and world class content.”

    BoxTV has developed an India-centric media experience, which includes bandwidth meters, dynamic streaming and video chapters, along with metadata and search. The portal allows users to access BoxTV via a wide range of apps on the platform of their choice. It will be available across iPhone, iPad, Android phones and tablets; Kindle Fire, EvoTV, Woxi Pod and Roku. Apps for Windows 8, J2ME and Blackberry platforms are currently in the pipeline.

  • Kids spent more than $1.5 bn on digital gaming across 7 key markets

    Kids spent more than $1.5 bn on digital gaming across 7 key markets

    MUMBAI: Children are increasingly important drivers of digital gaming consumption. In the first half of 2012, kids in the US, UK, France, Germany, Australia, South Korea, and Japan spent more than $750 million on different digital gaming activities, including downloading mobile gaming apps, purchasing virtual items in free-to-play computer and mobile games, subscribing to premium memberships, and acquiring digital games and DLC content for console and portable game devices.

    With growth accelerating, this will translate into over $1.5 billion for the year in these markets, according to GameByte, a syndicated global research product from Interpret which studies digital gamers ages 6-64 in ten global markets, including high-growth emerging markets China, Brazil, and Russia.

    “Among the 112 million kids in these markets, 86 million have adopted at least one form of digital gaming and the majority of them have spent money on their hobby. Despite the impressive aggregate numbers, an average kid in the aforementioned seven countries only spent $25 on digital games in a six month time frame, disproportionate to the amount of time they spent on such content, suggesting a significant monetisation opportunity,” said Interpret VP of Research Yuanzhe (Michael) Cai.
    Mobile games, already accounting for one third of digital gaming revenue, are important growth drivers given the rapidly increasing penetration of smartphones and tablets globally. “In addition to apps and in-game items, smart toys that combine physical toys, virtual gaming worlds, and mobile devices, such as Skylanders Lost Islands from Activision, Mattel’s Apptivity, and Infinity Project from Disney, will propel the industry forward. Let’s also not forget about the huge market in China, where close to one half of these young digital gamers reside,” commented Cai.

    GameByte is a research product designed to understand cross-platform digital gaming adoption and behaviour across global markets.

    It includes market and revenue sizing, as well as attitude and behaviour data for digital gaming business models including downloadable game apps and in-app purchases, subscription MMOs, freemium online games, downloadable content (DLC) on consoles, casual games, and social games. Kids 6-12 and teens/adults 13+ are included in the sample, and countries covered include US, UK, France, Germany, China, Japan, Brazil, Australia, South Korea and Russia. GameByte is available as a subscription, or you can purchase custom data or reports.

  • Lucas files for permission to sell $2 Billion in Disney shares

    Lucas files for permission to sell $2 Billion in Disney shares

    MUMBAI: According to a regulatory filing on the United States Securities And Exchange Commission the creator of the iconic series Star Wars George Lucas may be looking at selling the stock he received when selling Lucasfilm to Disney. A spokesperson on his behalf though countered the statement saying, “(he) does not currently have any plans” to sell.

    The regulatory filing signals his right to sell more than 37 million shares, amounting to all the stock he received when he sold Lucasfilm to Disney for $ four billion last year.

    Disney filed the Form S-3 Registration Statement on Wednesday, and a spokeswoman characterized it as a required formalization of Disney‘s acquisition of Lucasfilm. According to the filing, The George W. Lucas, Jr. Fourth Amended and Restated Living Trust could sell 37,076,679 million shares of Disney — amounting to about 2.1 percent of the company — “from time to time” until the trust no longer holds any of the stock.

    According to the filing the sale of stock could occur via “ordinary brokerage transactions or through any other means described in this prospectus.”

  • Disney holds plans to re-release Star Wars films

    Disney holds plans to re-release Star Wars films

    MUMBAI: Disney and Lucasfilm have postponed their plan to continue re-releasing of the prequel trilogy Attack of the Clones and Revenge of the Sith in theaters in 3D.

    “Given the recent development that we are moving forward with a new Star Wars trilogy, we will now focus 100 per cent of our efforts on Star Wars: Episode VII in order to ensure the best possible experience for our fans,” the company stated in a post on the franchise‘s official site. “We will post further information about our 3D release plans at a later date.”

    The Phantom Menace 3D reissue was released by 20th Century Fox on 10 February last year and grossed $22 million in its opening weekend to finally end a domestic haul of $43 million.

    The fate of the 3D versions of Episode II: Attack of the Clones and Episode III: Revenge of the Sith are now to be determined.

    Star Wars: Episode VII is scheduled for release in 2015.

  • Bigflix partners with Disney to deliver movie titles

    Bigflix partners with Disney to deliver movie titles

    MUMBAI: Reliance Entertainment Digital’s movies-on-demand service Bigflix and Disney Media Distribution have partnered to bring the best of Disney live action and animation movies to India on Bigflix.com.

    From February, subscribers of Bigflix.com will be able to watch popular movies anytime without any ad-breaks. There will be 140 premium titles available on BigFlix.com.

    The key titles include Pirates of the Caribbean, Tron Legacy, Tangled, Pearl Harbor, Chronicles of Narnia along with the Disney-Pixar selection such as Toy Story, Wall-E and Cars.

    Big Flicks head – content and distribution Sandeep Mehra said, "We are pleased to be associated with a renowned studio like Disney to launch their titles on our platform. Disney has a record of producing exceptional films that cater perfectly to movie enthusiasts. By launching International titles for the film fanatics in India, our aim is provide complete entertainment to our subscribers."

    Disney UTV executive director- Syndication, International Distribution & Disney Media Distribution Studios Amrita Pandey said, "By working with BigFlix we are delighted to provide Indian movie lovers our most popular Disney and Pixar titles. This SVOD (Subscription Video on Demand) deal provides the best content, convenience and entertainment right at your door."

  • Disney, Charter Communications renew distribution deal

    Disney, Charter Communications renew distribution deal

    MUMBAI: Charter Communications has extended its distribution agreement with The Walt Disney Company to deliver Disney‘s lineup of sports, news and entertainment content to Charter TV customers across televisions, computers, smartphones, tablets, gaming consoles and internet-enabled televisions.

    As part of the new multi-year deal, The Longhorn Network will launch in Texas, Louisiana and Virginia systems by football season next year. Charter and The Walt Disney Company will also introduce several new services, including the full suite of authenticated WATCH products, ESPN Goal Line, ESPN Buzzer Beater, as well as the upcoming ABC News/Univision Joint Venture, a 24/7 news, information and lifestyle multi-platform network for English-dominant and bilingual Hispanics, the youngest and fastest-growing demographic in the U.S.

    In total, approximately 70 services are covered by the broad scope of this agreement including: ABC, ABC Family, Disney Channel, Disney Junior, Disney XD, ESPN, ESPN2, ESPNU, ESPN Deportes, ESPNEWS, ESPN Classic, ESPN Goal Line, ESPN Buzzer Beater, ESPN 3D, ESPN GamePlan, ESPN Full Court, ESPN3, The Longhorn Network, and retransmission consent for WABC-TV, KABC-TV, WLS-TV, KGO-TV, KTRK-TV, WTVD-TV and KFSN-TV, as well as more than 10 high-definition networks.

    Charter customers will receive broad access to existing products like WATCH Disney Channel, WATCH Disney XD and WATCH Disney Junior, the to-be-launched WATCH ABC and WATCH ABC Family services and WatchESPN (ESPN, ESPN2, ESPN3, ESPNU, ESPN Goal Line and ESPN Buzzer Beater). These products will give Charter customers more opportunities to access live and video on demand content, both in-home and out-of-home, on their computers, smartphones, tablets and gaming consoles.

    "This agreement enables us to offer our customers additional value, choice and convenience," said Charter‘s Senior Vice President, Programming Allan Singer. "More and more content is being enjoyed on tablets and other Internet-connected devices, and today‘s viewers are sharing their TV experiences in new ways. Our agreement with Disney enables more robust ways to enjoy and socialize TV."

    Disney & ESPN Networks Group EVP, Affiliate Sales and Marketing David Preschlack added, "Our agreement with Charter represents the sixth top ten distributor renewal encompassing Disney‘s full suite of products and services. With this deal, Charter‘s video customers will derive even greater benefit from the value of their multichannel subscription model, including 24/7 live access to our content via the WATCH Disney services and WatchESPN across more platforms than ever before, as well as other new and advanced services."

    Launch of content across these new distribution platforms is planned to begin in the first half of 2013.