Tag: Dish TV

  • Zee Cinema bets big on Agneepath’s TV premiere

    MUMBAI: Zee Cinema is giving a big marketing push to Agneepath, the Hrithik Roshan-Sanjay Dutt Bollywood hit that it is premiering on its channel on 16 June.

    Zee Cinema has roped in Rin as the presenting sponsor and Good Knight Advanced is powering it.

    A part of 360 degree marketing campaign, the on-air campaign of Agneepath is being aired on the network channels including Zee Cinema, Zee TV, Zee Marathi and Zee Bangla. It will also use other channels from news, music, Bollywood entertainment, kids, regional and religious genres.

    The channel has rolled out an outdoor campaign across 12 cities in the Hindi speaking markets (HSM). There will be print tune-in full-page ads on the date of premiere.

    It is also being promoted on the DTH players like Dish TV, Airtel Digital TV and Tata Sky.

    Zee Cinema has launched an online campaign across 25 leading websites, including YouTube and Facebook. The channel has been doing interactive promotions with viewers on digital medium. On 16 June, an Agneepath masthead will appear on YouTube along with banner ads in Google and Facebook.

    Zee has created an ‘Agneepath’ game currently hosted on Facebook. The game was designed keeping in mind the central characters and plot of the film. Additionally, the premiere has been promoted across 322 theatres (multiplexes and single screens) across HSM during the screening of Rowdy Rathore.

    Also, under trade marketing activity, a group of women walked into the office premises of trade media agencies like GroupM, Mediacom and Madison and did an impromptu item number on Chikni Chameli. The flash mob was followed by a quiz where people were gifted Agneepath merchandise on the spot.

  • Ten Golf kicks off, priced at Rs 200

    Ten Golf kicks off, priced at Rs 200

    MUMBAI: Taj Television Thursday launched Ten Golf, its third specialised channel, and has priced it aggressively at Rs 200 per subscriber a month.

    The golf-dedicated channel will be currently available on Dish TV and on Hathway Cable & Datacom‘s digital set-top boxes (STBs).

    “We have priced the channel at Rs 200 and are only offering it as a standalone channel . Ten Golf has set a target of 500,000 subscribers in three years,” Taj TV CEO Atul Pande told Indiantelevision.com.

    Taj has become a four-channel sports network, the other three being Ten Sports, Ten Cricket and Ten Action+. The channel will be on four platforms by the end of the month.

    “India as a sporting nation is fast transforming from a single sport to a multi-sport nation. As one of India’s leading sports broadcaster, we understand that the sports consumption pattern of the Indian viewer raises the need for specialised differentiated sport channels and this is what we hope to deliver to our revered golf viewers,” Pande said.

    The channel will showcase a mix of live, non-live and feature programming, “Along with live Golf action, Ten Golf will also showcase feature programming on Golf including magazine shows and archival programming,” said Pande.

    In terms of marketing, the channel will be promoted through a combination of ATL and BTL activities. Below the line activities will come in the form of a promotional offer through things like free golf rounds and merchandise.

    International syndication is also an important part of the plan, Pande said. Locally, the channel sees viewership potential in non-metro cities like Pune and Punjab.

    Ten was recently on a content acquisition spree , getting hold of the broadcast rights of professional golf tournaments in India through a three-year partnership with PGTI.

    The broadcaster had recently inked a licensing deal with NBCUniversal which will allow it to showcase 400 hours of golf programming. It also has European Tour and Asian Tour rights till 2016, in addition to US PGA Championship, Ryder Cup, LPGA and LET.

  • Dish TV, Star India ads pulled up by Asci

    Dish TV, Star India ads pulled up by Asci

    MUMBAI: Advertising Standards Council of India’s (Asci) Consumer Complaints Council (CCC) upheld complaints made against 27 advertisements during the quarter April – June 2011.

    During the same quarter, the CCC also rejected complaints against 15 advertisements as they did not violate the Asci Code.

    The CCC did not uphold complaints against 17 advertisements of various advertisers that include MakeMyTrip, Mankind Pharma, P&G WellaKolestint, Dabur India, McNroe Consumer Products, Royal Hygiene, Tata Chemicals, HUL’s Axe Googly Deo, Times of India, amongst others as these advertisements did not contravene Asci’s codes or guidelines.

    The complaints were upheld against advertisers from FMCG, education, healthcare, DTH and media sectors.

    Dish TV‘s claim to offer “30 True HD channels” was rejected by the CCC citing that the use of the word ‘True‘ to denote “upscaled standard definition” channels as HD was misleading.

    Their claim of providing maximum number of HD channels was also challenged, stating that Dish TV can provide only a limited number of HD channels and the other “claimed” HD channels were SD channels upscaled to HD at the DTH end. This claim would lead to consumers expecting an HD experience being misled.

    Similarly, complaints against certain claims made by Star India on the AsliHD campaign were upheld by the CCC stating that the claims of AsliHD were framed to exploit consumers‘ lack of knowledge of HD technology.

    In the educational sector, a complaint against IMS Learning Resources’ advertisement claiming “8 out of 10 toppers in CBS” and other similar claims was upheld since the claims could not be substantiated with evidence duly validated by an independent agency.

    Similarly, complaint against Roots Education‘s advertisement claiming No 1 CAT coaching in Delhi and other claims was upheld due to lack of evidence to back the claim.

    The complaint against Career Launcher advertisement claiming 303 Calls in DU (BBS/ BFIA) without mentioning whether they were final admission calls or just interview calls was also upheld by the CCC.

    The complaint against Sri Balaji Society’s advertisement claiming 829 students being placed from the 2009-11 batch without mentioning the total number of students was upheld on the ground that the claim contravened Section 4C of Asci’s guidelines for advertising of educational institutions and programmes as the advertisement shows images of colleges which do not seem real.

    ITM Institute of Fashion, Design & Technology in their advertisement state that their study programmess are approved by PIFT and MS University, but fail to provide details like full name and location. This contravenes the Asci Guidelines for advertising of educational institutions and programmes, hence the complaint was upheld.

    Similarly, ITM Institute of Hotel Management stated that their degree programme was affiliated to Mumbai University but failed to provide a specific institution or college and its location. Also, their claim of being voted Top Hotel Management College of the country by ‘Competition and Success Review‘ was not substantiated. Thus, the complaints against this advertisement were upheld by the CCC.

    Advertisement claims by FMCG majors HUL, P&G, Reckitt Benckiser, Paras Pharma amongst others came under the CCC’s scanner.

    FMCG major Hindustan Unilever was faced with a complaint regarding their advertisement on a leaflet of ‘Pureit Water Purifier’ which contains numerous disparaging and false statements about the competitor product – Tata Swach. The distribution of anti-Tata Swach danglers on Tata Swach packages by the advertiser was seen as undermining the Tata brand but also an unfair and unethical trade practice. Following the CCC’s intervention and upholding the complaints, HUL withdrew the leaflet from the market.

    Another HUL advertisement that came under the scanner was the Axe Effect campaign. This complaint was upheld on the grounds that the visual used was overtly sexual and vulgar and portrayed women in an indecent manner. The complaint against Paras Pharmaceutical’s sexually explicit advertisement of Set Wet Deodorant was upheld on the grounds that it was portraying women as sexual tools.

    Some complaints on certain claims made by P&G’s Pantene Pro-V Hair Fall Control were upheld by the CCC on the grounds that the depiction of a stylised golden circular drop misleads consumers into believing that 150 crore and not 15 crore women found Pantene to be effective.

    Moreover, P&G’s claim that 80 per cent of Indian women say that the new Pantene is better than anything else they have tried before, based on a study of just 360 women, was misleading. Following the CCC’s decision, P&G removed the stylised golden circular drop in the advertisement.

    Similarly, complaints received against Reckitt Benckiser’s advertisement for Dettol Skincare Soap was upheld on the ground that it was misleading consumers by wrongly linking the skin condition to germs, where in reality there is no correlation between the two.

    The complaint against Sundrop Heart’s advertisement was upheld on the ground that its statement “jeenekadaarnahi, khaaneka oil badaliye” can lead consumers to believe they can neglect the importance of healthy lifestyle by merely changing the cooking oil they use.

    Complaints against an advertisement of International Tractors Ltd for their brand Sonalika Tractors were upheld as they used the creative property ‘Mileage ka Master’ of Mahindra Tractors, thus taking unfair advantage of the goodwill attached to the Mahindra products.

    The complaints against GCMMF’s advertisement claiming that Amul butter tops the food triangle, was upheld in the absence of an appropriate disclaimer, ‘to be used in moderation’, which could mislead consumers to believe that Amul Butter is the best food to have, thus leading to over-consumption of butter.

    A few healthcare advertisements also came under the CCC’s scanner because of the claims made by the advertisers.
    A complaint was received against The Institute of Indian Therapies for their advertisement of ‘AyuCare Lavana Tailam’, which claims that the external application of oil helps reduce the size of one’s stomach and lose all fat. The CCC considered the report of the clinical trial submitted by the advertiser and concluded that the advertisement was misleading.

    In another case, AMA Herbal Labs advertisement mentions that competitors use PPD (Paraphenyenediamine) which can be harmful to the hair. The CCC concluded that the specific mention of PPD as a harmful chemical was misleading and unfairly denigrates other products.

    Business World magazine claimed to be the No. 1 business magazine in India which was most read and most sold. However, the IRS for the 3rd Quarter of 2010 showed the magazine in third place. Since the claim was not supported by any independent research, the complaint against the advertisement was upheld.

    The complaint against JyothyLabs’s Exo Dish Shine Bar advertisement claiming that it can kill disease-causing germs in just 20 seconds was upheld as the technical data submitted did not support the claim that it “starts” killing germs in 20 seconds. The advertiser made appropriate modifications to the advertisement post the CCC’s decision.
    The complaints against the Amul Body Warmer advertisement were upheld as the CCC concluded that the depiction of Draupadi in a frivolous manner could hurt religious sentiments of a large section of society, thus causing grave and widespread offence.

    The complaints against claims made by Shree Maruti Herbal’s D-Diabetes Smart Powder advertisement were upheld as these were not substantiated with clinical trials and technical data.

    Complaints against Micromax Mobile advertisement showing a student experimenting in a chemical laboratory which ends in a blast were upheld as it sends the wrong message to students and that it may encourage many students to emulate an act that could cause injury or harm.

  • ASCI upholds 34 ads in 4-month period

    ASCI upholds 34 ads in 4-month period

    MUMBAI: The Consumer Complaints Council (CCC) of Advertising Standards Council of India (ASCI) has upheld complaints against 34 advertisements for the four-month period starting November.

    The CCC, meanwhile, let go remaining 19 adverts as their claims were substantiated.

    The majority of upheld ads were either removed or discontinued by the advertisers; the remaining were modified after the ASCI directive.

    The complaints received against Pernod Ricard‘s Royal Stag advertisement was related to surrogate advertising of an alcohol product during a cricket match, which led to the discontinuation of the advertisement.

    Similarly, Sab Miller India (Hayward & Hayward 5000) and United spirits (Mc Dowell‘s) both violated the Cable TV Network Rules and ASCI code on Surrogate Advertising, thereby resulting in the ads being withdrawn.

    The complaints received on advertisements of HUL, Procter & Gamble, L‘Oreal, Dabur, Dish TV, Kent RO Systems and Shree Maruti Herbal questioned the leadership comparisons or comparative benefits claimed by these brands in their advertisements with similar products available in the market.

    Consequently, appropriate modifications were made in the advertisement or the advertisement itself was discontinued.

    However, in a specific case of ITC‘s Vivel TVC, the portrayal and projection of women with dark skin brought it under CCC purview resulting in the discontinuation of the advertisement.

    The American Tourister‘s usage of the tagline “Survive Istanbul, Survive the World” marred Turkey‘s reputation as a tourist destination, and hence clashed with ASCI‘s code under Chapter III.1 (b).

    As Naaptol‘s Biomagnetic Titanium Bracelet didn‘t respond to CCC, it invoked chapters I.1 and I.5 of ASCI‘s code, which concludes that in the absence of comments from the advertisers, the claims made by the advertiser wouldn‘t be substantiated.

    Suitable modifications were made in both these advertisements, post CCC‘s intervention.

    Dainik Bhaskar‘s and Pudhari‘s advertisement came under the CCC scanner as a result of complaints made on its claims and the advertisements were withdrawn.

    TVS Motors had to modify the TVC, in which some of the stunts were shown in normal traffic conditions depicting the power or capacity of the advertised vehicle product. The advertisement contravened Clause `C‘ of the ASCI Guidelines on Advertisements for Automotive Vehicles.

    In the automobile sector, Hyundai Motors and Ceat were also brought under the discretion of the CCC. Ceat‘s TVC has been modified due to the dangerous practices displayed in its TVC. As for Hyundai, the TVC has been withdrawn altogether.

    In the education sector, two complaints were made against T.I.M.E. -MBA-CET 2010 advertisement. The advertiser substantiated one of the claims while appropriate changes were made with regards to the second complaint, since the claim could not be substantiated.

  • ‘Collecting subscriber numbers is not enough’ : Tata Sky MD & CEO Vikram Kaushik

    ‘Collecting subscriber numbers is not enough’ : Tata Sky MD & CEO Vikram Kaushik

    When Star floated a company for DTH, there were several issues raised on shareholding and other related matters. Was that a ghost that initially haunted you when you joined Tata Sky?

    When on its own, Star made no progress and the DTH venture couldn‘t kick off due to reasons outside their control. Then they floated a joint venture company with the Tatas and I joined to head that. The past never bothered the venture. We developed a blueprint from the first day itself, but the project was delayed as we chased for licence approval.

    The delays were not entirely due to the government; competitors wanted to delay the project. The bad thing that happened is that several retrograde steps were introduced which should have never been there in the first place. Interoperability, no exclusive content and foreign direct investment (FDI) cap of 49 per cent, for instance. There is still a lot of nervousness regarding foreign ownership.

    But isn‘t the government more comfortable with DTH now?

    The government has started understanding that without digitalisation, the media and entertainment industry can‘t grow; you won‘t get transparency and addressability in the distribution chain.

     

    Has the government then become supportive?

    The government needs to do much more. Across the world, the government has provided subsidies for digitalisation. In India, the private sector has entirely taken up this responsibility – and this investment is coming at a very high cost.

    The DTH sector is heavily taxed. There is also a distortion because of the under-declaration of subscribers by the cable operators. This leads to the inevitable need of regulatory intervention to correct these anomalies.

     

    Despite these anomalies, the DTH sector is on a fast growth track. When you first outlined the business plan, did you foresee such an exponential growth in DTH subscribers? 

    We are somewhat surprised by the volume growth. But nobody expected that India would have six players and with deep pockets. The marketing activity stimulated the sector‘s growth. Also, the digital cable initiatives could not match up to the DTH challenge; cable has not been able to upgrade.

     

    How did you strike a balance between volume chase and maintaining a premium brand positioning?

    When we started out, we decided that we won‘t go to small towns and villages and chase low lying fruits. Our strategy was to first capture the top 50 towns and then spread out. Dish TV, on the other hand, tapped the cable dry areas and expanded outside.

    We feel ours has been the right approach. We have a better quality subscriber base. And while Dish TV has more subscribers, we are the biggest Indian DTH company when it comes to revenues.

    The dilemma continues even today: Should we go largely for value or look at volumes. It is easy to chase volumes. In the longer run, the correct strategy is not to lose sight of volumes but focus on value. We never panicked when our competitors mopped up more subscribers in a month. What matters in the long term is higher ARPUs and sticky customers.

    ‘Given the cable ARPUs and lack of exclusive content, it is difficult to independently drive them up beyond a point. The content cost is also high, while the hardware prices are not low enough. It is a tough game to play‘

    What other hard decisions did you have to take at the start?

    We had to decide whether the STBs should be given free or sold. We believed the free model, in vogue in matured ARPU markets, wouldn‘t work in India. That turned out to be the right decision.

     

    Why did you soon have to revise your investment plan from Rs 30 billion to Rs 40 billion?

    We were initially looking at an investment of Rs 12 billion and then came up with a realistic estimate of Rs 30 billion. Subsequently, we revisited that plan and estimated our funding requirement to be Rs 40 billion. There are too many DTH operators and the price war came at an early stage of the game.

     

    Has that business projection gone through further changes?

    Our fund requirement will be over Rs 40 billion. We have already spent more than Rs 35 billion and have mopped up over six million customers. We are on course for operational break even. Broadly, this takes 5-7 years.

     

    Aren‘t you disappointed that Tata Sky still lags behind Dish TV in subscriber numbers?

    They may have more subscribers because of their first mover advantage, but we have beaten them in revenues. Though ARPUs (average revenue per user) for the sector are still pretty bad (Rs 135-150), ours is the highest in the industry (Rs 195).

    What we have learnt in this business is that collecting subscriber numbers is not enough. This is a sector where subscriber acquisition costs are high and ARPUs low. If you have a faster churn, then you have a real problem. Sun Direct and Videocon d2h run a danger in that.

     

    Can ARPUs rise to a comfortable level?

    Given the cable ARPUs and lack of exclusive content, it is difficult to independently drive them up beyond a point. The content cost is also high, while the hardware prices are not low enough. It is a tough game to play.

    The hyper competition among the DTH players has not been healthy. Everybody has bled heavily on account of the price war.

     

    And still in this clutter, Tata Sky has stood out as a brand. How did you manage that?

    Building a brand in this sector is a unique challenge. We build a pedigree brand with our high quality and performance focus. When you have the ‘Tata‘ and ‘Sky‘ names behind the product, the challenge is to weave a double-barrelled branding. The fact is that we have stood up against Airtel and the others.

    We have also extended the brand to franchises like Tata Sky Plus. The satisfying part is that in a highly cluttered environment, we have spent less for many years than our competitors, but used the medium much more effectively. We have also used celebrity advertising in a manner that was never done before.

     

    How has Sky been an advantage?

    We could have the best and world class knowhow from them. There were 30 expatriates working in Tata Sky before we even started our service. That resource is continually available to us.

    The Tata brand, in turn, brought in credibility with the government, trade, consumers and potential employees.

     

    Q. Star has upped its effective stake in Tata Sky to 29.8 per cent. The additional 9.8 per cent stake for Rs 3.24 billion pegs the valuation of Tata Sky at Rs 33.06 billion. The market cap of dish TV is Rs 74.73 billion. Are you happy with this valuation?

    Star will hold close to 30 per cent in Tata Sky. The Tatas will have around 60 per cent and Temasek 10 per cent.

    As for Tata Sky‘s valuation, this won‘t be the right way to look at it. The stake acquisition is done by one of the promoter partners. This is an internal and not an external valuation.

     

    Q. What are the technological advantages that Tata Sky has brought to the sector?

    We continue to lead the way in terms of technology, customer service or innovations relating to packaging. We are the leading platform to promote education – be it to small children or to housewives learning English. We pioneered the concept of pre-paid customers in DTH. We are clearly at the forefront when it comes to PVR, VOD and other interactive services.

    We have played a significant role in bringing the hardware costs down. Interestingly, the set-top box (STB) cost is cheaper from China to India than in China itself. We have also set some global benchmarks in productivity, growth and value creation.

    We have used consumer research very effectively. TruChoice, for instance, recognises viewership habits and makes that content available. People tend to buy genres and that is related to the nature of the family. For those families having children, it is important to have kids programming and knowledge in the menu. Families with older people will tend to look at movie packs.

     

    Q. How do you approach the South India market?

    We don‘t compete on price. The market is too unremunerative.

     

    Q. On the content cost front, do you see the Trai tariff order (channels to give to DTH at rates 35 per cent of analogue cable) as the right formula for DTH companies?

    This is a step in the right direction, though we feel it should have been closer to 20 per cent. Broadcasters shouldn‘t have moved the court. Addressability is in the interest of the broadcasters; and yet they are resisting any kind of tariff regulation. I see short term perspectives prevailing in the entire media industry.

    Q. Do you see the telecom companies having an advantage in the DTH space?

    The telecom players feel that there will ultimately be convergence and they will stand to gain. They are, perhaps, driven by some fancy strategists. The truth is that there is need for domain expertise in each of these businesses. And each of these businesses are unique.

     

    Q. Why is private equity reluctant to invest in the DTH companies?

    I do not see too much private equity coming into the DTH sector. There will be a selective and long term approach. Fundamentally, the business model is saddled with high taxation, low ARPUs, and too many players. Profitability is an issue. In many cases, by piling up customers, you are not building assets but liabilities.

    We could, perhaps, see consolidation in the next few years. There will be space for three players and maybe a regional operator.

     

    Q. How much of capital will be required by the time the DTH sector reaches 50 million subscribers?

    The industry will need Rs 200-250 billion for 45-50 million subscribers. There is already an investment of Rs 120-150 billion. But there won‘t be shortage of capital to fund the sector‘s growth.

  • Dish TV plans to raise $200 mn via equity

    Dish TV plans to raise $200 mn via equity

    MUMBAI: Dish TV, India’s largest DTH operator in terms of subscribers, plans to raise up to $200 million via the equity route to fund its expansion programme.

    The promoter holding stands at 64.8 per cent, providing enough leverage to raise capital by either issuing equity shares or through equity-linked instruments.

    Dish TV had earlier taken an enabling resolution to raise up to $200 million, following which it had got US-based Apollo Management to invest $100 million in November 2009.

    “We do not have any plans to raise this amount in the near future. It is an enabling resolution that we have taken,” Dish TV CEO RC Venkateish tells Indiantelevision.com.

    Dish TV has a cash balance of Rs 4.5 billion and is looking at ramping up 3.1 million subscribers this fiscal to take its total base to the 10 million mark. The customer acquisition cost for the direct-to-home (DTH) service provider has dropped from Rs 2147 in the first quarter of FY’11, but still stands at Rs 2083 in Q2.

    “The company does not have any fund requirement at this stage. Perhaps, it wants to build a war chest and utilise the cash if there is a business opportunity. Dish TV may not raise capital in the short run,” says a media analyst who tracks the DTH sector.

    In a cricket-heavy year, the DTH sector expects to mop up 11 million subscribers this fiscal. Dish TV expects the trend to continue in the next fiscal as well.

    For the second-quarter this fiscal, Dish TV has added 0.76 million subscribers and claims to have a robust 27 per cent incremental market share. In the first six months of this fiscal, Dish TV has mopped up 1.4 million new subscribers.

    Says Dish TV India chairman Subhash Chandra, “With 2.8 million subscribers added in the second quarter, the overall market for DTH in the country has already grown to more than 26 million households. In a strong six player market, incremental share over and above a secular number is laudable. Dish TV with an incremental market share of 27 per cent continues to deliver industry leading performance.”

    The company’s net loss has narrowed to Rs 452 million for the three-month period ended September, from Rs 631 million in the trailing quarter. In the year-ago period, the DTH operator had posted a net loss of Rs 562 million.
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    Dish TV’s revenues stand at Rs 3.29 billion, representing a six per cent growth over the trailing quarter and a 27.4 per cent growth over the year-ago period. While subscription revenue accounts for Rs 2.7 billion (up 8 per cent from previous quarter), lease rental is at Rs 550 million.

    The Ebitda for the quarter under review stands at Rs 523 million, up from Rs 391 million posted in the previous quarter.

    Dish TV has been able to maintain its ARPU (average revenue per user) at Rs 139 million despite sizeable customer acquisitions. Low ARPUs, however, remain a matter of concern.

    Says Chandra, “While ARPUs in India remain significantly under-priced compared to similar economies in the world, there exists substantial headroom for growth. Dish TV’s efforts to enhance them with a trade-off between ARPUs and subscriber acquisition is heartening.”

    Dish TV is making efforts to lift its ARPUs. Says Dish TV managing director Jawahar Goel, “Our game changing initiatives and strategic marketing resulted in increased stickiness on the higher value packs and maintenance of ARPUs despite huge activations. In our endeavor to strengthen the overall ARPU levels, amongst other things, a price hike across two popular packs was announced towards the end of the second quarter, the impact of which should be visible in the forthcoming quarters.”

    Dish TV has reduced its content cost as a percentage of subscription revenue to an all time low of 39 per cent. In the previous quarter, the content cost stood at 41 per cent.

    Dish TV’s gross subscriber base stood at 8.3 million for the quarter ended September 2010, while the net subscriber base was 6.8 million. Subscriber churn remained constant at 0.7 per cent per month.

    Advertising expenditure for the first six months was at Rs 430 million, well in line with the overall fiscal’s budget of Rs 950 million.

    “We remain on track to meet our guided acquisition target as well as budgeted revenue and profitability. With recent pricing and operational initiatives, our focus on driving margin improvements and cash generation gets further strengthened,” says Goel.

  • Pearl Broadcasting invests Rs 400 million in P7 News, Mumbai launch on 23 September

    Pearl Broadcasting invests Rs 400 million in P7 News, Mumbai launch on 23 September

    MUMBAI: Pearl Broadcasting Corporation has invested close to Rs 400 million in P7 News and is set to formally launch the Hindi news channel in Mumbai on 23 September.

    P7 has already signed up major cable networks including Incablenet, Hathway Cable & Datacom, Scod18 and Wire & Wireless India Ltd (WWIL).

    “Our investment so far has been close to Rs 400 million (barring distribution). For Mumbai, we are spending around Rs 50 million for distributing the channel on cable networks. We have already signed annual deals with the the major cable networks in Mumbai,” Pearl Broadcasting director Jyoti Narain tells Indiantelevision.com.

    Launched on 27 March in Delhi, the channel is already available in other Hindi speaking markets. “We have spent around Rs 80 million on distribution. We are available in the states including Madhya Pradesh, Chhattisgarh, Uttar Pradesh and Gujarat. We recently signed a deal with Gujarat Telelink Private Ltd (GTPL),” avers Narain.

    The free-to-air (FTA) channel is also available on Essel Group’s direct-to-home (DTH) company Dish TV and DD Direct Plus.

    With the tagline ‘Ek Umeed’ (a ray of hope), the channel has a staff count of 375 across 11 bureaus. The channel has six OB-vans for news gathering and an association with 600 stringers across the nation for news.

    “It is a very competitive space. We can’t compromise on content. Our focus is on social and developmental stories across the country,” adds Narain.

    With the Mumbai launch, the channel will have a new look and feel as new segments will be added. At present, P7 News runs over 20 news-based supplements in weekdays, while it picks up social issues and campaigns on weekends.

    Within six months of launch, the channel has roped in advertisers like Coca-Cola, Bata, and Morepen apart from a clutch of real estate companies.

    Pearl Group has a wide array of business interests spanning real estate, tourism, TV & film production and print publication.

  • ‘The price war has come at an early stage of the DTH game’ : Vikram Kaushik- Tata Sky MD & CEO

    ‘The price war has come at an early stage of the DTH game’ : Vikram Kaushik- Tata Sky MD & CEO

     Tata Sky, a direct-to-home joint venture company between Tata Group and Star, is betting big on value-added services such as PVR (personal video recorder) and is ready to pump in another Rs 20 billion as it eyes a subscriber base of eight million by 2012.

     

    The focus is on building a strong brand with heavy spending on advertising. While rival network Dish TV has used Bollywood star Shah Rukh Khan, Tata Sky has Aamir Khan as its brand ambassador. Occupying a premium position in the mindshare has been part of the strategy as the company has the technology support of News Corp. and the trusted name of the Tatas.

     

    The DTH game has got tougher with competitive entries from Sun Direct, Reliance’s Big TV and Bharti’s Airtel Digital TV. This has meant a rise in project expense from Rs 30 billion to Rs 40 billion, lower ARPUs and high customer acquisition costs.

     

    Cable TV, which has a strong footprint across the country, is also offering stiff competition to DTH operators.

     

    In an interview with Indiantelevision.com’s Sibabrata Das, Tata Sky MD & CEO Vikram Kaushik talks about the company’s decision to stay away from being a discounted brand while fighting at different price points to tap different consumer segments.

     

    Excerpts:

    Has Tata Sky revised upwards the project cost from Rs 30 billion to Rs 40 billion?
    When we first formalised our business plan, we were looking at an investment of Rs 12 billion. Then we came up with a realistic estimate of Rs 30 billion. We revisited that plan and now believe our funding requirement for the venture would be Rs 40 billion. We have already invested half of this amount.

    Has the project cost gone up because of the higher element of subsidy in the Indian DTH market?
    When we first did our business plan, we didn’t expect so many DTH operators to come in. There is a lot of activity in the category and the price war has come at an early stage of the game. Competitive entries and an explosive growth in volumes mean higher costs. Customer acquisition accounts for a significant percentage of the costs.

    Will this mean that the gestation period for profitability will go up?
    I wouldn’t like to comment on when we would reach the break even situation. DTH is an infrastructure business and requires high investments and long gestation periods. We have no illusions about that. Generally, the break even for this kind of business is in excess of five years.

    Industry estimates put Tata Sky’s losses at Rs 8.15 billion in FY’07 and a little more than that in FY’08. Do these losses fall in line with your business plan?
    I can’t talk on financials.

    Are you in line with the projected subscriber growth?
    We have already touched 2.7 million subscribers and are targeting at least eight million connections by 2012. When we were at the drawing board, our broad plan was to add a million subscribers every year. We are growing faster than that.

    ‘When we first formalised our business plan, we were looking at an investment of Rs 12 billion. We revisited that plan and now believe our funding requirement for the venture would be Rs 40 billion

    But are ARPUs (average revenue per user) in place?
    I can’t reveal to you where our ARPUs currently stand. But there are definite efforts to push ARPUs up with the launch of value-added services such as PVR (personal video recorder). This technology allows subscribers to watch a particular television show while recording another. Viewers can also pause and rewind live television programmes. We have priced the set-top boxes (STBs) for PVR, which will use MPEG-4 compression technology, at Rs 8,999. For our existing subscribers, we will be offering at discounted rates.

    Isn’t the pricing on the higher side?
    Being below Rs 10,000, it is very competitively priced. We are aggressively marketing Tata Plus. In just a couple of days since launch, we have already sold 2500 PVRs. It took BSkyB 3-4 years to convert 50 per cent of its eight million subscribers to Sky Plus.

     

    Our priority is to make this really big as the product is very powerful and also addresses the ARPU issue. We realise that people in India are investing in high quality entertainment at home as out-of-home is becoming expensive. The PVR is a recognisation of this trend and we want to capitalise on it.

    Are you looking at niche content for lifting your ARPUs?
    Unless we have a critical mass, we can’t slice the market that thin in India. The Indian DTH market is endemically short of satellite capacity. We have 12 Ku-band transponders on Insat 4A, but want more and nothing is available at this stage. We can address niche audiences and offer more channels to consumers if we have more transponders available.

     

    It is, however, possible to offer premium content like lifestyle within large segments. On our interactive service, we have NDTV Good Times offering specialised cookery.

     

    Segmentation in the marketplace is also possible. And we have interactive services like Actve Wizkids (for children and pre-schoolers), Actve Darshan (24-hour darshan of Sai Baba, SiddhiVinayak, Iskon and Kashi Vishwanath) and Actve Matrimony. But the problem with interactivity is that it is very bandwidth hungry.

    What is the premium content you are lining up?
    We are in talks with movie producers like Sony Pictures, UTV, Eros and Fox for sourcing their movie content. We are looking at recent Bollywood, international and Hollywood content for our pay-per-view service. The challenge is how to get into revenue share deals as we can’t pay high MGs (minimum guarantees) and it is not attractive for the content suppliers if there are not high volumes.

    How about getting premium content channels?
    For premium content channels, we are at an early stage of development. There is also the transponder capacity issue. One area we are looking at is HD channels.

    Are you planning to strengthen your regional content line-up?
    Regional markets are integrated into the overall content plan. We have national, regional, international and eclectic consumers.

    Sun Direct has mopped up over one million subscribers in a short span of time because of its aggressive pricing. How has that impacted you in the southern market?
    Our growth has not stopped in the South because of Sun. We have the right kind of share in the right kind of segment. Sun’s pricing is unviable and we are at 30 per cent premium over them. Their strategy seems to reflect the pressure of their cable TV business while pricing their DTH proposition. The danger is that you can attract the wrong kind of customers – and you are vulnerable to a high degree of churn. In DTH business, this is a recipe for disaster because of the high subsidies involved in customer acquisition.

     

    The South has been a high pay-TV penetration market because of pricing. In this blood bath situation, one has to be cautious and keep away from just adding subscriber numbers.

    Isn’t market leader Dish TV also involved in the price war?
    More than Dish TV, it is Sun Direct which is acting as a discounted brand. The DTH market in India is open to segmentations. We are also offering subscriptions at Rs 99. But the question is how much at the bottom of the market you can afford to go.
    Why hasn’t the Tata Sky brand been able to stop Dish TV from mopping up a high number of incremental subscribers?
    Dish TV has followed a discounted brand strategy. We have operated at a Rs 1000 premium over them from the moment we launched. Dish TV has also picked up the low hanging fruit in smaller markets. Besides, they continue to work as an integrated media company and have leveraged that advantage as a vertical player.
    Has regulation worked against the DTH players?
    Regulations relating to the broadcast industry have been largely progressive. The problem has been the lack of a level playing field across the different addressable platforms. Why should cable operators get channels capped at Rs 5 in the Cas (conditional access system) areas? There is a structural inconsistency in this. Besides, the tax burden on DTH is scandalous. Around 40 per cent of our revenue goes towards taxes and licence fee. When our national objective is to push digitalisation, let’s lower the barriers and incentivise the sector.
    Hasn’t the Telecom Regulatory Authority of India provided some relief to the DTH operators by way of directing broadcasters to offer their channels at 50 per cent of analogue cable TV rates besides making them available at a la carte pricing?
    When we started, there was no RIO (reference interconnect offer). In fact, it is amazing that most of the content deals were done in the court. New players like Reliance, Bharti and Sun would have found it tough if the RIO regulation hadn’t come about.
     

    But even now there is an anamoly. Why should we get content from broadcasters at 50 per cent of what they offer to analogue cable when the Trai and the Information & Broadcasting ministry have formally admitted that the cable sector operates on 20 per cent declaration of their subscriber base?

     

    Besides, DTH should get content from broadcasters at Cas rates since we are an addressable platform.

    But aren’t cable operators offering set-top boxes even below the regulated price because of competition in the marketplace?
    Pay TV in India is subverted by cable prices which are artificially depressed because of under-declarations. DTH operators have had to drop prices because they have to compete with cable. Today the gap is higher between the two because cable TV pricing is artifically suppressed. If some DTH operators decide to go as low as cable, then it becomes unviable.
    Don’t you think exclusivity of content will allow platform providers to raise ARPUs?
    The ARPUs in the UK, US and Australia vary between $60-80. In India, the ARPUs are a fraction of this. Exclusivity of content is there in all markets except India. But we hope the regulation on exclusive content will also wither away. This will allow us room for being more creative and innovative.
    Since cable already has a wide presence, do you see them winning the war against DTH in India as in the US?
    DTH has already tapped over six million subscribers and will see explosive growth from now on. In the US, cable companies have made massive investments to digitalise their networks. And even there, 40 per cent of the market is still with DTH. Indian cable companies have not made such investments. Besides, the cable TV market here is hugely fragmented. And the last mile challenge (multi-system operators do not own much of the last mile which is with the local cable operators) will not go away.
    Tata Sky and Dish TV are on MPEG-2 compression technology while the new players have MPEG-4. What is the status on the inter-operable issue?
    There is a regulation on DTH boxes being inter-operable. But why have a law when this is not being followed?
    But why was Tata Sky opposing the inter-operable clause then?
    The regulator can say that the inter-operability clause was a mistake and just do away with it. We are asking for more clarity on the issue. If we are to switch over, then we want some amount of subsidy which the government can give from the revenue share that we part with them.
    There has been a drive to reduce the revenue share with government. What is the status on this?
    The Telecom Disputes Settlement and Appellate Tribunal has ruled that the licence fee for DTH services should be based on adjusted gross revenue – and not on the basis of gross revenue. But the government has not yet issued any notification on this.
    After Temasek Holdings took a 10 per cent stake in Tata Sky for $55.5 million, have we seen a rise in DTH valuations?
    I can’t talk about valuations or the price at which we got Temasek to invest in. But Temasek has 10 per cent while Star’s holding is untouched at 20 per cent and the Tata Group’s stake has come down from 80 per cent to 70 per cent.
  • ‘Our business model in India will be driven by subscription revenues’ : Bruce Tuchman – MGM Networks executive VP

    ‘Our business model in India will be driven by subscription revenues’ : Bruce Tuchman – MGM Networks executive VP

    The English movie channel genre will have a new aggressive player in MGM. After making the channel available on Dish TV, the largest direct-to-home operator in India, MGM Studios has inked a five-year distribution deal with Star Den. The aim is to make the channel widely available across cable TV networks, DTH and IPTV platforms.

     

    MGM is looking at subscription revenues and will be advertising-free – at least for the time being. The channel is priced at Rs 6 for the cable TV market and Rs 3 for DTH.

     

    In an interview with Indiantelevision.com’s Ashwin Pinto, MGM Networks executive VP Bruce Tuchman talks about the expansion plans for the channel in India and other markets.

     

    Excerpts:

     

    Why did it take MGM so long to enter the Indian market?
    We have participated in India before through our licensing deals with Zee and Sony. We learnt a lot from that. India is a growing market and offers huge opportunities. We decided to come with a 100 per cent ownership so that we could control our destiny.

    Didn’t you realise the opportunity a bit too late as channels have to now contend with carriage fees not just on cable but on DTH as well?
    Some channels started operating in this market more than 10 years back. That may have been good. But it is also a great time now with digitalisation growing. India is also on a high-growth story.

    Why did MGM choose Star Den for distribution?
    We did our first deal with Dish TV independently. That will stay as it is. But getting meaningful and broader penetration would have been a real challenge if we were to do it ourselves. We decided on Star Den as they have a strong bouquet of channels. We have good Hollywood content and have a library of 4100 films. Star Den will represent us on cable TV, DTH and IPTV platforms.

    Will carriage fee not hurt the business in a genre that is not growing too fast?
    We do not plan to pay carriage. We have a brand and a track record that stands out. This puts us in a good position to occupy a lot of capacity without paying carriage.

    Would you look at presence on analogue cable and still not pay carriage?
    We are looking for as much distribution as possible. The subscription base is large and it will provide an attractive revenue base. Our business model here will be driven by subscription revenues.

    Our TG would be people who are interested in Hollywood movies and who have a connection with the MGM brand. We are not a channel that showcases blockbusters

    Will MGM carry advertising?
    Not for now. Globally we have advertising on some feeds. However our dominant source of revenue is subscription. Models will evolve and adapt though. We don’t know what we will do here in the future.

    In a genre that already has established players like HBO and Star Movies, what value does MGM bring to the table?
    We are the MGM brand. We have a deep connection with the glamour and aura of Hollywood. We do things like having celebrity testimonials, going behind the scenes of films, etc.

     

    Besides, digitalisation offers room for many players. In India there are tens of millions of people who want to watch Hollywood films. In the US there are scores of film channels and not just five or six. Consumers want this kind of choice. It is key to have a brand that people stick to and trust.

    Could you offer an overview of the programming strategy?
    We will handpick titles from our huge library. We do a lot of stunting. We do thematic programming nights. In the evenings, we focus on genres like comedy, action. We also focus on key stars and we try to be flexible and creative with what we do.

     

    Our channel caters to people who want to expose themselves to sophisticated and eclectic film choices. We are not looking to just get attention through new releases. While there is a value to that, people often watch that film and then forget about it. Our library is classic and modern. We have films from different eras.

    Will your core target audience be more elderly skewed?
    Our TG would be people who are interested in Hollywood movies and who have a connection with the MGM brand that is glamorous and well known. We are not a channel that showcases blockbusters that one soon forgets about. Our aim is to show films that define an era. Films that will be shown over the coming year include Woody Allen’s classic Manhattan, Network, A Passage to India, Midnight Cowboy, The Pink Panther Strikes Again and Mystic Pizza.

    Does MGM acquire movies from other studios to show on the channel?
    The MGM library is so large that it can be programmed forever in a manner of speaking. We are doing The Hobbit. We also have Bond films and the Pink Panther franchise. New movies are being made here. We also have the Rocky films.

    Would you look at a dubbed feed to expand penetration in India?
    We are in English at the moment. If we expand deeply and there is consumer demand for it, I would not rule it out.

    What kind of marketing activities are being planned?
    We have just entered into a distribution arrangement with Star Den. We have to sit down and figure out how we are to promote the channel. It could be through television, print etc. We will also do events.

    How has MGM gone about strengthening its worldwide TV distribution business?
    We are growing well. We keep adding new countries. Three weeks back, we announced that we had a great summer across Central and Eastern Europe. Just to give you a frame of reference, in 2002 we had no branded channel presence in Europe. Now we are in over 30 European countries. In June we launched in Italy on Sky Italia.
     

    In Asia we did not have a presence five years back. Now we are in most countries in Asia. We have three channels in South Korea. We are also present in Singapore, Malaysia, Vietnam and Indonesia, among other countries. Our aim is to be as widespread as possible. We will keep an aggressive pace of development.

    Outside the US, which are your key markets?
    We have penetrated Western Europe nicely. Italy, Spain, Germany are key markets.
    In the US, MGM has tied up with Comcast for an action-oriented VoD offering. How did this deal come about?
    There is big demand in the US for on demand content. Comcast is a leader in this space. It was a god idea and launched with fanfare. In Germany, the MGM channel is being distributed on the mobile. We want to get our content delivered across all forms of distribution.
    How has MGM stayed as an independent firm even after Sony took a 20 per cent stake in the company?
    A couple of years back, people were asking whether MGM was independent. We have clarified that MGM is a vibrant and independent entity. We were also innovative in our approach. We came up with an innovative partnership with Tom Cruise. We brought him in as a partner owner of United Artists. We are co-producing The Hobbit.
     

    We are also embracing new media. We are featured on itunes. We do not just have a legacy but are also vibrant and look to the future.

     

  • ‘A price war will expand the DTH market’ : Anil Khera- Bharat Business Channel Ltd CEO

    ‘A price war will expand the DTH market’ : Anil Khera- Bharat Business Channel Ltd CEO

     Venugopal Dhoot sees opportunity in the direct-to-home (DTH) business as he plans to push Videocon’s Plasma, LCD and premium TV sets.

     

    As part of Dhoot’s backward integration strategy, the consumer electronics giant will also manufacture the set-top boxes (STBs) in the Aurangabad factory.

     

    Bharat Business Channel Ltd (BBCL), a separate company for the DTH venture, will have a war chest of Rs 10 billion over two years as it readies to enter a turf that will see intense price competition.

     

    DTH in India, with players like Dish TV, Tata Sky, Reliance ADAG and Bharti, will be a low ARPU (average revenue per user), high volume game.

     

    Dhoot, not new to price wars, believes that the DTH market will expand and his distribution network will provide the pipeline for him to mop up one million subscribers in the first year.

     

    Heading the DTH venture is Anil Khera , who was earlier in charge of Videocon’s Sansui and Kelvinator brands.

    In an interview with Sibabrata Das, Khera talks about BBCL’s plans to quickly penetrate the DTH market across the country.

     

    Excerpts:

    Why does Videocon want to enter into the DTH business when the market has too many players and the race for subscriber acquisition is going to be led by a huge subsidy element?
    The total number of television households is pegged at 125 million and is growing at 12-15 per cent. The DTH subscriber base, which is currently a little over six million, is expected to touch 15 million by 2010 with the entry of new players like Reliance ADAG, Bharti and us. The DTH market will expand rapidly and there will be enough space for all the players. India will become the world’s largest pay-TV market by the stretch of numbers.

    Is Videocon entering the market because it sees DTH as an integrated business model with its consumer electronics business?
    We will be pushing our plasma, LCD and premium TV sets through our DTH service. Though we will firm up our offer plans closer to the time of launch, there will be some packaging done with subscription pricing, STBs and the TV sets. In many models, we will have in-built STBs. Unlike other DTH operators, we are a TV manufacturing company and will be making the STBs ourselves.

    Will Videocon Industries have any holding in BBCL and how much is being pumped into the DTH business?
    BBCL is a new company that has been floated for this purpose by the Videocon promoters. D2H+ is the brand name under which the service will be offered. We have already budgeted an investment of Rs 10 billion in this venture over the next two years.

    Is BBCL in talks to rope in an equity partner?
    No comments at this stage.

    How many subscribers are you targeting in the first year and at what ARPUs (average revenue per user)?
    We are looking at one million subscribers. We will be a premium service and expect our ARPUs to be Rs 200 in the first year.

    We will be pushing our plasma, LCD and premium TV sets through our DTH service. Unlike other DTH operators, we are a TV manufacturing company and will be making the STBs ourselves

    At what subscriber and ARPU level will BBCL break even?
    We expect to break even faster than expected because of our backward integration model. We will be manufacturing STBs and have strong distribution skills. The market will also expand better than expected due to competition from so many players.

    Aren’t you entering at a time when the price war will be at its height as Reliance and others launch their service?
    There will be a price war. That is when the market will also expand.

    Will Videocon manufacture STBs only for BBCL?
    Videocon has a strong manufacturing background. It will be manufacturing the STBs at its Aurangabad factory with the Korean technology. The STBs will be supplied to BBCL. Already 50,000 boxes have been manufactured.

    When will you launch and how many channels will be on offer?
    We will launch by October-end. The end-to-end instrument testing will happen in a week’s time. We will then conclude the date for friendly users test. We will start with 200 channels. We will have a range of packages available to our customers – from basic to the family and premium range. We will offer choice to the customers and will cater to the entire demographic pop strata, including the regional flavours.

    What is the differentiating content BBCL will offer to mop up subscribers?
    We are working upon many customer friendly schemes which we will announce when the commercial launch is about to happen. We are working upon few unique channels. We will also have a HD ready platform which would be bundled with the offers.

    How many Ku-band transponders have been booked and on which satellite?
    We have taken six Ku-band transponders on SingTel’s ST-1 satellite. We are using MPEG-4 compression technology and will be able to pack in more channels per transponder. Our encryption technology is from Irdeto. The uplinking centre is at Greater Noida.

    What is the call centre facility being created?
    We will be having a multi-lingual 24-hour call centre based at NOIDA/Gurgaon initially. Later we will have one each in the region of South as well as West.

    The telcos feel that they have IPTV plans and DTH will complement that growth. What is the synergy Videocon sees in the DTH business?
    We have been associated with consumer durables for over two decades and have a deep understanding of the viewing experience that a consumer seeks. We will drive penetration across the country soon.