Tag: Deepti Naval

  • ‘NH 10’: Highway to nowhere

    ‘NH 10’: Highway to nowhere

    MUMBAI: NH 10 is a film that could easily have been in the horror genre. Normally, when a newly married couple would go on a holiday in order to leave behind their hectic city life, they would book into a haveli or jungle lodge. All kinds of eerie things would start happening to them. NH 10 veers from the mould. In this case, the couple tries to make up for their hurried honeymoon by going on a holiday, driving from their home in Gurgaon along National Highway 10, which terminates in Punjab. But most of its length passes through Haryana, the khap land.

    Anushka Sharma works for a company in Gurgaon where her presentations are always a hit with the boss. One night she is called in late and on her way back, she is cornered by a pair of bikers backed up by their other goons in a car behind. Anushka somehow manages to get away from the situation but that paves way for her to obtain a gun licence, the top cop being close to her husband, Neil Bhoopalam.

    The couple embark on their trip enjoying mild romantic banter and dreaming of things they could do together once there. Since it is celebration time, Neil even gifts Anushka a packet of cigarettes. A dhaba is a must stop place and both decide to refresh at one. Anushka takes time off in the loo for a smoke when a woman approaches her and asks to save her life.

    That’s when a commotion attracts Neil’s attention. About half a dozen people are violently beating up a couple, the woman being the same who pleaded with Anushka in the loo. Neil’s good citizen conscious makes him intervene, only to be punched and humiliated by the girl’s brother. She has married outside her ‘gotra’ and that is taboo in this place. Her fate is sealed as is that of her lover.

    Neil being a hot-blooded North Indian youth finds being beaten in front of his wife unacceptable. He arms himself with the pistol granted to Anushka for self-protection and decides to follow the guys to avenge the punches. He feels supremely confident of overpowering a bunch of uncouth men and follows them deep into woods where he witnesses them burying the boy and girl alive in a pit. Now he has no clue how and when to flaunt his gun. As a result, he ends up shooting the most innocent, mentally challenged lad who was part of the bunch but had nothing to do with their acts.

    Producers: Vikramaditya Motwane, Anurag Kashyap, Vikas Bahl, Anushka Sharma, Sunil Lulla, Karnesh Sharma

    Director: Navdeep Singh

    Cast: Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval

    After this, neither his gun nor his contact with the Delhi top cop are of any use to him. Anushka and Neil are now a hunted couple in a land where every person including the cops identify with the philosophy of the killer bunch. Neil is rendered immobile as a result of a stab wound in his thigh and Anushka is left alone to fend for them both.

    In her pursuit to find help as well as save herself from the killers, Anushka goes into the jungle. There is no sign of a state highway, let alone the National Highway 10. She is told by the cops that the real Haryana and khap rule starts where the glitzy malls of Gurgaon end.

    Until about 20 minutes before the film ends, Anushka is a cross Haryana runner, stopping only when she finally gets shelter with a village sarpanch, Deepti Naval. Here again, another surprise awaits her. Her husband, Neil, has been killed. As if one of the goons is a clairvoyant, he declares that the injured Neil is lying at the railway underpass and they proceed to deal with him before resuming the chase for Anushka. Neil clears the way for Anushka, whose money rides on this film to seek the ultimate revenge and, hence, it has to be her show from here onwards.

    Though there are numerous such films of a woman spurned, from Bride Wore Black, Black Widow to our own Kahaani, NH 10 betters none of them. It moves on totally predictable lines and offers no edge-of-the-seat kind thrills. Though Anushka decides to get even eventually, there is nothing heroic about it. As is the trend among contemporary makers, this film too is shot largely in low light but the use of night vision cameras saves the situation to some extent. 

    Since the script is uninspiring and lacks twists and turns, the director is also largely at sea. There is no support from the romance between the lead protagonists. Even music fails to inspire. As for background score, one is too occupied to find some meaning in the film to even notice it. If Anushka was hoping for an award-winning film, well she certainly may be a contender. Neil is fairly good though he has limited scope. Darshan Kumar as the baddie in chief is impressive. Deepti Naval is good in a brief role.

    NH 10 is a tedious watch. The film has the advantage of a solo release but the exams period and the ‘A’ certificate will go against it.

     

  • ‘Tevar’….Bad attitude!

    ‘Tevar’….Bad attitude!

    MUMBAI: Boney Kapoor has a fancy for acquiring the rights of south Indian films, usually Telugu, and remking them in Hindi. The logic is that the film has proved itself with at least one part of India and, hence, entails less risk. What is more, this remaking business has worked for Boney in most cases. ‘Tevar’ is a remake of the 2003 Telugu hit, ‘Ukkadu’.

    Early in the film, Arjun Kapoor sings a song, ‘Main tou Superman..’, and then carries that attitude through the film. He does not fly or wear cape but fights like a mean machine. He keeps himself fit by playing kabbadi.

    With his three friends, Arjun, roams around his town, Agra. Unwittingly, he happens to cross paths with the ‘bahubali’ of neighbouring Mathura, Manoj Bajpayee. Manoj’s brother, Rajesh Sharma, is the state Home Minister while his cousin is the local MP, a convenient situation for him and his goons to run riot in the area; he rules over it like a tyrant.

    Manoj sees Sonakshi Sinha at a dance festival and falls heads over heels in love with her. He approaches her taking his own marriage proposal and, on being refused, he becomes more determined and approaches her TV journalist brother. Her brother insults Manoj and pays with his life.

    Producers: Sanjay Kapoor, Sunil Lulla.

    Director: Amit Ravindernath Sharma.

    Cast: Arjun Kapoor, Sonakshi Sinha, Manoj Bajpayee, Subrat Dutta, Rajesh Sharma, Raj Babbar, Deepti Naval.

    The only way out now for Sonakshi is to run away from the town, proceed to Delhi and go ahead with her study trip to the US. But, Manoj spots her at the interstate bus depot and forces her to go with him. That is when Arjun watches the scene and thrashes Manoj only to realise later that he has taken ‘panga’ with a don. He can either leave the town or protect Sonakshi till she gets her visa and leaves the country in few days.

    What follows is hide and seek game between the Arjun-Sonakshi duo and Manoj’s goons. Manoj’s brother, Rajesh, is uncomfortable with his brother’s way of dealing with the issue open to public eyes. He decides to help. He calls the police chief, Raj Babbar, to deploy his entire police force to trace the girl. When Babbar realises that his own son has kidnapped the girl, the chase is now two fold, police as well as goons are after the couple. The director also takes the liberty to create rain during Holi season to add thrill to the chase.

    Things are now becoming monotonous but soon enough, it is time for Arjun to fight Manoj’s men to finally qualify to take on Manoj himself. Of course the hero wins but he has to remain clean so, finally, Manoj has to take a bullet from Subrat Dutta, the family’s goon-in-chief, who wants to inherit Manoj’s title of ‘bahubali’.

    Though the film may feel a bit lengthy at two hours and 39 minutes, director Amit Ravindernath Sharma has done a worthy job in his debut feature film. He has made sure make ‘Tevar’ more colourful than the Telugu original and has added finesse despite it having been shot in the bylanes of small cities. However, what goes against ‘Tevar’ is that it is made from a dated film of 2003 and many similar films have been made since. Also, the ‘bahubali’ business has been overused and not palatable anymore. There has been enough of one man felling 10 goons and ‘Tevar’ goes overboard with it making it repetitive and tedious.

    The film has good dialogue. The music is very good with ‘Superman….’, ‘Radha nachegi…’ and ‘Joganiya…’ providing a variety. Two songs have been filmed beautifully. Arjun is getting slotted in this tapori fighter image which provides little scope for histrionics. Sonakshi fails to charm. Manoj looks spent. Raj Babbar and Deepti Naval are okay. Dutta impresses.

    1. ‘Tevar’ has no prospects at multiplexes catering neither to kids or family. Single screen business will be just average at best.

  • Ladakh Intl film fest categorised in 4 sections

    Ladakh Intl film fest categorised in 4 sections

    MUMBAI: The Ladakh International Film Festival (LIFF), which is scheduled to be held from 15-17 June, has been categorised into four sections namely World Cinema, Indian Cinema, Competition and Ladakh.


    While the World Cinema category is open only to International Films, the Indian Cinema section is open only to films made in India. While the competition section will include feature films, short films, animation films and documentary films, the Ladakh section will include only those films that are made by the residents of Ladakh or the films made on Ladakh.


    Chaired by Shyam Benegal, LIFF Patrons include a mix of senior film professionals and young, enthusiastic cine lovers. Other eminent personalities who are on board as patrons of the LFF include Christian Jeune- Deputy Director General, Festival De Cannes, Derek Malcolm, President of British Federation of Film Societies and The International Film Critics Circle, film critic and historian Jacob Neiindam, director Copenhagen Film Festival.


    Eminent filmmakers Govind Nihalani, Shekhar Kapur, Shaji N Karun, Madhur Bhandarkar, Deepti Naval, filmmaker Vishal Bhardwaj, producer-director Ketan Mehta and art director Nitin Desai would represent Bollywood among the patrons. Melwyn Williams Chirayath is the festival director of the festival.


    Speaking on the inception of the festival Benegal said, “I am extremely delighted to announce the first edition of the Ladakh International Film Festival. The effort is to create a festival that is totally distinct from other film festivals. Ladakh is a unique and apt venue for LIFF. The aspiration is to make it one of the best and exclusive film festivals on the roof of the world.”


    Chirayath added, “Ladakh International Film Festival is like a dream come true as it was always a desire for me to associate my love for cinema and love for the beautiful environs of Ladakh. Through the Ladakh International Film Festival, it will be our mission to give this region its due and at the same time, make it a green initiative by conserving the ecosphere here and introducing carbon offsets.


    “The presence of Cannes and Copenhagen Film Festival Directors and eminent Jury and Patrons members is proof to the fact that this Festival holds immense promise and potential to be one of the best and probably the most exotic Film Festivals in the world. It is high time we start thinking towards contributing back”


    Multiple screen projections along with sound for better visibility during day time screenings will be installed at the venue. There will be an auditorium screening with 35mm dual projection and 5.1 sound facilities.


    Besides this, there will be two open air screenings. Films will be screened in three venues simultaneously and venues will have transportation facilities like buses and bicycles.

  • Deepti Naval film to open Seattle fest

    Deepti Naval film to open Seattle fest

    MUMBAI: The 7th Seattle South-Asian Film Festival, due to take place from 7 to 9 October, has announced the lineup of films that will be screened at the festival.


    Deepti Naval‘s Do Paise Ki Dhoop, Chaar Aane Ki Baarish, will be the opening film of the festival. An interactive session with actor-turned-director Deepti Naval has also been planned before the screening of the film.


    The films that would be screened on 8 October are Nila Madhab Panda‘s I Am Kalam (India), Aby Rao‘s Singhing Bee (USA), Tanaz Eeshagian‘s Love Crimes of Kabul (Afghanistan), Kiran Pawar‘s Astitva: Existence (India), Sonali Gulati‘s I Am (India) and Rubaiyat Hossain‘s Meherjaan (Bangladesh).


     
    On 9 October, movies such as Boxing Ladies by Anusha Nandakumar (India), Ma Khushi Chu: I Am Happy by Abinash Shah (India), Flower Bud by Shumona Banerjee (India), But I am a Woman Too by V. Ramanathan (India), Televisnu by Prithi Gowda (India), Soul of Sand by Sidharth Srinivasan (India), Falling Awake by Ryan Demello (India), A Decent Arrangement by Sarovar Banka (USA) and I Am by Onir (India) will be screened.


    There will also be a roundtable with filmmakers on the closing day of the festival.