Tag: Dil Hi To Hai

  • Have 10-12 banked shows to sustain even if lockdown continues: ALTBalaji’s Nachiket Pantvaidya

    Have 10-12 banked shows to sustain even if lockdown continues: ALTBalaji’s Nachiket Pantvaidya

    MUMBAI: Balaji Telefilms’ digital arm ALTBalaji recently completed three years. While the management always spoke of profitability and breaking even faster rather than cash-burn and tons of investment, the platform seems on track in achieving its ambitions despite the COVID-19 climate. Though production may be halted, content-hungry subscribers have flocked to the streaming service for their dose of entertainment. Despite the setback, the OTT platform is confident that it has enough shows in the bank to woo subscribers for the next few months even if lockdown persists.

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    In an interview with Indiantelevision.com, Balaji Telefilms group COO and ALTBalaji CEO Nachiket Pantvaidya spoke about the growth during post COVID-19 period and overall outlook FY21.

    Edited excerpts:

    ALTBalaji had a good run in the first three years focusing on the Hindi-speaking market. Will there be any significant change in the content strategy going forward?

    We are currently focusing on ensuring that we dominate the Hindi speaking markets and then move ahead. If you look at the geography and demography of the country, 70 per cent of the content consumed is Hindi. As a platform, it makes sense to focus your efforts in one direction and win over the Hindi-speaking population. Hence, this year we are first going to focus on ensuring that we dominate the Hindi space. 

    We will gradually move towards other regional markets as well in the coming years. A host of our Hindi offerings have also been dubbed in Indian and international languages like Tamil, Telugu, Malayalam, Bahasa, Arabic, etc. amongst others. We shall continue to focus on expanding our language content library in the coming years.

    ALTBalaji had the mantra of breaking even within 2021 which you are nearing as per the last investors call. What will be the big target now?

    ALTBalaji has been working towards its goals and is the first OTT platform already on the road to profitability. With our costs getting controlled in the first half of fiscal 2020 and the loss margin further reducing at the end of the current fiscal, we are aiming to break even in 2020-2021.

    Given the national lockdown, all content production has come to a standstill; we continue to monitor the situation closely. We are very confident that the demand for content will increase once the situation returns to normal and are well prepared to resume business and ramp up content sales once the lockdown is over.

    Do you expect a significantly higher-than-expected jump in FY 21 under the current situation?

    We are looking at a 1.7 million active subscription base which is a high record for us. We are adding roughly 17,000–20,000 subscribers per day, that’s nearly doubling the run rate from where we were in February. In Q3, we had already said that our losses were down to single digits, and we are hopeful that in the next 12 months period, we will break even ALTBalaji's business.

    Could you share the current growth under COVID-19? Which genres see more uptake? Did any particular demography or age group consume more content on the platform?

    Indian originals have picked up pace in the past few days as audiences are on the lookout for local relatable content. We believe in creating shows which appeal across segments however, with narratives that are unique or untold.  

    For instance, shows like Kehne Ko Humsafar Hain, Karrle Tu Bhi Mohabbat, It Happened in Calcutta, Baarish, Dil Hi To Hai etc., are mostly consumed by women in 25-45 years TG across India. However, thrillers like Apharan, Ragini MMS, Code M are consumed by men in the 22-45 age bracket. In addition to the above, shows such as Mentalhood, The Test Case, MOM: Mission Over Mars, Bose: Dead/ Alive, The Verdict – State vs Nanavati are being consumed extensively by urban Indians across age groups.

    Shows launched in earlier months continue to see good engagement as consumers are now watching more of the library that we have successfully built. The ALTBalaji library as of date has 60-plus shows with engaging content for mass Indian audiences.

    What has been the growth of new subscribers? How will you retain them once the lockdown is lifted?

    Watch times and subscriptions have been seeing strong growth during this period and we are witnessing a high level of growth in all our key markets and demographics. ALTBalaji is witnessing strong uptake of digital subscriptions with an average of 17,000 subscriptions added per day post lockdown vs an average of 10,600 in March 2020 pre-lockdown, a growth of 60 per cent. As of date, the platform has over 1.7 million active direct subscribers.

    With the SVOD OTT space in the country becoming increasingly price-sensitive, we have facilitated growth by keeping our pricing extremely low, at less than a rupee a day (Rs 300/- annually). What works best for us is to concentrate on consumer segmentation behaviour, understanding how to retain the customers better and working on onboarding the new segment who have just been acquainted with the internet. With content being king, there is a growing acceptance amongst consumers to pay for unique narratives and good storytelling which keeps them hooked to their screens. Having said that, we are confident that having sampled our portfolio of exciting, original digital series to a wider audience that has a higher propensity and capacity to subscribe, we will continue as one of the top OTT platforms. 

    Due to the stoppage in production, do you expect any rescheduling of your content slate? Has there been any change in the guidance of expected originals during the calendar year?

    So far, we are on track in terms of the show launches. We have 11-12 shows that have been shot already and only need post-production and editing, which can happen from home as well. So we actually have a stock of 10-12 shows which can be put out in the next six to seven months even if the unfortunate lockdown continues for a few more months. We are in a good position to give out one to two shows per month for the next five to six months. We are now launching, in the next 25 days, Baarish season two and KKHH season three.

    How has the overall ecosystem changed since you started the journey?

    Having set milestones and breaking new grounds for over three years, our journey has been fairly business-positive and will continue to do so. Since its inception, ALTBalaji has been on top of the consumer mind for its unique narratives and clutter-breaking original Hindi content and we have aggressively grown on the back of innovative business strategies. Moving from strength to strength, we’ve today become a major player in the Indian OTT industry and gained further encouragement by the massive increase in subscriber base. With a substantial bouquet of original content across genres that keeps viewers engaged, our app has consistently ranked amongst the top three grossing video streaming apps in the country across the app store (Source: App Annie).

    According to a recent report by PwC, the OTT market is set to grow at a rate of 22 per cent to reach Rs 12,000 crore in the next four years. The soon-to-arrive 5G networks will only work as a shot in the arm for OTT platforms to scale further heights. Digital is an ever-evolving medium and when it comes to OTT players, competition across the industry is soaring high with everyone trying to secure their places in the minds of consumers.

    Last year you struck a deal with ZEE5. How has it helped you? Are you planning any similar deal?

    With our collaboration with ZEE5, we aim towards leveraging each other’s strengths in the OTT domain, to co-create original content. This association is a collaborative process of co-understanding consumer insights and co-marketing to serve the viewer better while reaping in increased dividends for both. ALTBalaji and ZEE5 have established their content strength globally, and the synergy resulted in two of the largest home-grown video streaming platforms coming together to expand their subscription base and grow the binge-watching culture globally.

    ALTBalaji has also successfully completed the first-ever syndication of a digital series to a broadcaster with three hit digital shows now airing on prime time television. Karrle Tu Bhi Mohabbat, Baarish, and Kehne Ko Humsafar Hain are now available between 9 pm and 11 pm on Zee TV. This deal helped generate additional revenues via syndication fees and created a larger consumer funnel for us.

  • BARC week 33: 2 Hindi movie channels push out 2 Hindi GECs from across genres list

    BARC week 33: 2 Hindi movie channels push out 2 Hindi GECs from across genres list

    BENGALURU: Hindi movies such as Vidroh Lets Fight Back, Policewala Gunda 2, Dangerous Khiladi 3, and Dil Hi To Hai (Jackie Shroff) helped push up free-to-air (FTA) Hindi movie channel B4U Kadak to fifth rank in Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels across genres on all platforms in week 33 of 2019 from sixth place in the previous week. The four movies were among the top 5 Hindi movies programmes in the combined urban and rural Hindi speaking markets – HSM (U+R) as well as in rural HSM – HSM (R) per BARC’s weekly lists of top 5 Hindi movies programmes in HSM (U+R) and HSM (R).  Week 33 of 2019 (Saturday, 10 August 2019 to Friday, 16 August 2019) is the week or period under review.

    Two other Hindi movies channels, Zee Cinema and Sony Max, both pay TV, thrust their way into the same list at eighth and tenth ranks respectively during the same week. Movies beamed on both these two pay Hindi movies channels had higher viewership in urban HSM or HSM (U) based on their presence in BARC’s weekly list of top 5 Hindi movies programmes in HSM (U) only. Two major Hindi GECs – Colors and Sony Entertainment Television which exited the BARC across genres list on all platforms, however had the solace of retaining their presence in BARC’s weekly list of to 10 pay channels across genres with improvement in their respective ranks in week 33 of 2019 vis-à-vis week 32. BARC’s weekly list of top 10 channels across genres on all platforms had three Hindi movies channels in the week as compared to only one in the previous week.

    Four Hindi GECs, three Hindi movies, two Tamil and one Telugu channel comprised BARC’s weekly list of top 10 channels across genres on all platforms. From the network’s perspective, there were three channels from Star India, two channels each from Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Ltd and one channel each from B4U, Enterr 10 Television and the Sun TV Network. Hence there were more regional languages – especially Telugu and Tamil, and Hindi movies combined than there were Hindi GECs in BARC's weekly lists of top 10 channels across genres on all platforms during the period under review.

    In the case of BARC’s weekly list of top 10 pay channels across genres, like in week 32 of 2019, there were five Hindi GECs, two each of Hindi movies and Tamil channels and one Telugu channel in week 33. The channels were the same in week 33 as in week 32 with some shuffling in ranks. From the network’s perspective, there were three channels each from SPN and Star India, two channels from Zeel and one channel each from the Sun TV Network and Viacom18. In BARC’s weekly list of top 10 pay channels across genre in week 33 of 2019 were occupied by a Tamil (Sun TV) and Telugu (Star Maa) like in week 32. A Hindi GEC in the form of Star India’s flagship Hindi GEC Star Plus was at third rank in this BARC list in week 33. As mentioned above, the eight pay channels in BARC's weekly list of top 10 channels across genres on all platforms were also present in BARC’s weekly list of top 10 pay channels across genres, along with Zee Cinema and Sony Max in week 33 of 2019.

    This article’s focus hereon will be on ‘all platforms’ – BARC publishes three across genres weekly lists – on all platforms, on pay platforms and on free platforms. There were eight pay channels and two FTA channels in BARC’s weekly list of top 10 channels across genres on all platforms in week 33 of 2019, same as in week 32.

    Sun TV Network's flagship Tamil GEC Sun TV reclaimed first rank in BARC’s weekly list of top 10 channels across genres on all platforms in week 33 of 2019 with 902.564 million weekly impressions as compared to second rank and 870.981 million weekly impressions in week 32.

    At second rank in week 33 of 2019 was Enterr 10 Television’s FTA Hindi GEC Dangal with 827.063 million weekly impressions as compared to first rank and 872.724 million weekly impressions the previous week.

    Star India’s Telugu GEC Star Maa retained its third rank in week 33 of 2019 with 761.055 million weekly impressions as compared to 767.337 million wekly impressions in week 32.

    Star India’s flagship pay Hindi GEC Star Plus also retained its fourth place in week 33 of 2019 with 751.106 million weekly impressions as compared to 719.127 million weekly impressions in week 32.

    As mentioned above, B4U’s FTA Hindi Movies channel B4U Kadak climbed to fifth rank in week 33 of 2019 with 683.075 million weekly impressions as compared to sixth rank and 651.413 million weekly impressions.  

    SPN’s pay Hindi GEC Sony Sab climbed up a place to sixth rank in week 33 of 2019 with 632.959 million weekly impressions as compared to seventh rank and 621.116 million weekly impressions in week 32.

    Zeel’s flagship Hindi GEC Zee TV dropped two place in week 33 of 2019 to seventh rank with 614.306 million weekly impressions as compared to 678.991 million weekly impressions.

    Zeel’s pay Hindi movies channel Zee Cinema found a place in BARC’s weekly lists of top 10 channels across genres on all platforms with 602.894 million weekly impressions in week 33 of 2019.

    Star India’s flagship Tamil GEC Star Vijay climbed a place to ninth rank with 529.953 million weekly impressions in week 33 of 2019 as compared to tenth rank and 522.129 million weekly impressions in week 32.

    SPN’s Hindi movies channel Sony Max also entered BARC’s weekly list top 10 channels across genres on all platforms at tenth rank with 523.074 million weekly impressions.