Tag: digital audio

  • India cuts FM radio reserve prices to revive stagnant sector

    India cuts FM radio reserve prices to revive stagnant sector

    NEW DELHI: India’s telecom regulator has recommended sharp cuts in reserve prices for FM radio channel auctions, acknowledging the sector’s struggle against streaming services and stagnant revenues that have barely recovered from pre-pandemic levels.

    The Telecom Regulatory Authority of India (TRAI) on 23 September  proposed reserve prices 30 per cent below previous valuations for three cities seeking radio licenses. Bilaspur in Chhattisgarh would see its reserve price set at Rs 83 lakh, down from a calculated valuation of Rs 1.18 crore. Rourkela in Odisha faces a reserve floor of Rs 1.20 crore against a Rs 1.71 crore valuation, whilst Rudrapur in Uttarakhand gets a Rs 97 lakh reserve price from a Rs 1.39 crore assessment.

    The cuts reflect harsh realities facing India’s private FM radio industry. Total advertising revenues peaked at Rs 2,382 crore in 2018-19 but crashed to Rs 941 crore during the pandemic’s first year. Recovery has been sluggish, reaching just Rs 1,819 crore in 2024-25—barely matching 2019-20 levels despite more channels operating.

    “The sector is facing increased competition from digital audio platforms,” TRAI noted, warning of “substitutability effects” as younger listeners migrate to on-demand streaming services that offer playlist curation and skip functions unavailable on traditional FM.

    The regulator’s move follows disappointing recent auctions. In July 2025, only 63 of 730 available channels across 234 cities found buyers, highlighting weak industry demand despite government efforts to expand FM coverage.

    TRAI also introduced a new “category E” classification for 18 small cities in hilly regions of Himachal Pradesh, Uttarakhand and Jammu & Kashmir, setting their reserve prices at just Rs 3.75 lakh each. These locations would operate with lower transmission power than existing categories, reflecting challenging terrain and smaller populations.

    The recommendations include several industry-friendly measures: allowing FM broadcasters to stream content online simultaneously, permitting news and current affairs programming for up to 10 minutes per hour, and offering instalment payment options similar to telecom spectrum auctions.

    Most significantly, TRAI urged the government to delink annual licence fees from non-refundable entry fees for all operators—not just new entrants. Current rules tie existing broadcasters’ annual costs to auction prices set by later bidders, creating unpredictable expense burdens that “impinge on the business model for FM operators.”

    The authority also recommended allowing voluntary infrastructure sharing and reducing mandatory co-location requirements with state broadcaster Prasar Bharati, whose rental charges some operators claim could be recovered through independent infrastructure within 2.5 years.

    India currently operates 388 private FM radio channels across 113 cities. The sector employs thousands and serves as a crucial local information source, particularly during emergencies. However, its financial sustainability increasingly depends on adapting to digital competition whilst maintaining terrestrial broadcasting’s unique community connection advantages.

  • Saregama makes digital audio players cool again

    Saregama makes digital audio players cool again

    MUMBAI: There is nothing that moves India like music and when it comes to music, who would disagree that songs from the 50s, 60s, 70s, and even the 80s have touched India like few other things have. Several generations have grown up on singers like Rafi, Lata, Mukesh, Kishore, Sahir, Majrooh, RD, and they became such a part of our lives that they are referred to by their first names. And yet, today, we struggle to get access to their songs. The 40+ Indian living in smaller towns today is not very comfortable with the contemporary music media – be it smartphones, memory sticks, or download options.

    Saregama has launched its first ever digital and TV film for its hot new product – a portable digital audio player with in-built stereo speakers and 5000 evergreen Hindi songs inside called Saregama Carvaan.

    Saregama wanted to capture and portray the depth of emotions and the role that music, and by its extension Carvaan can play in people’s lives. Ad agency The Womb wanted to stay away from the casual, the flippant, or the superficially happy-clappy world of gifting advertising.

    The film showcases the couple as they move through life and how a song is an integral part of their relationship. It is the husband’s stress buster, it is his solace, his happiness and joy. It is also his ‘lori’! Until one day, the wife passes away and the song ceases to exist. The son has observed the song, its role in the relationship of his parents and how troubled is his father. He brings along Carvaan as a gift which may never replace the mother but most surely can bring the song and associated memories back to life.