Tag: Designyatra

  • “I just think you can never sit on your laurels”: NB’s Alan Dye

    “I just think you can never sit on your laurels”: NB’s Alan Dye

    Mumbai: Since the last in-person Designyatra in 2019, the world has spun on its head.

    The pandemic prompted a re-evaluation of not just how we work, but the kind of work we’re creating as well. With massive shifts in nearly every aspect of life, it triggered the need for new design narratives to match the flux of life. We had to reimagine how we engage and communicate with everything from brands and business to art, entertainment, and activism. Mindsets changed. And so did the tools available to us. It was time for a reset.

    A reset.  It’s not just about starting over; it’s about reimagining, realigning, and redrafting some of the rules. It’s about rethinking conventions, challenging norms, and creating fresh narratives.  All to remain relevant.

    Indiantelevision.com caught up with Alan Dye on the sidelines of the Kyoorius Design Yatra 2023.

    Alan co-founder and creative director of NB boasts over 30 years in design, leading notable projects like Philharmonie Luxembourg, Pernod Ricard and the V&A.

    Alan is a seasoned judge for international awards, he chaired Typographic Circle for nearly a decade, fostering design appreciation through curated talks. Alan’s impact is undeniable, bridging creativity and industry recognition.

    On the ‘reset’ in your life in the context of this year’s Designyatra theme being ‘Reset’

    Oh my god! Well, since COVID, I think I have been resetting every single day. In fact, every single day at work for the last 25 years running my own company, we’re always resetting. I just think you can never sit on your laurels. Every single brief is new. You just got to keep going forward and thinking about the new and just working with incredible, amazing people. I think as a designer, you’re just resetting all the time. As soon as you become a designer you see everything around you, i.e., you walk into a restaurant, you pick up the atmosphere, you look at the tablecloth, the music playing, the ambiance of the light, the typography on the menu, and I just think that’s what you do as a designer. It’s just natural in you. So I don’t know if that’s resetting. But I think reset for me is just always constantly thinking about stuff or solving problems. In the bigger sense, I suppose, reset, and after COVID times, it’s just who we think and how we do things I imagined. I don’t really have a kind of heavy, serious question, because running a business is quite a freedom thing. We’re always trying to reinvent or be ourselves and tell different stories. For a designer, resetting is just part of our natural disposition, something we do almost instinctively.

    On some of your memorable works

    For me, the most memorable work is always the next one, to be honest. You start with a blank sheet of paper. I could be designing the Philharmonie Luxembourg, or the set of stamps for the wall mount or even crafting a Mother’s Day card for my mom. I approach them all with the same dedication. Whatever you do, even if it’s washing dishes, I believe in doing it well. I’ve had the privilege of working on various projects, such as the V&A in England, collaborating with a theater company, and currently, we’re involved with Pernod Ricard. I don’t really have a favorite among them; they’re all memorable in their own way. The most memorable one is usually the current project we’re working on. It’s all about looking forward to the jobs of tomorrow, and I find that quite enjoyable.

    On your thoughts on the incredible impact you’ve made and bridged creativity and industry recognition

    I had no idea I was incredible. I work in London, and there are so many incredible designers, not just in London, but all around the world. So I don’t really have an answer for that. We’re all part of a larger creative community, and I believe that making the world better and encouraging people to think differently is a wonderful pursuit.

    On the feeling of attending Designyatra

    Originally, when I was approached, it was just about two weeks ago. It happened because I asked Ashish, who happens to be a mutual friend with Michael Wolfe, a well-known designer in England who played a significant role in shaping the global brand and Indian portfolio. I told Ashish about this book we’ve created with Michael, who is 90 years old, and it’s currently on Kickstarter. I asked him if he could help promote it. He responded by suggesting that I come and be the emcee for an event. At that moment, I didn’t even know what “MC” meant, so I had to quickly look it up. My initial reaction was a mix of surprise and doubt, thinking, “I’ve never done this before.” Now, they want me to stand up and introduce 22 individuals who are making a substantial difference in the world, all without personal agendas but with a shared goal of making the world a better place for everyone.

    Being part of Design Yatra is an exceptional platform for these remarkable people to share their experiences, whether they are product designers, furniture makers, AI specialists, graphic designers, space entrepreneurs, or any other creative profession. They can share their insights with the audience, and if just one person leaves feeling inspired, that’s truly remarkable.

    On Designyatra helping upcoming talent in India

    Certainly, the inspiration will come naturally just by being here. If Designyatra doesn’t inspire young designers, then what will? Designyatra is simply incredible, serving as a fantastic platform for both young and experienced designers. It doesn’t matter if you’re 90 years old or you’re still a foetus – Designyatra is the place to be. It’s an event that can inspire people of all ages to look at things differently, challenge conventional thinking, and generate amazing ideas. And here’s the thing, whether you realize it or not, we are all designers in one way or another.

    On your secret sauce behind your success and mantra for the audience here

    Each day, I head to work with a sense of excitement, like butterflies in my stomach, because I’m truly passionate about what I do. If I were to share a mantra with young designers, it would be this: “Don’t overthink it; just get to work.” Overthinking can bog you down. What’s most crucial is to be yourself and trust your instincts. Your intuition and gut feeling are valuable guides. Regardless of what others might advise, you always have that inner sense. Follow your instincts and let your subconscious, which has been working behind the scenes, catch up with your conscious mind.

    Additionally, collaboration is key. Work with exceptional people, collaborate with those who might seem unexpected partners, because the synergy created by collaborating with like-minded but unexpected individuals often leads to a unique and remarkable outcome. In my world, one plus one typically equals three. So, don’t hesitate to collaborate with people who may seem a bit crazy or unconventional; it can yield extraordinary results.

  • Design maestro Dick Powell on reimagining design and never giving up

    Design maestro Dick Powell on reimagining design and never giving up

    Mumbai: Since the last in-person Designyatra in 2019, the world has spun on its head.

    The pandemic prompted a re-evaluation of not just how we work, but the kind of work we’re creating as well. With massive shifts in nearly every aspect of life, it triggered the need for new design narratives to match the flux of life. We had to reimagine how we engage and communicate with everything from brands and business to art, entertainment, and activism. Mindsets changed. And so did the tools available to us. It was time for a reset.

    A reset.
It’s not just about starting over; it’s about reimagining, realigning, and redrafting some of the rules. It’s about rethinking conventions, challenging norms, and creating fresh narratives.
All to remain relevant.

    Indiantelevision.com caught up with Dick Powell on the sidelines of the Kyoorius Design Yatra 2023.

    Dick Powell, co-founder of Seymourpowell, a top-notch design company has almost 40 years of experience. Recently Powell’s team designed the inside of Virgin Galatic’s spaceship.

    He is a big supporter of creative folks shaping our future, spending a decade as chairman at D&AD and serving on boards like the Design Council and Samsung’s International Design Advisory Board.

    On elaborating on the topic of design being more than just aesthetics

    If you ask anybody in the street, what design is, they would tell you that it’s about aesthetics, form, color, shape, and the soft, emotional aspects of things. But for me, it’s also about making things better and we all have a duty to make things better. So fundamentally, when we’re creating new products and services, our primary focus should be improving the lives of people; there’s always a customer. Design is not art; it’s not about self-expression, it’s a commercial act. The companies that we work for have to make money from what we do, better for the world, We strive for sustainability in sourcing, design for repair, and ensure recyclability and reusability whenever possible. We’re not always successful at that, let’s be honest, but as somebody else yesterday said, you try and make small changes, you try and have the influence you can and that way, gradually, step by step, you can change things.

    On the ‘reset’ in your life in the context of this year’s Designyatra theme being ‘Reset’

    Well, I think I’m the odd person out here when it comes to reset, because during the pandemic, my business had to keep going because we had big projects for clients that couldn’t be stopped. There was no option to drop the ball during that period, so we were all working right through that. So I never had that feeling of stopping and starting again. It was just always, we were just continuing. So I didn’t have that reset feeling. Actually, a designer is resetting every time you start something new. Whether you’re designing a spaceship or a spinal insert, you begin with a clean slate because you don’t have prior knowledge in that specific area. This continuous renewal is a vital aspect of the profession, as it ensures you never cease to learn. The moment you stop learning, you cease to truly be a designer. To remain effective, you must maintain a spirit of exploration and ongoing learning.

    On some of your memorable works

    I believe one of our noteworthy innovations was the world’s first cordless kettle, a concept introduced at a time when people were content with manually unplugging kettles. This seemingly simple solution addressed a potential safety hazard, as cords could inadvertently end up in sinks, posing dangers. If we had sought public opinion at that time, many might not have recognized it as a problem. It’s a product that resolved an issue most individuals hadn’t even realized they had. If I had received royalties for that idea, I’d probably be sailing on a yacht in Monaco Harbor right now. This is one of the projects that people associate with us. More recently, we gained recognition for designing the interior, seats, and overall experience for Virgin Galactic’s Spaceship. It’s a remarkable endeavor. These are the achievements that stand out for me. Although many everyday products may seem ordinary when they appear on high streets, they have been part of my mission. I recall my mother pointing out items on the high street, saying, “We did that, and we did that, and that too.” Enhancing everyday household items has always been a personal goal. The same principle applies to transportation – whether it’s designing the interior of a train or creating a motorcycle, the objective is clear: make it better than its predecessors.

    On the feeling of speaking at the Designyatra and addressing the best of minds in design in India

    The first thing to be absolutely clear is, I love India and have always loved it. I’ve been here quite a lot. I’ve had the privilege of visiting India on numerous occasions, and when the opportunity arose to speak here, my eagerness was unquestionable. Over the years of my visits to India, I’ve witnessed a remarkable transformation in the field of design. The creative landscape has soared to new heights in terms of creative endeavors, activities, and education. It’s truly astonishing. We consider our Indian colleagues to be on par with designers from any part of the world, be it the United States or elsewhere. India hosts industries that are exceptionally productive, and they rely on the expertise of designers and creative minds to drive this progress. It’s a transformation I’ve observed. When engaging with people here, you’re essentially conversing with like-minded individuals who share a common passion for design and creativity. It’s that straightforward.

    On your mantra to succeed in life and the message you’d like to convey to the audience reading and listening to you

    Reflecting on what I mentioned earlier, the core principle I’ve upheld is the relentless pursuit of improvement. Life offers the opportunity to introduce change, but for me, it must inherently result in something better. While many designers find their work as a form of self-expression, akin to artists, and it’s a valid approach, my perspective leans heavily on ensuring functionality and effectiveness. Creating a chair that appears aesthetically pleasing but lacks stability when sat upon is simply unacceptable in my view. Making things better is my mantra, and I believe that striving to enhance life is a noble guiding principle.

    On your advice to the young minds

    Never give up! I think because it’s actually quite hard to be successful in the creative industries. There are a lot of people competing for places in the creative industries. It’s quite easy to just think it’s impossible, but you know, if you keep going, and you keep doing great things, and you keep trying to improve yourself, you can get there. So making yourself better, I suppose as well as making the world better is important. Never stop learning.

    On the other reason for you to want to accept to come to Designyatra

    We touched on the topic of ‘Reset’ earlier. The entire landscape of design conferences underwent a significant transformation due to the pandemic, with most of them vanishing. These conferences used to offer a wonderful chance to travel abroad, connect with people, and engage in discussions about such issues. With this event at Designyatra, it marks the first conference I’ve participated in since the pandemic. It presents a valuable opportunity to re-engage with the global community. While we often travel to various locations, there’s something uniquely energising about bringing together a diverse group of people in a single forum.

  • Designyatra 2023: Where creativity thrives with ‘Reset’ as the theme

    Designyatra 2023: Where creativity thrives with ‘Reset’ as the theme

    Mumbai: Kyoorius, since its inception, helmed by the creative evangelist Rajesh Kejriwal has worked relentlessly to empower the creative community in India.

    Kyoorius has a wide range of creative properties like ZEE Melt, Kyoorius Creative Awards & the Kyoorius Design Yatra.

    As a non-profit organisation, Kyoorius encourages the creative industry to excel through these endeavors.

    Day one at Designyatra was exactly like you would expect for the in-person comeback of one of India’s biggest and most beloved design festivals. Filled with old friends reuniting once again, new friendships being formed, and a whole boatload of inspiration.

    The day kicked off with Abha Narain Lambha, the master restoration architect bringing back heritage buildings from the dead. From high-altitude Buddhist temples to some of the most iconic buildings like The Royal Opera House, her talk showcased not just her skill, but also her love for the work she does. Next up, the crowd gave a roaring welcome to Sindiso Nyoni, and was then immediately left speechless after looking at his unique brand of Guurill(art). Focusing on protest art, his talk centred around his hard-hitting posters, slick animations, and inspired installations. By the end, the audience was roaring again. And that theme continued on as Khyati Trehan took the stage. A Designyatra alumnus, Khyati’s talk went into her life behind the scenes, before she was the inspiration she is today. And then she brought it to her present, outlining the tenets that have helped her become a freer, more explorative designer. Candid, playful, and obviously well-designed, her presentation received several whoops from around the room. The dynamic duo, Yael Mer and Shay Alakaly, took the stage next. From their love for pushing design ideologies with playfulness at the core, to their stellar product design portfolio. They’ve pitched to Louis Vuitton with paper models, cooked wood to change its colour, and made furniture that is adored by people around the globe, but mainly their children. As the audience bid adieu to the power couple, Shubhi Sachan took the stage. The founder of the Material Library of India, she showed how waste can become wonderful, if treated the right way. And outlined how important it is for the world to make the most of what we have before we deem it useless. The day ended on a massive high as Jonathan Barnbrook leaped onto stage. His talk left the audience laughing, crying (because they were laughing so hard), and braver than when they walked in. With a new perspective unlocked, and new inspiration in their back pocket, Designyatra is, and always will be, the place where creativity prospers.

    The theme for the season is “Reset”, an attempt to look at how the world, the work, and most importantly how we work has changed. Designyatra, presented by Zee5, powered by Pidilite, with experience partner Absolut, will continue on the 27 and 28 October.

    For more information about the event, visit designyatra.com

  • Why am I here: 1200 delegates Kyoorius

    Why am I here: 1200 delegates Kyoorius

    MUMBAI: After 10 consecutive successes of brilliantly bringing together the industry’s witty brains, Kyoorius Designyatra’s 11th edition ‘Why am I here?’ has moved to Jaipur this year. The event will be held at the Fairmont Hotel over three days from 29 September.

    The theme will explore facets of creativity – whether chasing passion or just doing mundane work; be it in designing, writing, shooting or exploring multiple avenues for creativity.

    Kyoorius founder CEO Rajesh Kejriwal said, “The team and all its supporting partners have worked hard to ensure that Designyatra is unique and grander than ever. We look forward to seeing everyone — from students to young professionals to seniors and professionals come together at this annual celebration of creativity”.

    This year, over 1200 delegates are expected. They will participate in workshops, discussions and portfolio reviews providing the audience a platform for interactions. The sessions will help expand professional networks, mingle with the most innovative entrepreneurs and chat up industry professionals.

    The speakers include Vann Alexandra founder Alex Daly, The Partners executive creative director Greg Quinton, Handsome Frank founder Handsome Frank, Michael Wolff & Co. founder Michael Wolff, MAP co-founder and creative director Jon Marshall, Kate Dawkins Studio founder and director Kate Dawkins, Johnson Banks founder Michael Johnson, Made Thought founding partner and creative director Paul Austin, Wieden+Kennedy global partner Tony Davidson, and yukoart.com illustrator Yuko Shimizu.

    “We want this to be always the coolest design conference across the world as well as reflect on why are we here. We would ideally want to push every inspired participant to ponder over doing more relevant and meaningful things for India, added Kyoorius co-founder and creative director Kay Khoo.

  • Why am I here: 1200 delegates Kyoorius

    Why am I here: 1200 delegates Kyoorius

    MUMBAI: After 10 consecutive successes of brilliantly bringing together the industry’s witty brains, Kyoorius Designyatra’s 11th edition ‘Why am I here?’ has moved to Jaipur this year. The event will be held at the Fairmont Hotel over three days from 29 September.

    The theme will explore facets of creativity – whether chasing passion or just doing mundane work; be it in designing, writing, shooting or exploring multiple avenues for creativity.

    Kyoorius founder CEO Rajesh Kejriwal said, “The team and all its supporting partners have worked hard to ensure that Designyatra is unique and grander than ever. We look forward to seeing everyone — from students to young professionals to seniors and professionals come together at this annual celebration of creativity”.

    This year, over 1200 delegates are expected. They will participate in workshops, discussions and portfolio reviews providing the audience a platform for interactions. The sessions will help expand professional networks, mingle with the most innovative entrepreneurs and chat up industry professionals.

    The speakers include Vann Alexandra founder Alex Daly, The Partners executive creative director Greg Quinton, Handsome Frank founder Handsome Frank, Michael Wolff & Co. founder Michael Wolff, MAP co-founder and creative director Jon Marshall, Kate Dawkins Studio founder and director Kate Dawkins, Johnson Banks founder Michael Johnson, Made Thought founding partner and creative director Paul Austin, Wieden+Kennedy global partner Tony Davidson, and yukoart.com illustrator Yuko Shimizu.

    “We want this to be always the coolest design conference across the world as well as reflect on why are we here. We would ideally want to push every inspired participant to ponder over doing more relevant and meaningful things for India, added Kyoorius co-founder and creative director Kay Khoo.