Tag: discovery+

  • Impact Wrestling extends partnership with Eurosport India

    Impact Wrestling extends partnership with Eurosport India

    Mumbai: Anthem Sports & Entertainment’s professional wrestling promotion, Impact Wrestling, has partnered with Warner Bros. Discovery’s premium sports channel, Eurosport India. The partnership will ensure that viewers across India, Bangladesh, Bhutan, Maldives, Nepal, Pakistan, and Sri Lanka will continue to enjoy Impact’s world-class content.

    The agreement includes live broadcasts of all live Impact Plus specials, giving Eurosport India viewers the best seats in the house for all the intense matchups, over-the-top drama, and larger-than-life competitors that only Impact can provide. Additionally, the extension features the launch of the all-new Hindi-language series Pehlwani Patakha, which showcases highlights from Impact—the promotion’s weekly flagship program, as well as exclusive matches and definitive moments from Impact Wrestling’s groundbreaking history spanning more than two decades.

    Speaking about this partnership, Impact Wrestling executive VP Scott D’Amore said, “Impact Wrestling has amassed a large and loyal fan base around the world, and India has always been one of our most passionate markets.”

    “We are excited to renew our successful partnership with Warner Bros. Discovery and Eurosport India, headlined by a slate of exciting live specials and the debut of the new Hindi-language series Pehlwani Patakha. We understand the power of local language in sports broadcasting and this extended partnership reinforces our commitment to customising content that caters to the Indian market while putting the spotlight on some of our prominent Indian talent, including fast-rising Punjab native Bhupinder Gujjar,” he added.

    Warner Bros. Discovery South Asia head of Eurosport Ruchir Jain commented, “We are delighted to extend our partnership with Anthem Sports & Entertainment as the broadcasters for Impact Wrestling, which has received huge popularity in India through Eurosport. As one of the leaders in pro wrestling content in the Indian market, we are confident that our extension of the relationship with Impact wrestling is only going to bring more joy and happiness to our loyal fanbase.”

    Since its inception in 2002, Impact has established itself as one of the largest professional wrestling organisations in the world and the premier destination for wrestling fans across the globe, enlisting legendary performers such as Ric Flair, Sting, Kurt Angle, Kevin Nash, AJ Styles, and many more throughout its storied legacy. Impact’s current roster showcases a selection of world-class athletes led by Impact World Champion Josh Alexander and Knockouts World Champion Jordynne Grace, X-Division Champion “Speedball” Mike Bailey, World Tag Team Champions The Good Brothers (Doc Gallows and Karl Anderson), Knockouts World Tag Team Champions VXT (Deonna Purrazzo & Chelsea Green), and Digital Media Champion Brian Myers. Other Impact superstars include Moose, Rich Swann, Sami Callihan, Matt Cardona, Eric Young, PCO, Rhino, and Trey Miguel; and the hard-hitting Knockouts Division, featuring Rosemary, Taya Valkyrie, Gisele Shaw, Mickie James, Mia Yim, and Su Yung.

    In addition to India and its subcontinent, Impact Wrestling programming is televised globally in 120 countries including on fellow Anthem properties AXS TV in the US and Fight Network in Canada, as well as digitally via YouTube, Facebook and its live streaming channels available on Pluto TV, Roku, Xumo and other free ad-supported platforms.

  • HBO Max and Discovery+ to merge into single streaming platform by 2023

    HBO Max and Discovery+ to merge into single streaming platform by 2023

    Mumbai: On a second-quarter earnings call on Thursday, Warner Bros. Discovery announced the merger of HBO Max and Discovery+. The media conglomerate set a timeline for integrating the two services.

    According to Warner Bros. Discovery CEO and president of global streaming and interactive JB Perrette, who spoke on the company’s Q2 earnings call, HBO Max and Discovery+ will launch in the United States as a single service in the summer of 2023. “At the end of the day, putting all the content together was the only way we saw to make this a viable business,” he said.

    Bringing HBO Max and Discovery+ together is aimed at cutting churn, so “there’s something for everyone in the household,” he added. WBD did not reveal the new brand name for the combined service, nor did executives discuss pricing for the unified stream.

    According to Perrette, Warner Bros. Discovery is initially focused on the ad-supported and ad-free versions of the combined HBO Max-Discovery+ but is also “exploring how to reach customers in the free, ad-supported space” with content that is distinct from what is available on premium VOD services.

    He added that HBO may or may not be included in the name of the unified direct-to-consumer WBD platform; Perrette stated that the company is conducting consumer research on the HBO Max name. “HBO will always be the beacon and the ultimate brand that stands for television quality.”

    The combined HBO Max-Discovery+ service, according to Perrette, will combine the best features of both services. According to him, HBO Max has performance and customer issues but offers a rich set of features, whereas Discovery+ has fewer features but a more robust underlying delivery capability.

    Following the launch of the unified HBO Max-Discovery+ platform in the United States in summer 2023, WBD plans to bring the platform to Latin America in the fall of 2023, Europe in early 2024, Asia-Pacific in mid-2024, and other markets in the fall of 2024.

    WBD’s HBO Max, HBO, and Discovery+ subscribers reached 92.1 million in the second quarter, up 1.7 million from the previous quarter’s 90.4 million. On a pro-forma basis, this is a 22 per cent increase of $75.8 million over the previous year.

    WBD expects to have 130 million global streaming subscribers by 2025 and to generate one billion dollars in earnings before interest, taxes, depreciation, and amortisation from its direct-to-consumer businesses (Ebitda). He shared that the company’s Ebidta losses in the streaming division are expected to peak in 2022, with a long-term margin potential of 20 per cent or higher.

    Currently, HBO Max costs $14.99 per month without ads and $9.99 per month with ads in the United States. Discovery+ costs $6.99 per month without ads and $4.99 per month with ads.

    The company, on 17 May 2021, announced its plans to merge its two flagship streaming platforms, HBO Max from the legacy WarnerMedia (spun off from AT&T) and Discovery+. CFO Gunnar Wiedenfels broadly sketched out a strategy to combine the streamers in March 2022, ahead of the close of the deal forming Warner Bros. Discovery, saying that it would initially sell the pair as a bundle before fully integrating them.

    The merged HBO Max-Discovery+ streaming platform will combine thousands of hours of programming spanning scripted, reality, and documentary content and will resemble a mini-cable TV bundle.

  • Non-linear TV viewing draws attention of viewers in US, Europe & Australia: Omdia’s Report

    Non-linear TV viewing draws attention of viewers in US, Europe & Australia: Omdia’s Report

    Mumbai: New research from Omdia reveals that nonlinear viewing continues to gain greater hegemony in the daily viewing habits of TV users across the US, Europe, and Australia. Online long form and social media video viewing is growing beyond the previous year’s boom in viewing time.

    Omdia’s new ‘Cross-Platform Television Viewing Time Report – 2022’ finds that across all the markets covered, the average total daily viewing time reached 362 minutes per person per day in 2021 (six hours and two minutes), down 0.5 per cent on last year. Declines in linear TV, online short form and pay TV VoD account for this minor drop in viewing, with the former seeing the sharpest falls. Growth in online long form and social media video viewing, however, counterbalanced these declines, leaving overall viewing to drop by just two minutes.

    Linear TV viewing time decreased in all markets in 2021. The end of restrictions and lockdowns that marked most of 2020 was the primary cause, with the continual shift toward on-demand viewing also driving this.

    Omdia’s TV and Online Video team senior analyst Rob Moyser commented, “In highly developed markets such as the US and the UK, 2021 will likely be the last year where linear TV predominates over non-linear TV viewing. On a platform-by-platform level, however, linear TV still remains, by some distance, the most popular way to watch TV in the markets covered.”

    Online long form was a key area of growth across all markets, driven largely by incumbent online subscription services such as Netflix, Amazon Prime, and Disney+, and the launch of several new OTT services such as Discovery+ and Paramount+. In total, long-form viewing grew by eight minutes, reaching 68 minutes, eight minutes ahead of social media video viewing.

    Time spent viewing video content on social media platforms increased by nine minutes in 2021 to an average of 60 minutes per person per day across the nine markets analysed. TikTok was the standout performer for video growth during the year, with the platform set to overtake Facebook in total time spent for the first time in 2022.

  • discovery+ uncovers India’s untold story of ‘Kohinoor’ with Neeraj Pandey and Manoj Bajpayee

    discovery+ uncovers India’s untold story of ‘Kohinoor’ with Neeraj Pandey and Manoj Bajpayee

    Mumbai: discovery+ on Friday announced Secrets of the Kohinoor, a new docuseries in the Secrets franchise that retraces the story of the world’s most precious diamond, ‘Kohinoor,’ and will premiere on 4 August 2022. discovery+, along with acclaimed director Neeraj Pandey and Bollywood actor Manoj Bajpayee, also intends to uncover the stories of multiple rulers and their insatiable desire for the ‘Kohinoor.’ The docuseries will be directed by Raghav Jairath.

    Post success of Secrets of Sinauli: Discovery of the Century, discovery+ is expanding the Secrets franchise.  The docuseries uncovers how the weight of the diamond has been slashed down to less than six times its original weight or it might not be the same diamond Emperor Babur mentioned in his memoir.

    Docuseries will feature parliamentarian and author Dr. Shashi Tharoor, historian and AMU professor Irfan Habib, professor Dr. Adrienne Munich, Jamia Millia Islamia

    professor Farhat Nasreen, archaeologist and Archaeological Survey of India (ASI) ex-regional director K. K. Muhammed, AMU professor Dr. Manvendra Kumar Pundhir, Indian author-columnist, diplomat and former high commissioner for India in the United Kingdom, author J Sai Deepak, professor Dr. Danielle Kinsey, historian and professor Dr. Miles Taylor and master diamond polisher Pauline Willemse.

    Speaking about the docuseries, Bajpayee said, “The opportunity to present this series in the franchise has been a uniquely satisfying and learning experience for me, and I am grateful to discovery+ and Neeraj Pandey for that. This project marks my second collaboration with them. Despite being talked about for years, there are many facts about the ‘Kohinoor’ that were unknown to me, and I am certain they would be unknown to a majority of the world as well. The revelations made in the documentary took me by surprise, and I cannot wait for viewers to explore this untold story and be just as surprised.”

    Pandey added, “The unseen, disguised, and unknown historical facts have always intrigued and fascinated me, causing me to delve deep into the subject. After the amazing response to Secrets of Sinauli, the idea of exploring the mystery of the ‘Kohinoor’ excited us as it has been one of the most talked about diamonds in the history of time. “

    “Our partnership with discovery+ has been great at bringing alive stories that are bigger, better, and bolder. Moreover, it is always a pleasure to work in collaboration with Manoj, who is a master of his craft and has taken the show to a whole new level with his striking storytelling expertise. The robust research, peppered with inputs from renowned scholars and experts, digs deep into the story of ‘Kohinoor’ to surface lesser-known facets of its journey whilst narrating the importance of bringing it back to its homeland,” he added.

    Warner Bros. Discovery head of factual & lifestyle cluster- South Asia Sai Abishek shared, “We’re pioneering the history genre with our distinctive offerings that appeal to audiences across age groups. We have added another Indian Originals IP to our already expansive history genre on the platform with the growing Secrets franchise. Following the massive success of Secrets of Sinauli: Discovery of the Century, we realized the tremendous potential in the subject and thereby built on the successful collaboration with Neeraj Pandey and Manoj Bajpayee. The captivating history of ‘Kohinoor’ and its unexplored aspects are even more prevalent now and need to be known by audiences across the globe.”

  • “India is the strongest media market in APAC”: Intelsat’s Bill O’Hara & Terry Bleakley

    “India is the strongest media market in APAC”: Intelsat’s Bill O’Hara & Terry Bleakley

    Bill O’Hara and Terry Bleakley make for an odd couple – they are as different as chalk and cheese. O’Hara is a true blood American, while Bleakley is from that distant land called New Zealand, and is a Kiwi. But they have one thing in common between them: the company they work for – global satellite major Intelsat. 

    As general manager of media, O’Hara leads global sales/revenue, marketing and product management. He has also been charged with increasing its $700 million a year top line while keeping a sharp eye on the bottomline. An industry veteran with nearly six years at his current firm, O’Hara has taken a stab at turning into an entrepreneur when for three years from 2013 onwards he ran a direct-to-consumer streaming service called KlowdTV. 

    Bleakley , on the other hand, has been a bird man for almost all of his working career, with organisations such as Panmsat, Intelsat, and then Measat., following which he came back to Intelsat to grow its Asian business. 

    The organisation is well positioned to grow, even more robustly, not just in Asia, but globally. With a fleet of more than 50 satellites in the sky, teleport gateways, terrestrial networking infrastructure and robust managed services, Intelsat claims that it offers the world’s most extensive and secure communications network. Its focus now is on building the future of global communications with the world’s first hybrid, multi-orbit, software-defined 5G network designed for simple, seamless, and secure coverage precisely when and where customers most need it. 

    Indiantelevision.com founder & editor-in-chief Anil Wanvari caught up with Bill and Terry during last month’s BroadcastAsia conference in Singapore to get insights on how Intelsat is gearing for the requirements of a data and IP-driven media industry going forward. 

    Edited Excerpts:

    On how the company is structured today.

    Terry: We went through financial restructuring and came out of it about two or three months ago. We shed about $8 billion of debt. We took our debt from $16 billion to about $7billion. We are receiving $4.8 billion for the clearing spectrum for the US government. We have received $1 billion of that payment already. And we are also owed $1 billion for the cost of clearing that spectrum. And those payments come by the timeline that has been set which is by end-2023. That takes our balance sheet down about $2 billion in debt, way down from when we hit $16 billion of debt. We bring in about $2 billion in revenue. That’s a really low debt structure for an organisation. You normally want a ratio of 3 to 4:1. So our balance sheet has been as strong as it has been since 2002. As we emerged from our financial restructuring from a public company to a private company, the creditors whose debt was shared got new equity. So it is now a private company from being a public company.  

    On how Intelsat evolved in response to move toward IP delivery for video customers.

    Bill: I think that while there are a lot of changes in this industry, the satellite is still central to distribution, regardless of whether the content originates as IP or is delivered as IP to the end consumer. We recognise this and our strategy is very much to be IP native, to plug ourselves into different parts of the ecosystem, where our customers are going. We are a very customer-focused company – always trying to move with our customers as they move along. For example, as our customers have moved to the cloud with greater velocity, we too have been forging cloud partnerships so that we can source content directly from the cloud, directly from folks like AWS. With it, we have a public partnership so that we can bring content either to the cloud or take it away from the cloud and distribute it to our customer base. 

    Our value position as a media business, however, is connecting an audience with content. And we do that today with cable TV distribution and direct-to-home. But tomorrow, especially with the acquisition and integration of our commercial aviation business, we can connect new viewers with other types of content, perhaps on board planes. So streaming partnerships with many of our content owners today, and our customers could be the way we distribute OTT content tomorrow to a new audience we have not capitalised on serving in the past. 

    Terry: Further let me give you some numbers on this. Go-Go Commercial Aviation, which we acquired around 18 months ago, has around 1700 connected commercially around the world. They have 1300 on the backlog, and they are getting an antenna put on top of them as Covid goes away. That represented, in 2019, precovid, 200 million passengers a year. That’s an audience that was not tapped into with the media. If you look at 2019, how many people travelled on airlines globally, it is 4.5 billion people a year. So if we can stream content, whether it is some of our broadcast partners who are going direct to consumers, and start reaching this audience for them, we think there’s a lot of value in that. 

    And there’s another play with telcos. We are also building a 5G core for our network going forward, and we are going open standards. We call it a unified network. And as we develop this 5G core satellite network that can run with other networks like Jio and Airtel and others, then the idea is that the experience of a person with a mobile phone, when they get on a plan, then it’s like roaming to another country. It’s a 5G native infrastructure that we have got there, they don’t have to put an SSID number, they connect and they don’t realise they are paying for a service to their provider, a roaming charge. So you get past the issue of payment to an aircraft which is expensive. They feel like they are getting it for free because they are roaming on to our service which is our roaming 5G core that is sitting on the aircraft. And a whole new audience comes in from there too. 

    Bill: So fundamentally when you put these ideas together: the content owner who is going direct to consumer, like any one of them have done – Paramount+, Discovery+, Disney+, any of these major players. Or it is with an MNO. By controlling the ecosystem that is on board the plane – both for connectivity and the end user experience – that is an audience that is highly desirable and hard to capture. That we have the exclusive ability to deliver through satellite. 

    On how the airlines’ in-house entertainment system will be impacted.

    Bill: I think this will be determined on an airline to airline basis. It’s a three-way partnership: the MNO, the content owner, us, and the airline. And different airlines have different strategies. 

    Terry: They pay a lot for those entertainment systems to get the content. So technically, if people can access their content when they get on board then they can reduce the cost of an airline to get content. We already are seeing hybrid systems in play in airlines wherein you have inflight entertainment, you have live TV as an option. So you can watch sports live. And this is being made thanks to advancements in connectivity to aircraft through satellites. In a high throughput satellite, the antenna can take a lot more megabits. It’s a lot more efficient in delivering real-time internet to an aircraft that you can now do these services. We think there’s a play where we can do streaming services. 

    On the strategic plan going forward.

    Bill: Our five-year strategic plan is to be an aggregator of networks. Somebody has to sit in the middle of all this. And with a universal terminal – with multi-orbit, multi-band capabilities to integrate low earth orbit (Leos), medium orbit (Meos) and geostationary earth orbit satellites (GEOs) – that is operating via standards – open standards – integrated into a 5G core, 3GPP compliant. All of these things add up to a scalable system that develops the right kind of connectivity at the right time for the right application with one terminal, one modem, and one integration into the broader telecom infrastructure. I believe that’s a very powerful place to be. And I think it takes a very specific entity to do it. I think we are in the best position to do so with our infrastructure and our geo play. 

    Terry: As far as open standards are concerned, you have to remember satellites in the past, and I am talking telecom, not broadcast…and now the two are converging again…and it’s happening greater today than it ever was thanks to the internet and video…Satellites have tended to be heterogeneous. Satellites have tended to be on the side of a network, with their standards, its proprietary hardware. And it’s not homogenous like the telecom industry. We have been pushing a standard to adopt within 3GPP to have satellites included in that so that we are no longer a pimple on the landscape. 

    And release 17 of 3Gpp which comes out in the next few weeks, they have got a thing called NTN which is non-terrestrial networks. That allows satellites to be a part of the 5G core going forward. So that’s massive because the benefits of that as we start getting economies of scale of mass silicon production for 5G chipsets. So a Snapdragon chipset for a mobile phone is $30 today. We pay $300 for the same silicon in satellite modems because they don’t have the same scale that a mobile phone has. Once we get 5G in there we can reduce our silicon costs by ten-fold. That makes us more relevant there and we stream into the network a lot more efficiently. 

    But two other standards are more relevant: Meth (metro ethernet). We are the first satellite operator to be accredited with Meth. The other part is a thing called Digital IF. Today, our IF is all analogue and there’s no open standard around how we can take it from an analogue play to a digital one. We chaired the forum and Digital IF has created its first standard and Microsoft has come on board, SES has come along. All of the antenna manufacturers have joined up. And we are an open standard that takes analogue IF (intermediate frequency) and converts it into digital. 

    We are a homogenous network and what can this translate into: today the annual spends on telecoms and pay TV is $1.6 trillion annually. We only have one per cent of that. As a satellite operator we represent a whole selling capacity of $1 billion a year. So with our unified network and what we are developing around that if we can go from a one per cent share to two per cent…it’s huge and it’s not that hard to do. And we believe that that’s what is about to come with the adoption of the 5G core that we are developing which will be able to interface with MNOs, which are these giants we want to be part of.

    On how the geo play will pan out.

    Terry: We are at 52 geostationary satellites. Six of these are high throughput. We are all around the globe. We have 30 in the Asia Pacific. Our satellites are in the spectrum of one year old to 15 year old. We have also been putting some into inclination. And for two others we performed scientific feats like using missing extension vehicles to extend their life. Part of our $2 billion build out to our unified network is a virtualisation of the network, software defined satellites. So we have ordered four software defined satellites – two with Airbus, two with Thales. They are being built at the moment. Two will sit over Asia, Indian Ocean. Two over the American region. And they will be online 2025. We also have eight satellites in the factory which are going to be used as part of our clearance for spectrum for 5G in North America. We have 12 satellites in the factory.  

    On their view about India. 

    Terry: We have three very large neighbourhoods in India. So IS-17 and IS-20 are two of the satellites that are covering India. We have high MSO penetration to cable TV headends, which is still a very strong business. We saw a shift of some channels to Insat, but the tier one channels resisted that. Our business in India is stable. However, we did see a growth in movement from SD to HD from 2018 to 2021. We still see potential there. So then we got NXT Digital from Thaicom. And they are kind of loving it because we can do so much more throughout per transponder. We have got HITs, SunTV, and Viacom18. Thanks to Covid some other channels could not sustain themselves because of the lack of advertising revenue and the content crunch. Overall channel count decreased. Some of them were forced to look at distribution options. 

    I believe we have seen a great big rebound. India, we believe it is the strongest media market in the Asia Pacific. 

  • After 3 years, 3 months and 3 days it’s a wrap at Discovery for Megha Tata

    After 3 years, 3 months and 3 days it’s a wrap at Discovery for Megha Tata

    Mumbai: Megha Tata parts ways with Discovery as managing director of South Asia ending an association that lasted three years, three months and three days.

    The announcement of her departure was first made by Warner Bros. Discovery president and managing director India, Southeast Asia and Korea Clement Schwebig in June.

    Embed Link: Warner Bros. Discovery consolidates India’s business; appoints Arjun Nohwar as GM, India | Indian Television Dot Com

    “After 3 years, 3 months, 3 days it’s a wrap! Leave with many happy memories and proud of what we achieved as a team in the country. Amongst the many milestones we achieved, successfully launching #discoveryplus in the middle of the pandemic was a class act by the super talented team I have had the privilege to lead! Thank you to my super awesome team for helping me grow professionally and personally. A special mention to Simon Robinson without whose support and trust I couldn’t have done what I did! Onwards and upwards,” said Tata in a LinkedIn post.

    Tata is a TV broadcast industry veteran with over three decades of experience. She has been associated with leading broadcasters including Star India, Turner International, HBO India, BTVI before joining Discovery.

    She leads several industry forums and is the president of International Advertising Association (IAA) India Chapter. She is on the board of Indian Broadcasting and Digital Foundation as co-opted director. She is also a broad-member of the National Media and Entertainment Committee of FICCI and member of CII National Committee on Media and Entertainment.

    Tata has been a Jury member of many leading industry awards like International Emmys, Promax, Children’s Film Festival, Golden Mikes Awards, International Women in Sales Awards and many more.

    Besides being involved in industry initiatives, she has been engaging and shaping young minds through guest lectures at leading educational institutes including IIT, IIM, ISB, UBS and more.

  • discovery+ to premier new original ‘My Daughter Joined a Cult’

    discovery+ to premier new original ‘My Daughter Joined a Cult’

    Mumbai: discovery+ has announced the premiere of the new original My Daughter Joined a Cult, a docu-series produced by VICE Studios – the global production division of VICE Media Group about self-proclaimed godman, Swami Nithyananda in India exclusively from 2 June 2022.

    The 3×45 series will be available to stream in Hindi, Tamil, Telugu, English, Kannada, and Malayalam, and is directed by Naman Saraiya.

    A mother wailing outside an ashram to see her daughters who have been barred from meeting her. A distraught father running from pillar to post to find answers pertaining to his missing children. A disillusioned devotee grappling with demands for nude pictures from the man she held in the highest esteem. A young man questioning the prevalence of sexual abuse and violence in a place meant for worship and reflection. These are but a few claims made by real devotees which make one wonder, who is lying and who is telling the truth? Or is there more than one version of the truth? Are these just allegations or is there something more than that? What really goes on inside a cult? Can someone claiming to be a Godman, actually turn out to be a Conman? Documenting claims made by ex-devotees and much more, My Daughter Joined a Cult follows the life of the controversial Swami Nithyananda, whilst giving a voice to individuals who were at the epicenter of it all.

    The three-part series, captures the exposure of the self-styled Godman, who allegedly deceived his believers by luring them into joining his ashram and gurukul trust Nithyananda Dhyanapeetam, and then later allegedly abused them. With a range of testimonies from devotees, lawyers, journalists and activists, the docu-series presents a narrative of the highs and lows of Nithyananda’s life in the pursuit of the reason behind his strong following despite being termed a fugitive by his ex-followers. Having lived the story themselves, the followers and ex-devotees provide an intimate perspective whilst revealing crucial details that help us better understand the entire narrative.

    Warner Bros. Discovery original content head- south Asia Sai Abishek said, “Discovery has always been synonymous with content that is raw and real. Keeping authenticity at the core of our offerings, My Daughter Joined a Cult is yet another step towards bringing alive a story that has multiple layers. This series chronicles the journey of followers of Nithyanand, and examines the vulnerabilities of humans that make them susceptible to joining cults to seek answers, sometimes leading to devastating effects. We are certain that viewers will be intrigued by this series, built on the back of hard-hitting firsthand accounts from ex-devotees, along with commentary from observers of his rise and subsequent allegations of abuse and fraud.”

    VICE Studios VP of content, APAC Samira Kanwar said, “My Daughter Joined A Cult is an uncompromising and unflinching docu-series about the internationally infamous figure of Swami Nithyananda. As is synonymous with VICE Studios, the series offers an authentic and compelling insight into a complex and controversial figure, using raw first-person testimonies and original production techniques. We are proud to be working with discovery+ to bring this series to a wide, global audience.”

    Director Naman Saraiya said, “Such a comprehensive and complex investigation into Nithyananda and his religious movement would not have been possible without the trust and cooperation of each person we crossed paths with… be it former devotees, survivors, journalists, lawyers and police officers. I hope the series resonates with audiences around the world and generates greater awareness of the events that led to his fall from grace and the indelible impact on those left in its wake.”

    He added, “My Daughter Joined A Cult has been one of the most challenging and rewarding projects of my career yet and I am incredibly proud of what the team and I have created with VICE Studios and Samira Kanwar.”

  • Q1 2022 streaming renewals is at an all time high: Ampere Analysis

    Q1 2022 streaming renewals is at an all time high: Ampere Analysis

    Mumbai: Ampere Analysis Q1 2022 reported rising demand for renewed seasons on Video-on-Demand (VoD) platform giving impressive numbers altogether.

    The increase in the volume of streaming renewals is being driven by relative newcomers to the VoD landscape such as Disney+ and Discovery+, as they turn their considerable production capacity to streaming. Both companies can be seen taking multiple season risks on high-profile titles, as well as renewing existing titles previously intended for their linear platforms. Despite a common misconception that streaming series are more likely to be short-lived than their linear counterparts, recent VoD commissioning shows that streamers are increasingly committed to long-running series.

    Of all VoD renewals in the UK and US announced in 2021, 51 per cent were in their fourth or later season, a 6 per cent increase in comparison to 2020, suggesting that long-running series are no less effective in driving both subscriber growth and retention than shorter, or limited series. But there are differences in strategies between streamers. Netflix first run commissions continued to increase throughout 2021 (with 8 per cent more new titles announced than in 2020), but the number of returning titles announced by the streaming giant showed a decrease, with 2 per cent fewer renewals announced in 2021 than in 2020.

    Unscripted titles are less likely to be cancelled than their scripted counterparts, representing just 7 per cent of all streaming cancellations in 2021. Unscripted titles are also more likely to last longer, representing the highest proportion of all VoD renewals in Q1 2022 (54 per cent).

    Ampere Analysis senior analyst Olivia Deane said, “It has been suggested that streamer’s high rate of cancellation is purely due to their high rate of commissioning, where a large volume of titles are ordered with the expectation that only a handful of titles will succeed. However, with an overall increase in the volume and proportion of returning VoD titles, streamers must strike a balance between committing to fresh new content and satisfying fans of existing titles in order to compete.”

    “For streaming newcomers like Disney+ and Discovery+, which have well-established fan bases for key IP, it’s easier for commissioners to make long-term commitments to titles they know viewers will love. Streamers also need to compromise between pleasing fanbases of more expensive scripted titles from genres like Sci-Fi & Fantasy, while making a range of unscripted content. The latter fleshes out their catalog with cheaper to make, easily digestible titles that can be very popular, and therefore represent a better return on investment.”

  • Discovery+ launches new original ‘Gaganyaan: Bharat ki Antariksh Udaan’

    Discovery+ launches new original ‘Gaganyaan: Bharat ki Antariksh Udaan’

    Mumbai: ISRO prepares for Mission Gaganyaan, India’s voyage of this astronomical achievement that will be showcased in Discovery+’s newest original – “Gaganyaan – Bharat ki Antariksh Udaan.”

    India etches its place in the highest echelons of human history, as ISRO prepares to send Indian astronauts into space aboard the first self-manufactured space rocket. With a pedigree of featuring successful and immensely popular cosmological titles like – ‘India’s Space Odyssey,’ ‘How The Universe Works,’ ‘Morgan Freeman’s Through The Wormhole,’ ‘Space Titans: Musk, Bezos, Branson’ and many more, discovery+ will exclusively premiere the new original on 18 May.

    As the clock counts down to “Mission Gaganyaan,” the documentary will feature three eminent astronauts namely, Rakesh Sharma, the first Indian to go into space, the elite record-holding woman astronaut of NASA – Sunita Williams, and Russian Cosmonaut – Oleg Kotov. Along with them, various experts namely, Dr G Madhavan Nair (former chairman, ISRO); Air Cdre (Rtd) Ravish Malhotra (former test pilot, IAF); Asif Siddiqi (space historian); Dr Brigitte Godard (flight surgeon, European astronaut centre); and other distinguished professionals will be lending their expertise on the subject.

    Produced by Miditech Studios, “Gaganyaan – Bharat ki Antariksh Udaan” charts the audacious and challenging journey of India’s human space flight programme, from developing the country’s state of the art cryogenic engine, testing of flights, rigorous astronaut training to the final preparations and anticipation before its launch in 2023. Supporting with archival footage, modern graphical representations of the complex processes and tremendous dangers of human space flight, this fascinating original will also recap the ground-breaking engineering that enabled India to successfully test the crew capsule launch & re-entry in 2014.

    Warner Bros Discover original content head- South India Sai Abishek said, “With rapid developments in space exploration, we are excited to present an inspiring documentary for our superfans of science and space programming which highlights the daunting journey undertaken by some of India’s brightest minds and space scientists. Through this special title, our objective is to celebrate and showcase the unique viewpoint to the progress India has made so far, in their endeavor of sending Indian astronauts into space and ensuring their safe return home on a made-in-India space shuttle.” He further added, “We are proud to be the first OTT platform to bring to our audience this historical journey which will put India on the world stage with other space faring nations.”

  • ICC permits FairBreak Invitational 2022 to premiere Live on Eurosport India

    ICC permits FairBreak Invitational 2022 to premiere Live on Eurosport India

    Mumbai: With this development, viewers in India can tune-in to Eurosport India to catch all the live action from FairBreak Invitational 2022 T20 series, with Falcons taking on Warriors in the opening match on 4 May, scheduled at 9:30 p.m IST.

    Women’s T-20 tournament, sanctioned by ICC, is all set to be played in Dubai, United Arab Emirates. The tournament will feature players from 35 countries like Heather Knight, Marizanne Kapp, Diana Baig, Stafanie Taylor, Nicola Carey, Suzie Bates, Danni Wyatt, Sana Mir and many others will feature in the T-20 tournament.

    The historic FairBreak Invitational 2022 tournament is the first privately funded tournament in women’s cricket history and is an ICC sanctioned competition that will take place from 4-15 May in Dubai in conjunction with Cricket Hong Kong.

    The tournament will include six teams with players from 35 countries across the world which include many from the top-20 ranked nations including Australia, England, New Zealand, West Indies, Pakistan, South Africa, Thailand and others.

    All the six teams will consist of 15 players each and 19 games will be played over ten match days. The six teams who will be a part of the inaugural edition are – Falcons, Warriors, Tornadoes, Sapphires, Barmy Army and Spirit.

    Announcing the broadcast partnership, Warner Bros Discovery head of distribution and Eurosport South Asia Ruchir Jain said, “FairBreak Invitational is the beginning of the next chapter in women’s cricket. We have seen tremendous growth in women’s cricket in the last five years and we believe it will only continue to grow from here.”

    “Eurosport India has been at the forefront of inclusivity in sport and the growth and popularity of top-level women’s professional sport is a credo that we live by passionately every day. We wish all the competing teams rip-roaring success in the FairBreak Invitational 2022,” added Jain.

    Eurosport India also broadcasts women’s tournaments from the LPGA (Ladies Professional Golf Association) and the Hero Indian Women’s League (Indian National Football League for Women). In the past Eurosport India have been the official broadcasters for AFC Women’s Asian Cup 2022 and W Series (Women’s Single Seater Racing Championship).