Tag: Danish Khan

  • Changemakers 2024: Culver Max’s Gaurav Banerjee’s emergence from the shadows

    Changemakers 2024: Culver Max’s Gaurav Banerjee’s emergence from the shadows

    MUMBAI: Gaurav Banerjee does not come across as CEO nor as MD material when you meet him the first time. The bespectacled unassuming 47-year-old actually reminds you of a writer or a director or a journalist or a scholarly researcher. But today he sits atop Culver Max Entertainment as the chief executive officer & managing director, a handpicked successor to the quiet and unassuming number-crunching CEO NP Singh who built a profitable broadcast network and retired earlier this year.

    Not for GB, as he is known, are all the pomp and flash that others in the business were vaunt to opt for in earlier times when pay TV was a fat man’s business oozing money like there was no tomorrow. Today, pay TV is shrinking, cord-cutting is rampant cord-nevers are growing and the coming generation will probably not know what cable TV and satellite dishes were.

    GB – a history graduate from St Stephen’s College and a masters-degree holder in film making and TV production from Jamia Milia Islamia,  Delhi – belongs to a group of young executives like Arjun Nohwar who leads Warner Bros Discovery for India and south Asia.

    GAURAV BANERJEE

    These folks know they are leading legacy media companies in rapidly-changing times and they have to ensure that their charges stay relevant even in the midst of rapid churn and chaos.  Their response lies in putting their heads down and focusing on the task they have been assigned: protect and build legacy business and ensure they continue to generate cash which –  like in the past – continues fueling their existence and growth and money-gobbling streaming platforms.

    They also have to make the right moves on the streaming side on content, tech, distribution and business models. And they have to do all this profitably, without breaking the bank. For ranging against them are big players in the media and tech ecosystem: Google, Meta, Netflix, Amazon Prime and the potent combo of JioStar – all having deep pockets and a hunger to invest big and dominate the market. Plus there are others such as Zee5 and Sun Nxt and a string of other OTT players which are being spawned by the hour.

    No one in his or her right mind expected GB to be a candidate for the prized position of Culver Max Entertainment MD & CEO. For long the boyish-looking  executive was known to be a close ally, actually protégé, of current JioStar vice-chairman Uday Shankar and every one expected him to follow him to the joint venture that was in the making. (Danish Khan would succeed NP was most media observers’ guess; we at indiantelevision.com did not speculate about this)

    But GB probably knew otherwise; that it would be Kevin Vaz who would be chosen over him. Hence, when the offer to lead Sony came, he accepted it.

    Of course, he was deserving. A very strong content professional (he began his career as an anchor and producer with news channel Aaj Tak and later at Star News) with an uncanny knowledge of audience preferences, he knows how to weave stories into shows that generate high viewership.

    He did that very successfully both on Star Plus and Hotstar when he was president content at Disney Star India, retaining the network’s numero uno status for more than half a decade. It led others – who struggled to come even close – by a mile. To top it all he had the reputation of being a good manager and leader – earning the loyalty of his colleagues and subordinates.

    LA-based chair of global television studios and Sony Pictures Entertainment president & CEO Ravi Ahuja had expressed total confidence in GB’s visionary approach at the time of his appointment. “ Gaurav’s expertise in content creation and strategic leadership will undoubtedly lead SPNI (read Culver Max) into an exciting new chapter of growth and achievement. We are thrilled to have him at the helm and look forward to the continued success of SPNI under his leadership,” he had said.  

    GB has been playing low key ever since he took over in end-August 2024. He has been building up his A team bit by bit. Most old-timers have been retained, though some like Neerja Vyas chose to quit.

    Danish Khan who was EVP & business head Sony Entertainment Television, Studio Next and SonyLiv was recast to head -digital business, Studio Next, and networks channel licensing.   Ajay Bhalwankar, who  led Sony Marathi successfully,  was handed over Sony Sab to manage along with his existing charge.

    Nachiket Pantvaidya, general manager of Sony Pictures International Productions, was additionally made business head of Hindi general entertainment channel Sony Entertainment Television, marking his third stint with the network.

    Tushar Shah who led English, Bengali, and infotainment channels and  was the chief marketing officer (CMO) at the network was additionally asked to oversee Sony MAX, Sony MAX HD, Sony MAX 2, Sony WAH and Sony PAL.  

    Manu Wadhwa who was chief human resources officer was handed additional responsibility of information technology

    Ambesh Tiwari is currently being groomed to take over as kids channel Sony Yay’s business head when Leena Lele Dutta departs at the end of this fiscal year.

    Ritesh Khosla was brought in as general counsel.

    Veteran Rajesh Kaul, continued in his chief revenue officer, distribution and sports business head.  Aditya Mehta who headed corporate strategy, business monetization, and data analytics’ centre of excellence continues in his position.  Sandeep Mehrotra, continued in his position as EVP -sales.

    A new CFO Sibaji Biswas is slated to join come the first week of January 2025.

    The new leaders, in turn, have been building, their respective A teams.

    GAURAV BANERJEE

    In the meanwhile, GB has been working on getting to know  Culver Max Entertainment, its processes, its people, its neurology, its innards  better. He starting rerunning  episodes of old shows (Beyhadh, Bade Achche Lagate Hain, among others) on Sony excepting for  non-fiction shows Kaun Banega Crorepati and Indian Idol. The two were tweaked with better production quality and selection of participants. Each contestant had a dramatic back story or extremely good talent. Or even both.

    Without incurring any great additional programming costs, the ratings of SET  started rising.

    The teams in the meanwhile strategised on what kind of programming audiences would like to see on the network. The answer was classics like CID and Tenali Rama which would be modernised, have better casting, fabulous production values and improved storytelling. The first is being produced by Banijay Asia and the second by Contiloe Films and have already starting airing on their respective channels Sony Entertainment and Sony Sab. The focus in on gauging audience reactions to these two, before launching new shows which are currently being developed with other producers. Shark Tank, which has been drawing eyeballs and attention ever since it launched three seasons ago is slated to launch on 6 January.

    The second strong plank of content at Culver Max is its sports programming under the Sony Sports Network umbrella. Recently, rights to the Asian Cricket Council covering men’s, women’s, under19’s, and men’s and women’s emerging Asia cup tournaments from 2024 to 2031 were  acquired. The network already has rights to  cricket matches in New Zealand, England, Sri Lanka. Formule E race broadcast rights have been inked for the next three years. 

    For football fans, close to 1,600 matches from the 2024-2025, 2025-2026 and the 2026-27 seasons of the UEFA Champions League, UEFA Europa League, UEFA Conference League, UEFA super cup and UEFA Youth League havbeen be been signed up earlier this year. Ultimate Fighting Championship matches till 2028 should continue attracting its loyal audiences, even though it’s quite possible it will lose the WWE (its staple)  programming to Netflix which has paid top dollar for it as part of a global acquisition deal.  Rights to local Hockey India League championships for three years have also been acquired,. Sony has also been a partner to three of the Grand Slam tennis tournaments. Therefore it has enough heft to keep viewers engaged throughout 2025 with their TV and handphones, says GB.

    SonyLiv is the least of GB’s worries. Led by old-timer Danish Khan and content commissioner Saugata Mukherjee, the streamer has been churning out shows which have attained cult status: The Scam, Rocket Boys, Freedom at Midnight, Gullak, Tanaav, Cubicles, Undekhi, among many others. It has loyal subscribers who know what they are going to get on the platform, and they come there to get it. Sources indicate that it has the lowest churn among all the streamers, though its subscriber base is in the 15-20 million range.

    Four months into his job, and GB has begun to make his presence felt on the Indian entertainment landscape. He has just begun emerging from the shadows as a corporate leader. 2025 will see his influence spreading even further.

    Media mavens had better not be surprised if he makes some sharp moves, especially acquisitive ones. For as his boss Ravi Ahuja expressed to him on his December visit to India: “Exceed expectations, take on new challenges, and build your skills and network – that’s the path to leadership!”

    To his advantage, to many in the industry, he is a mystery, known more for his content savviness, not for his managerial or strategic skills. 

    And that is his trump card. 

    (We asked an AI pic generator to re-imagine Gauarav Banerjee through its tool, and the main picture on our home page is what it came up with. No malice is intended toward Culver Max, Gaurav Banerjee or anyone else asociated with personally or professionally. No copyright infringement is intended either.)
     

  • Sony LIV to adapt Emmy-nominated series ‘Million Dollar Listing’ for Indian Audience

    Sony LIV to adapt Emmy-nominated series ‘Million Dollar Listing’ for Indian Audience

    Mumbai: Sony LIV, a pioneer in delivering innovative unscripted content with hits like Shark Tank India and MasterChef India, is now venturing into another unique groundbreaking format: the Indian edition of the Emmy-nominated series Million Dollar Listing. As per the press release, this new show will shine a spotlight on India’s most desirable homes and provide an inside look at the creation and acquisition of the country’s dream properties.

    Produced by Banijay Asia, Million Dollar Listing: India marks the second international version of the format and joins the ranks of successful editions of cities such as LA, New York, Miami, San Francisco, and Dubai. In each of its editions, the series follows the lives of cities’ best and most aggressive real estate professionals as they navigate the high-stakes world of selling multi-million-dollar properties in exclusive neighbourhoods. Each episode keeps up with the savvy realtors, as they juggle multiple demands and keep their professional lives afloat trying to secure the next big deal. The first city to get highlighted in the India edition is New Delhi.

    As India rapidly rises to become one of the world’s top consumer markets, luxury living is now a reality for many, driven by the aspirations of the affluent population. The show highlights a previously unseen side of modern India, appealing to all demographics and age groups.

    Million Dollar Listing is licensed globally by NBCUniversal Formats, a division of Universal International Studios, which is part of Universal Studio Group.

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

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    Sony LIV and StudioNext business head Danish Khan said, “After the runaway success of Shark Tank and Masterchef, we at Sony LIV are delighted to bring Emmy nominee ‘Million Dollar Listing’ to India. This show will offer our audience a unique glimpse into the desire, details, and negotiations involved in buying and selling the country’s most luxurious dream homes. Relevant, aspirational, and never seen before – we are quite confident that our audience will love this show.”

    NBCUniversal Formats SVP formats sales & production Ana Langenberg said, “Bringing Million Dollar Listing to India is a fantastic opportunity to showcase the aspirational world of luxury real estate in a market that appreciates success and ambition. Partnering with Sony LIV and EndemolShine India on the second international version of this format ensures the series will connect with audiences who share a passion for extraordinary properties and bold lifestyles. We can’t wait to see how this series resonates in such a vibrant and diverse country.”

    Banijay Asia & EndemolShine India group chief operating officer Rishi Negi said, “We are thrilled to bring the global success of Million Dollar Listing to India, which marks an exciting new chapter in our long-standing collaboration with Sony LIV. As we bring this award-winning series to India, we are proud to offer a fresh and dynamic portrayal of the country’s booming real estate landscape. This show will not only reflect the aspirations of a rising new India but also introduce a completely new format that resonates with the evolving tastes of our diverse audience. At Banijay Asia, we are committed to expanding our content portfolio by continuously pushing creative boundaries, and Million Dollar Listing: India is another step towards redefining reality television in the country.”

  • Saugata Mukherjee rejoins SonyLIV as content head

    Saugata Mukherjee rejoins SonyLIV as content head

    Mumbai: Sony Pictures Network India (SPN) has appointed Saugata Mukherjee as head of content for SonyLIV.

    In his new role, Saugata will lead the content division for Sony digital businesses.

    He will report to Sony LIV, Sony Entertainment Television (SET), and Studio Next business head Danish Khan.

    Mukherjee said, “I have witnessed the platform’s growth and am proud to be part of its growth story once again. SonyLIV has always pushed the boundaries of content by telling stories that have never been told, explored, or shown before, making my role a challenging but exciting one.”

    A media and entertainment industry veteran, Saugata has over two decades of experience. Saugata has previously led content teams for prestigious media conglomerates. He recently left Warner Bros. Discovery, where he was HBO Max content head.

    Warner Bros Discovery puts HBO Max launch in India on hold

    In his previous stint with Sony Pictures Networks India, he worked as SonyLIV’s original content head for one year, where he was looking after content commissioning, developing, producing, and curating the premium content for the platform.

    He has also worked with Disney+ Hotstar for almost two years, where he was head of development and creative for Hotstar Specials.

    At Star TV Network, he was senior vice president and editor of the content studio for five years.

    He is an alumnus of the Indian School of Business and Jawaharlal Nehru University.

  • SonyLiv’s Scam gets season two, will tell The Telgi Story

    SonyLiv’s Scam gets season two, will tell The Telgi Story

    MUMBAI: After delivering a monster hit with Scam 1992: The Harshad Mehta Story, SonyLiv and Applause Entertainment are looking to recreate the magic with the second season of the Scam franchise.

    Tentatively titled Scam 2003: The Curious Case of Abdul Karim Telgi, the show will be adapted from the Hindi book Reporter ki Diary authored by journalist Sanjay Singh, who broke the story of the 2003 stamp paper scam by notorious counterfeiter Abdul Karim Telgi. 

    The series promises to be an intriguing watch as it will capture the life of Telgi, born in Khanapur in Karnataka, and his journey to becoming the mastermind behind one of India’s most ingenious scams spread across multiple states which shook the entire country. It is estimated that the scam value was allegedly around Rs 20,000 crores.

    Applause has roped in the talented Kiran Yadnyopavit, known for his contribution to the Marathi film industry, to write and develop the story along with author Sanjay Singh, with Hansal Mehta back at the helm. 

    Applause Entertainment CEO Sameer Nair said, “Scam 1992 has helped establish a solid ground for the Scam franchise where we aim to tell stories about the various scams that our country has witnessed, the people behind it, their motivations and machinations. The success of Scam 1992 endorsed our belief about the audiences’ interest in such stories. We are extremely thrilled to announce The Telgi Story as the next season. There is some great potential we see in this story and are absolutely delighted to partner once again with StudioNext, SonyLiv and Hansal Mehta in taking forward this franchise.”

    Sony Pictures Networks India Sony Entertainment Television, SonyLiv & StudioNext EVP & business head Danish Khan said, “We are delighted to partner with Sameer Nair and his fantastic team at Applause for season two of Scam. We look forward to collaborate with Hansal Mehta to bring an absolutely compelling show for our SonyLiv premium subscribers.”   

    Director Hansal Mehta said, “I am delighted to be back with exploring yet another fascinating story following the immense success of Scam 1992. The new season of this franchise will focus on another riveting story that shook the country a few years ago – the stamp paper scam. I am looking forward to collaborating again with team Applause, SonyLiv and StudioNext, partners who think alike and encourage creative thought.” 

    Scam 2003: The Curious Case of Abdul Karim Telgi, is being produced by Applause Entertainment in association with StudioNext. The riveting series will be hitting the shoot floor later this year and stream exclusively on SonyLiv.

  • ‘One World: Together at Home’ global special to air on Sony PIX, AXN, SonyLIV on 19 April

    ‘One World: Together at Home’ global special to air on Sony PIX, AXN, SonyLIV on 19 April

    MUMBAI:‘One World: Together at Home’ — a globally televised and streamed special in support of the fight against the COVID-19 pandemic – will air on Sony PIX and AXN on 19 April At 8 pm and will be live streamed on SonyLIV at 5.30 am with a repeat at 8 pm.

    Launched by international advocacy organization Global Citizen, and the World Health Organisation, ‘One World: Together at Home’ will show unity among all people who are affected by COVID-19 and will also celebrate and support brave healthcare workers doing life-saving work on the front lines.

    Curated in collaboration with Lady Gaga, the ‘One World: Together At Home’ broadcast special will include performances and appearances by Alicia Keys, Amy Poehler, Andrea Bocelli, Awkwafina, Billie Eilish, Billie Joe Armstrong of Green Day, Burna Boy, Camila Cabello, Celine Dion, Chris Martin, David & Victoria Beckham, Eddie Vedder, Ellen DeGeneres, Elton John, FINNEAS, Idris and Sabrina Elba, J Balvin, Jennifer Lopez, John Legend, Kacey Musgraves, Keith Urban, Kerry Washington, Lang Lang, Lizzo,  LL COOL J, Lupita Nyong’o, Maluma, Matthew McConaughey, Oprah Winfrey, Paul McCartney, Pharrell Williams, Priyanka Chopra Jonas, Sam Smith, Shah Rukh Khan, Shawn Mendes, Stevie Wonder, Taylor Swift, and Usher.

    ‘One World: Together at Home’ is not a telethon – it is a historic, first-of-its kind global broadcast event to celebrate the heroic efforts of community health workers, and to support the World Health Organization in the global fight to end COVID-19. The broadcast will feature stories from frontline healthcare workers on the COVID response, commitments from philanthropists, governments and corporations to support and equip frontline healthcare workers around the world, with masks, gowns and other vital equipment, and to local charities that provide food, shelter, and healthcare to those that need it most.

    According to both, Danish Khan – business head, Sony Entertainment Television, Studio Next and digital business and Tushar Shah – business head, English cluster, Sony Pictures Networks India, “The concert is reflective of our solidarity during this situation and an effort to applaud the bravery of the frontline workers. We are happy to collaborate with Global Citizen and convey this powerful message of One World to our viewers.”

  • TV and video people who made an impact in 2019 – Part II

    TV and video people who made an impact in 2019 – Part II

    MUMBAI: Moving on to Part 2 installment of Indiantelevision.com’s TV and video people who stood out in 2019. The first part was put out on 2 January 2020, and highlighted executives in random order. We will be following a similar tack in the second installment too. We scoured developments through the year and the role the executive played in bringing those to fruition. Their actions should have been impactful on the company they work with, and on industry.

    We reiterate that best efforts have gone in preparing this list, and any misses are purely accidental, or out of ignorance; no malice is intended. The list is random – not in any order of importance.  Part 3 will follow soon. Read on:

    Mukesh Ambani & Manoj Modi

    Ambani and his college friend, and no 2 in Reliance Industries, Manoj Modi, were the talk of the town during 2019. The year saw Ambani roll out fixed wired broadband services under Jio Fiber. Lower-than-expected data and broadband costs is something Ambani has got us used to, so they don’t surprise us any more.

    Ambani and Modi followed that dictum with Jio Fiber as well.

    The year also saw them and the distribution team getting tied up with the assimilation of Hathway and DEN – two multisystem operators Reliance acquired in 2018.

    Ambani continued to battle with Airtel and Vodafone with lower priced plans, and lured away subscribers from the two forcing them to bleed. Add to that the whammy hurled at them by the government regarding adjusted gross revenue (AGR) amounts payable which amounted to Rs 1.47 lakh crore for the sector. Both Vodafone-Idea and Airtel ran up humungous losses. Succor came towards the end of 2019, when all three agreed to raise data rates, something which is expected to benefit the three in terms of accruals.

    The year also was the one when the group vacillitated between retaining its ownership of  Network18 and TV18 and dumping it to interested parties like Sony Pictures Network India. The news was that the deal was close to closure in early December 2019, but into the new year and announcements are yet to be made.

     

    Sameer Nair

    After redefining the TV industry in the first decade of this century, media veteran Sameer Nair has now taken on the bet of premium web content. The man who has seen the earliest phase of Indian TV industry now has been leading the resurrection of Kumar Mangalam Birla’s content studio Applause Entertainment.

    Taking advantage of the Indian OTT explosion, Applause Entertainment delivered originals in 2019 to Hotstar, MX Player, SonyLIV, Amazon Prime Video and is in talks with other players as well for new projects.

    Rather than building Applause as a production house, Nair has built it as a studio that is investing in content and working with the best talent – whether it is directors or producers or on screen talent.

    Under his leadership, Applause Entertainment has already put out shows like Criminal Justice, Hostages, and  Hello Mini. More are being gestated and developed, and 2020 is likely to see some more of its offerings being rolled out with a greater impetus being put on content by the international and local streamers.

     

    Nikhil Gandhi

    Nikhil Gandhi was just your ordinary fast rising young TV executive with lots of enthusiasm and energy for his job at the Times Network, as head of its entertainment news channel Zoom and its production arm Zoom studio. But he was catapulted into the limelight towards late 2019, with his appointment as the Indian head of TikTok, a short form video user generated content app, which is the fastest growing amongst all in the Indian firmament.

    TikTok is blazing a trail and the youth cannot get enough of it. In fact, a new star has emerged on the digital horizon – that of the TikTok influencer who competes with traditional celebrities, courtesy this Chinese app, which is part of ByteDance.

    Mid-2019, its turkey, however, looked to be cooked with the government banning it from the digital stores in India, following the Madras high court saying it encouraged pornography and digital content. However, the court reversed its decision soon thereafter, and the app’s downloads continued to grow in a flood.

    Gandhi is now in the hotseat at TikTok at a time when the world is grappling with monetising digital video- whether professionally generated or user generated better. At his disposal, he will have his experience as a man manager, a distribution executive, and later as a content creator. Combining that the with the digital insights from Chinese leadership at ByteDance, he could well take it on a higher trajectory in 2020.

     

    Vijay Subramaniam

    The once advertising sales exec today holds probably the most important position in content in India – that of the originals head of Amazon’s Prime Video offering. For the large part, he has kept out of the limelight. It’s to his credit that his international originals boss Jame Farrell has let him lead all the creative initiatives and take creative decisions in India.

    And with reason: the soft-spoken bespectacled executive has done a stellar job so far. The digital shows he has commissioned are some of the better written, developed, and produced in India – Inside Edge Part 1 and II, Mirzapur, Four More Shots Please, Comicstaan, and Family Man. All of these received critical acclaim apart from generating oodles of buzz.

    That – apart from the fact that a Prime membership promises overnight delivery – have helped accelerate subscriptions to the service. 2020 will bring its challenges for Subramaniam and his team. Netflix is aggressively investing in content, as are the other players like Zee5, Hotstar and Voot. The demand for good creators, writers is growing and there’s only a limited number who understand development for the digital space.

     

     

     

    Gaurav Banerjee

    Star India Hindi entertainment president and head Gaurav Banerjee – GB as he is known – has a long association with the organisation and ecosystem. A former TV news journalist and producer, he has, laong with his boss Uday Shankar, churned out TV shows for Star Plus and Star Bharat which have constantly ranked tops on the BARC ratings. In a world of digital intermediation, Star’s channels and TV shows  – some which have been running for thousands of episodes – continue to make waves with audiences.

    GB’s creative and content expertise will be put to the test in the coming year as he has to sign up creators, and create cutting edge content for Hotstar Specials at lower budgets than that of the international streamers. So far what he has unveiled has generated some buzz amongst audiences and the creative community.

    GB strongly believes in the power of storytelling, the flexibility of creators on OTT platforms. His focus on a variety of content can be seen in Hotstar’s content bank –  a sports documentary, a big edgy legal drama, thriller, comedy , and a female-centric drama. Banerjee is equally contributing to new age video content as he did to traditional TV.

     

     

    Tarun Katial

    Tarun Katial has had a career full of smash hits and his latest long-running date with the Zee group’s OTT platform Zee5 is no exception. Over the past two years, Katial has taken the platform to the top level in both the AVoD and SVoD segments. He has restructured the team and rebuilt business strategy with his boss Amit Goenka’s assent. His 3V strategy – vernacular, video and voice – has proved to be highly successful.

    From striking deals with telecom players, a unique content deal with ALTBalaji, to engaging with top talents across the regions, bringing new tools for advertisers and consumers – Katial and his team have been proactive in reaching the audacious mission of 15 million daily active users (DAU). With its unique but massy content, ZEE5 can be a real threat to Hotstar.  

     

     

     

    Danish Khan  

    Sony Pictures Networks India’s Sony Entertainment Television business head Danish Khan is a typical backroom TV executive, who shies away from publicity, preferring to let his work do the talking. He has over the past couple of years kept a sharp eye on profitability at the channel he heads, keeping away flamboyant spending. Sticking to the knitting of delivering good non-fiction shows  – like The Kapil Sharma Show, KBC – which attract audiences in drove, he has helped SET stay at the top of the entertainment channel pie. Not that he has not experimented with fiction, just that it has not been as successful as his non-fiction initiatives.  

    His good efforts were rewarded during the year; he was handed the additional  mandate of turbocharging its digital streaming initiative SonyLiv. A relative slow mover in the streaming sweepstakes, SonyLiv has a lot of catching up to do. And Danish – a lot of learning. But he has shown that he is up to the task, given the fact that he led marketing at the entertainment channel once and today he heads it.  

    To help him in his SonyLiv responsibility, Danish has roped in the A-Team that works with him at SET, Ashish Golwalkar and Aman Srivastava.

    Under his leadership the streamer is all set to increase its focus on subscription and original content while its business has largely been driven by advertising revenues and catalogue offerings till now.  

    Nina Elavia Jaipuria

    From heading marketing at Sony to heading Kids TV and Hindi mass entertainment at Viacom18, Nina Elavia Jaipuria has had an interesting journey.

    In September 2018, she was entrusted with the additional responsibility of leading Viacom18’s Hindi mass entertainment channels, bringing Colors, Rishtey and Rishtey Cineplex under her purview.

    Today, as head – Hindi and kids TV network, Jaipuria now leads two of the company’s foremost broadcast ventures. Under her leadership, in 2019, Hindi entertainment channels launched many fiction and non-fiction shows helping Colors stay on top, amongst the top three or four in the category throughout the year. The show Bigg Boss continued to make waves digitally in 2019, probably being one of the most talked about shows of the year.

    In 2020, Jaipuria will continue to take the brands to the next level with bold, disruptive and empowering stories for respective channels.  

  • OTT & streamers 2019: Full steam ahead!

    OTT & streamers 2019: Full steam ahead!

    MUMBAI: If 2018 was big for the over-the-top (OTT) platforms, 2019 was even bigger for the ecosystem. Existing platforms pumped in in even more money into content creation, distribution and customer acquisition even as new players made a grand entry. While in the previous year, the focus was just on content creation, 2019 was about course correction, forging partnerships, striking distribution deals, entering new segments, innovating and getting to know the consumer better. Not just for the homegrown players but for the big international ones as well.

    2019 was the year when indiantelevision.com evolved its Vidnet OTT confab into one which offered conferences, training and masterclasses from some of the creators of successful originals.

    New kids on the block:

    Maybe a little late in the day, but a few platforms started their journey this year and created a buzz in the market. In February 2019, Times Internet launched a new avatar of its one of the most ambitious bets, MX Player. To grab a bigger slice of the ambitious video streaming market, the OTT platform commenced its play with five MX Original Series. Shemaroo Entertainment Ltd, one of the legacy players, which owns a rich content library, forayed into the space around the same time. However, Shemaroo banked on its existing content for ShemarooMe rather than burning cash for original content. But while MX Player went totally advertising-led, ShemarooMe took the freemium route.  

    Later in the second half of the calendar year, IN10 Media, a diversified vertical of infotainment channel Epic TV launched a new subscription-based documentary streaming platform DocuBay. The last quarter witnessed another major announcement – the launch of VOOT Kids from the house of Viacom18 which has already established a significant digital play with VOOT.  Unlike its main OTT platform, Viacom18 is relying on subscription for the kids’ platform right from the get-go. 

    Moreover, the year was equally eventful in the global OTT market as well. Tech giant Apple forayed deeper into streaming with the launch of its subscription-based video streaming service Apple TV+ in November. A few days later, Walt Disney launched its much-awaited streaming service Disney+ at a very reasonable sticker price. While the former made its streaming service available in India at Rs 99 per month, what the Star Disney combine will do with Disney+ in India has to still to be worked out, considering the huge popularity of Hotstar.

    More investment in original content:

    Along with new OTT platforms entering the market, the existing platforms also increased their investments in original content.  ZEE5 from Zee Entertainment Enterprises spent the year increasing its focus on large-scale originals, franchises, digital original films and regional language shows even as it has already developed a robust original content library across languages.

    Among  the shows that struck a chord with viewers include: Rangbaaz, which was launched late 2018 soared in 2019. The Kunal Khemu-starring BP Singh-produced Abhay too made its mark after being launched in early 2019. Kaafir – an original from Siddharth Malhotra’s Alchemy Films – too was much talked about. Zeel took its successful TV show Jamai Raaja to Zee5 in the shape of Jamai 2.0 during the year.

    After banking on catch-up and sports content for a long time,  Star India’s Hotstar also decided to invest in premium original content. Reportedly, Hotstar jumped onto the bandwagon with a Rs 120 crore investment plan. The primary reason to launch originals is to convert users into paid subscribers in the face of increasing competition. Hitherto, adapting successful foreign shows by infusing local flavours had been an important aspect of Hotstar’s strategy but it is certain that the platform is not going to limit itself to adaptations.

    Another player with deep pockets, Amazon Prime Video, also scaled up its local content offering along with a stellar roster of movies. With highly acclaimed originals like Made in Heaven, The Family Man, the OTT platform has already attracted enough user attention. Moreover, the second seasons of earlier hits are also in pipeline.

    Amazon Prime Video’s international rival has gradually evolved its investment in India – Netflix CEO Reed Hastings in his latest visit revealed that it is committing Rs 3000 crore in this year and next for Indian content.

    Other homegrown players like VOOT, SonyLIV also realigning their focus on original content as they don’t have significant play in the segment.

    Innovation with pricing:

    The streamers are not only experimenting with content to make build consumer love, but they are also jiggling around with pricing  in order to find the sweet spot which appeals to consumers. Rather than directly slashing prices, the streaming platforms have opted for sachet pricing.

    All the major players – Hotstar, Netflix, Amazon Prime Video, ZEE5, SonyLIV followed this strategy.

    Hotstar launched a Hotstar VIP pack at Rs 365 a year, much lower than its premium service which is priced at Rs 999 per year. SonyLIV has already tested a weekly subscription package priced at Rs 29 only. While ZEE5 has  launched special packages in languages including Tamil, Telugu and Kannada, it is looking at a mobile-only plan as well.

    Even ALTBalaji is also likely to consider having sachet pricing in the next two years.

    Most importantly, Netflix in an industry-first move launched a mobile-only pack in India priced at Rs 199. Maybe the myth that Indian consumers are shy to pay for content has been broken but the players have also realised Indian consumers are value-conscious.

    Experimenting with new partnerships:

    At the same time when the platforms were trying to differentiate in the crowded space, they also forged interesting partnerships. The new entrant MX Player stitched content tie-ups with Sony Liv, Arré and Hoichoi. Hotstar did a deal with Hooq to make its Hollywood offering stronger. But the most interesting one was the betrothal announcement between ZEE5 and Alt Balaji. It went way beyond content syndication – more towards content sharing, an arrangement that includes co-creation of a number of premium originals which will be available to subscribers of both the platforms.

    Although telco-partnerships have proved to be helpful for OTT platforms, the profitability of platform-to-platform alliances in the long-run yet remains to be tested.

    Key people movements:

    Along with changes in business plans, content strategy, the OTT platforms reshuffled their teams in 2019 as well. Netflix continued expanding its Indian team with TV and streaming veterans being hired locally,  including the appointment of Voot content head Monika Shergill, and the BBC’s Myleeta Aga. VOOT on its part recruited its new COO Gourav Rakshit from Shaadi.com keeping its subscription business in mind. After Uday Sodhi quit, SPNI handed the reins of SonyLiv to television vet Danish Khan. Ekta Kapoor-led ALTBalaji has seen high profile exits as CEO Sunil Lulla and COO Sunil Nair quit the organisation this year.

    2019 was exciting for the OTT platforms undoubtedly. The cloud of content regulation over the platforms also seems to be clear as the government has reportedly agreed to allow the streamers to self regulate.

    But a few of the old issues like lack of OTT measurement systems, lower broadband penetration, content piracy are still proving bothersome.

    In addition to that, the global and Indian economic crises, a hike in telecom and data tariffs may prove a dampener for the industry, if not in the long-term, at least for the first half of the next calendar year.

    So the challenges will continue to dog the streamers as they plod on to conquer a nation’s TV junkies.

  • SonyLIV business head Uday Sodhi decides to move on

    SonyLIV business head Uday Sodhi decides to move on

    MUMBAI: Uday Sodhi, Business Head of SonyLIV, has decided to move on, after building up the digital business of Sony Pictures Networks (SPN) for almost five years. Uday will now pursue his entrepreneurial passion in the start-up space.

    SonyLIV is the pioneer in the OTT space in India. During  his stint, Uday was responsible for the introduction of its subscription model, SonyLIV's relaunch and the international launch of SonyLIV subscriptions, among many others. Under his leadership sport tournaments like Euro
    2016, FIFA World Cup 2018 and India Australia  series 2018 saw phenomenal success in terms of digital viewership.

    With Uday's movement, the mantle  of SonyLIV will now be shouldered by Danish Khan as the newly appointed business head of SPN's digital business. This will be in addition to Danish's responsibilities as Business Head of Sony Entertainment Television (SET) and Studio NEXT.

    In a career  spanning over two decades, Danish  has successfully managed teams across marketing and programming having worked with Sony MAX, SET and Star Plus in his previous avatars. Under  his leadership as business  head for SET, the channel has become the #1 Hindi General Entertainment Channel (GEC) in the country. He has brought marquee properties like Kaun Banega Crorepati and The Kapil Sharma Show to SET and created our own IPs with unique shows  like Super Dancer and Superstar Singer, which have received widespread recognition across the industry. Danish has also been instrumental in launching and nurturing the Studio NEXT business, armed with the ambition of making SPN a content leader in the M&E industry.

    Both, Danish and Uday will work on a transition plan over the next month, in consultation and partnership with relevant stakeholders. Uday's last working day at SPN will be 15 November
    2019.

    On behalf of everyone at SPN, we wish Uday success in his future endeavours and continued success to Danish in his expanded responsibilities.
     

  • SPN appoints Indranil Chakravorty to head StudioNEXT

    SPN appoints Indranil Chakravorty to head StudioNEXT

    MUMBAI: Sony Pictures Networks India (SPN) has roped in Indranil Chakravorty as the head of StudioNEXT, its independent production venture, who will be reporting to Danish Khan.

    Chakravorty is an engineer from IIT Kharagpur and has completed his Post Graduate Diploma in Management from IIM, Lucknow. He has rich and wide experience of around 30 years, working with organisations across sectors, handling varied job functions across business verticals such as marketing and sales. His most recent stint was as the CEO of Big Synergy where over a period of eight years he spearheaded its expansion in different geographies while creating high impact properties.

    StudioNEXT has been mandated to create original content and IPs for TV and digital media. An independent business unit of SPN, StudioNEXT will function as a content creator for SPN media business as well as for other channels, networks and OTT players within India and globally. This newly formed venture began its journey with co-producing Season 10 of KBC in partnership with Big Synergy. Going forward, StudioNEXT will produce new IPs whilst leveraging the existing ones under SPN media.

    Sony Entertainment Television (SET) business head Danish Khan said, “I am excited to have Indranil spearhead StudioNEXT. I am confident that Indranil, with his excellent understanding of the entertainment ecosystem, along with his abilities to nurture creative talent and build a creative culture, will make StudioNEXT a cutting-edge content creator.”

  • Sony opts for interactivity with Salman’s ‘Dus ka Dum’

    Sony opts for interactivity with Salman’s ‘Dus ka Dum’

    MUMBAI: The debut TV show of actor Salman Khan nearly a decade ago, is back with a bang but promises to take the offering up a few notches.  After nine years, he will be back on screen on Sony Entertainment Television (SET) with Dus ka Dum.

    While the initial seasons depended on the entertainment factor, SET EVP and business head Danish Khan said that this time it will be socially-driven. Several heads were put together to decide the right set of questions.

    “The format of the show has been changed from two rounds to having three rounds. Our sample size has increased from 5000 people to 1.5 million people and makes the record of the largest survey ever done across the world. The product is premium, the ad rates are also premium. The response of the brands has been quite encouraging,” Khan told Indiantelevision.com.

    The brands on board till now are Kamla Pasand which is the presenting sponsor and Priyagold SuperStar and Syska LED as powered by sponsors.

    The show has been planned for 26 episodes with a focus on urban and semi-urban audience. The runtime is 90 minutes from 8:30 pm on Monday and Tuesday. Millions of Indian citizens will get to test their observation skills and stand a chance to come on air.

    SPN India CEO NP Singh said that Sony’s in-house creative team and Sony Pictures Television, UK have re-envisioned Dus Ka Dum. It will have more second screen engagement, something that didn’t exist a few years ago, and the channel already showed the power of digital during Kaun Banega Crorepati where it got 40 million users registered for KBC Play-Along last year in a span of 10 weeks.

    SET VP-marketing Aman Srivastava told Indiantelevision.com that promotions for the show begin from 31 May on outdoor and print and the launch day print ad on 4 June. In television, promotions will be aired across the Sony 
    network channels and others like Masti, 9XM, Aaj Tak, News18 and India TV.

    The 1.5 million people Khan was talking about were via the SonyLIV app, giving people an opportunity to audition for the show and stand a chance to play the game as a participant on television.

    Big Synergy consultant Siddhartha Basu said, “It is always a pleasure to be associated with the channel, Danish Khan and his team. The registration response was overwhelming and we do hope the nation once again enjoys the much-loved show and star in this brand new outing.” 

    Salman Khan said, “The show marked my debut on television and will always stay close to my heart. I am happy to return with it after nine long years! I feel a lot richer with the experiences shared by the participants on the show and the everlasting love of my fans.”