Tag: Disney India

  • K Madhavan tapped as Walt Disney India & Star India president

    K Madhavan tapped as Walt Disney India & Star India president

    New Delhi: K Madhavan has been named president, the Walt Disney Company India and Star India, effective immediately. He takes on the mantle from Uday Shankar, who stepped down in October and exited the mouse house at the end of 2020.

    The announcement was made by The Walt Disney Company chairman international operations and direct-to-consumer Rebecca Campbell early on Wednesday.

    In this role, Madhavan will drive the strategy and growth of the company in India, with responsibility for the vast Disney, Star and Hotstar businesses and operations spanning across entertainment, sports and regional channels, and direct-to-consumer. This includes oversight of channel distribution and advertising sales, as well as a thriving local content production business which currently is responsible for the creation of 18,000 hours of original content across fiction, non-fiction, sports, and movies in eight languages.

    “For the past several months, I have had the pleasure of working directly with KM and have seen first-hand how he has adeptly managed our India business, which has been and will continue to be critical to our global and regional strategy,” said Campbell. “A skilled leader with an extensive background in media, KM has taken our vast Star networks and local content production businesses to new heights despite continued industry evolution and significant challenges due to the pandemic.”   

    “I am very proud to have the opportunity to lead the incredibly talented and passionate team we have in India, and to further build upon our strong portfolio of channels and high-quality programming that is a favourite with viewers across the region,” said Madhavan. “We have an exciting journey ahead of us. I am committed to continuing to move our business forward, working more closely together with colleagues across Disney to enhance our global and regional offerings.”

    Since 2019, Madhavan served as country manager of Star & Disney India, overseeing the media conglomerate’s television and studios business in India. He has been responsible for driving the growth of the business, focusing on innovation, and creating compelling content for consumers. 

    Madhavan joined Star India in 2009 as its south head. Under his leadership, the company built a thriving regional entertainment portfolio. Previously, he was the driving force behind Asianet’s growth as the undisputed leader in Malayalam with more than 50 per cent of market share, serving as MD and CEO in 2000-2008. Madhavan’s vision for the regional language network led the company to set benchmarks in quality programming in south India. Prior to his media career, he was in the banking and corporate finance sector. 

    Madhavan currently serves as president of the Indian Broadcasting Foundation (IBF) and as chairman of the National Committee of Media & Entertainment CII (Confederation of Indian Industry).  

  • Hungama adds Supa Strikas to programming line-up

    Hungama adds Supa Strikas to programming line-up

    MUMBAI: Hungama, known for engaging kids with entertaining content that is specially curated for them, will be taking the fun quotient a notch higher with the launch of a brand new show – Supa Strikas on 21 December  2020 at 7.30 PM.

    Reaching out to a whopping 670* + million kids, the channel has consistently been entertaining young viewers with shows and characters that they love and has become a favourite amongst them. The Hagemaru Show is one of the most loved shows in the genre enjoying a high viewership with 427* impressions along with Shinchan which garnered 319* impressions in addition to other popular series like Selfie with Bajrangi and more.

    Following the success of the existing series, the channel will now launch Supa Strikas for the first time on Indian Television. With a narrative that follows a leading football team as they journey across the globe and outer space, the series will take the young viewers through the behind the scenes at the world's greatest soccer club who are on a quest to win the prized Super League trophy.

    “Hungama, through the shows and characters, has always celebrated the spirit of childhood; capturing the child’s imagination, playfulness and the zest to be adventurous. Kids have loved the series that we bring on Hungama and the consistent performance of the channel along with the success of all our shows are a testament to its success and popularity. Our newest show Supa Strikas will be a perfect addition to the channel bringing in elements of fun, adventure, sportsmanship and friendship,” said a Disney Kids Network spokesperson.

    Today, the Disney Kids Network is one of the most preferred destinations for entertainment by kids and commands a share of 31 per cent*among kids.

    * Source: BMW Software, India Urban, 2-14 YRS, All Days, 0700-2300, Wk 41-48’ 20

    Catch Supa Strikas on Hungama from Monday to Thursday at 7:30 PM, 21 December onwards.

  • Star & Disney India unveil ad solutions suite Sirius

    Star & Disney India unveil ad solutions suite Sirius

    MUMBAI: Star & Disney India have launched Sirius, a powerful end-to-end suite of advanced advertising solutions for marketers, media planners, and creative agencies. Built on standard measurement paradigms while bringing in proprietary technology capabilities through multiple associations, Sirius covers a comprehensive gamut of advertising solutions, reimagining how brands plan, communicate and measure with Indian audiences, hence providing a fresh perspective. With Sirius solutions, advertisers can access a majority of the content portfolio of Star India network & Disney+ Hotstar, optimised to get the most out of their advertisement investment. 

    Star & Disney India have joined forces with Mediaocean, Kantar, TVision Insights, and Ipsos to impact evaluation to advertising spend on television and OTT. Powered with independent third-party ratified insights, Sirius solutions will help brands unlock acumen into advertisement exposure to gauge metrics such as attention to advertising, and measure advertising impact on mind metrics, and purchase behaviour. 

    “The focus of our measurement solutions is to demonstrate the effectiveness of campaigns across Star India network and Disney+Hotstar in shaping brand and business outcomes along with offering differentiated insights on creatives to enhance the overall impact. We are enthused by the early response from media agencies and top advertisers who have shown keen interest in Sirius. Our aim is to act as a bridge for brands to strengthen their relationship with consumers,” said Star & Disney India ad-sales head Nitin Bawankule.

    The advertising solutions specifically encompass four critical aspects of media planning, thereby bringing the television proposition holistically to the digital age.

    1) Cross-screen measurement and planning

    Star & Disney India have jointly developed a new cross-screen measurement tool with Mediaocean for identifying unduplicated reach across linear and digital mediums. A cross-screen platform amalgamates multiple high-quality data sources which are recent and relevant to ensure the most efficient cost effective campaign plan for marketers. Brands can create integrated media plans with optimised reach-frequency goals across the Star India network and Disney+Hotstar. This will provide seamless targeting and efficiency by reaching audiences on Disney+Hotstar in a manner that complements the delivery of the television plan.

    2) Sharper targeting on TV

    Brands can go beyond traditional demographics to target advanced audience cohorts on television. Star & Disney India’s analytics with the ZAPR panel will help identify target groups with specific interests like fashion, travel, parenting, etc. on Disney+Hotstar which will enable sharper targeting on bespoke cohorts. With the help of Sirius solutions, brands can fine-target audiences on television and build a differentiated media plan based on the audiences’ life-stage, interests and behaviour; doing away with peripheral wastage associated with demographic targeting.

    3) Next-gen campaign evaluation

    With best-in-class collaborations, Sirius solutions take impact measurement to granular depths. Star & Disney India’s association with Kantar, debuts India’s first single-source panel for measuring Star India network of channels and Disney+Hotstar and  campaign impact on CPG brand sales. This single-source panel will demonstrate the lift in metrics like brand penetration, consumption, and frequency of purchase across different ad exposure cohorts relative to those unexposed to the campaign at scale. 

    Attention insights is another significant aspect to help advertisers determine ‘Quality of viewing’ and going beyond the traditional metric of time spent. Star & Disney India has collaborated with TVision Insights to make India the third country ever to track viewer-attention on television, enabling a deeper understanding of creative efficacy. This tool measurement solution presents multiple possibilities to marketers including competitive benchmarking of campaigns attention performance, insights on media placement choices, and more. 

    The partnership with Ipsos allows brands to unlock insights on ad exposure amongst those who watched the advertisements to gauge metrics such as brand awareness, top-of-mind recall, and purchase intent; making it deterministic and not probabilistic. 

    4) Creative ad solutions

    While the media planning solutions will help create an optimal plan, the creative solutions offered by Sirius will elevate the performance of the creative assets further. The creative ad solutions offered,  leverage AI/ML capabilities for contextual ad placements and native integration weaved within premium TV content. This enhances the advertising proposition by breaking through the clutter, providing a more immersive experience for audiences, and enhancing message noticeability without interruption.

  • Disney Channel’s ‘Imagine That’ opens to a successful launch week

    Disney Channel’s ‘Imagine That’ opens to a successful launch week

    MUMBAI: Imagine That, the brand new property of Disney Channel, launched on 6 September at 9.30 am. The show focuses on tapping into the kid’s natural desire to explore and create through DIY. Centered around the theme of upcycling, host  and kids’ favourite Rob encourage them to express themselves and repurpose the simplest things into extraordinary art. The show performed exceedingly well in its launch week. It was the #2 highest series launch since 2018 in the category with a viewership of 592 TVTs in its launch episode. Source: BMW Software, Market- India Urban, TG- 2-14 ABC, All Day, 0700-2300, Wk 33-36’ 20.

    Imagine That has Cello Colour Up as the presenter for its upcoming show Imagine That which will be powered by Byju’s The Learning App. There was an extensive digital campaign that was undertaken by the channel; which focused on building awareness for the show in the month leading up to the launch. Post launch the focus shifted to engaging people contextually within the DIY category. All initiatives across platforms were a roaring success. The overall impressions are currently at 95 million+ and the total views have crossed the 30 million mark.   Social media influencers were activated – bringing in mommy blogger communities; kid influencers, the Art Community and their followers in addition to popular influencers. A social media challenge called Imagine That Challenge is performing phenomenally well and engaging fans across. And all these initiatives were supported by ancillary Content support that make the interactions and conversations across the social handles.

    Star and Disney India  Infotainment and Kids head Anuradha Aggarwal said, “With Imagine That, we wanted to create a platform where kids could express themselves and push the boundaries of their imagination through the ever popular DIY format.  The message of upcycling brought alive through a fun and innovative approach, struck a chord with kids and parents. We are excited that kids and art lovers across the country are engaging with the show on our channel and digital platforms. ”

  • Can you Imagine That on Disney Channel India?

    Can you Imagine That on Disney Channel India?

    KOLKATA: Kids in India have been cooped in their homes all day due to the restrictions put in place on account of the pandemic. As per BARC data, they have been watching a lot of Disney Channel India as it has seen a viewership surge of 40 per cent. In a bid to give the kids something new to nibble on, it is all set to launch its most anticipated property Imagine That on 6 September.

    “We want Imagine That to inspire kids to express themselves while upcycling products through do it yourself (DIY). We believe recycling or repurposing through DIY can help you create a product in a simplistic way. With partners like Byju’s, Cello ColourUp, and Savlon, I think this property will stay in kids’ and audiences’ minds for a long time,” said Disney India and Star India infotainment & kids head Anuradha Aggarwal in a press briefing.

    The show’s teaser shows host creator and illustrator Rob teaching kids how they can make interesting objects from easily available materials in their homes: birds from paper, a rickshaw, an elephant and a dinosaur from a cardboard carton, and robots from tin cans. For those who don’t remember, Rob is Harun Robert who used to host the famous award-winning M.A.DDIY kids series on Pogo from 2005 till 2010. Rob also is the creator behind the YouTube channel Mad Stuff with Rob, under the Sony Music umbrella.

    With Imagine That’s launch, Disney Channel India expects to garner eyeballs from both kids and parents and is sanguine that its viewership growth will hold even as the country is opening up.

    Aggarwal disclosed that given the large percentage of single TV households, co-viewing has always been a reason for the increase in the channel’s viewership. For the new show, the channel is targeting a larger band of age groups – younger kids who can watch it with parents, older ones who can experiment with the DIY themselves.

    “All over the world, we use a lot of live TV or characters and stories that come with them. While DIY format works well, the format needed a real person. We have Rob with us for the show who is a legend at DIY,” she added further.  

    Media observers are convinced that Imagine That is a good idea. “Most parents have been logging on to YouTube and signing up for skill courses to help their kids self-learn at home,” said a media veteran. "With schools set to stay closed for some time at least now Imagine That should find a large audience on Sunday mornings. Also, it probably has given a lot of opportunities to integrate its brand partners which are in some way linked to learning and education into each episode.”

    Aggarwal stated citing an industry report that the kids’ genre has weathered the Covid2019 storm slightly better than the other genres in terms of advertising revenues. Reason: fresh episodes of animation shows continued to be produced from remote connected locations by India's animated producers even during the lockdown. Among these: Bapu,Guddu, The Hagemaru Show, Selfie with Bajrangi and Gadget Guru Ganesha, which it launched on 22 August.  

    Aggarwal  is happy that the unprecedented time has brought in a new paradigm as far as TV consumption is concerned. “There is no primetime anymore in TV. Viewing by both kids and parents has stretched the whole timeline as well as added to the non-primetime. So, it’s very hard to figure out the core-watching hours. What we are also seeing is morning-day part has seen a huge surge in viewership,” she says.

    Did someone say TV is dying?

  • Regulation has become totally opaque: Uday Shankar

    Regulation has become totally opaque: Uday Shankar

    KOLKATA: One of the major issues which have been daunting the media and entertainment industry, especially the broadcast sector, is the regulatory burden. Although senior officials from the government have argued that there is no such burden, many stakeholders have expressed concern against the same from time to time. Media maven, The Walt Disney Company APAC chairman and Star and Disney India president Uday Shankar said his biggest disappointment with regulation is that it has become totally opaque.

    Participating in APOS 2020, Shankar, in a conversation with Media Partners Asia executive director and co-founder Vivek Couto stated that there is a lack of clarity on why the regulator is regulating something. Moreover, there is no consistency in the regulations. He also opined that the regulators need to have clarity and share that clarity publicly with both the media community and the public at large that what are they regulating, what’s the agenda and the vision. He reminded that regulation should not be for the sake of regulating something but to create a level playing field, promote growth and benefit consumers. He stated that sometimes it feels that in markets like India, regulation is only for creating hurdles in the growth of the business.

    “Unless you have clarity on that and everybody understands exactly the boundary condition within which regulation will operate, it creates all kinds of confusions and setbacks to the industry. Media is such a sector that if the industry does not do well, the first victims are consumers. If you don’t have enough money to invest in content, at a business level, you can employ fewer people but create less value,” he added. 

    Shankar added that the industry also cannot completely disregard or operate in a vacuum. “It has to be aware of its social responsibilities and sensitivities in each market. I am a big believer in media and with freedom comes great responsibility as well,” he said.

    Shankar also spoke on the streaming service Disney+ Hotstar which is off to a great start. “We decided to take advantage of the early days of this crisis. We launched Disney+ Hotstar right in the middle of the crisis, in the month of April, when the whole country was in lockdown. Advertising was interrupted, we could not make our critical marketing plan, the live sports we planned to leverage for Disney+ Hotstar was not available and yet we launched and we are the biggest streaming service in India by far,” he said.

    For Disney+ Hotstar, the only benchmark is that the platform can compete with TV channels in terms of its reach, delivery and consumption. According to him, if streaming has to become mainstream eventually, it has to serve the local population at scale and has to be sustainable. That’s the only metric everybody has to follow. While its ambitions are to compete with TV, Shankar noted that Disney+ Hotstar has to relentlessly work on cutting-edge technology. 

    Shankar mentioned that while 150-160 million homes are connected to TV in India, smartphones and video-enabled devices can reach the number of 700-750 million in a few years. Hence the screen universe is much bigger than TV. According to him, streaming, if done right, has the potential to be bigger than TV purely in terms of the number of consumers and the amount of time they spend. However, he also stated that TV, too, has a fair road ahead but it needs to fix the business model going through a correction.

    “We (Disney+ Hotstar) should be able to rapidly get to a number similar to frontline mass-market entertainment channels in the country through reach and access,” he concluded.

  • Aim to get hundreds of millions of subscribers for Disney+ Hotstar: Uday Shankar

    Aim to get hundreds of millions of subscribers for Disney+ Hotstar: Uday Shankar

    KOLKATA: Disney+ Hotstar is not going to limit itself to sports and classic Disney+ library in India. While last year Hotstar went into original content, after its rebranding to Disney+ Hotstar, it is chasing a large audience also with direct-to-digital premiers of bollywood movies. The streaming service which crossed eight million subscribers within one week of its launch is currently looking at ramping up subscriber numbers in India.

    “What we are looking at is to get tens of millions, if not hundreds of millions, of people to subscribe to Disney+ Hotstar. Once we do that, it becomes an attractive business with many possibilities,” The Walt Disney Company APAC chairman and Star and Disney India president Uday Shankar said in an interview with ET Now.

    While Shankar was asked if TVoD can be a scalable model in OTT business, he did not agree. “I am not a big fan of the pay-per-view model. Those are very transactional with customers and I don’t think a platform which has a long-term vision and wants to be the substitute for TV in this country should do something like pay-per-view. Tomorrow, we might change our strategy but that’s not what we are looking at right now,” he added. 

    Disney+ Hotstar could reach 93 million paying subscribers by 2025 at monthly ARPUs under $1, as per a report from MPA. It also added that the service’s major differentiation has been its vast aggregation of premium local and international entertainment and sports, driving its present-day addressable market to 100 million + subscribers.

  • Samir Bangara: A visionary man, a talent spotter

    Samir Bangara: A visionary man, a talent spotter

    MUMBAI: Unexpected losses feel hard on the heart. Samir Bangara, who died in a road accident, will be remembered for his visionary approach to digital reformation and how he spotted and nurtured talents. The co-founder and chief executive of Qyuki Digital Media was also a riding enthusiast.

    He initiated his journey with Qyuki in 2013 which was initially launched by director Shekhar Kapur and Grammy and Oscar-winning music composer AR Rahman in 2012. The platform was relaunched in 2014. While he earned quite a fame for his efforts to build Qyuki, he was in the midst of starting his own venture when he met Kapoor. 

    “It is with great sorrow that we inform you that our leader, mentor and trusted friend, Samir Bangara passed away in an accident this morning. We are all in a state of complete and utter despair and words will do no justice to express this loss. But it is our duty to absorb this shock for now so that we can be there for each other especially for his family, just the way Samir would have liked us to,” Qyuki COO Sagar Gokhale shared a statement. 

    Bangara was also the chief operating officer of Indigames and later led its sale to Disney. UTV bought 30.02 per cent in Indiagames and then increased its stake to 86.02 per cent from 56 per cent. Later, UTV was acquired by Disney India. Post the sale, he focused on integrating the interactive businesses of Indiagames, Disney and UTV into one team covering games, video and audio services while he was serving as managing director – digital at Disney UTV.

    “Samir Bangara was special. Someone who was a friend, not just a partner at work. I was always struck by his rare ability to traverse topics and contexts, from a room full of MBA types talking strategy to having a sense of the street. His smile and eloquence will never leave my mind. His passing is an irreparable loss to the Indian digital industry and creators. He was a visionary and their true friend. Whenever I spoke to him, I had a feeling that we can do great things together for creators. He left the world better than he found it. He helped people, shaped careers, spread wisdom and made friends. He made the years count. His legacy will live on through every single person he impacted positively in his life. May god bless his soul and give his family and everyone at Qyuki Digital Media the strength to bear this,” Facebook India entertainment partnerships head Saurav Saket Jha commented on LinkedIn.

    “Shocked and numb to hear about my friend Samir Bangara. I can’t believe he is no more. Gone too soon. My condolences to his family. Hope they find the strength to overcome this huge loss. You will be missed Samir, but you will always remain in our hearts,” House of Cheer founder and managing director Raj Nayak said on Twitter.

    “I lost my super power today. Samir Bangara, you have been a mentor/friend/business guide and the biggest cheerleader. You believed in me like no one else in this world,” producer Gunit Monga said.

    While he led Quiky to emerge at the forefront of new media, Bangara started his career in another vertical, in venture capital with IL&FS Venture corporation and moved on to being an investment banker with Ernst & Young. He was an alumnus of Mumbai University. In January, Qyuki hosted Epic Fam Jam, a festival dedicated wholly to India’s rising social media superstars. Reportedly, it also secured $3.5 million from Info Edge Venture Fund (IEVF) earlier this year.

    “I met Sam about 10 years ago and he stood out for his extremely sharp mind and politeness and had a smile always. I fondly remember the chat in his office about his passion for bikes and he had a glint in his eyes discussing it. It's a big loss for me personally and the industry at large! RIP Sam!" MX Player CMO Abhishek Joshi said.

    "We lost a true entrepreneur and one of the finest digital minds in the region. We’ve been buds for three decades when we entered uni together in 1990 and I’ve seen Sam grow into a thoroughbred professional into one of the finest businessmen right in front of me. Our careers were always in different areas but they would always converge at some key points in our lives. He used me for advice and I him, whenever we needed some unbiased advice," shared Universal Music Group India and South Asia MD and CEO Devraj Sanyal.

    He added that eight years ago, the paths between Qyuki Digital Media and Universal Music India crossed and they ended up doing a bunch of stuff together.

    "Together we founded the The Dharavi Dream Project our corporate social responsibility project which is also one of India’s largest #MusicForSocialGood projects. We did a ton of other stuff in the digital world and for us not to have him around is just something anyone in our industry can even begin to comprehend," added Sanyal.

    "It’s gonna take some very real work for his partner and COO Sagar Gokhale to now lead the businesses in his stead with his teams, though he knows he has the full industry behind him willing him to succeed. 
    Godspeed Sam," said Sanyal's heartfelt LinkedIn post.

    He was widely liked and admired by everyone in the industry for his visionary, cheerful and generous nature. Not only executives and celebrities but even people he mentored shared their grief over his sudden absence. 

  • Cosmos-Maya’s new kids’ animation show Bapu: An ode to Gandhi

    Cosmos-Maya’s new kids’ animation show Bapu: An ode to Gandhi

    Cosmos-Maya’s brand new show ‘Bapu’ was premiered by Disney India on 01 May 2020. The date could not have been more felicitous as it also marks the international Labor Day. What a befitting tribute by The Walt Disney Company to the greatest Karma Yogi who ever lived!

    “If we are to reach real peace in this world,” Mahatma Gandhi said in 1931, “we shall have to begin with children”. Come 2020, when the world faces the perils of pandemics, wars, climate change, global warming, and plastic pollution, all caused by the over-exploitation of natural resources, inculcating Gandhian values into the lives of our children is the need of the hour.

    In this article, I will highlight some of Mahatma Gandhi’s sayings, which have also been incorporated in episodic storylines, and are an integral part of the show itself.

    “Happiness is when what you think, what you say, and what you do are in harmony”

    Cosmos-Maya began work on ‘Bapu’ two years ago. Only a month into development, when we pitched the show to Disney India, much to our delight, they greenlit the show at the concept stage itself! Disney has believed in our vision from the word go. For ‘Bapu’ to have become a reality, it could have been done by no other than Disney. The essence of the show is a direct match with the ethos of the Walt Disney Company, and we are happy to have worked with them on this pioneering concept. With ‘Bapu’, we aim to empower kids the world over with Gandhiji’s values in a non-didactic format and communicate Gandhiji’s teachings with child-friendly, responsible, fun and entertaining storytelling. We have exercised our Creative Social Responsibility.

    “A man is but the product of his thoughts; what he thinks, he becomes”

    The task was no easy one. Children of the 4-11 age group do not know much about Gandhiji, and the scant knowledge they have is passed on by their elders. This was the backdrop when we envisaged creating an animation IP based on the Mahatma. Gandhi's teachings have to be broken down and simplified for very young children to decode. Children are known to have short attention spans, and hence, they must be kept engaged and entertained so that the message is imprinted in their minds. It was imperative for us to capture their imaginations with catchy visuals and keep them engaged with exciting storytelling and entertained with humor. It has also been our endeavor to make each episode a family viewing affair. The show has been made such that even parents can watch it with their children, and in the process give additional commentary to kids on the Mahatma. Rajkumar Hirani utilized similar strategies to propagate Gandhi's teachings, both in Lage Raho Munnabhai and the video he made last year with top Bollywood celebrities to commemorate the 150th birth anniversary of the Mahatma, attempting to remind people of his values and bring him alive within us again.

    “You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty.”

    While contemplating the happenings of the last two months, the pre and post Covid eras, I am reminded of a couple of episode plots of the upcoming series. There is one called ‘Shopping Competition’ which highlights the flip side of growing consumerism, where a couple of individuals fight over who can possess more material goods at a given time, thereby overspending and on the verge of bankruptcy, before Bapu steps in to set things right. There is another one where a tiger cub wanders into the neighborhood and causes panic. Bapu comes to the rescue before any harm comes to it. Antagonism towards nature will be our greatest undoing, the Mahatma had prophesied.

    “The best way to find yourself is to lose yourself in the service of others”

    ‘Trends’ like cleanliness, ecological conservation, fitness, healthy eating, and de-cluttering have reappeared and are now normative behaviors, but they were advocated a long time ago by Gandhiji, who lived a frugal and minimalistic, yet purpose-driven life. He advocated for every organism on mother earth living together in harmony, and every human being working for the greater good of society – a give rather than a take approach. Here is a man who dedicated his life to ‘Sarvodaya’, the welfare of the people around him, every last human being, rich and poor, old and young, able-bodied and specially abled, and all of nature’s life forms. 

    “Be the change you wish to see in the world”

    This show just had to be made. There is very little content for children on Gandhiji. His teachings shall forever be relevant and more such content should be produced the world over. Our children must grow up to be leaders of tomorrow. Who better than Mahatma Gandhi to guide them in their quest? The barrister from Porbandar is a testament to the fact that there is a leader within all of us. ‘Work is Worship’ is a dictum Mahatma Gandhi kept very close to his heart. Labor and faith, according to Gandhiji, were pre-requisites for leadership. The strength required to be able to practice this is what molds a leader. He knew that belief is contagious, that it binds a people. Without belief, the world would be a meaningless place. The man in the loin cloth changed the course of destiny and handed us a bright future. It is now up to us to teach our children well and keep Gandhiji alive forever.

    (The writer is CEO of Cosmos-Maya. The views expressed are his own and Indiantelevision.com may not subscribe to them)

  • Need to use Covid2019 situation to create 21st century content delivery biz: Uday Shankar

    Need to use Covid2019 situation to create 21st century content delivery biz: Uday Shankar

    MUMBAI: “We are in for a long, dark and scary winter,” says Uday Shankar, president, The Walt Disney Company, APAC and chairman, Star & Disney India, regarding the current situation, in an interview with ET Now. He dwelt at length on the Covid2019 crisis, its impact on the media, especially the TV business, and the road ahead.

    Regarding advertising revenue, he said, April and May are the months when advertising climaxes. “This is the time of IPL. In the seven weeks of the IPL matches, it generates six to seven thousand crores of economic value just around the IPL. And all of that has become zero this year. A larger number of advertisers wait for IPL to launch special campaigns and products. All of them have stopped."

    Regarding post-covid2019 world, he feels that life has changed a lot. “But the basics are remaining the same. We are still alive and still looking positively about priorities. We are running our businesses. We have to run our businesses very differently. We can't travel or go to the office. My portfolio stretches across the Asia Pacific region. So the level of my challenges is even higher. But one I think I realize is that people are extremely adaptable and they are trying to make it work."

    According to him, the new ways of working and adaptability to them are pretty exciting, he states. The biggest challenge, he says, is that the economy has taken a massive hit, especially in India which is going through a lockdown.

    Regarding the impact on advertising revenue, he said: "Leave aside sports, even entertainment too has come down: from the normal to down to 20-25 per cent. That's the aggregate level. The news business is holding up there."

    Programming has stopped due to lockdown, but even when they restart it will be difficult.   

    According to him, all broadcasters will have to aggressively revisit their programming costs. So those who are doing ten shows will start with four. The financial pressure will pose even bigger challenges. And there is only going to be so much advertising available.

    “We make our money in this country disproportionately from advertising; the distribution income is still small. People advertise only because they realize that there is a market for their goods to be bought and sold. If nobody is going to buy a car, why would a car manufacturer advertise? So we are in it for a long and dreaded winter. Newspapers are going to face even bigger problems. And everybody thinks that it is a great time for digital, but I don’t think so. Digital advertising has taken a hit and it will continue to be like that for a while.”

    Regarding sporting activity for which his company has invested heavily, he said: “Sports has taken a hit globally. There is nothing you can do. People’s health and safety come before everything else. It would be naturally selfish or immature on our part to even think that regardless of everything, sports should happen.”

    He feels that once the situation is back to normal, live sports events will happen with massive restrictions on spectators’ presence. You can’t have a plan-B for live sports, he said.

    Regarding cost-cutting across the media sector, he said that his organisation has also taken some measures. “We urged our senior executives to take a voluntary reduction in salaries. People have responded very positively to that.”

    But some organisations, he said, have been forced to take measures as a last resort. Job losses will happen, he said.

    According to him, the way the media works in this country is “very antiquated.”  Do you need so many people to shoot a show? Does everybody have to sit in one place? If supply chains are distributed globally, why is the entire media chain different?”

    On what he is trying at this moment of crisis, he said: “I am trying three things. First of all, we don’t treat this as new normal. I believe this is a passage into a new world. Within the discipline of my company I won’t really put pressure on people to come to work every day even if everything becomes normal. Star has already taken some lead in that direction. We don’t have mandatory attendance. We don’t ask people to sign in at a time. Or we don’t have fixed leave. I think we were pretty liberal. We should actively encourage people to work from wherever they are. We should look at lighter ways of creating content, which is less resource-intensive, less human power-intensive, but very heavy on creativity and technology.”

    “And I think we should revisit the whole concept of gigantic headquarters where everybody sits together. For our business television has always been under pressure, partly because of the shift that has been happening in the environment and also because of the fact that television in this country is unfortunate to have a regulator who has no understanding of the business and who is out to destroy the business. So the television business has been under pressure. And its odds for regaining its health are much less than I would like to think.”

    So how can we make it lighter, nimbler, direct to consumer and use this Covid2019 situation to make a 21st century content delivery business in this country is the question.

    According to him, regulation means that there should be an even-playing field and transparency. If businesses are not able to succeed, then nobody is going to invest, he says. “That’s the real risk of the TV sector in India. Advertising income was strong and the regulatory fees pressure that was value-destructive in the distribution side was sort of mitigated to some extent. Now it is a twin shock on the advertising and distribution fronts. It is going to be really tough for the television business. And it is very challenging for fresh investments. I don’t think people will come and pour money,” he explained.

    As to why his company wants to invest in India, he said: “Star India is the number one media company in India. Everyone knows in the power of India. When I took over Star India the entire television business was much smaller, but today it is one of the biggest media and entertainment markets in the world despite all the challenges. We remain optimistic about the power of 1.3 billion people, the big market, and the creativity in this country. So those who have already invested, they will continue to be committed. But new people who have to start from scratch many of them will rethink before investing.”

    Regarding the kind of content consumers will consume in the times to come, he said: “We give too much credit to ourselves and too less to consumer. Consumers may not be able to articulate it, but they are usually far ahead of the business. Our innovation usually catches up with where the consumers’ mind is. When we started Hotstar, people said I was being delusional and that we were going to lose money. And with the data revolution that happened we have seen the explosive change. In the next three year or so there will be 700-750 million people who will watch content on their mobile devices. And 250 million on TV. That’s where Covid crisis has taken us to. People are home, working but also catching up entertainment.” 

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