Tag: Disney India

  • Disney India launches official video game for ICC Cricket World Cup

    Disney India launches official video game for ICC Cricket World Cup

    MUMBAI: Disney India’s Interactive business has launched the official game of the ICC Cricket World Cup 2015 titled ‘ICC Pro Cricket 2015’ for PCs, with cut down versions for smartphones and DTH platforms, which will give users around the world a taste of the real world of Cricket. The highly immersive game was launched at Sydney Cricket Ground (SCG) with renowned names from the world of cricket – Brett Lee and Harsha Bhogle.

     

    Disney India managing director Siddharth Roy Kapur commented, “Globally, Disney is defined by innovation. We have always believed in leveraging technology to enhance the entertainment experience for consumers and we reflect this sentiment in all the products we develop in Disney India. The Interactive business of Disney India has produced an incredible game which sets the benchmark for cricket-based games globally. Cricket is amongst one of the most popular sports not just in India but across the world, and the ICC Cricket World Cup is the biggest possible celebration of the sport. We appreciate the support we have received from the ICC to be able to present this world-class game to Cricket fans on the occasion of the World Cup 2015!”

     

    “We are set out to build cricket as a franchise in the world of gaming. Our latest offering — ICC Pro Cricket 2015, a real cricket simulation game with high quality gameplay and superior visual experience to our global audiences is just the beginning of our journey. This will be the best in cricket games, bringing our consumers as close to a real on-ground cricket experience as possible, thus elevating the overall gameplay. We hope cricket lovers enjoy playing this game as much as they enjoy the ICC Cricket World Cup,” said Disney India vice president   Sameer Ganapathy.

     

    Cricketer Brett Lee opined, “It’s a great honour to launch this video game in conjunction with the ICC and Disney India. The graphics are incredible and I love the fact that this game can be played on not just your PC, but on your phone as well. I’m sure lots of people will be hitting their own sixes and taking the prized wicket of David Warner with this game.”

     

    Now with its latest offering – ICC Pro Cricket 2015, Indiagames has developed an “as close to real” simulation gaming experiences of its kind. It is a cricket fan’s delight – equipped with two gameplay cameras and over 25 in-game camera angles, the action never stops! The game is packed with a super immersive gameplay, stunning graphics and multiple play modes making the gameplay experience as close to the real game on-ground as possible, for PC, mobile and DTH users. In the game, users can earn, trade and collect players to create their own fantasy team and can put their best foot forward against the world’s best players. The gamers also have the opportunity to play with 14 official ICC World Cup 2015 teams from the tournament with real players like MS Dhoni, Michael Clarke, James Anderson and others.

     

    ICC Pro Cricket 2015 will be available on PCs and mobile phones (on iOS and Android) across India and other select international markets closer to the ICC Cricket World Cup 2015. PC users can download the game from www.procricket2015.com for a flat cost of $ 9.99, while DTH players can access this game through Dish TV and Airtel. For smartphones, it is a freemium game which will allow users to download the game for free.

  • Disney takes the family route with new offerings

    Disney takes the family route with new offerings

    MUMBAI: A new year brings with it a lot of new resolutions and expectations, and to fulfill the audiences ‘entertainment ‘ wishes are the 800 plus channels which every year create new properties to keep the EQ high.

     

    Disney channel, with an aim to up its ante in the genre, is launching five new properties in the end of January 2015 to not only reach out to its 4 to 14 year olds TG but the family as a whole.

     

    The new three-hour live-action weekend programming strategy, which has been worked upon for almost 12 months, is the foundation of the channel’s next 10 year plan. “We stared off as kids only channel 10 years back and after winning the loyalty of our TG, we think it is the right time to move on and carter to the whole family,” says Disney India Medianetworks content and communications VP Vijay Subramaniam while adding, “This has set the stage for 10 years of Disney in the country.”

     

    With shows like Maan Na Maan Mein Tera Mehman, Kabhi Aise Geet Gaya Karo, Goldie Ahuja Matric Pass, Laage Raho Chachu and Zindagi Khatti Mithi, the channel wants to make weekends a family time. “Shanivar aur Ravivar, Parivar Ke Saath is out motto and we will work towards it as Disney brings out the ethos of family,” says Subramaniam.

     

    The five shows with varied timings of 44 minutes, 22 minutes or even shorter, saw the channel getting an overwhelming response from the producers like Cinevistas, The Troublemakers and many others as they approached them. The channel also feels that the new propositions will get the advertisers excited. Says Disney India Medianetworks VP and revenue head Nikhil Gandhi, “For the Rs 350 crore business with seven channels in the genre, apart from a few regional ones, the growth has remained between 5 to 10 per cent. So, this is an opportunity for us to upscale our brand and these shows will help us compete with the GECs.”

     

    The programmes, focusing on the Hindi speaking markets (HSM) won’t be dubbed into regional languages unlike the others and aims to be at par with advertising rates charged for the shows of GECs. “Before we launch the series, advertisers should be on board as we have started talking to them. And we hope to see a 100 to 200 per cent hike in ad rates,” says Gandhi optimistically.

     

    As co-viewing has increased, there has been a significant increase in number of non-conventional advertisers like water purifiers, printers, cooking oils etc that have been reaching out to these audiences and want to continue doing so.

     

    The channel has already undergone a revamp, and if these programmes fulfill its Return on Investment (RoI) expectations then the number of such shows will be multiplied. The weekend programming FPC will also include Disney classics and animated movies. There are no immediate plans to change the weekday schedule. However, these shows will be repeated post 7 pm on weekdays.

     

    The three brand stories, conceptualised by Taproot, have already hit the small screen. The network will utilise all these avenues to strengthen the new positioning and programming strategy. “The brand stories are already running with ‘PK’, so we are going to use all our channels and other mediums for promotions,” says Gandhi.

     

    Stating the example of how the channel launched the video of Mickey on this birthday online before television, digital is an important platform for it. Without divulging more details the spokespersons from the channel agree on the fact that marketing will be engagement based. However, on-ground activities or collations with schools are not on the blueprint.

  • ‘Soch Mat, Seethi Maar’ with movie channel premieres on UTV Movies

    ‘Soch Mat, Seethi Maar’ with movie channel premieres on UTV Movies

    MUMBAI: Drawing on the universal passion and love for Bollywood in India, UTV Movies is all set to entertain it’s viewers with a formidable list of movie channel premieres starting this December. Adding to its existing slate of 1000+ entertaining titles, UTV Movies will now be premiering blockbuster movies acquired from the Viacom18 movie library.

     
    With this deal, the channel will continue to engage viewers with an instant dose of entertainment with 11 new films including Humpty Sharma Ki Dulhaniya, Mary Kom, R… Rajkumar, Hasee Toh Phasee, Gori Tere Pyaar Main, Madras Café among others. The deal also includes some soon-to-be released films and untitled movies that will be aired during the year.

     
    Commenting on this, Vijay Subramaniam – VP, Content and Communications, Media Networks, Disney India, said, “Over the years, UTV Movies has addressed the viewer’s need for entertainment through engaging content and with this deal, we will continue to engage our viewers and provide them with the content that appeals them ”

     

  • ‘Khoobsurat’….. Not really!

    ‘Khoobsurat’….. Not really!

    MUMBAI: Khoobsurat borrows its basic plot from the 1980 Hrishikesh Mukherjee film of the same name. Hrishikesh Mukherjee films were known for their simplicity and yet they appealed to all classes. His film was about a middleclass joint family where the matriarch of the house, Dina Pathak, runs her household with an iron fist and total domination. In the latest Khubsoorat, writer-director Shashanka Ghosh decides to give the simple Mukherjee film a ‘royal touch’ and massacres it royally.

     

    Sonam Kapoor is a physiotherapist working with the Indian Premiere League helping the likes of Dhoni and Shehwag and some alien entity called Kapoor who is so much in pain, he refuses to go out to bat until this physiotherapist gives his leg an almost fatal jerk! Something that could have handicapped someone else has cured Mr Kapoor! He is fit enough to go out and hit the last winning six. One thought, each IPL team had its own physio, here, the ‘poor’ IPL has only one for all the teams.

     

    Her credentials having been established and her reputation having travelled far and wide, she is invited to be an in-house physio to some ex-royal in Rajasthan. This ex-royal, Aamir Raza Hussain, has been wheelchair-bound since his accident ten years ago. He has so far dismissed about 40 physios trying to cure him. The fact is he doesn’t want to be cured. He holds himself responsible for the death of his 20-year-old-son, who died in a sports car crash that he had gifted him.

     

    Sonam enters the house and falls in love with the palace, its opulence and the luxury of the room assigned to her. This is just the beginning as more falling in love is yet to happen; which is, falling in love with the prince, Fawad Afzal Khan. Towards this end, her mother, Kirron Kher, encourages her every day on their regular Skype chats; this film may have turned Mukherjee’s idea of Khoobsurat from middle-class to royal while, at the same time, trying to make it contemporary.

     

    Sonam’s idea of physiotherapy for the reluctant royal is to take him around his gardens in a whirlwind wheelchair ride. The queen, Ratna Pathak, disapproves of her from day one and keeps making faces day after day. The prince Fawad keeps hovering around her despite being a very busy businessman. Earlier, it is established that he is engaged to be married to another royal, Aditi Rao Hydari.

     

    While Aamir Raza is getting cured merely by wheeling at jet speed around his palace and Pathak keeps making same faces of disapproval for Sonam, Fawad, and Sonam keep getting attracted to each other until they graduate to their first kiss.

     

    Comparing this film in any way to Mukherjee’s Khoobsurat is a sacrilege. The film and its makers have no sense of script, little sense of direction, and none for music. To sum it up, they have scant sense of filmmaking. The dialogue is pedestrian. Being a love story, the musical score needed to be strong but turns out to be poor and just one song, Naina…, is hummable. Editing is poor.

     

    Sonam plays the lead in this, her home production. She is a let-down acting-wise, looks-wise and dressing-wise. The makeup makes her look much older. Her clumsy, loud character seems to have been built around My Fair Lady; she is uncouth, which she blames on being half Punjabi from her mother’s side! Fawad, otherwise, known to be a very natural and endearing actor from what one sees of him on TV, is wasted; he is made to carry just one-and-a-half expressions throughout the film. Fawad’s greatest asset, his smile, is at a premium here. Ratna’s casting, in a role her mother played in the 1980 original, is supposed to be the casting coup, but backfires with poor etching of her character. Aamir Raza is turned into caricatures.

     

    Producers: Rhea Kapoor, Anil Kapoor, Sidharth Roy Kapoor

    Director: Shashanka Ghosh.

    Cast: Sonam Kapoor, Fawad Afzal Khan, Ratna Pathak, Aamir Raza Hussain.

     

    ‘Daawat-e-Ishq’: No thanks…

     

    Yash Raj Films have been trying new subjects for some time now. With Daawat-e-Ishq, they try to bring back a Muslim background love story. But, this is a love story with an angle of dowry and getting back at dowry seekers. It also tries to juxtapose two prominent Muslim cultures, those of Hyderabad and Lucknow.

     

    Parineeti Chopra is a shoe shop sales girl in Hyderabad even as she continues to study for she is a topper who wants to specialise in shoe designing. Her father, Anupam Kher, is a clerk in the high court two years short of retirement. He is honest and hence, of limited means.

     

    It is time to look for a suitor for Parineeti. The problem for Anupam and Parineeti is that, her qualification does not count for anything to the boys’ families. The amount of dowry is what matters to them. This leads to a chain of rejections for her. Kher has a limit of 15 lakh but the gap is too much between what he can manage and what the boys’ parents demand. Since dowry is a bad word, one boy’s parents ask Kher to ‘help’ their son go to the US for further studies; all he needs is 80 lakh for that purpose.

     

    Parineeti is an aggressive girl and keeps throwing out such parents. She decides that marriage is not for her and, instead, embarks on a mission to trap such families who demand dowries and have them sent to jail. Kher takes some convincing but finally agrees to the plan. Doing this in their native Hyderabad would be too risky so their choice falls on Lucknow.

     

    The father daughter duo go for a total makeover, pose as millionaires from Dubai and check in at a five star Lucknow hotel. Next, they shortlist grooms from a marriage website and invite them for a meeting. A camera has been placed to record the proceedings of all such interviews. One of them happens to be Aditya Roy Kapur. He runs the city’s famous restaurant known for its kebabs, biryani etc with century old recipes inherited from his forefathers.

     

    Kapur is a simple hearted only son of his parents, popular with his customers as well as all around the city. For wedding, his parents’ wish list would cost Kher a cool 40 lakh. Parineeti agrees to the proposal and decides the nikaah would take place in two days’ time. However, Kapur wants three days to meet and know Parineeti better. After all her idea is to marry and then file a complaint with the police and demand a huge sum to settle the matter.

     

    The plan works, Kher and Parineetti walk off with a huge loot for Parineeti to pursue her dream of studying designing in the US. But, what she did not on count has happened. She has fallen in love with Kapur in those three days.

     

    The problem with this film is that it takes over half an hour to come to the real story before it sets up the background for Parineeti’s plan of taking on a dowry seeker. And when it happens, there are no twists and turns and lacks in drama of any sort. The approach to direction and storytelling is lacklustre. There are no highlights. The film has a catchy musical score with a blend of old world charm. Dialogue is routine. There is little about performances that stays with a viewer. Parineeti is her usual self. Kapur is over the top, loud being his idea of projecting simplicity. Kher is okay.

     

    Daawat-e-Ishq is a routine fare below expectations.

    Producer: Aditya Chopra.

    Director: Habib Faisal.

    Cast: Parineeti Chopra, Aditya Roy Kapur, Anupam Kher.

  • Bindass to ‘Play’ on youth demand

    Bindass to ‘Play’ on youth demand

    MUMBAI: “We want to build on our strengths,” is what Disney India MD Siddharth Roy Kapur believes in and is the reason for the soon-to-launch music channel, Bindass Play, from the network.

     

    Disney India will replace UTV Stars with the new channel which will go on air from 1 October as it wants to build on the youth-targetted brand. “Currently, Bindass is at a very good place and the viewers are aware of our values. Hence, we want to expand on it with the new music channel,” says Kapur.

     

    Early this early Bindass had launched a new brand film – ‘B for Change – to reflect the sentiments of today’s youth who want to explore but at the same time don’t hesitate in going forward to bring about a change.

     

    “Bindass has always spoken the language of youth and it is the only homegrown youth entertainment channel in the genre to have won the loyalty of youngsters in the country. Music is very close to this section of the audience,” says Media Networks content and communication VP and head Vijay Subramaniam.

     

    He adds, “Hence, the unique thing about the channel would be that it will be inspirational and will celebrate the journey of adulthood as a friend and empower the youth.”

     

    But does this mean, Bindass will now only focus on storytelling? ‘No’, comes the response from Subramaniam. The youth entertainment channel will continue to showcase music but only for five hours (7 am to 12 pm) and on relationship based programmes rather than the edgy content like Dadagiri it focused on, earlier.

     

    The latest entrant in the Rs 900 crore business caters to the age group of 14-34 with the tagline ‘Saath hai toh baat hai’. The 13 shows are mood mapped with high energy song in the morning to slow tempo in the night, and with many of them like Tia’s Request, Tweet Meri Beat, Ishq Messenger among others allowing the viewer to choose his/her playlist through social media.

     

    Digital medium plays an important role for the brand and hence, it has tried to capture the youth through it. “As and when newer opportunities come from the medium we will try to engage with them as well,” says Subramaniam.

     

    The network is already in talks with four major brands for the channel. “Advertisers are happy and will want to associate with the channel as it is extension of the brand Bindass,” says Media Networks revenue vice president and head Nikhil Gandhi and will sell the ad slots at “healthy” rates.

     

    However, media planners consider it as ‘just another channel in the genre’ as there are too many players in the genre. “Rs 500 for a 10 second ad should be the rate for the channel,” says a media planner.

     

    UTV Stars was launched in 2011 and showcased popular Bollywood content including music and feature-based programming and since it was not able to catch viewers’ attention, the network now is playing safe by launching a channel focusing on the music genre, point outs another media analyst.

     

    Nonetheless, the channel is very upbeat about its new offering and believes that it will be able to strengthen its position in the category.  An in house team worked on the look for the channel and Subramaniam believes that it will be the ‘sexiest looking channel’ on television.

  • Bindass talks about relationships with ‘Pyaar Ka The End’

    Bindass talks about relationships with ‘Pyaar Ka The End’

    MUMBAI: The young minds of today are constantly grappling with issues in love and romance. Love and relationships are topics that the youth closely associates itself with. If the relationships seem to be at a struggling phase, often pressured by their own insecurities, the couple ends up at a crossroad, forcing them to face tough realities and instigating them to take extreme action.

     

    Resonating with its target audiences, TV channel Bindass, that mirrors the lives and aspirations of young India is all set to present yet another concept in the relationship space with Pyaar Ka The End. Produced by Endemol, it will give fresh but relevant facets in love, giving a whole new perspective to romance and passion.

     

    The show features situations that exist in relationships today while offering a direction to manage complicated situations better, staying true to the channel’s philosophy of being an ‘enabler of purposive action’.

     

    It drives home the message that a choice taken at an extremely weak moment can have severe repercussions; impacting the entire nature of the relationship.

     

    Talking about the concept of the show, Disney India VP, content, media networks Vijay Subramaniam asserts: “We as a brand are very proud to be constantly in touch with our consumers. Understanding what makes good relationships, how to keep it stable and happy is what youngsters want to know.”

     

    Subramaniam believes that while the channel is entertaining them on one hand, it also gives its consumers, through the shows, an opportunity to learn about relationships that reflects everyday reality.

     

    The channel has witnessed success with shows like Yeh Hai Aashiqui, Emotional Atyachaar and Love by Chance which have addressed very distinctive traits in a relationship.

     

    Before setting up any show, the channel undertakes several surveys and researches which show that today young adults are constantly seeking opportunities to understand how to get better in life, whether it’s job, education or in social relationships. Based on those learnings, the channel narrates its story.

     

    For the first season, the channel plans to launch 26 episodes with the return of the second season depending on the performance of the first. Out of the 26, five episodes have already been canned. “We do believe that no matter how successful our storytelling is, being finite also helps. It enables us to provide a good quality of content to our consumers,” adds Subramaniam.

     

    He believes that the most important aspect is consumer engagement and the success of the shows that the channel has launched so far is evident not only in terms of ratings, but the format of storytelling too.

     

    On the marketing front, the channel has split the campaign into two parts. One is very specific reach and sampling based activation in the Hindi speaking markets. Other is leveraging the popularity of its digital sphere with heavy concentration here.

     

    Subramaniam refused to divulge any financial details of the show, but sources from the industry reveal that compared to dailies which cost anywhere between Rs 5 lakh to Rs 8 lakh per episode, finite shows cost around Rs 2 lakh to Rs 3 lakh per episode.

  • Philips teams up with Disney India

    Philips teams up with Disney India

    MUMBAI:  Philips Lighting India has announced the creation of an imaginative LED lighting portfolio offering with innovative, inspiring and playful lighting products designed to bring the Disney magic to life for kids and their families. The range will be available exclusively on Amazon India’s e-commerce platform.

     

    The new Philips and Disney imaginative lighting range of products combines Philips’ ground-breaking and meaningful innovation in lighting with the magic of Disney characters and story telling to transform a child’s bedroom into a more imaginative place for them to read, play and sleep. It represents the latest achievement in Philips’ journey to transform the home lighting experience and make it digital.

     

    Philips Lighting India president Nirupam Sahay commented, “The blend of Philips’ expertise in lighting and Disney’s beloved characters will transform kid’s rooms to a more imaginative place for them to learn, play and sleep. The e-commerce tie-up with Amazon will help us in making these digitally interactive lighting solutions easily accessible to our target consumer, who is online most of the time and likes to shop without hassle.”

     

    “This product range is a perfect example of how Disney storytelling can extend into children’s bedrooms through an innovative and compelling product offering. We are thrilled to work with Philips to help create comforting reading and bedtime environments for families,” added Disney Consumer Products vice president and head Abhishek Maheshwari.

     

    “The launch of Philips Disney Imaginative Lighting range exclusively on Amazon India is in line with our vision of enabling our customers in India to find, discover and buy anything that they desire online and provide them a unique, delightful and trustworthy shopping experience. This exclusive partnership also serves as a testimony of our commitment to offer our customers products of superior design at exceptional prices,” said Amazon India director category management Samir Kumar.

     

    The Philips Disney imaginative lighting range has been created to inspire children’s play and magical family moments as well as provide comfort to kids through Disney characters they know and love. The range also includes lights featuring ‘light that comforts’, such as nightlights that emit a gentle glow, to products designed to help promote a regular sleep pattern for children by letting them know when it’s time to get up.

     

    The portfolio is designed for kids of ages three to seven years and it has been designed with safety in mind through each product’s construction and the materials used. Smart Philips LED means the lamps are robust, stay cool to the touch and are kind to little hands – with the added bonus that they do not have to be changed often due to their extremely long-life. Each light is also designed to ensure there are no small parts or sharp edges to worry about, and cables can be tidied away using Velcro cable binders.

  • Disney India and Salman Khan announce the official mobile game on ‘Kick’

    Disney India and Salman Khan announce the official mobile game on ‘Kick’

    MUMBAI: You have enjoyed his dialogues, his dance moves and even his unique style… here is your chance to play Salman Khan in the newly launched Kick mobile game. Disney India’s Interactive business, today announced the launch of the official mobile game based on the most awaited movie of the year – ‘Kick’.

     

    The game has all the elements of the movie – heroism, stealth, entertainment and above all, the game avatar of Salman Khan’s character himself! Superstar Salman Khan and actress Jacqueline Fernandez were present to launch the game amidst much fanfare. Salman Khan being his usual witty self, enjoyed showing off his gaming skills and entertained the crowd with his comments and sense of humour. The game is developed for both feature phones and smartphones (Android, Windows) to reach out to a wide audience of mobile users in the country. The iOS and feature phone version of the game will be launched along with the release of the movie.

     

    In the game titled after the movie, the player takes on the role of Devil (Salman Khan’s movie character) and embarks upon a benevolent yet exciting journey where he robs from the rich and corrupt and deposits that money in the bank for philanthropic causes. The game sways in two phases letting the player experience robbing and escaping gameplays consecutively. The objective of a level is achieved only when the player manages to complete both the phases. The gamer will need to play in stealth style and escape the cops in grit. The gameplay includes numerous obstacles which include security alarms, lasers, manholes, street cones and more.

     

    Commenting on the launch of the game, actor Salman Khan, said, “We (Sajid, me and the KICK team) wanted to create an interactive experience of our movie for the fans. The mobile game developed by Disney India is both exciting and easy to play which makes it fun and engaging. I hope my fans will enjoy playing the KICK game as much as I do.”  

     

    Producer and Director, Sajid Nadiadwala said, “Kick is a very special movie for us and we wanted to take the movie’s experience to all the audiences and give them a taste of the unique style of Salman’s film character and the essence of the movie through this game. The team has worked really hard to create a fun game and we are happy with the outcome.”

     

    “The kind of movie that Kick is, its concept of action comedy, perfectly lends itself to making a game. The game based on the movie will give gamers and Salman Khan’s fans an opportunity to not only play as Salman Khan himself but also enjoy an immersive gameplay offering the essence of their favourite star’s movie. Salman and the team have been very excited about the game and worked closely with our team to make it happen. We are confident that the game will be a blockbuster hit just like the movie,” said Disney Idnia MD Siddharth Roy Kapur.

     

    “Gaming today has emerged as one of the top entertainment sources on mobile phones in the country and Indians love Bollywood. By marrying the two, it extends the experience of the movie to consumers in an interactive environment through a highly engaging game,”said Disney India VP and head (interactive)  Sameer Ganapathy.

     

    Kick will hit the theatres worldwide on 25th July 2014. So get your gaming hats on and get gaming as Salman Khan this Eid!

     

    Game now available on:

     

    Android – Google Play Store link: https://play.google.com/store/apps/details?id=com.indiagames.kick

     

    SYNOPSIS OF THE FILM:

     

    On a train journey in Warsaw, apretty psychiatrist, Shaina, meets Himanshu, a police officer from India, for an arranged match. Both not wanting to marry, become friends and share their pasts.

     

    Shaina shares the story of her ex-boyfriend Devi, a guy who lived only for his ‘Kick.’ She talks about his madness and their whirlwind romance, until one day he breaks up with her for a new kick and walks away, never to return.

     

    Himanshu tells her about his glorious escapades and that he has finally met his match; an intelligent thief.

     

    What they don’t know is that both their stories have one thing in common; Devi. He returns back into their lives under a new guise of having lost his memory. Behind it all, is a deeper mystery and an uncompromising mission, for which Devi is ready to lose his life.

     

    What is the mystery of Devi and his real mission?

     

    Do Shaina and Himanshu find their closure?

     

    Releasing this Eid, Kick promises to be a complete wholesome action entertainer with Superstar Salman Khan at his natural best – An action hero and a passionate, naughty lover.

     

  • Airtel digital TV provides SVOD to Disney India

    Airtel digital TV provides SVOD to Disney India

    MUMBAI:  Airtel digital TV, the DTH service arm of global telecommunications company Bharti Airtel has joined hands with Disney India to launch English Subscription Video on Demand (SVOD) Service – “Disney Family Movies”.

     

    It can be recalled that early in March this year, HBO had also launched its SVOD service on Tata Sky.

     

    The partnership between Airtel and Disney is aimed to enable the entire family with a never before experience of a one stop shop for popular Disney blockbusters. The new SVOD service on channel number 201 will showcase celebrated Disney movies including Hollywood classics, popular animation movies and live action titles like The Lion King, Aladdin, Pirates of the Caribbean series, Tangled, Alice in Wonderland along with award winning Disney PIXAR animation titles like UP, Toy Story, Cars and more.

     

    Under its SVOD portfolio, Airtel Digital TV showcases Regional, Bollywood and now Hollywood movies, making it one of the largest curators of movies offerings to its customers. The ‘Disney Family Movies’ will showcase English family entertainment movies back-to-back 24×7.

     

    To start with, the channel will showcase 20 new movies which will be replenished regularly. With the ongoing summer vacations, kids can enjoy a wide range of Disney’s celebrated classics, popular animation and live action titles at a subscription fee of only Rs 60 per month with only one ad break.

  • We’re both a kid-centric and family-focussed network: Bikram Duggal

    We’re both a kid-centric and family-focussed network: Bikram Duggal

    He is a man with a mission – to bring a smile on children’s faces and Disney India executive director, kids channels and franchise marketing Bikram Duggal, has been going about it with grace and alacrity for nearly four years now.

    Through a raft of channels including the Disney channel, Disney XD, Disney Junior and Hungama, Duggal has woven magic into the lives of kids and their families day after day. As someone who leads from the front, he has channelled generous amounts of creativity, optimism, trust and quality into the organisation. In an exclusive interview with Disha Shah of indiantelevision.com, Duggal recalls some of Disney’s defining moments while sharing a few tricks of the trade…

    What is Brand Disney’s India story?

    Disney is a brand which has story telling in its DNA. It is our legacy. Our promise is special entertainment with a heart. And that translates very strongly for Disney in India. There are various factors that have made Disney a strong brand. The key Disney values are “express yourself, believe in yourself, follow your dreams and celebrate family”. We try to see to it that we stay true to them and they permeate through everything that we do.

    Disney channel is not just a kid-centric channel, but a family-focused channel as well. It is with shows like Best of Luck Nikki or Shake It Up and also with Oye Jassi that we plan to differentiate ourselves not only in the kid’s entertainment space but also in the entire television spectrum of the country in the coming months.

    Story telling is our legacy and a large part of it is when we entertain through our classic movies like Snow White and Cinderella. Be it classic Disney princesses or Mickey, the engagement with and affinity to these characters is still very high. Even with Disney Pixar films like Finding Nemo or Cars, the characters are still a major pod of engagement for our channel.

    What about animation?

    Yes, animation is also responsible for the success of Disney channel over the years. Animation is the bedrock of the network. We are trying to collaborate with local studios for live action productions. Be it acquired series like Doreamon or Disney Channel originals like Phineas and Ferb, we have characters and stories that resonate with Indian families day in and day out. That is what has led to the core philosophy of bringing magical properties and permeating them with the core values of families.

    How do you differentiate Disney’s target audiences?

    As I said, Disney channel is both kid-centric and family-inclusive because it not only has animation, but also live action original productions which appeal to the entire family. For Disney Junior, it is all about the special entertainment that we provide for kids aged two to seven years. The entertainment is curated for the youngest members of the family. It has a lot of in-built learning. Hungama appeals to kids in the age group of four-14 and the way it is positioned is it fills kid’s lives with enthusiasm and laughter. Plus, there is a lot of Indian local animation on the channel. Disney XD super serves the boys and their passions like sports, action, and humor are manifest in a strong way.

    Are you planning to tap into new genres?

    Some of the live action original productions that we have are re-versions or adaptations of popular story telling that we have internationally. Like Best of Luck Nikki, The Suite Life of Karan and Kabir  which we have re-versioned as they are timeless stories that can be told anywhere in the world. The whole idea is to see how to take this story telling cushioned in Indian values to another level where our target audience in India will find it truly engaging.

    There must have been both highs and lows. What is the life span of a programme on Disney?

    To be honest, there is so much happening around us; we have been continuously connecting with the consumers.  Research and feedback have shown us that the channel is a happy place to be for people. I don’t think there is any low point because the television industry in India is doing phenomenally well and we are growing in double digits.

    Talking about other Disney properties and the high points, Disney Junior that we launched a couple of months ago has the philosophy of engaging with kids (2-7 years) and then their parents, especially mothers. We believe that there is an opportunity to connect with kids and stimulate their imagination with magical storytelling, which is our forte. Series like Sofia, the First, Jake and the Never Land Pirates and Doc McStuffins stand true to the core value of Disney which is magical story-telling and we plan to air more of these in the next few months.

    On the other hand, Hungama is all about an unapologetic sense of mischief bringing enthusiasm and laughter in kids’ lives. We are collaborating with local animation studios for in-house animated productions like Chor Police and Ninja Warrior and a few more to increase the primary focus on anime for children and teens.

    What about the level of engagement with consumers?

    There are a lot of consumer engagements we have been doing; whether they are through content or on-ground activities. We just did Disney Princess Academy where we got girls from all across the country to come and learn to be a princess as that is something they desire to be. When they see our films and the great story telling, they want to engage at the same level. Mothers and daughters came together in eight cities and lakhs of people submitted their entries. Content which is based on our core philosophy and engagement points across consumers’ lives is something we are trying to do on a regular basis.

    Tell us about your biggest marketing campaign – ‘Jet Set Go 3’?

    Disney’s core philosophy is giving magical experiences to kids and families. These experiences go beyond entertainment for us. It is holistic entertainment that touches consumers’ lives. And from that perspective, we knew that summer is a very good period for kids and families and they want to be entertained in a special way. We thought we would definitely want to bring in an event or marquee property which becomes that talking point of what summer holidays mean to kids.

    Speaking of magical experiences, there can be no place like Disneyland. We knew Disneyland was special to a lot of people, but we wanted to bring it closer to Indian kids and families and tell them a little more about it. We wanted to do something special, so we thought why not send a plane full of people to Disneyland.

    In the first year, which is three years ago, we chose one kid who was the hero because he was taking his family. He was the centre point of gratification. The same way, we choose one kid every day for 30 days. That was the best part: it was not one, two or three but 30 families who went together: 150 people going together and enjoying themselves in Disneyland and coming back with long memories. We got so many emails from them saying it was the best time they ever had in their entire life. It was a fantastic programme and we received millions of entries.

    Needless to say, we repeated the exercise the next year only to find it was a bigger success. We brought in designers Shantanu and Nikhil to create a new line with Disney characters for kids who did a fashion show at the airplane hangar when the plane took off. This year, we decided to send people to all Disneylands of the world. So, one family will go to each of the Disneylands in California, Florida, Paris and Hong Kong. The response has been just amazing and Disneyland brings a smile to everyone’s faces.

    ‘Jet Set Go 3’ has been a hugely successful brand initiative which is running for three years. We get millions of entries and it has become a marquee property for the kids’ category so much so we look forward to doing it many times over. The other new thing this time is we will be shooting each family in Disneyland and airing that episode on Disney channel in August.

    How do you market this property? What are the criteria for selecting families?

    The good part is that Disney India reaches out to its entire audience in a month’s time. If we have a dedicated promotional plan, which we do have on our network, we are able to reach out to all our audiences on television. In the first year, we went outside our network as well, but the property has now become almost like a social currency when kids meet up. After the first year, we didn’t have to do anything more because kids were already aware of it and we just needed to announce it on our network to get millions of entries.

    The great thing about this initiative is that not only people from Mumbai and Delhi are participating, but others from smaller towns, TL2 and TL3 towns are participating as well. It is very heartening that people have warmed up to this concept. In the backdrop of India’s economic growth and people’s desire to grow, it shows that they really want to explore such activities.

    Replying to the second part of your question, the criteria for selection is largely kids and families who have scored maximum points per day.

    Has social media played a big role?

    Yes, a major role. In fact, a lot of these people, who were selected, have put their experiences on Facebook and Twitter. And that has gone viral. The fact that common people from small cities win, has been well received. Not only are there people who are going to Disneyland for the first time, there are also people going abroad for the first time. So, stories like a foreman from a mill in Jalandhar winning, has gone viral. Be it the people who’ve put it up with the help of the younger generation or with our help, the stories of these people are in fact, truly being heard on social media.

    How much is the total marketing expenditure? Is it more this year as compared to previous years?

    The total marketing expenditure is fairly big as the property takes about 20-25 per cent of the total annual budget. Yes, this year the expenditure is more, mainly because we are aiming to shoot these episodes in Disneyland, and all across the world.

    Are there any special shows as it is summer time?

    Yes, absolutely. There is a new animation series called Arjun launching on Disney channel on 1 June and we are really looking forward to it. It is our number one promotion on the channel and we are really looking forward to how it fares.

    We are also re-launching Pokemon in a big way to appeal to kids on Hungama. From a Disney Junior perspective, in the last few months, the reach of the channel has increased tremendously since it was launched on key DTH platforms like Tata Sky, Airtel and more. A lot of promotions are happening on those platforms and we are keen to build that property.

    Post summer, what is the plan?

    The shows which I spoke about are not only restricted to summer. We are banking heavily on them and we think that is the kind of story telling that the channel has and we are going to move it forward. But those marquee properties will see a lot of support in the months even after summer. And you will see it going right up to October.

    There are a lot of properties which are going to come up from a marketing perspective and you will hear about them soon. But what I can tell you confidently is the fact that this whole proposition of family-inclusive is very important for us. I think there is an opportunity to tell a unique story and how there are timeless stories which resonate across the world. We want to keep telling those stories and in times to come, you will see we would have been doing much more in that area on Disney channel.