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Tag: Dark Shadows

  • Adam Sandler is highest paid actors: Forbes

    Adam Sandler is highest paid actors: Forbes

    MUMBAI: As the year comes to an end, Forbes listed Hollywood’s highest paid actors of 2014. Forbes compiled the annual ranking by looking at the estimated salaries of Hollywood’s top stars, the budget and revenue of the last three films each actor starred in before June 2014 to determine a return on investment for each actor.

     

    For the second consecutive year, comedian Adam Sandler topped the list, leaving behind stars Johnny Depp and Tom Hanks. According to Forbes, for every $1 Sandler was paid, he returned an average of $3.20 approximately.

     

    Adam Sandler’s latest film Grown Ups 2 was a hit, raking $246m at the global box office.

     

    Depp, the star of the hugely successful Pirates of the Caribbean films, came in second, returning an average of $4.10 for each dollar paid, because of recent flops like The Lone Ranger and Dark Shadows.

     

    Comedian Ben Stiller, whose film Night at the Museum: Secrets of the Tomb opened in US theaters earlier this month, ranked third with a $4.80 return, due to Tower Heist and The Watch, which did not perform well at the box office.

     

    Ryan Reynolds, who starred in Green Lantern, was fourth with $4.90 for each dollar paid, followed by dual Oscar winner Tom Hanks, who pulled in a $5.20 return, rounding out the top five.

     

    Animated and limited release films and movies featuring cameo roles were not included in the calculations.

  • Kitano Takeshi hits out at Japanese cinema at Tokyo filmfest

    Kitano Takeshi hits out at Japanese cinema at Tokyo filmfest

    NEW DELHI: Eminent Japanese filmmaker Kitano Takeshi used the occasion of receiving the ‘Lifetime Achievement Samurai Award’ at the Tokyo International Film Festival to speak about the current state of Japanese film industry.

     

    He was one of the two filmmakers who received the award, the other being American filmmaker Tim Burton known for his dark, gothic, macabre and quirky horror and fantasy films such as Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, Ed Wood, Sleepy Hollow, Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Dark Shadows and Frankenweenie, and for blockbusters such as Pee-wee’s Big Adventure,Batman, its first sequel Batman Returns, Planet of the Apes, Charlie and the Chocolate Factory and Alice in Wonderland.

     

    Speaking on the occasion, Kitano said: “The bad thing about the Japanese film industry is that production companies have relationships with cinemas. Look at the Academy Awards. The Japanese representative needs to be recommended by the film industry, and that is the only one that can be nominated… it irritates me, but if you look at all the Japanese representatives at the Academy Awards, I do not think there is hardly any case in which the film selected is not from the same three or four companies. This year, it would be Shochiku, then it would be Toho, and then it would be Toei. It’s ridiculous!”

     

    Kitano went on to criticise Japanese media for turning a blind eye to industry problems and exaggerating the reception of Japanese films at international film festivals in order to sell ads.

    In a mentoring session of sorts between Kitano and eight award-winning young filmmakers, he said: “I know you are up-and-coming, so make sure that you do not get entangled with the major studios.”

     

    The second half of the event mostly consisted of curator and critic Tony Rayns and Cannes Film Festival selector Christian Jeune discussing Kitano’s films and their cultural impact. But Kitano offered little but polite responses to the two foreign guests’ praise, and had to be reminded of the moderator’s questions multiple times after Rayns and Jeune made their respective comments.

     

    Although Kitano himself also insisted that his works are left to the audience to interpret it in their own way, he did explain the way he creates his films.

     

    “I do not have any themes in my mind. I start with a final scene. With that final image in mind, I decide how much story I can put in,” Kitano said, “I create a shot list, and I shoot a film in order to realise that. As for the theme, it is up to the critics to decide what that might be.” 

  • DreamWorks, Spielberg plan to revive John Steinbeck’s ‘The Grapes Of Wrath’

    DreamWorks, Spielberg plan to revive John Steinbeck’s ‘The Grapes Of Wrath’

    MUMBAI: DreamWorks is in talks with the estate of author John Steinbeck to make a new version of The Grapes Of Wrath. The novel was turned into a classic 1940 film by John Ford, the director who won one of two Oscars out of the seven nominations the picture received.

    DreamWorks confirmed that Spielberg is only going to be producing the picture, and will absolutely not direct it. It might be awkward turf since director Ford was one of Spielberg‘s formative influences. There is some rationale to this, if DreamWorks was looking to capitalise on the 75th anniversary of Steinbeck‘s Pulitzer Prize-winning novel. That anniversary happens next year, and Spielberg is next committed to directing Jason Hall‘s adaptation of American Sniper with Bradley Cooper starring.

    For those who haven‘t read it in high school, The Grapes Of Wrath is about a poor family of tenant farmers forced to move off its land in Oklahoma because of drought and hopeless economic conditions. Spurred by the promise of high wages for farm workers, the Joads head to California, but are beaten down by poverty and hunger in the Great Depression. The film introduced the defiant and tragic protagonist Tom Joad (played by Henry Fonda), who has been an enduring symbol for social reform.

    Among those chasing the book were Robert Redford, whose Sundance label was looking to partner with Dark Shadows producer David Kennedy to turn The Grapes Of Wrath into a miniseries at FX. That was until Spielberg came in with the feature and convinced the Steinbeck estate this was the way to go. The rights to the classic novel come with complications, however. Fox made the original film and even though the domestic rights reverted back to the Steinbeck estate, the foreign rights to the film are controlled by that studio.