Tag: digital content

  • Divo to now offer digital content & influencer marketing services

    Divo to now offer digital content & influencer marketing services

    KOLKATA: Digital media and music company Divo has forayed and expanded its offerings to digital, content and influencer marketing services.

    During the country’s protracted lockdown, a fundamental shift has been triggered in the influencer marketing space with big brands deepening their engagement with a variety of influencers as consumers turned to YouTube videos and Instagram reels for everything. Ergo, the team realised a huge market opportunity in the digital marketing domain.

    The new division comprises a 15-member team, with associates from leading media companies like TVF, Radio Mirchi, Sun Network, and has collectively created noteworthy case studies through award winning campaigns.

    Divo has been working very closely with content creators and talents in growing their digital presence since 2014. And now with brands and advertisers heavily investing in branded content and influencer marketing, Divo aims at providing integrated solutions that fill the gap for content creators and creatively fit the brand’s overall communication, without breaking the USP of the content creators.

    In a span of six months, Divo has empowered India’s creator community by locking ties with over 1,000+ YouTube creators and social media influencers; one of the biggest ones being MicSet, Nakkalites, Irfans View under the hood. The pursuit is to cultivate talents of creators across multifaceted genres like fashion, food, entertainment, singing, travel and connect them with brands looking to make a dent on the market by integrating their product/services via powerful creative storytelling.

    Divo founder and directory Shahir Muneer said, “With traditional mediums like print magazines, newspapers, OOH either shutting down or facing a huge hit in terms of readership/subscriptions, we noticed that brands and companies are aligning their budgets to online platforms and noticing the importance of influencer marketing. This made it a perfect time for us to launch this new division as we foresee the influencer market growing tremendously over the next two years. While we have already been catering to brands for past couple of years, more from a reactive requirement, this focused approach will be more proactive and grow the agency division with a concerted approach.”

    Divo has worked with brands from fintech platforms like Groww, edu-tech learning platforms like Upgrad, Byju’s, to FMCG drivers like Gillette, Pantene, Colgate, e-commerce like Amazon and LG from smartphone category and engaged millions of audiences single-handedly through influencer marketing. Divo recently won a Gold Award at StreamCon in the best brand integration category for one of their clients- Nua, for their sanitary pad in association with Youtuber – Cheeky DNA.

  • YAAP onboards new clients, and continues aggressive recruitment amidst the pandemic

    YAAP onboards new clients, and continues aggressive recruitment amidst the pandemic

    MUMBAI: With its vision ‘Built For Now’, YAAP, a new-age specialized content design, discovery & distribution company, has won over 20 new businesses and four awards in the last few months. The clients onboarded are largely from BFSI, travel & tourism, government and gaming sectors covering names such as NPCI, Mobile Premier League, NITI Aayog, Meghalaya Tourism and Dubai Fitness Challenge. YAAP will be responsible for the content strategy & development, influencer marketing, media buying and social media of these new mandates.

    Owing to the unpredictable market situation where industries are collapsing and employees are in continued distress due to pay cuts, YAAP continues to celebrate its employees’ efforts with no pay cuts and no layoffs. Moreover, appraisals have been conducted.

    A company that is ambitious towards servicing its clients to the best, has opened 12 new positions across sales, creative, servicing and strategy. YAAP is looking for people who are striving towards a collective goal no matter the odds.

    It is said that every new phase often comes with hurdles. With this, YAAP would like to announce that Irfan Khan has moved on from the company. He was a partner at YAAP where he was responsible for the influencer marketing vertical, new business development and overall operations of the company. Manan Kapur, partner at YAAP will be taking on the influencer marketing business.  

    Sharing his views on the company's novel moves, YAAP partner Irfan Khan Partner said, "In my time at YAAP, we achieved the growth trajectory few companies have, especially in the content and influencer marketing space. We successfully led some of the biggest content-led activations across India and the Middle East. It's always bittersweet to leave a place enjoyed and helped nurture, but today we have a solid foundation that has been set. I'm positive the team will take it to greater heights in the near future.”

    YAAP partner Manan Kapur said, “The past year has seen a drastic shift in the status quo, and YAAP was no exception. This change meant we had to be more agile and adapt to the new normal while keeping our team, our clients & our partners as our primary priority. And now, as 2020 comes to a close, we have an ever-expanding team, we’ve forged many new relationships and we’re entering the new year stronger than ever, because of our unfaltering passion and our unwavering vision. I look forward to adding influencer marketing to my responsibilities and build on the strong foundation set by Irfan.”

  • ABP News Network overhauls ABP Live team to elevate digital content

    ABP News Network overhauls ABP Live team to elevate digital content

    MUMBAI: ABP News Network’s digital platform, ABP Live, is restructuring its workforce. Vijay Jung Thapa will be the chief digital officer. With a professional experience of over 25 years, he will be spearheading ABP’s new and refined vision on the digital front. 

    With an aim to take ABP’s digital assets to newer milestones, Ramakrishnan Laxman will be taking over as AVP-Digital Media.  Allen Sharma will be taking over the new role of Head – Digital Revenues. In this role, he will be accountable for Direct Sales, Digital Revenues, Programmatic Monetization and Brand Solution Monetization.

    Furthermore, Tushar Banerjee has been appointed as the Head- Digital Content Strategy. He will ensure ABP Live’s Content and Social Media verticals with emphasis on programming pipeline, growth in viewership and monetization.

    The platform operates 8 web portals in 6 different languages. ABP Live is implementing this step to transform their digital division and improve the effectiveness of their intellectual property.

     Since its inception in December 2013, the digital arm of ABP News Network has championed issues on multiple spectrums – may it be social, political, environmental or cultural. ABP Live has kept its viewers engaged through Live TV, on-cue updates and real-time news on various social media platforms. In the same vein, ABP News Network’s regional penetration has also ensured the burgeoning success of its digital front.  

    To have a sharper edge in the digital era, ABP News Network is acting as the frontrunner in transforming and upgrading the platform. The hierarchy in the digital sphere of ABP News Network is undergoing a special makeover. This move will help revolutionize digital news and ensure the channel is more viewer-centric and responsive towards its audience.

    Speaking on the development, ABP News Network CEO Avinash Pandey said, “In an ever-growing digital era, it is crucial to evolve and keep up with the market pace. The main aim of this decision is to empower our workforce to revolutionize digital news through innovation. This digital push will also help us tap newer audiences and overall maximize the potential of our content. Through this step, we aim to elevate our intellectual property to create ground-breaking, viewer-driven content."

  • Access, language variety, local partnerships to drive next billion subscribers

    Access, language variety, local partnerships to drive next billion subscribers

    MUMBAI: Despite the overwhelming growth of the OTT sector, players still need to pay more focus on issues such as content discovery, distribution, partnerships across verticals.

    The Future of Video India 2019 organised by Asia Video Industry Association (AVIA) hosted a session on “Capturing the next billion subscribers”. ZEE5 India CEO Tarun Katial, Amazon Prime Video India director and country general manager Gaurav Gandhi, Viacom18 Digital Ventures marketing and partnerships head Akash Banerji and Discovery digital business and partnerships director Issac M John participated in the panel moderated by TriLega partner Nikhil Narendran.

    Gandhi pointed out that screens and connectivity are the routes to the next billion users in the sector. According to him, the next important aspect is the hunger for content. Going against the common notion that Indian consumers are price conscious, he said that they are, in fact, value-conscious who will not mind paying for the right content at the appropriate price point.

    “Then there are questions of access and distribution. How easy is it to get these content or service by virtue of mobile phones, apps and then is the option of easy payment. Another important part is bringing the ecosystem together whether it’s cable companies or telcos trying to make sure they are able to offer customers the service,” he added.

    Discovery’s John spoke about the importance of content in regional languages as the next wave of consumers is coming from rural India. He also added that short-form content is going to drive content consumption citing the popularity of TikTok videos. According to John, offering unique content can create a clear demarcation of value.

    Banerji said that the next billion subscribers are not certainly going to come on the back of OTT videos only. It’s going to be multiple industries spanning retail, travel, etc. Banerji emphasised on the role of technology so the streaming services work seamlessly in tier II and III markets. He opined that ensuring the product works even in patchy network is a necessity, especially for someone who is possibly coming to the internet universe for the first time.

    Terming the present phase an exciting period, ZEE5 CEO Katial said everybody knows video, vernacular and voice search are going to change the game. He added that India will have an ad-supported model along with premium content behind a paywall but both will keep evolving.

    Gandhi pointed out content discovery, getting customers to see value in content and making them pay for it, and piracy as the hurdles to overcome. In addition to that, the media veteran spoke about the unsatiated demand for content which is a challenge for creators to fulfil in relevant languages. Katial agreed with Gandhi’s view giving an example of the demand for returning seasons of popular shows. In addition to that, he threw light on the need for personalisation and segmentation on the platforms with proper technology.

    While Banerji said that content is going to be a key differentiator for further growth, he cited the example of the FMCG industry for sales, distribution and brand building. For ensuring distribution in far-flung places, he thinks to work closely with local partners, local broadband players and local cable/DTH players is important. From the marketing aspect, he mentioned how FMCGs do micro marketing by working with local radio stations and print mediums. He even raised the question of attracting those not in the internet universe or older audiences.

    However, the experts reaffirmed the co-existence of linear TV and digital content at least for the next five to ten years. Demand for all types of content is increasing even as the TV becomes more accomodating to TV and non-TV content.

  • NDTV, Taboola ink 5-year deal worth more than Rs 300 crores

    NDTV, Taboola ink 5-year deal worth more than Rs 300 crores

    MUMBAI: In the latest evidence of the unparalleled market leader position of NDTV Convergence, the company has struck an unprecedented five-year deal with Taboola, the world’s largest content discovery platform.   

    The five-year deal ties NDTV Convergence exclusively to Taboola and involves a minimum guarantee of more than INR 300 crores for NDTV Convergence, making it one of the largest deals not just for digital content but for the media space in its entirety.   

    “Like NDTV, Taboola operates with the user at the centre of its universe which is what makes this such a natural fit,” said NDTV Group CEO Suparna Singh. “Taboola’s energy and innovation allow us to enlarge our own goals; we share their pride and excitement in learning, redefining, and then recreating all over again.  And this deal proves that Brand NDTV remains unchallenged and the go-to for world-class companies.”  

    The new partnership is vastly north of the last NDTV-Taboola arrangement that lasted three years and was worth INR 100 crores based on traffic projections.   

    NDTV.com has 200 million uniques (source: Google Analytics, October 2018), making it India’s largest news website and the 23rd-largest in the world, ahead of Washington Post, Huffington Post and others (source: Similar Web, Unique Visitors for News and Media Category, October 2018).  

    This is the largest deal that Taboola has ever signed in the APAC region. Taboola uses its presence on sites like NDTV to recommend content from across the internet to the audience and to offer highly-personalized native advertising.  

    “The growth of the mobile internet in India is skyrocketing, and with over half a billion smartphone users, its mobile adoption is second only to China. Mobile users are continually looking for those “moments of next,” and publishers such as NDTV are well positioned to deliver a dynamic, personalized content experience to their readers,” said Taboola founder and CEO Adam Singolda. “We are humbled that NDTV, our oldest and largest partner in India, has made a long-term, five-year commitment to joint innovation in this most exciting market.”  

  • Airtel and ALTBalaji join hands to offer exciting digital content

    Airtel and ALTBalaji join hands to offer exciting digital content

    MUMBAI: Bharti Airtel (“Airtel”), India’s largest telecommunications services provider, and ALTBalaji, a wholly owned subsidiary of Balaji Telefilms, today announced a strategic partnership to bring exciting digital content from ALT Balaji’s portfolio to Airtel TV app users.

    ALTBalaji’s complete range of original shows and hit movies is now available on Airtel TV app. This includes popular shows like Karrle Tu Bhi Mohabbat, Haq and Bollywood hits like One Upon a Time in Mumbai and Lootera. This will help ALTBalaji in extending its content distribution to Airtel TV app’s fast growing user base. 

    With this strategic partnership, Airtel TV has further strengthened its content catalogue, which is amongst the largest in India. Customers can choose from over 350 + LIVE TV channels and 10,000 + movies and shows on Airtel TV app. All content on Airtel TV app is completely free for Airtel Postpaid and Prepaid customers till June 2018.   

    Wynk – CEO, Sameer Batra said, “We are thrilled to partner ALTBalaji and bring their rich content on to Airtel TV app. This will add to the wide range of exciting digital content available to our users. As Airtel TV continues to rapidly expand its user base, we remain focused on offering our users easy access to differentiated line up of entertainment content on the go.”

    Airtel has forged partnerships with all leading broadcasters and production houses to bring the best of content on a single platform and offer a compelling experience to customers.

  • Ace filmmaker Subhash Kapoor signed by ALTBalaji for its next #ALTBalajiOriginal

    Ace filmmaker Subhash Kapoor signed by ALTBalaji for its next #ALTBalajiOriginal

    Since its launch in April, ALTBalaji has more than 15 million mobile downloads. The ad free, subscription-based platform is available in over 90 countries and offers original content in various Indian regional languages, making it India’s largest repository for original and exclusive digital content.

    ALTBalaji has made some big announcements in the last few weeks. Recently, the digital platform announced its association with the highly acclaimed writer-director Habib Faisal and now ALTBalaji has signed up ace filmmaker Subhash Kapoor for its next #ALTBalajiOriginal based on the infamous 1959 Nanavati Case – making yet another big announcement in just one week!

    Subhash Kapoor who is known for directing satirical hits like Phas Gaye Re Obama, Jolly LLB and Jolly LLB 2 to name a few would be making his digital debut with ALTBalaji. 

    The show is in its pre-production stage and the cast is yet to be finalized.

  • Bengali film Posto to premiere on Hoichoi before satellite TV

    Bengali film Posto to premiere on Hoichoi before satellite TV

    NEW DELHI: Digital Bengali entertainment content platform Hoichoi has acquired exclusive digital rights of this year’s most successful Bengali feature film Posto, ensuring it a world digital premiere today before a satellite TV premiere.

    This will provide Bengali moviemakers a robust additional pipeline of movie-loving Bengali diaspora across the world, who have so far been deprived of many movies in the language because most have a weak or no international theatrical release.

    Hoichoi has already created a huge buzz in the Bengali entertainment industry with the launch of a slew of engaging original web series and shorts, and the acquisition of the Shiboprosad Mukherjee and Nandita Roy directorial venture, Posto, is set to further disrupt the industry.

    SVF & Hoichoi co-founder Mahendra Soni said, “What adds to our delight is that it is with this, the most successful film of 2017 so far, that Hoichoi will not only delight the Bengali diaspora across the world but will also help the Bengali film industry to overcome the challenges and limitations of international theatrical releases and take their forthcoming movies to a massive global audience of movie lovers worldwide.”

    Posto, which grossed more than Rs 50 million within four weeks of its release, received critical acclaim from the film fraternity. Portrayed by Arghya Basu Roy, Posto is a little boy raised by his grandparents (Soumitra Chatterjee and Lily Chakraboty) in Shantiniketan, a small town in Birbhum district, West Bengal. Posto’s parents (Jisshu Sengupta and Mimi Chakraborty) who are settled 200 km away in Kolkata, visit their son only on weekends.

    Trouble ensues when Posto’s father gets a new job offer outside India and plans to take Posto along with him. The boy’s grandparents are against the decision and the argument finally drags the kid into the courtroom.

    The film’s director, Shiboprosad Mukherjee, said, “It gives me great pleasure to announce that Posto will be exclusively available on Hoichoi, which has become the one-stop destination for people looking for great Bengali entertainment content. Any director would want his creation to be seen and liked by as many people as possible and Hoichoi will enable my film Posto to do just that!”

    Hoichoi showcases exclusive original shows every month and more than 500 Bengali movies. Founded in 2017, it is SVF New Media’s maiden venture. Hoichoi is headed by co-founder Vishnu Mohta, who is also SVF’s executive director.

  • How Digital India will foster VoD growth: Spuul Global CEO

    How Digital India will foster VoD growth: Spuul Global CEO

    MUMBAI: India is a market with enormous potential for digital services, and it is expected to continue to grow with a very rapid speed and much higher than many other markets in the world, as far as data traffic is concerned. In fact, some estimates suggest while the rest of the world will grow 10-12 times maximum when it comes to data traffic, India will grow 17 times.

    In the West, people went from a single TV to multiple TVs and then to the mobile, but India seems to be jumping directly from TVs to watching content on their smartphones, leaning on improving mobile internet to consume digital content. TV is becoming a static screen in your living room, while consumers are looking forcustomized viewing experiences.

    With a number of video on demand platforms coming together the Indian consumer is all set to enjoy a wide variety of video content as each VOD platform has something unique to offer to its viewers. 

    Having said that,the online video space provides a fantastic platform for experimenting with various content formats. It isn’t constrained by the economics of satellite television. A show prepared for the web, doesn’t necessarily need to be in ~30 minute slots. It could be a few minutes or a few hours. This has allowed content creators to experiment with multiple formats.

    At the same time there is a clutch of factors that could play spoilsport in the near future. Despite falling costs of technology and production, producing content is prohibitive and added to that distribution costs too are significant. The state of the broadband speed remainsspotty.

    A July report by Akamai, a US-based content delivery and cloud services provider, suggests that India had an average 3.5 Mbps Internet speed. Yet, it was the lowest average Internet speed in the Asia Pacific region.

    On consumption of data, the report said the country is on the cusp of significant growth in data traffic driven by rising data users as well as growing data usage per user.For 2016, the number of smartphone users in India is estimated to reach 204.1 million, with the number of smartphone users worldwide forecast to exceed 2 billion users by that time.

    Watching a movie of 2-3 hours could take up about 200-250 MB of data, which costs around INR 40-50. For VOD platforms to succeed in India costs of 4G have to come down drastically.The Telecom Regulatory Authority of India (TRAI) said that there are 1.06 billion wireless telecom subscribers in the country. The Cellular Operators Association of India, said, the number of 3G users in India is expected to more than double (to 330 million) and 4G to grow by over 10 times (to 42 million) from 2015 base till 2017.  4G will be a game changer in the way video is being consumed in the country. 

    The way consumers consume information and entertainment will change from TV to video on demand over multiple devices, but one thing that won’t is that content will continue to be king. Because how the content is consumed depends on ease, convenience of the video on demand platforms and ultimately technology will decide who gets the most viewership. India though has room for many video on demand services to survive and thrive because preferences and tastes of viewers vary from region to region.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/Subin%20Subaiah-800x800%20%281%29.jpg?itok=noP8yybOThe writer of this article is Subin Subaiah. The views expressed here are personal, and Indiantelevision.com need not necessarily subscribe to them
  • OTT – The new El Dorado: Nailing the coffin on television?

    OTT – The new El Dorado: Nailing the coffin on television?

    MUMBAI: With the industry buzz word for 2016 being ‘digital content,’ much has been spoken about the vista of prospects that the medium poses for content creators with figures and studies on rapidly growing digital adex often thrown around in the air. But how much of that talk is really translating into reality for those working in the ‘OTT’ or alternate video content business, was the question raised in the Indiantelevision.com organised Content Hub’s penultimate session ‘OTT: The New El Dorado.’

    Panelists on board the discussion were Alt Digital CEO Nachiket Pantvaidya, Isobar India MD Shamsuddin Jasani, The Viral Fever founder and CEO Arunabh Kumar, Big Synergy director Anita Kaul Basu, and Arré CEO Ajay Chacko.

    Just as the title reflects, while looking at the macro picture of digital media of the future, marketers and content creators often forget to ask the basic questions of budget, sustainable revenue models, relevance in future and of course the return on investments.

    Throwing light on ground reality of the matter, each of the panelists shared their insights and experiences.

    I Don’t Watch TV, the upcoming web series from Arré, and its equally disruptive trailer set the tone of the discussion, which was anchored by Indiantelevision.com founder, editor-in-chief and CEO Anil Wanvari.

    Consciously steering away from being called an “OTT” platform, Chacko stated that their new venture was a content brand that believed in disruptive content. Elaborating on the reason, he said, “Digital, like every media transition we have seen in the past, gives you the opportunity to create different tone of content, be experimental and maybe give form to the next big cliché. The need of the hour is social relevance and we not only churn out radical content but also play around with it within the social context. While we crib or joke about the hackneyed television content and the people behind it, the truth is that it isn’t as much. It’s the hackneyed content revenue that compels them to act in a certain way and our effort is to break free from it,” Chacko shares.

    Expanding on the business model of digital platforms, especially with respect to Arré’s on-demand content arm, Chacko confesses that he hails from a very traditional school of thought that Indian content market is ad-funded. “I don’t see an escape from dependency on advertisers even on digital. However, the nature in which a brand or advertisment interacts with content is changing. We are entering an era of the next level of branded content, which has been mastered by my fellow panelist Arunabh (of TVF fame),” Chacko adds.

    Seconding the new form of branded content and possibilities that it brings for marketers, Jasani shares, “From what I have observed, Indian viewers are inherently inclined to not pay for content and that mindset is not changing in the near future. Therefore, ad-funded content is the way forward. The way people are going to consume video will primarily be on demand. It is an interesting crossroad for advertisers and marketers as well on how to use this new age content. Several brands are open to experimenting with branded content with content creators and even take ownership of the content marketing they do. Agencies, marketers and content creators are coming together to make branded content and share the IPs of it, as well as the revenue the property generates.”

    Moving on from the tug of war between television and the second screen, Jasani projects a whole new dynamic in the near future when viewers will be screen agnostic. “A seamless flow of data and videos that is available on all my devices, be it television, laptop or mobile, is what people want in the near future. Therefore, the whole concept of creating for mobile or creating for television needs an overhaul and creators will need to think from a macro perspective.”

    While Jasani paints an optimistic picture on the investment interest advertisers have in the digital content front, TVF’s Kumar begs to differ.

    While taking a question raised in the post session Q&A round, Kumar comes clear on the ground reality of how an advertiser operating in the current landscape thinks of the digital medium as compared to the traditional medium platform for its advertising spends. “Let me be honest, people say digital spend is growing but that’s all lip-service. This is my observation over the last five years. The major advertisers end up striking a deal with a fancy agency and spend crores on TVCs, while their purses become tight when it comes to the digital video space. If brands were to spare even a single digital per cent of what they do on television, it will be a huge boost to the production budget and quality of what digital creators are making. But right now that is hardly happening.”

    Continuing, Kumar further adds, “When we pitch a show to a brand, we have to make it clear that we are not going to make a TVC. We are not asking money for a 30 sec slot, the content for which you have created and paid for. We are actually going to make your brand an integral part of storytelling so that viewers become fans of the show as well as the brand. I believe that is cent per cent more than what a TVC can do for a brand.”

    Jasani admits the challenge the digital believers have in hand is converting the old school thinkers to see the returns that digital content can give, but is equally confident that the change will follow, as the drastically changing content space will only compel the marketers to evolve or be left behind.