Tag: DD National

  • Urban areas dominate DD viewership: Zapr

    Urban areas dominate DD viewership: Zapr

    MUMBAI: Once the sole television provider in India, Doordarshan (DD) has survived the onslaught of television privatisation over decades. TV analytics conducted on DD channels provide insights into its diverse content across sports, Hindi entertainment and news and how the broadcaster is still relevant for India’s TV population. In 2003, DD radically changed its monetisation plan by paying private producers for prime-time shows to promote new content and open advertising avenues on its channels. With data-driven audience segmentation being an important prerequisite for media planners to set priority markets for their branded content, Zapr Media Labs (Zapr) has mapped out viewership trends of DD channels at the individual user level. From channel level analysis to geographic positioning of viewers, the study even traces migration patterns to see how DD viewers are switching channels across the Indian Television landscape. The company has analysed DD channels over three months—September, October and November 2017—and mapped out current trends in reach, viewership and audience migration. Over the considered period, there was a gradual rise (165.7 million)​ and fall (92.4 million)​ in audience reach and 4 per cent non-DD viewers ​(August) started watching DD in September. Deep-diving into DD’s viewership trends, the study found 59.20 per cent of urban viewership share​ for the pubcaster’s channels. These insights were derived from Zapr’s active user-base comprising over 40 million smartphones.

    DD’s viewership over September, October and November

    DD channels’ viewership ranged from 165.7 million​ to 117.1 million​ during week 36 and week 37. This viewership spike is before and during the India-Australia ODI series. The chart below shows the viewership of the broadcaster across weeks:

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    DD’s top-ten channels

    DD channels are home to various genres, languages and television programmes. The top-ten list comprised channels from across DD’s categories. Irrespective of the fact that the channel caters only to Hindi audiences, DD National (previously DD1) topped the list ​with an audience share of 23.90 per cent. ​This high viewership could pertain to the varied shows—serials, bhajans, news, cookery shows and even news for the hearing impaired (15 minutes daily) that ensures DD National has something for everyone.

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    DD National is followed by DD News (15 per cent)​ and DD Bharati (13.20 per cent) ​in terms of viewership. Interestingly, the sole international DD channel, DD India did not make it into top three and was followed by six regional channels​—DD Madhya Pradesh (13.10 per cent), DD Yadagiri (12.80 per cent), DD Oriya (12.5 per cent), DD Kashir (12 per cent), DD Sahyadri (11.90 per cent) and DD Podhigai (11.59 per cent). DD prevails in metros and cities with million plus population. The report also identified geographical locations that claimed a major share in DD channels viewership. Delhi (30 per cent)​ claimed the top position in the metro cities list, followed by Mumbai (25 per cent), Chennai (16 per cent), Bengaluru (11 per cent) and Kolkata (11 per cent). For brands and media planners, these insights reveal deterministic geo-segmentation by actual content consumption, something which large sample TV data cannot provide. The chart below also indicates viewership share across top five cities distributed across tier-2 populations. These stats show Pune with the highest viewership share (17.30 per cent). ​The top city is followed by Ahmedabad (9.40 per cent), Bhopal (6.20 per cent), Jaipur (6 per cent) and Lucknow (5 per cent) based on actual actual audience share for DD channels.

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    Urban folks flock towards DD

    The urban segment claimed a substantial viewership share of 59.20 per cent​ over rural regions (40.70 per cent)​. With studies reporting higher socio-economic position among urban audiences, this urban skew among DD viewer suggests that their buying power is not lagging behind other TV segments across paid channels. For media planners, DD channels and their upward-mobile audiences constitute a trough of unexplored opportunities compared to largely cluttered spots on more commercialised channels.

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    DD caters to viewers across the TV spectrum

    Cricket broadcasts such as ​Sri Lanka vs India T20I ​and Micromax Cup Sri Lanka vs India 2017 ODI Series and news ​telecasts such as News Night, Batmya and Samachar ​occupy top positions in the list of most-watched prime-time shows on DD channels. With significant overlaps between the viewers of cricket tours and sport leagues such as the IPL. Marketers can tap into high-value TV segments and reach them on cost-effective spots using surrogate targeting offerings, DD’s top five primetime shows based on viewership have been listed below.

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    DD National penetrates Urban India with purely Hindi content

    To understand how language influences viewership at a national level, Zapr looked at DD’s popular all-India channels—DD National and DD Sports. Interestingly, DD National with its single-language content in Hindi had higher viewership skew towards urban audiences (63 per cent) compared to its rural counterpart (37 per cent). DD Sports with its bilingual telecasts in Hindi and English witnessed smaller difference between its urban (55 per cent)​ and rural (45 per cent) markets. Our analysis indicates that DD’s all-india content in Hindi which began as instructive and informative content for India’s largely rural masses has now majorly penetrated much of urban India. Are marketers keeping up with DD’s evolution from Bharat to India?

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    Non-FTA to FTA

    To further understand purchase power of DD viewers, Zapr mapped out DD audience overlaps with free-to-air (FTA) channels exclusive of DD content and non-FTA channels. As the name suggests, FTA channels are accessible without subscription charges and according to Zapr data, 55.6 per cent of​ DD viewers tune into these channels regularly. Interestingly, the data reveals larger skew towards with non-FTAs or pay channels with an overlap of 58.4 per cent​, suggesting that DD audiences have high propensity to spend on premium content.

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    Migration to DD channels post agency accreditation

    The growing commercialisation of television indicates more focused marketing efforts across TV segments. Zapr wanted to understand the impact of DD’s agency accreditation in September 2017 when the network opened commercial ad-spots and a round of new TV content on 30+ DD channels. “TV analytics at Zapr reveal that there has been a 4 per cent rise in DD viewership from August to September suggesting a shift towards DD channels which could be an early positive result of the broadcaster’s agency accreditation plan. The 58.4 per cent overlap of DD viewers with Non-FTA channel viewers is also an incredible result,” Zapr VP (data insights) Aditya Kulkarni said.

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    DD has revamped its content and advertising avenues, and clearly succeeded in staying relevant to India’s dynamic media landscape. Armed with data-backed insights, broadcasters can optimise their content inventories and expand their TV audiences. Marketers can avoid clutter by targeting these growing segments, and ultimately stand strong in the minds of their priority markets.

    Also read:

    Doordarshan’s R-Day broadcast notches up record TV viewership

    DTH’s year of consolidation

    BARC ratings: DD Sports in top 5 after 37 weeks

  • Prasar Bharati CEO Shashi Shekhar Vempati on SC verdict, pushing DD Sports and DTT

    Prasar Bharati CEO Shashi Shekhar Vempati on SC verdict, pushing DD Sports and DTT

    Shashi Shekhar Vempati is probably one of the youngest CEOs to occupy the Prasar Bharati hotseat.  Additionally, he is the first private sector executive to have got the job. So, media observers expect a lot from him, especially considering his background in Infosys, one of India’s most respected infotech companies.

    And, it is during his watch last month that the Supreme Court issued a verdict upholding the Delhi High Court order which disallowed the pubcaster from sharing with cable operators through Doordarshan (DD) channels the live feed of cricket matches of which private broadcasters ESPN and Star had the exclusive rights. The bench had said under the provision of the Sports Act, the live feed received by Prasar Bharati from content rights owners was only for the purpose of retransmission of signals on its own terrestrial and direct-to-home (DTH) networks and not to cable operators.

    Many would have considered that a loss. But, not Shashi Shekhar Vempati. Clarity and optimism is something you can credit him with. He terms that loss as an opportunity. Read on to get some Vempati-speak as he talks to indiantelevision.com.

    How do you view the verdict of the Supreme Court preventing you from airing sports feeds to private cable TV operators and DTH operators which you share with private sports rights holders?

    The verdict of the Supreme Court on the sports side on the face of it looked like  a setback. And, if you go by the reactions of the viewers to them it was available by default  on Doordarshan. Several matches are not available now.

    But, in reality it was an opportunity.  Many decisions that we just postponed or did not aggressively move on.  Now, there is a real reason to do that. First is on  DD Sports. All along cricket was on DD National. The only sports channel of DD had no purpose or identity, it was just drifting.

    Now we have a reason to make DD Sports the go-to destination for cricket and other sporting events of national importance because of the manner in which the verdict forces us to operate. It creates an avenue  to make DD Sports the place for cricket.

    You cannot air cricket because of the verdict right?

    We will air it. The way the verdict on the act will be operationalised is: the signal sharing for games of national importance is meant for DD’s FreeDish and DD terrestrial. So, we will carry future matches on DD Sports, as a channel available on FreeDish and on terrestrial through DTT.

    Analogue where we have one or two transmitters where we either show DD National or News, there we will ensure that the feed is sports so that one of the transmitters will show the match on analog wherever it is available.

    For the private guys, cable and DTH operators today what are they doing? They are blanking out our screen then they are putting their own commercials, their own promotion. What we are saying is — we will have a separate feed in the future so that they don’t blank out DD National.

    It is atrocious that you can blank out a must-carry channel and put in a commercial message saying “go buy my sports pack.” That we will straightaway address.

    Now because cricket is available on DD Sports, the channel gets a facelift.  Its branding improves – brand recognition goes up. People will have a reason to periodically  tune into DD Sports. So that just takes that channel up. We have enough content on DD National.

     

    Which of the matches will you show?

    Well, the act,…the government has to notify what are the games of national importance.  And a that list is periodically reviewed. As of now it is all home games of India for one day and T20, then the big tournaments like the World Cup, the challenger and ICC trophy and so on.  Then certain tennis matches, certain soccer matches.

    The big thing is the FIFA under-17. The entire 52  or 56 matches we will show. The  government sees it as a big way of promoting soccer.  For the first time they are holding an international event. And if you look at the generation that we want to attract – which is what I have been talking about. Today, there is no mindshare for Doordarshan in the youth as this generation did not grow up with it. They have no memories of Doordarshan, they don’t relate to it.

    Now with FIFA Under-17 being available this soccer crazy young crowd (chuckling) have an avenue to go and see soccer on FreeDish and DD Terrestrial. DD Sports gets a facelift and it gets a mindshare in this demographic  that we have always wanted to attract and bond with.

    Second thing that I get out of this whole thing is that for all those people who think today I cannot watch those matches on DD on either my private cable or DTH…now I have an avenue to go and promote FreeDish and my digital terrestrial which is just languishing in 19 cities which are the main population centres of India.

    Now I am going to tell them you don’t have to buy that Rs 60 or Rs 120 package. Forget about all that, many of your TVs have an inbuilt digital tuner. There are certain models of Sony, LG and Samsung which have them.

    We will educate people that if you have one of these models, you already have a digital terrestrial tuner, all you need to do is turn it on.  And if you don’t have it, here is an app which you can download. And if your mobile is one of these models, using this app and the DVB-T2 dongle, which is available on Flipkart and other ecommerce platforms you can watch the matches.

    Then, there are certain makes of mobile phones where there is an inbuilt DVB chip available in the marketplace.

    The fourth innovation and I have seen certain products, there are some startups working on it: you need to plug in this hotspot, into the wall, it will get the DVB signal, it will create the wifi – and on all your devices at home you can watch it as a TV channel. We will say these products can support your app.

    How will you monetise the DTT signal?

    When we do the rights sharing under the act , the rights holder and DD both bid on who gets to market the inventory. The highest bidder then gets the rights to sell the entire FCT for the matches on DD DTT and DTH. But the sharing is 75:25.

    Now DTT becomes a new viewership base. So, for the advertisers it is a new way of connecting to the consumers. To me it is new medium to be clipped to the viewership and it’s something where we have a traditional strength because nobody else has terrestrial. We will see how that goes.

    How do you see FreeDish progressing?

    The biggest challenge with FreeDish was that STBs were not  addressable and the signals were not encrypted.  Now for a long time we have had this project to move to MPEG4…the infrastructure is in place, but it required a new STB. That spec was tendered out, iCAS was brought in. Now those boxes are getting ready and soon they will be rolling out. The biggest challenge was what was the motivation for a customer who has an MPEG 2 FreeDish STB to switch to MPEG 4. Now there is a reason, because we can go to the audience and tell them that if you want to watch cricket or any of the sports which you don’t want to pay for your Tata Sky or Dish TV or Videocon or whatever, here is a new iCAS box, it gives you all of these features. That’s another promotional avenue for me. So I am getting two promotional avenues and I am getting to rebrand and relaunch my DD Sports. So in a sense what was a setback in one aspect has opened up opportunity for me.

    One interesting thing that the TRAI is now pushing is the open STB standard with a return path. I think the return path is going to be interesting. It is going to be important for several reasons: for audience measurement, and we would all want interactivity.  Through the regulator’s efforts, and maybe a common standard – and if everyone supports that, it can bring now the price point.

    DD Kids is something which was to be launched?

    There are several ideas. And we will look at each one of them in time.

    What other steps are you taking?

    We have taken some measures following the board meeting recently. It was a long pending board meeting. A lot of decisions were taken. One of the decisions was analog.  We will start sunsetting analog. And that frees up resources. Frees up manpower. Frees up certain operating funds. Those can be put to use in areas where we definitely need a lot of things to be done.

    Information technology being a long pending area where we have not invested. Digital is another area. Then there is the sheer creativity in programming which has come down. The quality of in-house programming has come down drastically. So that requires us to invest in the right talent so we can bring it back in-house.

    DD is the largest network, it has 30,000 people and above… but it has the largest network. We have challenges that nobody else has.

    I chanced upon this report. There was a committee set up in early 2000, late nineties, led by Mr Narayana Murthy which looked at Prasar Bharati (one of the many reports). And, very interestingly, they had a chapter on engineering: they looked at the number of engineers to transmitter ratio, they said this is the highest in any country. That means there is very little automation.

    So, clearly there is a lot of opportunity to get this great talent out and put them to problems which require real attention – be it IT, be it digital, be it reskilling them and repurposing our workforce.

  • GEC: Sony climbs in two markets, Star Bharat jumps five slots in U+R

    GEC: Sony climbs in two markets, Star Bharat jumps five slots in U+R

    MUMBAI: Zee Anmol and Colors retained leadership in their respective markets in week 35 of BARC’s all-India data.  On the other hand, Star Bharat (previously called Life OK) has jumped from the tenth position to the fifth in Hindi (U+ R) GEC market and entered the rural market. 

    Piggybacking KBC, Sony Entertainment Television has jumped a position each in two markets.

    Hindi GEC (U+R)

    Zee Anmol continued to be the leader even after a fall in ratings  in Hindi GEC (U+R) market with 771523 Impressions (000s) against 815471 Impressions (000s) in the previous week. 

    Colors retained its number two position with 613679 Impressions (000s) sum followed by Zee TV on the third with 598705 Impressions (000s) and Star Plus stood on number fourth with 574003 Impressions (000s).

    Star Bharat pocketed the fifth slot with 519743 Impressions (000s) climbing from the tenth position.  Sony Entertainment too climbed up to the sixth position with 474425  Impressions (000s). 

    Sony Pal, Rishtey and Sab TV bagged seventh, eighth and ninth spots respectively with 469504 Impressions (000s), 418914 Impressions (000s) and 368444 Impressions (000s). 

    Star Utsav stood at number ten with 290265 Impressions (000s).

    Hindi GEC Rural 

    Zee Anmol bagged the first position with 608797 Impressions (000s) sum followed by Sony Pal on the second with 329928 Impressions (000s) sum and Rishtey with 306972 Impressions (000s) sum on the third spot.

    Star Bharat (Life OK) has entered the rural market this week with 278785 Impressions (000s) sum followed by Zee TV 248559 Impressions (000s) sum and Star Utsav with 219630 Impressions stood at number six. 

    Colors, DD National and Star Plus grabbed the seventh, eighth and ninth spots with 201560 Impressions (000s) sum, 174453 Impressions (000s), and 172688 Impressions (000s) sum, respectively.

    Big Magic stood at the tenth position with 163412 Impressions (000s).

    Hindi GEC Urban

    Colors continued to top with 412119 Impressions (000s) sum followed by Star Plus on the second position with 401315 Impressions (000s) sum and Sony Entertainment Television on the third with 353685 Impressions (000s) sum.

    Zee TV stood at the fourth position with 350145 Impressions (000s) sum followed by Sab TV on the fifth with 261410 Impressions (000s) sum.

    Star Bharat and &TV stood at the sixth and seventh positions with 240958 Impressions (000s) sum and 163766 Impressions (000s) sum, respectively.

    Zee Anmol, Sony Pal and Rishtey grabbed the eighth, ninth and tenth positions, respectively, with 162725 Impressions (000s) sum, 139575 Impressions (000s) and 111942 Impressions (000s) sum.

  • Nickelodeon emerges leader in top kids genre: Chrome

    MUMBAI: ‘Kids – All-India’ was the most benefitted genre with 1.10 per cent wherein Nickelodeon topped the chart with 87.9 per cent opportunity to see (OTS) in week 31, Chrome Data Analytics & Media reported. 

    Next in the tally was ‘Religious’ genre Exd with a growth of 0.97 per cent with Sanskar leading the genre with 96.3 per cent OTS on an HSM Excel <1L market basis. 

    ‘Business News’ genre was third in the row with a growth of 0.88 per cent in six metros and led by Zee Business with 84.2 per cent OTS. This was followed by ‘Infotainment’ genre on the fourth position with 0.61 per cent in six metros with NGC leading the chart with 91.6 per cent OTS. 

    Last, but not the least, ‘English GEC’ genre was on the fourth position with 0.45 per cent in six metros with Colors Infinity leading the chart with 47.6 per cent OTS. 

    Among the losers this week, the ‘Hindi GEC’ genre recorded a fall of 0.07 per cent in HSM Excel <1L market. DD National was the most affected channel in the genre with 99.3 per cent. 

     

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    OTS in ‘English movies’ genre in six metros decreased by 0.06 per cent with Movies Now being the most affected channel in the genre with 49.0 per cent.

    Also Read :

    English GEC genre grew by 0.24%, CNBC Awaaz most hit: Chrome

    Hindi Movies genre grew by 1.36%, Sony Max tops with 93.9% OTS: Chrome

  • Ratings peaked during ICC Women’s World Cup 2017 finals

    Ratings peaked during ICC Women’s World Cup 2017 finals

    MUMBAI: Cricket craze in India is probably the higher than in any other country in the world is a cliché. It is normal for Indians to sit eyes glued to the idiot box as their male team players chase or hammer leather. Women’s cricket had not fascinated the average Indian until this year during the ICC Women’s World Cup 2017 in which their braveheart lassies’ made it to the finals – winning every match till then. The finals of the World Cup between women from India and England on July 23 saw ratings breach an unprecedented 19.533 million impressions (All India) according to Broadcast Audience Research Council of India (BARC) data. More rural impressions were recorded at 9.962 million than urban which were slightly lower at 9.571 million. However, in the case of all the other matches that India featured in saw higher viewership from urban markets than rural markets.38.6 percent more men watched the match than women – to put in numbers – men and women viewership was 11.346 million and 8.187 million impressions respectively.

    The breakup of networks was 14.263 million impressions (8.286 million male and 5.977 million impressions female) on the Star Sports Network and 5.27 million impressions (3.06 million male and 2.211 million impressions female) on DD National.

    The India-England final witnessed a reach of 13.7 million. Indian women played only one match that they won quite convincingly by 95 runs against India’s arch foe and neighbour – Pakistan. This was match 11 on 2 July 2017. The match scored 2.933 million impressions on an All India basis. Reach-wise, the India-Pakistan match was sampled by more viewers than those during India-Australia semi-final match. The India-Pakistan match witnessed a viewership of 9.2 million whereas the semi-final saw a viewership of 6.5 million.

    Please refer to the table below: (TG: All India, 2+)

    A press release just after the final match circulated by Hotstar, the OTT platform on which the matches were also beamed, stated that India’s second-ever entry into a Women’s World Cup final had a peak concurrency of 1.9 million simultaneous viewers. And this happened in the tragic forty eighth over with India needing 11 runs to win off 12 balls. UP and Maharashtra contributed to 25 per cent of the total viewership on Hotstar.

    From the UK, a record 1.1 million reportedly watched the final played between India and England. It was also reported that this figure was equivalent to the average audience that watched the popular Premier League’s Sunday afternoon matches, according to data from BARC India.

     

  • What’s exciting Gajendra Singh about his new shows on DD

    MUMBAI: There’s a lot of excitement in Gajendra Singh’s voice. Most of us know him as Gaj – the creator of the super-successful musical formats on Zee TV — Antakshri, SaReGaMa in the early part of the cable and satellite TV revolution.  Today, as the founder of production house Saaibaba Telefilms, Gaj  is quite gung-ho about his  new show that is making its debut on the national pubcaster Doordarshan.

    Titled Suron Ka Eklavya – it’s intention is to find singing talent in an interesting format which seeks reversion to retro songs of three singing legends – Kishore Kumar, Lata Mangeshkar and Mohammed Rafi – with the help of well-known music directors  Bappi Lahiri, Jatin Pandit and Ismail Darbar, who will serve as mentors to the contestants.

    “Music has been my forte and  I have always endeavored to produce innovative shows. The idea is to build a bridge between the old era and the young generation,” says Gaj.  “Lata Mangeshkar, Mohd Rafi and Kishore Kumar are the pillars of film music, and therefore, even today, their songs and music are a reference point for the new generation. This show will present the songs in their signature styles but with fresh voices and innovative performances.”

    Launched on World Music Day, ‘Suron Ka Eklavya will begin  airing on Doordarshan from 29 July in the 8-9pm time slot on weekends.

    Gaj says it has taken his production house close to a year to get his show on air. “We went through the bidding process,” he says. “We were shortlisted and had to pass all the criteria that Doordarshan asked us to. And, I am happy to have got this far.”

    Suron Ka Eklavya will feature three teams which have been labeled as gharanas (houses) –  Lata Mangeshkar Gharana, Kishore Kumar Gharana and Mohammad Rafi Gharana. Contestants will sing old songs in fresh voices retaining the signature style of the respective legends with the help of their mentors and will be judged on their craft and talent. The tagline of the show is: “Andaaz Wahi Awaaz Nayi” (Retaining the style, but in a new voice).

    Going forward, Suron Ka Eklavya will also witness celebrity guests including both, actors and musicians. The production house is in talks with singers such as Sonu Nigam, Shreya Ghoshal and Sunidhi Chauhan.

    The 52-episodic talent hunt has been conceptualised by Singh and will be directed by Ashok Singh. The set has been executed by Bhavik and Munna.

    The title track of Suron Ka Eklavya  has been sung by Shaan and Anwesha, the lyrics have been penned by Swanand Kirkire and the show will be hosted by the young and dynamic Abhas Joshi.

    Filming is on at Mumbai’s Filmalaya Studio with a 15 camera set-up. “We are not maintaining a bank of 15- 20 episodes as we will be shooting live and editing on the fly and in post thereafter every week,” says Singh. “We have created a wonderful set with the best lights,  music and technicians, and have invested around Rs 2-3 million in audio, so  that we can get the best acoustics.”

    And what’s good is that Gaj is on the way to recouping his investment of around Rs 450,000 per weekly slot on DD National and production cost of Rs 2.5 million per episode. Indian Oil Corp has come on as a title sponsor whereas Vicco has come in as associate sponsor.

    “The powered by slot is yet open and we are also looking for other associates as well,” says Gaj.

    He reveals that Saaibaba Telefilms is also working on another fiction show MBA Sarpanch which is a biopic of Chhavi Rajawat who left her corporate job and city life to help develop rural India. She became the sarpanch (head of a village administration) of Soda, a village 60 kilometers from Jaipur, Rajasthan. Her grandfather Brig Raghubir Singh had been the sarpanch of the same village 20 years before Rajawat’s election.

    The  half hour show is slated to launch in August and will aired at 7:30 time from Monday – Friday on DD. It has been written by veteran Shanti Bhushan, and has been directed by Sanjeev Chadda who as done a couple of shows with Balaji Telefilms.

    ALSO READ :

    Balaji & Saaibaba bag prime time slots on DD National

    Doordarshan slots Rafi, Kishore & Lata tribute show from Sat

    Saaibaba musicals & comedy, Balaji dramas may lift DD’s fortunes from Feb

    DD non-prime time slots programmes invited; FCTs specified

  • Doordarshan films’ procurement EoI date extended to 14 July

    NEW DELHI: Companies/rights holders of feature films can now send in their Expression of Interest to Doordarshan for supplying a total of 2,754 feature films per year in English and various Indian languages to its various channels by 14 July 2017.

    DD had earlier wanted all the EoIs to be sent by 30 June by 2 pm. They can now do so by 14 July by 5 pm.

    According to the notice by the pubcaster, the rights holder which should be a company or a partnership firm must have a minimum of three years of experience in providing feature   films to a television broadcaster and a minimum of 25 films in its possession.

    The Right-holders are required to provide feature films to Doordarshan for a period of two years and this period is extendable for one more year.

    Doordarshan presently has seven channels that are uplinked from New Delhi – DD National, DD News, DD Bharati, DD India, DD Urdu, DD Sports and DD Kisan.

    Besides these, Doordarshan also operates 14 (24X7) regional language channels. Regional language Channels are area/region specific and due to diversity of language and culture, each Channels is unique in terms of content and viewership.

    Films are being telecast on the entire network of Doordarshan – on Channels uplinked from New Delhi (DD National, DD Bharati, DD India, DD Urdu, and DD Kisan Channels). English and Hindi feature film slots have also been created in the soon to be launched DD Arun Prabha Channel. Additionally, regional language feature films are also telecast on all its regional language Channels.

    The applicant should not be a defaulter of Doordarshan at the time of submission of the Eol. A black-listing order passed by the Central government or state governments or any PSU should not be in operation against the applicant at the time of submission. The right holder should not be debarred from bidding as per GFR, Rule 151.

    Doordarshan retains the right to procure films directly from any individual entity or banner outside this proposal considering programme exigencies. These programme exigencies could be, but not limited to, films on special occasions etc. like Independence day, Republic day, birth or death anniversary of a dignitary etc. 

    Also read:

    Doordarshan invites by month-end EoIs for 2,754 English & regional films per yr

    FreeDish: English news channel among two come aboard (Updated)

    FreeDish auction on 4 July, different reserve prices for GEC and news

    Doordarshan slots Rafi, Kishore & Lata tribute show from Sat

  • Doordarshan invites by month-end EoIs for 2,754 English & regional films per yr

    NEW DELHI: Doordarshan seems to be girding up its loins, especially after the appointment of the Prasar Bharati CEO — Shashi S Vempati. Expressions of interest (EoIs) have been invited by Doordarshan for companies/rights holders for supplying a total of 2,754 feature films per year in English and various Indian languages for its channels.

    According to the notice by the pubcaster, the rights holder which should be a company or a partnership firm must have a minimum of three years of experience in providing feature films to a television broadcaster and a minimum of 25 films in its possession.

    The right-holders are required to provide feature films to Doordarshan for a period of two years and this period is extendable for one more year. The last date for submission of entries is 30 June 2017 by 2 pm.

    Doordarshan at present has seven channels that are uplinked from New Delhi – DD National, DD News, DD Bharati, DD India, DD Urdu, DD Sports and DD Kisan.

    Besides these, Doordarshan also operates 14 (24X7) regional language channels. Regional language Channels are area/region specific and due to diversity of language and culture, each Channels is unique in terms of content and viewership.

    Films are being telecast on the entire network of Doordarshan – on Channels uplinked from New Delhi (DD National, DD Bharati, DD India, DD Urdu, and DD Kisan Channels). English and Hindi feature film slots have also been created in the soon to be launched DD Arun Prabha Channel. Additionally, regional language feature films are also telecast on all its regional language Channels.

    The applicant should not be a defaulter of Doordarshan at the time of submission of the Eol. A black-listing order passed by the Central government I State governments I any PSU should not be in operation against the applicant at the time of submission of the EoI. The right holder should not be debarred from bidding as per GFR, Rule 151.
     
    Tentative requirement of feature films would be according to the table below but iIt may change marginally depending upon the requirement.

    SrNo.
    Name     of      the
    Channel
    Language
    Tentative
    Number of films required (per year)
    1
    DD National
    Hindi
    200
    2
    DD Bharati
    Hindi
    60
    3
    DD Ind ia
    Hindi
    60
    4
    DD Urdu
    Hindi &
    Urdu
    160
    5
    DD Kisan
    Hindi
    100
    6
    DD Arunprabha
    (upcoming)
    English &
    Hindi
    104
    (52 Eng. &
    52 Hin.)
    7
    DD Bangla
    Bangla
    360
    8
    DD Bihar
    Bhojpuri &
    Maithali
    100
    9
    DD Chandana
    Kannada
    250
    10
    DD Gimar
    Gujarati
    60
    11
    DD Kashir
    Urdu&
    Hindi
    100
    12
    DD Malayalam
    Malaya!am
    100
    13
    DD North East
    (including
    Assamese)
    English,
    Hindi, regional languages
    of the north-
    eastern region
    100
    14
    DD Odia
  • DD Sports emerging as chart-topper with 93.9% OTS (updated)

    MUMBAI: English GEC genre grew by 0.28 per cent with Colors Infinity emerging as the leader with 48.2 per cent OTS. The English news genre saw a gained of 0.48 per cent in metros, with Loksabha TV leading the tally with 94.8 per cent OTS.

    Meanwhile, witnessing a drop of 0.20 per cent, the Hindi news channels’ genre in the HSM stood at third number in the loser category with India TV scoring 99.2 per cent OTS. Last but not the least, the kids genre too witnessed a decline of 0.24 per cent across India with Cartoon Network leading the space with 84.4 per cent OTS.

    Meanwhile, witnessing a drop of 5.3 per cent, the Hindi news channels’ genre in the HSM stood at third number in the loser category with India TV scoring 99.2 per cent OTS. Last but not the least, the kids genre too witnessed a decline of 3.3 per cent across India with Cartoon Network leading the space with 84.4 per cent OTS.

    Among the toppers of this week, the sports channels’ genre in All India Market noted a growth of 0.70 per cent with DD Sports emerging as the chart-topper with 93.9 per cent OTS. English Movies genre increased by 0.49 per cent with Movies Now leading the list with 48.7 per cent OTS in six metros.

    The Hindi Movies space garnered the fifth slot with 0.38 per cent growth. Star Gold ledu the genre with 93.6 per cent OTS. Hindi GEC was the next in the tally, which witnessed a growth of 0.21 per cent with DD National taking a lead with 98.7 per cent OTS.

    (This story has been updated after receiving inputs from Chrome DM at 130pm on 14 June, 2017)

  • Mann ki Baat gains popularity among NRIs, CMs to emulate idea

    NEW DELHI: Even as the 32nd instalment of ‘Mann Ki Baat’ by Prime Minister Narendra Modi is slated for next Sunday, it is being emulated soon by some Chief Ministers who are commencing similar broadcasts.

    The broadcast on 28 May at 11.00 a.m. over the entire network of All India Radio will be carried by all AIR stations, all AIR FM channels (FM Gold and FM Rainbow), local radio stations, Vividh Bharati Stations, five community radio stations and also Doordarshan’s primkary channels – DD National, DD News, DD Kisan, and DD Bharati.

    The monthly broadcast has become immensely popular in every nook and corner of the country and is also very popularly among listeners in foreign countries who receive Indian TV channels or get it through the mobile app.

    The regional versions of the ‘Mann Ki Baat’ will be originated by the capital AIR stations in non- Hindi speaking zones at 20 hours on the same day. The regional versions shall be relayed by all AIR stations including local radio stations in the respective states.

    Gujarat is expected to set up around 48,000 booths to listen to the broadcast this month.

    The unique aspect of this important broadcast is that it is visually adapted by Doordarshan and other private TV and news channels in India and broadcast simultaneously. Similarly, radio in private sector patches AIR. All DTH operators also carry it.

    It is also live streamed for global audience and is accessible through mobile app, ALL INDIA RADIO LIVE.

    ‘Mann Ki Baat’ — being aired to about 150 countries — has evoked a “huge response” from people of Indian-origin living abroad.

    AIR External Services Division Director Amlanjyoti Mazumdar said the address, telecast live in Hindi, is also broadcast in a translated version in English. Excerpts of the speech are aired in various other languages, including Russian, French, Urdu and Chinese. “We reach out to listeners in 150 countries through our radio broadcast in Hindi and general overseas service (English),” he added.

    Jharkhand Chief Minister Raghubar Das has said he is launching a monthly CM Ki Baat, and has already discussed this with Information and Broadcasting Minister M Venkaiah Naidu.

    The state government is expected to enter into a memorandum of understanding with AIR and Doordarshan in this regard.