Tag: dentsu Creative India

  • Dentsu Creative India appoints Ajeet Shukla as group executive creative director

    Dentsu Creative India appoints Ajeet Shukla as group executive creative director

    Mumbai: Dentsu Creative India on Wednesday announced the appointment of Ajeet Shukla as group executive creative director. He will report to Taproot Dentsu and Isobar India chief creative officer Aalap Desai.

    In his new role, Shukla will drive Dentsu Creative’s global proposition to transform brands and businesses through the power of ‘Modern Creativity’ in the western region of the country. His focus will be to breathe life into the best possible creative solutions that are strongly anchored in culture, innovation, and technology, said the agency in a statement.

    Prior to this, Shukla was with Publicis India as executive creative director. In his professional journey so far, Shukla has worked with brands like IPL, ZEE, Disney+ Hotstar, TATA Salt, Ferrero Rocher, Heineken, Amstel, Skoda, Aegon Life, TATA AIG, HDFC MF, HDFC Bank, BPCL, Mak Lubricant, CHINGS, ZEE5, Dish TV, Emami Navratna, Ghadi, among others.

    With more than 16 years of experience, Ajeet has won many national and international awards like Abbys, Kyoorius, Mirchi Kaan, Effies, Adfest, Promax Asia, to name a few. In addition to this, some of his notable works include IPL’s “Bulavaa aaya hai,” Aegon Life’s “Aegon toh tension gone,” Champions Tennis League’s “Tennis Ball,” Tata Salt’s “Namak ki baat,” Sony Six’s “Har koi six lagayega,” and ZEE5’s “Dekhte reh jaogey.”

    Speaking on the appointment, Aalap Desai said, “Right now, Dentsu Creative is a wonderful work in progress. It is at this time when you need the right people to join in and add to it. Ajeet fits that profile on every count. His body of work is brilliant, and his attitude and love for business are contagious. I am glad to have him on board for the journey.”

    Shukla added, “The bigger the challenge, the bigger the opportunity. And I am thrilled to take this opportunity in this role. It would really be amazing to work in such a great creative environment filled with the best of the creative minds in the industry. I really look forward to doing some great work here.”

    Dentsu Creative India was recently declared the ‘Agency of The Year’ at the Cannes Lions Festival of Creativity 2022-a first-ever for India. It also lifted a Titanium for the country for its ‘Unfiltered History Tour (UHT)’ campaign in addition to bagging three Grand Prix—another first, two Gold Lions and three Silver Lions—making UHT the most awarded work not only from India but globally.

  • Dentsu Creative India names Sumeer Mathur as chief strategy officer

    Dentsu Creative India names Sumeer Mathur as chief strategy officer

    Mumbai: Dentsu Creative India has bolstered the strength of its strategy team with the appointment of Sumeer Mathur as chief strategy officer. Mathur will report to Dentsu Creative India chief executive officer Amit Wadhwa.

    Mathur’s mandate will be to build upon Dentsu Creative’s strategic capabilities in order to further enhance its work and market-leading creative reputation. His responsibilities will include brand management, digital, and PR. In addition to this, he will work closely with Dentsu Creative India Group chief creative officer, Ajay Gahlaut, and the business teams to ensure the highest quality of output from the agency.

    Mathur has over 20 years of expertise and is a firm believer in communication that creates business and brand impact. He has previously held national, regional and global strategic responsibilities for many brands, which include Colgate-Palmolive, Clinic Plus, Clinic All Clear, Fair & Lovely, Airtel, Horlicks, Royal Enfield, Livon, Taj Hotels, UNICEF, Adidas, LG, Microsoft, Bira, and Muscle Blaze, to name a few.

    He has worked with agencies like Rediffusion, DYA&R, Lowe Lintas, JWT, DDB Mudra, and Edelman. Prior to this, he was the national strategy head at Havas Creative. Additionally, Mathur has played a significant role in creating work that has won numerous effectiveness awards for brands like HUL, Airtel Money, Microsoft PCs, Livon, UNICEF, CHAI, etc. He has also served on the Effie India Jury for many years.

    Amit Wadhwa said, “Sumeer’s appointment takes us a step further toward our vision for Dentsu Creative in India to lead the way in Modern Creativity. He not only brings in knowledge and credibility from some of the best agencies but also has vast experience across brands, digital and PR, which indeed makes him the perfect fit. I, along with the entire leadership team, am looking forward to working closely with him and reaching new milestones in the future.”

    Speaking of his new role, Mathur added, “Frankly, it’s a privilege to join the team at Dentsu. There isn’t a communication agency in the country right now that combines tech, culture, craft, and ideas the way Dentsu does. They are ahead of the curve and have their feet firmly planted in the future, in order to deliver value to clients.” 

    Dentsu Creative India was recently declared the ‘Agency of The Year’ at the Cannes Lions Festival of Creativity 2022-a first-ever for India. It was a historic hat-trick with the agency also lifting a Titanium for the country for its ‘Unfiltered History Tour (UHT)’ campaign in addition to bagging three Grand Prix-another first, two Gold Lions and three Silver Lions-making UHT the most awarded work not only from India but globally.

  • Google Pay tops the chart among e-wallets app users at 38%, followed by Amazon Pay & Paytm: WATPapers

    Google Pay tops the chart among e-wallets app users at 38%, followed by Amazon Pay & Paytm: WATPapers

    Mumbai: WATConsult, the hybrid digital agency from Dentsu Creative India, has released the latest issue of its monthly WATPapers. Titled ‘Digital Transactions in India’, the report is by WATConsult’s research division, Recogn. The report shares insights on the increase in online businesses and purchases, changes in the process of making payments, and the migration of people from cash to digital transactions.

    According to the report, the majority of respondents prefer to use digital payment systems like e-wallets and UPI. Apart from that, they have also used credit cards and net banking to complete transactions. It is worth noting that, while 46 per cent of males prefer e-wallets, the majority of females prefer UPI to transact. Furthermore, many youngsters in the age group of 18 to 24 years prefer using UPI and e-wallets.

    The report further reveals that among the e-wallet app users, Google Pay (38 per cent) tops the chart, followed by Amazon Pay (37 per cent), Paytm (36 per cent), and Freecharge (32 per cent). While female users choose to use Google Pay, male users prefer using Amazon Pay, Paytm, and Google Pay. In small metropolitan areas, users prefer to use JioPay, Google Pay, and WhatsApp to transact.

    Users favour e-wallets owing to the need to switch to a digital payment system and reduce cash transactions. These apps are convenient since they are easy to use and access. Additionally, users also get discounts or cashback on using them, along with some special benefits from specific retailers as well.

    “Mobile payments, especially mobile wallets, have been a great driver towards this phenomenon and revolution on a global basis,” said Isobar India group CEO Heeru Dingra, commenting on the latest issue of WATPapers. “Gradually, India is moving toward a cashless economy, which explains the increasing trend of using digital payments systems extensively. The government, under the programme of digital India, has been encouraging and promoting the use of e-wallets via UPI.”

    “The UPI platform has witnessed a leap in adoption at a phenomenal growth rate as a payments product across the country. There have been many merchants and businesses in the digital as well as offline ecosystems that have integrated the options of e-wallet apps and UPI for customers’ convenience and ease of transaction. This has positively influenced the country’s mobile wallet market,” she added.

    WATConsult managing partner Sahil Shah said, “In the emerging markets, e-wallet apps have garnered much more attention compared to other forms of payment systems. Digital payment adoption is growing, and the onset of the pandemic has created a need for contactless payments in everyday life. The need for digital payments and the rise in the frequency of usage of e-wallets during the pandemic have been evident. There was a change in the behaviour of consumers during the pandemic which had a direct impact on the retail and e-commerce sectors.”

    For the record, WATPapers are monthly published short reports based on the primary research conducted by Recogn, the agency’s research division that provides consumer and business insights to the audience. It aims to delve into the different aspects of the digital industry, consumer behaviour, and more.

    Link to the report: https://www.watconsult.com/watpapers-digital-transactions/

  • Watconsult wins ORM & social listening mandate for Olx Autos

    Watconsult wins ORM & social listening mandate for Olx Autos

    Mumbai: WATConsult, a hybrid digital agency owned by Dentsu Creative India, has won the online reputation management and social listening mandate for OLX Autos.

    Following a multi-agency pitch, the account was won and will be managed by the agency’s Mumbai office.

    According to the mandate, WATConsult will be in charge of the brand’s response management, which includes monitoring, listening, responding to queries, and reporting to users online.

    OLX Autos’ marketing country head Siddharth Agrawal said, “We are excited to have WATConsult on board as our partner for ORM and digital listening mandate. It is a very important element in further accelerating our brand journey & reputation. We look forward to elevating our customer service and the overall platform experience through this engagement.”

    Isobar India group CEO Heeru Dingra, said, “We are delighted to have OLX Autos on board. The brand has fared remarkably well in recent quarters, and social listening will be critical to its future success. Our team is well-equipped to provide the necessary skills, and we are very much looking forward to assisting them on this journey.”

    WATConsult Managing Partner Sahil Shah said, “This addition solidifies our already strong offering on auto clients. OLX Autos being a new-age digital-first brand, just resonates very well with our go-to-market at many levels. I welcome OLX Autos to our esteemed list of clients and look forward to a great partnership with them.”

  • Dentsu Creative India names Sudhir Das as executive creative director

    Dentsu Creative India names Sudhir Das as executive creative director

    MUMBAI: Dentsu Creative India has announced the appointment of Sudhir Das as executive creative director (ECD). He will report into Dentsu Webchutney & dentsuMB chief creative officer (CCO) Arjuna Gaur.

    In his new role, Das will oversee and strengthen the creative capabilities of the agency’s Bengaluru office, further leveraging the power of ‘Modern Creativity’ across brands, according to the agency.

    Armed with two decades of experience, Das has won over 50 national and international awards. Prior to this, he was with Leo Burnett as an associate executive creative director (AECD). In his previous roles, he has worked with brands like Coca-Cola, Nestle, Apple and Airtel, to name a few. His notable campaigns include ‘Ras-Ras mein India’, ‘Me and Meri Maggi’, ‘Spicejet Democracy’ and ‘Cardekho Back-Off’ – covering the gamut from large, populist, TV-led campaigns to documentary-style film-making to super-technical experiments marrying cars and music.

    Speaking on the appointment, Arjuna Gaur said, “Sudhir Das is an experienced creative leader with some of the world’s biggest brands in his portfolio. He is as comfortable with mainline advertising as he is with new age forms and is an engineer to boot! A brilliant well-rounded creative, Sudhir will be an invaluable addition to the team.”

    Sudhir Das added, “The Cannes jury has confirmed what we knew all along – this is the best agency to be in. I am super excited to be joining this bunch of incredibly talented and hard-working people and aim to continue their awe-inspiring trajectory of success.”

    Dentsu Creative India was recently declared the ‘Agency of The Year’ at the Cannes Lions Festival of Creativity 2022 – a first-ever for India. It was a hat-trick for the agency with Dentsu Creative India also lifting a Titanium for its ‘Unfiltered History Tour (UHT)’ Campaign in addition to bagging three Grand Prix – another first, two Gold Lions and three Silver Lions – making UHT the most awarded work not only from India but globally.

  • Cannes Lions Day 2: India secures 20 more shortlists for six categories

    Cannes Lions Day 2: India secures 20 more shortlists for six categories

    Mumbai: After the grand opening success of the Indian contingent on day one of the Cannes Lions Festival of Creativity 2022 with a seven-metal haul, which includes two Grand Prix, three Silvers, two Bronzes and 20 shortlists across five categories, the Indian contingent has clocked in 20 more shortlists on the second day.

    On Day-2 of Cannes Lions 2022, 20 more shortlists for six categories across Brand Experience & Activation (10), Creative Business Transformation (1), Creative Commerce (4), Mobile (4), Creative Effectiveness (1), and Creative Strategy were released.

    Brand Experience & Activation

    In the Brand Experience & Activation category, 10 shortlists were selected from 71 entries from India.

    Ogilvy India has two shortlists for ‘Shahrukh Khan – My Ad,’ while Dentsu Creative India has three for Vice Media’s “The Unfiltered History Tour.”

    VMLY&R’s commerce division received one shortlist for Unilever’s ‘Smart Fill’ campaign, while its advertising division received one finalist for Unipad’s ‘Adeli’ campaign.

    Three shortlists have been compiled by FCB India and FCB Chicago for the Times of India campaign ‘The Nominate Me Selfie’.

    Creative Business Transformation

    In this category, VMLY&R Commerce’s campaign ‘Smart fill’ for Unilever is the only Indian entry on the shortlist.

    From India, 8 entries were submitted in this category.

    Creative Commerce

    In the Creative Commerce category this year, India submitted 14 entries.

    Three shortlists have been announced for VMLY&R Commerce’s ‘Smart Fill’ campaign for Unilever.

    For the campaign ‘Shagun ka Lifafa’ created for Ujjivan Small Finance Bank, McCann Worldgroup India has received its first shortlist.

    Mobile Lions

    ‘The Unfiltered History Tour’ has secured three shortlists in Activation by Location, mobile-led creativity and social purpose subcategories under the mobile category. The campaign for Vice Media has already won a grand prix, one silver, and two bronze.

    Further, out of 19 entries in the Mobile Lions category from India, #NothingCoin for Cadbury 5 Star created by Ogilvy Mumbai has been shortlisted.

    Creative Effectiveness

    Out of 20 Indian entries, DDB Mudra Mumbai’s “Stayfree Project Free Period” was the only one to make the shortlist in the Creative Effectiveness category.

    Creative Strategy

    In the Creative Strategy category, which had 29 submissions, there was no participation from India.

  • You can be creative and edgy, without being insensitive: Dentsu Creative India CEO

    You can be creative and edgy, without being insensitive: Dentsu Creative India CEO

    Mumbai : Exactly a year back on 22 June 2021, erstwhile Dentsu Impact president Amit Wadhwa took on the mantle of chief executive officer (CEO) to lead the Dentsu India creative service line leadership team. The newly restructured creative service line in India, brought together brands from the house of Dentsu such as Dentsu Webchutney, Taproot Dentsu, WATConsult, Perfect Relations, Isobar, Dentsu One, Dentsu India and Dentsu Impact, along with their digital & PR capabilities- all under one umbrella of Dentsu Creative India.

    The past year also witnessed major upheavals, both, at the network which saw several high-profile exits, as well as in the advertising and media landscape with the pandemic rewriting the rules for the communication industry.

    The Dentsu Creative India CEO shares with Indiantelevision.com how the past year fared for the network as well as for him, amid the tumultuous new normal, and what his priorities were since taking over the creative agency mantle.

    Wadhwa also completed over a decade at the network last year, having joined Dentsu Creative Impact (now Dentsu Impact) in November 2011. With another five-year stint at JWT (J. Walter Thompson) in his kitty before that, he has literally seen the industry evolve over the past decade and a half.

    Despite challenges due to macro-economic uncertainties and global inflationary trends, Wadhwa remains buoyant and confident that the advertising and marketing industry will grow at a good pace “crossing double digits”.

    IndianTelevision.com’s Anupama Sajeet caught up with the advertising veteran and self-confessed ‘passionate brand builder’ for a free-wheeling conversation, where he also spoke about what has changed in adland and how the creative group is ensuring it keeps pace with the emerging new tech in the space.

    Edited excerpts:

    On his focus areas since taking on the helm of the Dentsu Creative Group

    Three things. Integration was the biggest objective. Secondly, making sure that we digitise everything and so we infused digital and technology in everything we do – whether it is creative, or PR- we have digitised it all- the entire system. And the third of course, was to make sure that the cornerstone of the entire offering is “creative”, and hence up the creative product. These were the three things I kept in mind as I took on the CEO mantle. Have I done that 100 per cent? Of course not. But I think we have moved leaps and bounds on all these fronts.

    On how the past year fared for the agency amid high profile exits and the uncertainty wrought on by the pandemic

    In terms of how we have fared, I think we are working in a far more unified manner for our clients. So, we have integrated to make sure the best experts come together and deliver as one single team for a client. There are many brands where earlier erstwhile different units of Dentsu Creative are now working together as one. For eg- we recently worked at Ikea where the Dentsu MB and Dentsu Webchutney worked as a single team. Then there was another instance where Isobar and Taproot Dentsu worked together as one unit. There are many such examples. That’s from the integration point of view.

    As far as creativity is concerned, one big yardstick is the awards and I think we have done fantastically well, led by the team at Dentsu Webchutney. Having said that, we have also invested in some great talent like Ajay (Gahlaut), Arjuna, Anu Gulati, along with the creative talent which is already there in-house such as Alaap, Anupama and loads of talent below them. So, I think we have upped the game on creativity. And it’s not just awards. Some of the campaigns that we rolled out I’m absolutely proud of. For instance, the campaigns we have done for Uber, Paytm, to name a few, have been great.

    And honestly, without being digital-first there’s no possibility of a business surviving. We have ensured that right from our PR to what we used to call our traditional agencies, every one of them is digitally savvy and understands the medium.

    So, on all these fronts, we are moving in the right direction and at the right pace.

    On whether the recently released ASCI guidelines on gender stereotypes (in the wake of the recent controversy over the Layer’r Shot deo ads) will lead to curbing creativity.

    We are in the business of creativity, we need to express ourselves. But at the same time, we are all living in a society and we need to be sensitive. Does that mean that we curtail creativity? No. But is that the only way to be creative?  Absolutely not. I don’t wish to comment on that ad, as enough has been said about it being in bad taste and stuff. But the point is you do not need to go that way to be creative. I don’t think to be creative, you need to be insensitive. You can be edgy without it.

    If you look at some of the works we have done recently, such as the ‘The Unfiltered History Tour’ or the Paytm creative we did on financial empowerment. These works are very edgy and creative at the same time. It also had a strong connection with people, without being insensitive. Having said that, do we put a gag on everything because of certain instances? I don’t see that happening either.

    On the evolving advertising & marketing (A&M) landscape in the past decade

    It’s absolutely true that the entire A&M landscape has changed in the last decade, from what it used to be to where we are today. I remember when I joined Dentsu (back in 2011), I was taking care of a small agency called Dentsu Creative Impact. We brought in a lot of exciting talent, and we did it at a small scale – whether it was in creative, planning or account management. And we picked up businesses like Ikea etc and made it into this exciting brand. But that was then. Digital was there, but it was a small part of mainstream media.

    Today, if I’ve to do a similar exercise for the Dentsu Creative Group (DCG), I cannot step up the game on creativity by having a good creative team alone. Of course, creativity is the key essential part of it. But what we are also trying to infuse is to ensure that we are way ahead when it comes to creative technology. And that’s the other aspect that we have invested in heavily. Led by Gurbaksh, who heads the innovation and tech team, it’s a critical part of our creative team. We also have editors and social media experts as a part of it. So, the complexity and composition of the team is very different from what it was, say, less than a decade ago.

    On any key trends or emerging category/s in the A&M industry that might dominate in the coming year

    If we talk about emerging or dominant new categories, Fintech, of course, is huge, so is gaming. Online gaming is breaking through the roof. But at the same time as all these new categories are popping up, the traditional categories like FMCG remain equally exciting. So, one can see a mix of it with everyone, including the traditional players, trying to do something different in their space, stepping away from the tried and tested.

    On how the agency is ensuring it keeps pace with the emerging new tech in the space

    There are two parts to it. One is that we need to be digitally first and technologically far ahead. But, is that good enough? Is that the only thing we need to do? Unless there’s a brilliant idea it all comes to nought. The expression of the idea could be on the digital platform or through an innovative technology but the idea is still absolutely important. We need to marry technology very strongly with creativity.

    That combination of creative and new-age tech is what gives me the confidence that we are poised for something very exciting. And that for me, honestly is the place where I always wanted to be.

  • Titus Upputuru and Ayesha Ghosh exit Taproot dentsu

    Titus Upputuru and Ayesha Ghosh exit Taproot dentsu

    Mumbai: Taproot dentsu’s national creative director Titus Upputuru and chief executive officer Ayesha Ghosh have moved on from the agency. The development was confirmed by dentsu Creative India CEO Amit Wadhwa in a statement to IndianTelevision.com.

    “Both Ayesha and Titus are great talents, and I am thankful to them for all their contributions at dentsu, ” said Amit Wadhwa. “As we gear up for our next phase of growth and continue to pursue our global ambitions into becoming the most integrated agency of the world, we will keep transitioning more and more of our strong & young powerhouses into our leaders of tomorrow.”

    “We will also continue to add some exceptionally new talents who will embark with us on this fresh & exciting journey,” he further added.

    At Taproot, Ghosh was elevated as CEO in June 2021 and was responsible for both Mumbai and Gurgaon offices. Previously, she headed the agency’s Mumbai office. Ghosh joined Taproot Dentsu in December 2015.

    Titus Upputuru was promoted to the role of NCD at Taproot Dentsu Gurgaon in March this year and was leading the agency’s Gurgaon creative team. Titus had also been entrusted with the additional charge of leading integrated solutions for dentsu Creative India. Before that, he was the creative head at the agency, having joined the agency in April 2011.

  • Spikes Asia 2022: Dentsu Webchutney scores four Grand Prix awards

    Spikes Asia 2022: Dentsu Webchutney scores four Grand Prix awards

    Mumbai: Dentsu Webchutney, a dentsuMB company and digital creative agency from dentsu Creative India has won five gold, five silver, five bronze and four Grand Prix at the recently concluded Spikes Asia 2022 Awards.

    While ‘The Unfiltered History Tour’ for Vice Media won a total of four Grand Prix, five gold, four silver and five bronze, ‘The Better Half Recipes’ for Swiggy has won a silver. “These wins are a testament to Dentsu Webchutney’s year-after-year brilliant performance on the back of creativity and innovation,” said the agency in a statement.

     “This is a huge accomplishment. Dentsu Webchutney is known for the unimaginable creativity it offers with every campaign. The four Grand Prix and the many metals are proof of what a network that nurtures some of India’s best creative minds can attain,” stated dentsu Creative India CEO Amit Wadhwa. “Huge kudos to everyone who worked on these projects and made magic happen! And what makes it even more exciting is that a similar excitement around the end product can be felt across all our creative units/agencies. Watch out for more exciting stuff from dentsu!”

    “Time after time I get the opportunity to celebrate the success of my extremely talented colleagues and their fabulous pieces of work. This particular moment however seems like the start of something more special,” commented dentsuMB Group CEO Sidharth Rao. “All our ideas are special to us, but there’s something about our big winner this time – ‘The Unfiltered History Tour’ that gives us a sense of being more than just any other normal achievement. I’ve got some very special colleagues, past and present to thank for this.”

    “This is a near-miraculous achievement,” remarked dentsu Creative India group chief creative officer Ajay Gahlaut. “The fact that these campaigns were created at the peak of the pandemic amidst a lockdown make them even more special. In the end, it has all been worth it. These are the people who are the real winners today and our success totally belongs to them.”