Tag: Debashish Ghosh

  • Debashish Ghosh to join LeEco as COO

    Debashish Ghosh to join LeEco as COO

    MUMBAI: With the explosion in the OTT and VOD ecosystem, opportunities are coming a-plenty for professionals. The latest to move onto a new one is  Zee Digital Convergence CEO Debashish Ghosh who has put in his papers at the company. He has agreed to hop on board Chinese tech and consumer electronics major LeEco. Ghosh is set to  take over as the new COO at LeEco’s India outfit by June.

    Sources indicate that Ghosh will be reporting to LeEco APAC CEO Tin Mok. And he will operate in conjunction with Atul Jain who is currently COO and looking after the hardware and consumer elecronics business which comes under Smart Electronics. Ghosh is slated to announce his dream content team later this month.

    LeEco has shown signs of aggression and has has announced a slew of content initiatives and acquisitions in Asia over the past few months. 

    Ghosh started his career with the Times of India Group in 1989 and took over charge of all digital businesses of the Zee/Essel Group in India as Zee Digital Convergence Limited CEO in 2013.

     

  • Zee Digital launches AVOD platform OZEE

    Zee Digital launches AVOD platform OZEE

    MUMBAI: Zee Digital Convergence Limited (ZDCL), the digital arm of media & entertainment conglomerate Zee Entertainment Enterprises Limited (ZEEL) has launched a new video on demand platform called OZEE. 

    The platform will follow the AVOD (advertiser based video on demand) model. Pertinent to note here is that Zee already has an over the top (OTT) platform in DittoTV.

    The new platform OZEE will celebrate life at the consumers’ own pace and will offer entertainment in a manner that resonates with the vision of ZEEL’s corporate philosophy – Vasudhaiva Kutumbakam – The World is My Family.

    The app highlights enhanced user experience, tempting first time exploration followed by loyal viewing on personal gadget. An official statement said, “The name hence inspired by the ‘O’ symbolising the circle that encompasses our universe and the entertainment we seek in it – the world of Zee.”

    Zee Entertainment Enterprises Limited MD and CEO Puneet Goenka said, “In India, entertainment is life. The fact that today people are finding it easy to cut away from appointment viewing and are able to watch their chosen entertainment anytime and anywhere, has only driven consumer expectations higher. The video on demand platform has become the need of the hour and we are excited to bring to our viewers this whole new level of entertainment. OZEE will offer a user friendly platform and the comfort of watching your favourite ZEE show/movie at your convenience. Living in the ‘instant’ era, OZEE will make content available within minutes of its television telecast. With this offering, we hope to conquer the hearts of our viewers as much as we have been doing with our other products.”

    Zee Digital Convergence Limited CEO Debashish Ghosh added, “We believe that OZEE will define the future consumption benchmarks of Entertainment Content from ZEEL and deliver an effortless and pleasurable experience to all viewers of On Demand content on OZEE – irrespective of location, age group, SEC and comfort with technology platforms. While OZEE will deliver the best entertainment content from ZEE – which viewers have loved over decades – it is also designed to make the viewing experience truly unique and trouble free. We hope the world will love what OZEE has to offer”. 

    OZEE will launch with the following shows across each channel:

    The platform will also showcase exclusive content, be it award shows, movie premieres or concerts; anything and everything to do with entertainment.

  • Zee Digital launches AVOD platform OZEE

    Zee Digital launches AVOD platform OZEE

    MUMBAI: Zee Digital Convergence Limited (ZDCL), the digital arm of media & entertainment conglomerate Zee Entertainment Enterprises Limited (ZEEL) has launched a new video on demand platform called OZEE. 

    The platform will follow the AVOD (advertiser based video on demand) model. Pertinent to note here is that Zee already has an over the top (OTT) platform in DittoTV.

    The new platform OZEE will celebrate life at the consumers’ own pace and will offer entertainment in a manner that resonates with the vision of ZEEL’s corporate philosophy – Vasudhaiva Kutumbakam – The World is My Family.

    The app highlights enhanced user experience, tempting first time exploration followed by loyal viewing on personal gadget. An official statement said, “The name hence inspired by the ‘O’ symbolising the circle that encompasses our universe and the entertainment we seek in it – the world of Zee.”

    Zee Entertainment Enterprises Limited MD and CEO Puneet Goenka said, “In India, entertainment is life. The fact that today people are finding it easy to cut away from appointment viewing and are able to watch their chosen entertainment anytime and anywhere, has only driven consumer expectations higher. The video on demand platform has become the need of the hour and we are excited to bring to our viewers this whole new level of entertainment. OZEE will offer a user friendly platform and the comfort of watching your favourite ZEE show/movie at your convenience. Living in the ‘instant’ era, OZEE will make content available within minutes of its television telecast. With this offering, we hope to conquer the hearts of our viewers as much as we have been doing with our other products.”

    Zee Digital Convergence Limited CEO Debashish Ghosh added, “We believe that OZEE will define the future consumption benchmarks of Entertainment Content from ZEEL and deliver an effortless and pleasurable experience to all viewers of On Demand content on OZEE – irrespective of location, age group, SEC and comfort with technology platforms. While OZEE will deliver the best entertainment content from ZEE – which viewers have loved over decades – it is also designed to make the viewing experience truly unique and trouble free. We hope the world will love what OZEE has to offer”. 

    OZEE will launch with the following shows across each channel:

    The platform will also showcase exclusive content, be it award shows, movie premieres or concerts; anything and everything to do with entertainment.

  • Ditto TV goes OTT first with ‘before TV’

    Ditto TV goes OTT first with ‘before TV’

    MUMBAI: Zee Digital Convergence Limited’s Over The Top (OTT) platform DittoTV now allows viewers to enjoy their favourite content from the channels under Zee Group before airing it on television through their new feature titled ‘before TV’.

    The feature is in line with the company and group’s continued focus on content and service innovations for the consumers.

    Talking about this new initiative, ZDCL CEO Debashish Ghosh said, “The fact that more and more people are finding it easy to cut away from appointment viewing and watch their chosen entertainment anytime, anywhere, has only driven consumer expectations higher and upped the ante for OTT platforms the world-over. While, original content will remain one of the key drivers and focus of DittoTV’s global operations, serious innovations will help give our consumers something new and engaging all-the-time, every time. before TV is one such step in this direction.”

    The company has recently created an original content titled as Life is Music and also plans to launch music based documentary titled as Chords of Change, which will feature musicians narrating their stories of their struggle and registering their protest in various zones across the country through their music.

    The platform is focused on markets like the US, UK, Europe, Australia, New Zealand, Middle East, Asia Pacific and some parts of Africa. It will also carry non-Indian content shortly in the markets where it has been launched.

  • Ditto TV goes OTT first with ‘before TV’

    Ditto TV goes OTT first with ‘before TV’

    MUMBAI: Zee Digital Convergence Limited’s Over The Top (OTT) platform DittoTV now allows viewers to enjoy their favourite content from the channels under Zee Group before airing it on television through their new feature titled ‘before TV’.

    The feature is in line with the company and group’s continued focus on content and service innovations for the consumers.

    Talking about this new initiative, ZDCL CEO Debashish Ghosh said, “The fact that more and more people are finding it easy to cut away from appointment viewing and watch their chosen entertainment anytime, anywhere, has only driven consumer expectations higher and upped the ante for OTT platforms the world-over. While, original content will remain one of the key drivers and focus of DittoTV’s global operations, serious innovations will help give our consumers something new and engaging all-the-time, every time. before TV is one such step in this direction.”

    The company has recently created an original content titled as Life is Music and also plans to launch music based documentary titled as Chords of Change, which will feature musicians narrating their stories of their struggle and registering their protest in various zones across the country through their music.

    The platform is focused on markets like the US, UK, Europe, Australia, New Zealand, Middle East, Asia Pacific and some parts of Africa. It will also carry non-Indian content shortly in the markets where it has been launched.

  • “There is a market for “failed” and low-budget films on OTT”

    “There is a market for “failed” and low-budget films on OTT”

    Netflix shook up the cinema establishment in the US when it had the temerity to release Beast of No Nation simultaneously in theaters and on its streaming platform. The movie, acquired at a cost of Rs 78 crore, did not do well at the theatrical box office (less than $100,000 gross), but it got more than 3 million views on the Netflix app.

     

    However, CEO Reed Hastings are going ahead with their strategy of doing simultaneous releases of future projects like The Ridiculous Six, Crouching Tiger Hidden Dragon II in the coming months.

     

    Indiantelevision.com got in touch with Essel group OTT player ditto TV CEO Debashish Ghosh on what he thought about Netflix ‘s bold gambit, whether it would be tried in India, and whether it would work with Indian viewers.  Read on to hear his views in one of the more entertaining interviews we have had in some time.

     

    Excerpts:

     

    Q: Were you stunned by Netflix’s move to do an OTT release for Beast of  no Nation simultaneous with the theatres like the mainline exhibition community in the US was- so much so that they refused to release the film and it got a limited release?

    “Stunned” may well be too sharp a rhetoric – since its not unnatural for subscription OTT platforms to find ways to showcase content PRIOR to standard and accepted platforms. Otherwise why would a consumer pay?

    That’s one of the reasons we at DittoTV are also looking at driving “content before TV / Anywhere” as a proposition as well. Significantly before!

    But please don’t ask for more details as of now – give me 15 days and then we shall give you an exclusive if you want it.

     

    India is in the nascent phase of OTT. But it has a strong heritage of filmmaking and is probably the largest producer of films worldwide.

    No doubt about that. But the mindset of film producers understandably is different here – especially the mainline ones – as they prefer making money upfront rather than later.  While we understand why, it is still a limiting factor as well – for most OTT platforms – which are not also producers of films as well.

     

    How large is your film catalogue for OTT both Bollywood and  international?

    We do not yet have a significant International Catalogue of movies but there are some imminent actions on that soon.  As far as Bollywood is concerned – we can only put up content on our platform – for which we have rights. And we have a library of around 3000 movies – which are already up and running.

     

    Does films get views? How much of your audience watches catalog films on OTT? How much time? And how often?

    Not really – if you ask me. Especially Bollywood – most of those movies are already available in myriad other platforms – and there is no REAL Uniqueness here. And thanks to Pirates and Torrents there will never really be.  So playing the game with the strengths of Movies alone – is not a viable proposition – at least today. And even platforms like YRF or Eros are struggling on account of that fact.

    Having said that – it’s not as though people don’t watch movies on OTT platforms – but it’s few and infrequent and essentially driven by some sort of unique demand – on the part of the consumer (note: NOT the platform). For example : “ I am having a debate about a particular dialogue with my friend and I want to prove a point about a move when I am outside at a bar!” Such scenarios are so infrequent that they don’t drive business case – frankly.

     

    OTT players have just begun their run in the space with original content for television shows. Is acquiring films exclusively for premieres the logical next step? How far are the Indian players from doing something like Netflix did?

    This question you have to ask Netflix actually. Are THEY making money for the movies that they are acquiring at huge costs and efforts? Or are they doing it because they today have money to spare? And can using it for drumming up PR mileage like your article will serve to do?

    Though that’s strictly not a bad strategy – if you ask me. But then you need to have international valuation and dollars to burn. Most OTT platforms cannot afford it. So it won’t be commonplace. And Business case will NOT let even Netflix sustain the movie strategy for too long.

     

    Will there be sufficient views for a movie released on an OTT platform? Will there be enough ROI on big-ticket movies on OTT?

    Well not really. But someone like Netflix can surely show the way and experiment – (Thanks to their success and surplus funds) – so that all other platforms can learn at their expense 😉

     

    Will the exhibition industry accept film premieres on OTT? Or will they revolt like they did in Kamal Hassan’s case?

    Ask the industry – they are the rich folk! OTT people are poor and struggling anyways – don’t rub salt on their wounds.

     

    Will premiering films on OTT affect the revenue flows from theaters?

    Not at all – to my mind. Theatres and OTT are not just about content – it’s about their respective experiences – and there is nothing overlapping about those distinct experiences.  I won’t say that the audiences are different – because that’s too passe 🙂

    How can Bollywood use OTT platforms better?

    By synergising and using OTT for its advantages. Theatrical and Satellite releases are all about the movie in itself. So instead of treading that trodden path – OTT platforms and Producers can synergise and think together to bring greater value to the consumer. Like releasing unseen footage, shooting goof-ups, candid reactions of stars (post doing a tough shot for instance) etc. – on OTT platforms – over and above the film – or contextual to the film. Digital OTT platforms have many intrinsic advantages that need to be leveraged – which unfortunately neither the Film Industry understands nor do the OTT platforms innovate sufficiently enough – mostly since they are so fund strapped – thanks to paying huge content rights monies to producers.

     

    There are 800 films released each year. Many don’t make it to the theaters. Some disappear after day 1. Do you think there is a market for such films on OTT? Would it make sense for smaller budget films to take this route? Will you premiere such niche content on your platform? What would the deals look like: revenue shares, or minimum guarantees (MGs) or outright purchases?

    Too many questions in one!  But yes – there is surely a market (even if that’s not a big one) for theatrically “failed” or smaller budget films on OTT. And yes OTT platforms should premiere such content – but as I said producers (big or small) are looking at quick upfront returns. And if their need can be logically channelised – all of this is possible and even more. But mindsets need to change (for the better) for that – and change is always very difficult.

    Such deals should be revenue share and not MG / outright – as the risk is equal on both sides.

     

    Will films work in SVOD or T-VOD? Or AVOD?

    TVOD or AVOD is where it works for the consumer as of now. But AVOD does not really pay for its costs.  SVOD for movies has not really worked – even for Netflix (remember Game of Thrones?).

  • Ditto TV aims to double revenues this fiscal; plans more original shows

    Ditto TV aims to double revenues this fiscal; plans more original shows

    MUMBAI: It’s gotten late off the blocks but it sure is looking to sprint ahead and fast. We are talking about the Zee network’s digital over the top (OTT) offering Ditto TV.

     

    Zee Digital Convergence (ZDC) Chief Executive Officer Debashish Ghosh told PTI over the weekend  that his goal is to double his company’s revenue from around Rs 30 crore to Rs 60 crore this year, with almost 95 per cent of it coming courtesy subscription.

     

    With 1.8 million subscribers on a monthly basis and almost 60 percent of them being repeat viewers, Ditto TV is present in 167 countries. Most of its consumption is however happening in India. With the exception of Star and Sun group channels, Ditto TV offers 156 channels across 13 languages. Ghosh further told PTI that almost 30 per cent of Ditto TV subscribers consume live TV.

     

    ZDC  has invested around $5 million in Ditto TV over the past three to four years, Ghosh disclosed. That is slated to go up in the coming months as it starts pumping in money into original content. The first of these is a music based show called Life is Music; other programmes are being planned in-house as well as with outside producers.

     

    Clearly, the OTT original content space is seeing a lot of action.

     

    Netflix is slated to launch in India by mid next year and invest top dollar in cutting edge content. Star India’s Hotstar already has an average of 20 million users every month. It has paid a fat commissioning fee to stand up comedy group All India Bakchod to produce shows running over 20 episodes. Then it has been premiering some of its big-ticket Bollywood movies and TV shows on Hotstar.

     

    Entertainment major Eros International recently announced that the registered user base of its OTT service Eros Now has grown to 30 million as of 30 September.  It has ordered six new original shows which are slated to debut soon and feature big name stars.

     

    MSM Media’s Sony Liv, on the other hand, notches up an average of 5-7 million monthly users, and is also getting into OTT content.  It is experimenting with a fiction show titled  Love Bytes. Then the Viacom18 group is also pacing on the sidelines, gearing up to launch its own OTT service under the leadership of Gaurav Gandhi.

     

    Ghosh, while speaking at IDOS (organized by Indiantelevision.com and MPA in September) said that the hyper activity is good for the OTT sector as a whole.

     

    He further  told PTI, that India is expected to have 500 million Internet users by 2017, out of which 382 million would be smartphone users, 70 per cent whom would be 3G/4G customers. And that is what is exciting the Zee TV network to further invest in Ditto TV.  Add to that the prediction that almost 60 per cent of India’s population is going to below 40 by 2020, and that both wired and wireless broadband infrastructure will be in place. That’s the positive side.

     

    “But the fact is that the OTT players will find the going challenging,” says a media observer. “At least until the numbers really scale up and bandwidth constraints and costs fall. Indian consumers are chary of paying for content, apart from cricket. Hence, Hotstar has taken the AVOD route (advertising video on demand). But advertisers and agencies have been reluctant to buy into the medium; at least at prices Star has envisaged. Eros Now has announced a multiple revenue stream offering which includes advertising, transactional (TVOD) and subscription video on demand (SVOD), with differential pricing for Indian and international consumers. Ditto TV is primarily SVOD and its growth has been limited so far. Each of them has to find a robust and sustainable revenue model.”

  • “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    ditto TV – India’s first OTT venture owned by media mogul Subhash Chandra – is all set to thrust forward in the space with a strong focus on innovation and fresh content. The OTT player has launched its international operations and will soon have content from across the globe. 

     

    In conversation with Indiantelevision.com’s Anirban Roy Choudhury, ditto TV CEO Debashish Ghosh shares his vision and thoughts on the emerging OTT market in India. Prepared to take on international players entering the market, he says that Zee Entertainment Enterprises does not believe in loss making business propositions. Every business under the conglomerate is financially independent. The emerging market not only has the potential to grow rapidly but also offers ample scope for innovation.

     

    Excerpts:

     

     

    Is India ready for OTT platforms? How is the market shaping up?

     

    The Indian market is surely getting ready for OTT. The only challenge that Indian OTT players face is that of bandwidth. The cost of data be it mobile or cable is high. For an average Indian to shell out Rs 2000 individually to have internet on their mobile is still a challenge. Yes, things are improving and it’s but natural that penetration will increase. Statistically, we are going over the US when it comes to penetration of the Internet.

     

    We at ditto TV are cognizant of the bandwidth condition in the country from the very beginning. Hence, we are not a platform that only works on 3G or Wi-Fi. ditto TV also works on 2G, WAP as well as on feature phones. The OTT market in India is growing and has great growth opportunity. The infrastructure will get better and data will become cheaper as we go along. The growth of OTT will also be interconnected with the new set of consumers that are coming in. Anybody born post 1990s and is above 25 years old doesn’t really watch TV today. They watch all their content on the digital platform.

     

    Which revenue model will sustain in the long run for OTT players in India and which model will ditto TV follow?

     

    I don’t believe any one model will work. It has to be a hybrid scenario. Advertising revenue for at least next three – five years is not the proposition that will be sufficient to offset the cost, so if the business strategy is to incur huge losses then going with the advertising platform is okay. We don’t believe in such loss making propositions. We believe in that whatever business we do, must pay for itself and that’s the reason why we follow the subscription model. I think we are one of the two players, who follow a subscription revenue model. World over the subscription based revenue model is something that’s proven to be sustainable and I don’t see that changing in India.

     

    What kind of advertising can OTT platforms offer? What is the advertiser’s overview on the platform?

     

    If today India is paying for TV that means they are paying for content. The way digital platforms have progressed in this country, creates a challenge. So far the advertising model was working but we all know that it’s stagnating now. Display advertising by its own nature isn’t attractive anymore on digital for brands. As digital is a measurable medium, people over the platform want to target a specific audience and hence the funda of mass roll-out does not work here. That’s why a proposition like native advertising is coming in and innovations like brand solutions, integrated marketing and most importantly proposition like highly targeted advertising will work. Now when a brand wants to advertise, they won’t say “I want ‘X’ GRP” or “‘X’ circulation of a medium,” but will instead say “I want to target 1 million Male, who are aged between 24-32 and are interested in sports.”

     

    BARC is scheduled to release data for all screens which will also include screens that OTT caters to. Do you feel we have enough data to provide brands with a platform for targeted advertising?

     

    Even if BARC provides data for all screens, it will still remain a sample based proposition.

     

    On the other hand, publishers today have the capacity to roll out empirical data. We can give empirical data of the number of people watching our content, how they are watching it, how much time they are spending and how many of them are coming back. Based on this data, we can target specifically. That infrastructure is a function of technology and technology exists today. There are many data management companies like Lotame and Bluberry, which are in play today. So it is possible to fulfil advertisers’ demand and those who can fulfil this will remain in play or get premium CPM for their inventory. The growth will come from targeted advertising. But I believe that India is a market where if the content is original, attractive and effective, people will pay for it.

     

    What’s your take on the current content on OTT platforms? What will be ditto TV’s content strategy and what kind of content is likely to work?

     

    Largely, OTT players today are going for pre-produced TV content, which is easily available. At the same time, brands, freelancers and MCNs are also creating a lot of original content. ditto TV has also invested in creating original content. We launched a music show, which is exclusively for digital and then we are also moving towards producing a whole lot of original shows in different genres like humor, horror, short series and short movies etc. This is sharable content that resonates with consumers, which is not necessarily long. 

     

    I believe that the debate between long and short show is a wrong one. Content is what is important. If the content has quality, short will also work. We can take example from Sujoy Ghosh’s Ahalya, which got more than two million views in three days. So if the content has quality, it will fly. We make so many long movies but how many do we actually remember at the end of the day?

     

    Do you think an ‘only original’ content strategy is monetarily sustainable at this stage?

     

    Creating content cannot be the only strategy. Producing content is also a strategy. One must have all sorts of content including original content. You cannot drive something only on the basis of original content. Let’s face the reality, TV content is still attractive and liked by the mass so there is no point in saying that we will only create original content and dump TV.

     

    Also if you create content, you have to find different ways of monetizing it and that’s where syndication comes in. If you are stuck to a particular model, it’s highly unlikely that you will recover money. Also, the more the content is watched, the more relevant it becomes. House of Cards, Game of Thrones and Orange Is The New Black are examples that we already seen.

     

    Do you feel post the 4G launch, there will be more mobile consumption?

     

    I am keenly waiting for 4G to roll out. But I believe that content will be consumed on both mobile as well as broadband devices. Expecting someone to watch content full day standing on one leg is a little too much as entertainment is not only about content quality but also experience. So group viewing will continue but at the same time when someone is travelling, instead of missing the content because they are in transit, they will watch it on mobile devices, which they wouldn’t be able to do if OTT wasn’t present. In my opinionm consumption is never a ‘or’ but is always an ‘and’ proposition.

     

    Do you feel that the launch of global OTT players Netflix and HOOQ can pose a threat to existing Indian OOT platforms?

     

    India is a very big market and there is scope for everybody to play, provided you are unique. Whether you are ditto TV, HOOQ, Netflix or Hotstar, your USP should be clear to the consumers. The consumer is fickle, so if these players bring in a unique proposition in terms of content and entertainment, all of them will reside simultaneously.

     

    However, in the long run, there will be players who will survive and those who will perish. The platform offering the best holistic experience will survive and hence OTT players will have to keep innovating and setting benchmarks.

     

    Was ditto TV’s new TVC with the tagline ‘Who watches TV alone?’ launched with the aim of taking a dig at Hotstar’s ‘Go Solo’ campaign?

     

    If you don’t go only by the last line, with this campaign what we are actually trying to convey is that television viewing is a collective experience. Initially when TV came to India, it used to be a community viewing. We all used to go to the neighbour’s place and watch Mahabharat. I believe that has not changed significantly because it’s entertainment at the end of the day.

     

    Entertainment is consumed with people one cares for and that’s what we wanted to communicate. In today’s world, where cultures are shifting, people are moving out of their families, nuclear families are mushrooming but relationships do not change. So if people have separated due to circumstances, they don’t need to change their habit of watching TV together. That’s why we showcased mother – daughter, fiancé, brother and sister as well as friends in our campaign. This campaign was executed after research and has nothing to do with Hotstar or its campaign.

     

    With the campaign, was the aim to reach a particular milestone in terms of downloads? What is ditto TV’s subscriber base at this stage?

     

    Downloads mean nothing to us. Ideally, download should mean nothing to everybody. It is just an eyewash. Being a subscription based platform, we analyse ourselves on the basis of the number of active subscribers we have and our target is always to enhance the subscriber base, not the downloads.

     

    We have 1.5 million monthly paid subscriber base out of which most of them are based in India. We have just launched our international operations and have around 20,000 international subscribers. We believe that international operations will play a big role in our growth in terms of monetisation. 

     

    What is the roadmap ahead for ditto TV?

     

    Our goal is to have a worldwide presence with a versatile range of content, which includes both regional as well as international content. We will keep innovating and offering people an exquisite experience. We will make subscription easy and have a wide range of packs, which will make people pay for what they want.

     

    A Bengali has no necessity of a South Indian pack and vice versa, so we will make sure that channels are not forced on to consumers. We allow users to download shows and watch them at their leisure. So overall, we will keep innovating and I believe that’s something that the OTT sector also needs to do non–stop.

     

  • Ditto TV introduces new #TVBuddy campaign

    Ditto TV introduces new #TVBuddy campaign

    MUMBAI: Zee’s over-the-top (OTT) platform Ditto TV has launched a new campaign called #TVBuddy, which makes viewers aware of the people who have similar TV viewing habits.

     

    Coming from the bouquet of Zee Digital Convergence, the #TVBuddy campaign narrates how one always discusses their favorite TV shows with someone far away.

     

    #TVBuddy bridges gaps and brings together common interests of people wanting to view similar things on TV irrespective of being in different cities according to their comfort and convenience. If one is watching Jodha Akbar in their apartment in Mumbai, their TVBuddy can watch it at the same time in another timezone, like Sydney.

     

    “Indians are like flamingos. They flock together, even virtually while watching TV. As this insight has a strong connect, we kept the film simple to demonstrate dittoTV’s role in the lives of Indian viewers,” said Scarecrow Communications founder and director Manish Bhatt. 

     

    Talking about the campaign, Zee Digital Convergence CEO Debashish Ghosh added, “Zee has always been an innovator in the media industry over the period of 22 years. Its content has always resonated with the audiences and now we have taken it a notch higher with dittoTV. We believe that India is a country where we celebrate every occasion together; with #TVBuddy campaign we are aiming to lend TV viewing experience a personal touch where you can watch your favorite movie, TV show or a match with your TV buddy who may be miles apart from you. The essence of Indian audiences who have evolved with just one TV set today now have TV at the tip of their fingers!’’

     

    Scarecrow Communications founder and director Arunava Sengupta informed, “In the category of these app-based products, because of individual consumption, the selling point always has been about offering a personal space. But dittoTV breaches the wall and talks about consuming the entertainment together, instead of being confined to their own personal space. This, we believe, has a potential to create a disruption in the category.”

     

    TV buddies can watch live TV on their smart phones, tablets or laptops, by downloading the DittoTV app and install it on their devices. The app also has other features like ‘catch up’ that let people catch up with movies and TV serials from where they left them.

  • Zee beefs up OTT strategy; launches original digital content

    Zee beefs up OTT strategy; launches original digital content

    MUMBAI: At a time when multiple companies are putting their might behind pumping up their over-the-top (OTT) offerings like Hotstar, ErosNow, Sony Liv and HOOQ amongst others, Zee Entertainment Enterprises Ltd (Zeel) is not one to sit back. Putting the money where their mouth is, Zee is upping the ante in by launching original digital content for its OTT and digital platforms.

     

    In order to offer content anywhere and at any time, Zeel has got its entire digital ecosystem – Zee Digital Convergence (ZDC) – and its content studio – Essel Vision Productions – to design and introduce an instrumental musical show -#LifeIsMusic.

     

    Starting 15 June, the seven-week series will be available on its OTT platform DittoTV and digital platform www.lifeismusic.in.

     

    Original content (both long and short) has emerged as a new form of storytelling in the digital space as millennials continue to alter their entertainment consumption habits. Banking on this very same learning, Zeel has now got into producing original content for its digital platform. #LifeIsMusic celebrates world music and highlights the true value of musicians who are experts in the instrumental genre.

     

    The multi-platform instrumental reality series will be available for audiences all over the globe and will showcase the value of instrumental music in a holistic manner – across a variety of popular and melodious music genres.

     

    #LifeIsMusic will feature regular upload of unplugged original music compositions every Monday and Friday for a duration of seven weeks. The show has three renowned maestros on its panel – Louiz Banks (the Godfather of Indian Jazz and Grammy Award nominee), Taufiq Qureshi (ace percussionist) and Purbayan Chaterjee (one of the leading young Sitar players of India) mentoring budding professional musicians. Each maestro will form a band of four musicians each of whom specialize in different instruments – like percussions, rhythm guitars, bass guitar, sitar, sarod, flute etc.

     

    The show will be promoted across all the major websites including zeetv.comzeenews.comindia.comdnaindia.combollywoodlife.comdittotv.com amongst others.

     

    Over the past few months, the video on demand (VoD) industry has been witnessing major activity as these platforms have become an extra content delivery arm for major entertainment business houses. While earlier the VoD platforms were used as a source for archival content, the new players are bending the rules. In order to gain eyeballs, the players are not only making original content, but also premiering movies and songs.

     

    Zee Digital Convergence CEO Debashish Ghosh said, “#LifeIsMusic is a clutter-breaking original concept with a goal to inspire passion, unleash creativity and realize dreams in a digital era of free downloads. We are confident that the series will soon become a favourite destination for all music lovers – especially when you want to experience quality music never heard before. This exclusive series aims to engage, educate and entertain the youth about the variety and possibilities that exist with instrumental music. It will reach out to around 50 million viewers, making it a truly global multi-screen phenomenon! The platform also seeks to encourage aspiring musicians to showcase their talent to global audiences – and demonstrate their skill and creativity transparently to global music talent scouts.”

     

    Essel Vision business head Akash Chawla added, “Zee has always set new benchmarks with innovative content across platforms and as its content studio, With today’s evolving online world, producing #LifeIsMusic series is in sync with our aim to design content that empowers talent to achieve their creative visions across all mediums.”