Tag: Dangal

  • BARC week 23: Star Plus continues to hold top spot in urban market and pay platform

    BARC week 23: Star Plus continues to hold top spot in urban market and pay platform

    MUMBAI: Star Plus topped the chart on the pay platform and in the urban market in Week 23 of 2020 (Saturday, 6 June 2020 to Friday, 12 June 2020) of Broadcast Audience Research Council of India (BARC) data. As compared to last week, Star Plus slipped down to fifth position in the rural market. DD National replaced Dangal by gaining seventh position on the pay platform. Dangal, which was at third spot in the urban market last week, came down to fifth position. However, it continued to be on the top spot in the rural market.

    On pay platform STAR PLUS, SONY SAB, STAR Utsav, Colors, Sony Entertainment Television, Sony Pal, DD National, Dangal, Zee TV, and STAR Bharat were the top ten channels in the week 23 of BARC India ratings.

    Pay Platform

    In the urban market top ten channels were STAR Plus, Sony SAB, Colors, STAR Utsav, Dangal, Sony Entertainment Television, DD National, Sony Pal, &TV and Zee TV in week 23 of BARC India ratings. Big Magic which was in ninth position last week and was replaced by &TV. Zee TV made it way again on the list at the tenth spot. 

    Urban

    Dangal, Big Magic, STAR Utsav, Sony Pal, STAR  PLUS, SONY SAB, Colors Rishtey, Zee Anmol, DD National, and Colors, were the top ten channels in the rural market in week 23 of BARC ratings. From being in the sixth position last week STAR Utsav jumped to the third position. Whereas  Sony Entertainment Television is out of the top ten list. 

    Rural

    On the free platform Dangal, Big Magic, Colors Rishtey, Sony Pal, STAR Utsav, DD National, Zee Anmol, DD Bharti, Manoranjan Grand and DD Retro were the top ten channels in week 23 of BARC ratings.

    Free Platform

  • Dangal TV’s strategy to be on top of the FTA game

    Dangal TV’s strategy to be on top of the FTA game

    MUMBAI: Last year was a roller coaster ride for broadcasters across categories, courtesy the new tariff order by the Telecom Regulatory Authority of India. Apart from smaller players, even the big four television networks, including Disney-Star India, Zee Entertainment, Viacom18 and Sony Pictures Network India got hit. 

    In March 2019, the big four networks pulled out of DD Free Dish as TRAI’s new tariff order did not allow FTA (Free to air) channels’ inclusion in the pay channel bouquet. However, it was the apt time for FTA channels to make merry.

    One such network was Enterr10 Television. The network’s Hindi FTA GEC Dangal TV gained significant viewers and today, it is one of the most popular Hindi GECs. Dangal emerged as the undisputed leader in the rural Hindi speaking market (HSM), while maintaining a decent hold in urban areas as well. 

    Recently, all the networks came back on DD Free Dish, albeit with their secondary channels. Enterr10 Television COO Deep Drona is unfazed by this move. 

    He says, “More players will create a bigger basket of choice for viewers to follow and choose from, but the biggest gain the FTA space will see is also the market place in terms of viewership increase. Not too long ago when the FTA space had all the Big four channels and Dangal, the marketplace was bigger in viewership/GRPs. More players with popular shows will create competition for sure, but the bigger players will help in growing the space in every sense. There is room for all.”

    He does not see this move as a disadvantage. Drona points out, “A challenge in the space was waiting. It was inevitable to let any marketplace stay enviably as an exclusive space for very few players, especially when there is revenue to be made. Dangal will face the challenge of four or five FPCs available for viewers of FTA to view and sample.

    Unlike pay markets where players came in one by one as part of their journey, in FTA we are going to witness a jump on the wagon by four or five GEC players simultaneously. So, it’s going to be a first for all of us in these current testing times. Dangal, along with others, will have the same challenge of holding on and contributing to growth/increase of the viewership base with its programming.” 

    Dangal TV emerged as one of the most-watched channels in India across genres, thanks to a well-thought-out strategy of curating selective old shows and producing originals on Indian history and mythology, apart from the usual dramas.  

    The channel has been topping the viewership chart almost every week since March 2019. In week 22 of Broadcast Audience Research Council (BARC) India data, Dangal, with 928,309 impressions, was the topper in the rural market, leaving behind contenders like Big Magic, Star Plus, Sony Sab, DD National, Star Utsav and others.

    Now that Dangal has made a place for itself in the market it needs to keep the ratings afloat. Drona states that despite being a leader after the other players vacated this space, Dangal continued to strengthen the FPC with original programming like Devi, Pyaar ki Lukka Chuppi, Alif Laila and Crime Shows. Besides these, there are also other shows that were commissioned and are on the floors.

    “We will continue on our path of what we feel relevant and necessary to hold on to our viewership base and also take the necessary steps after looking at how the entire space starts to evolve with multiple players together. The incremental audiences that will get added are up for grabs for all players including us,” Drona elaborates.

    Dangal also is positive that more players will help improve ad rates. Drona shares that the bigger groups will help move benchmarks higher and will also help split ad spends from weaker pay channels who right now have lost viewership base. 

    “The biggest plus that competition will do is help increase ad rates. The big four channels are not coming to this space to stay at their current revenue levels, they are looking at 3x and more growth and wanting to surpass revenues than they were billing a year or more ago. Because if that does not happen for them, this decision might not feel as gratifying or justified then," he shares. 

    “If a client’s markets are more suited to FTA eyeballs then we will see shifting of spends. These are trying times and value for the ad buck is getting questioned and re-evaluated. Suddenly the so called CPRP deflator positioning of an FTA channel will move to unique value adding channel. If these were CPRP deflators, there will be six or seven channels to choose from and there are as many or lesser big pay channels, so the ecosystem is going to spin. Price/trading points will have to be re-calibrated," he points out.

    Drona feels that the client list now isn't very deep but with bigger players, it can present a compelling and aggressive case to woo ad bucks.

    However, it also depends on whether the Indian Premier League (IPL) might get scheduled for later this year.

    “Arguably if IPL happens in Q3, it could disrupt the entire revenue pie-chart for the ecosystem. Impact bucks will ride on IPL and efficiencies will be sought from the rest of the channels and FTA will be a great partner to the IPL impact buys,” he opines. 

    With the street getting busy, Dangal's strategy will be to look around, adapt and change accordingly. "All of us will first let the ripples settle and then have a re-jig to the FPC we start with or have in place right now,” Drona concludes.  

  • Dangal launches fiction show ‘Jyoti’

    Dangal launches fiction show ‘Jyoti’

    MUMBAI:  Hindi general entertainment channel, Dangal launches Jyoti a women-centric show which focusses on the daily struggles faced by Indian women. The series revolves around the story of Jyoti portrayed by Sneha Wagh as she narrates her sacrifices, dreams and ambitions while being the only earning member in her family. Additionally, Sriti Jha, Srinidhi Shetty, Sameer Sharma and Varun Khandelwal also play pivotal roles. Jyoti highlights the many issues and social evils that Indian women in middle class homes are faced with. Currently on-air, viewers can watch Jyoti on Dangal daily at 9 pm with its repeat telecast followed at 10 am the next day.

    Jyoti Hindi GEC program Baba Aiso Varr Dhoondo (as per BARC India’s data for Week 21). A socially relevant show, Baba Aiso Varr Dhoondo also focused on the hardships faced by Bharti due to her short height. The show was widely accepted by viewers and consistently ranked as one of the top Hindi general entertainment programs across India even during the lockdown.

    Wagh said, “I come from a middle-class family myself and identified with the character of Jyoti due to a lot of commonalities like taking up responsibilities of her home. Jyoti who is the elder daughter is ambitious, responsible, grounded and very relatable by both women and men. This show is very close to me as it helps me look back at both my fight and how I have grown through the years. I am glad that Dangal will now make sure the voice of Jyoti reaches the roots of India, and to every household. I hope it helps everyone to keep going, as it does to me.”

    On launching Jyoti for its viewers, a Dangal spokesperson said, “In difficult times like these, we have existing problems knocking our door with every step, that we take forward. With such ambiguity around the world, we believe that it is our responsibility to give our viewers the hope and the zeal to keep going and what better way than a show like Jyoti to do the same. The show is rooted in the social system and is extremely relatable to families across our country. We hope that show will help connect with viewers, empower women and create a mark just like Baba Aiso Varr Dhoondo did.”  

    Dangal TV, in the world of entertainment, is a brand synonymous with constantly delivering diverse stories. The channel is a pioneer in presenting shows, across genres.

  • BARC week 22: Star Plus continues to hold position in urban market and pay platform

    BARC week 22: Star Plus continues to hold position in urban market and pay platform

    MUMBAI: STAR PLUS tops the chart on the pay platform and in the urban market in Week 22 of 2020 (Saturday, 30 May 2020 to Friday, 5 June 2020) of Broadcast Audience Research Council of India (BARC) data.  However, Star Plus slips down to third position in the rural market. Dangal which is on seventh position on the pay platform does better with gaining third spot in the urban market and top spot in the rural market. 

    On pay platform STAR PLUS, SONY SAB, STAR Utsav, Colors, Sony Entertainment Television, Sony Pal, Dangal, DD National, Zee TV, and STAR Bharat were the top ten channels in the week 22 of BARC India ratings.

    Pay Platform

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    In the urban market top ten channels were STAR Plus, Sony SAB, Dangal, Colors, STAR Utsav, Sony Entertainment Television, DD National, Sony Pal, Big Magic and &TV in week 22 of BARC India ratings.

    Urban

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    Dangal, Big Magic, STAR  PLUS, SONY SAB, DD National, STAR Utsav, Sony Pal, Zee Anmol, Colors, Sony Entertainment Television were the top ten channels in the rural market in week 22 of BARC ratings.

    Rural

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    On the free platform Dangal, Big Magic, DD National, DD Bharti, Manoranjan Grand,  DD Retro, DD Uttar Pradesh, DD Madhya Pradesh, DD Rajasthan, DD Prabha were the top ten channels in week 22 of BARC ratings.

    Free Platform

  • Dangal launches digital campaign to increase awareness on mental health

    Dangal launches digital campaign to increase awareness on mental health

    Keeping in mind the current situation and to help people cope with issues that are a result of mental health, Dangal, India’s most watched Hindi general entertainment channel launches an integrated digital campaign to create awareness on mental health as a subject as well as to promote positive mental wellbeing. Leveraging its strength across digital media and with support from actors from its various shows, the campaign speaks about how challenging times like these lead to various mental break-downs and that one needs to fight them back with a positive attitude, and seek necessary help and support from their social circle. The campaign also urges individuals to speak up during such times.

    Twitter: https://twitter.com/dangaltv/status/1268097291921080321?s=21  

    Facebook: https://www.facebook.com/dangal.tv.channel/posts/3040220636074650

    Instagram: https://www.instagram.com/p/CA92Y5-gyfA/?igshid=1my60ylm30fn7

    The campaign has received support from popular Dangal actors including  Tarun Khanna, Vishal Karwal, Rahul Sharma, Ankit Arora, Chetan Hansraj and Pankaj Kalra. The campaign encourages individuals to look beyond their problems and emerge stronger during this phase. The campaign aims to connect with everyone at a personal level and not simply professionals and artists belonging to the entertainment industry. 

    Speaking about this initiative, Arpit Machhar, Head of Marketing, Enterr10 Television Network, “The last couple of months have been very difficult on everyone across the country. We have been witness to unfortunate incidents that are directly related to mental wellness. As a responsible entity within the media and entertainment industry, we felt the onus also rests upon us to spread awareness about mental health and promote a positive outlook among all. We have brought actors together from some of our most popular shows to start this conversation and create awareness on this matter. We are hopeful that this initiative will be lead to many other such conversations that will help people cope and emerge stronger in such times.”

    Dangal’s awareness building digital campaign is currently live on all social media platforms including Facebook, Twitter and Instagram.

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  • Hindi GECs’ romance with mytho shows to continue post Covid2019

    Hindi GECs’ romance with mytho shows to continue post Covid2019

    MUMBAI: As the pandemic shows no signs of abating despite the lockdown, viewers’ affinity towards mythological shows on GECs is growing. With no fresh content to entertain their audiences, the overall consumption of GECs fell as compared to the pre-Covid2019 era but did not tumble thanks to the rejig in programming strategy.

    Public broadcaster Doordarshan evoked this nostalgia of old mythological shows by airing Ramanand Sagar’s Ramayan and BR Chopra’s Mahabharata and later Shri Krishna. The re-run of famous mythological shows took the channel to the top of the television ratings. Following the trend, private GECs also joined the bandwagon.

    Viacom18’s Colors acquired the rights to Chopra's Mahabharat which started airing on 4 May. On the other hand, Star Plus also decided to re-run Ramanand Sagar’s Ramayan around the same time. Along with pay channels, even free-to-air (FTA) channels also started airing Ramayan from 7 May. All these channels are running those shows on primetime.

    However, it has to be seen how these shows will stay on top once the audience again gets a taste of their favourite programmes post the lockdown. According to Viacom18 Hindi mass entertainment chief content officer Manisha Sharma, mythological shows have always been a hit amongst the audience and have laid the foundation of the television ecosystem continuing to hold prominence in daily lives. She adds that the shows provide a wide scope in terms of the narrative, characters and entertaining plots that strike a chord with the audience. Sharma affirms that mythological content will be on the rise in the future as well given the versatility of the genre.

    “We have always understood that mythological content appeals to viewers very strongly and have had mythological shows air even in the pre-lockdown phase. Viewers connect with these shows at a personal level. Considering the traction we have seen for such content beyond the lockdown period, we are certain that viewers will continue to watch these shows with the same enthusiasm even after the lockdown is lifted,” Enterr10 Television Network marketing head Arpit Machhar says. When the lockdown began, Dangal also started re-runs of other mythological shows like Chandragupt Maurya, Mahima Shanidev Ki, Dwarkadheesh, Devi Adi Parashakti.

    “We (Dangal) continue to be among the top five channels across genres at an all-India level even during this lockdown. Our content is diverse and highly appealing to both rural and urban viewers and our advertisers understand our strength and reach. Ramayan and our other shows have been receiving very good traction. As per latest BARC data for week 17, three out of the top five programmes are from Dangal. We continue to see interest from advertisers even for these re-runs considering the mass appeal these shows have,” he adds.

    About ad inventory of these re-runs, Viacom18’s Sharma said that mythological shows such as Jai Shri Krishna and Mahabharat have helped to bolster television audiences and attract a lot of advertisers. She notes that time spent on such shows has consistently been increasing and brands that are relevant in today’s context are and should use it as an opportunity to create awareness and salience. Products with huge demand and ample supply like FMCG and retailers are the revenue generators, contributing largely to the ad inventory.

    “Re-run of mytho shows have become preferred content for GECs and viewership contribution has increased substantially in the past few weeks. This trend has benefited brands which are active on GECs to attain campaign deliveries and drive efficiencies,” says Carat executive vice president Mayank Bhatnagar. However, he mentions that a lot of advertisers have paused campaigns making it difficult for GECs to ask for higher rates. According to him, planners would evaluate or renegotiate deals and will look for safer and stable options to minimise the risk.

    According to BARC India viewership data for week 15, mythological shows were watched by 353 million viewers for 109 billion minutes, making up nearly 43 per cent of overall Hindi GEC viewership. In the pre-Covid2019 period, total viewership share of mythological content on Hindi GECs was just 14 per cent. The trendsetter DD National continued to top the chart of Hindi GECs from week 14 to week 17.

    Will they invest in more mythological shows? Sharma says that as broadcasters, they do see merit in commissioning new mythological shows. Asked about further investment for mythological shows, Machhar said that they will continue to keep an eye out for content that is innovative and that has mass appeal not only for rural audience but also for urban viewers

    What might have led to people to choose mythological shows right now? “In times, when we are seeking relief and hope, the epics are proving to be a perfect reminder of the golden times and guiding light for how we wish to lead life from here on. The combination of purpose, nostalgia and the great narrative keeps bringing people back to watch these shows and take away something meaningful from it every time. The shows are also backed by a strong storyline and impressive character outlines that make for a great entertainment proposition,” Sharma says.

    Macchar reflects the same and comments, “Indian mythology connects with viewers very strongly and given a choice, viewers continue to consume re-runs of epics like Ramayan. Viewers are currently restricted to their homes and in need of wholesome entertainment. Moreover, shows like Ramayan and Chandragupt Maurya depict the story line and the events that happened very closely and hence can be watched over and over again as it lets audience re-live those moments.”

    Bhatnagar says channels will be happy to see the high viewership contribution from these re-runs. In the absence of any fresh content, these re-runs have worked really well for the GECs. He adds that if we look at past trends, mythological shows have appealed to larger audiences and ensure stickiness, and therefore, channels bank on these shows. Although for the past few years reality and fiction shows have led the charts, with the absence of fresh content, audiences are watching whatever is available on their favourite GECs and these mythos shows are preferred content for them. 

  • Dangal’s crime fiction show CIF to stream on Facebook

    Dangal’s crime fiction show CIF to stream on Facebook

    Mumbai: Dangal will now stream detective and crime fiction show Crime Investigation Force (CIF) exclusively on its Facebook page by leveraging its reach on social media.

    Originally aired on TV in September 2019, CIF will now stream one episode daily at 10 am starting Friday, 15 May 15, 2020. Viewers can catch CIF by simply logging in to Facebook and navigating to Dangal’s Facebook page – https://www.facebook.com/dangal.tv.channel/

    CIF features Aditya Srivastava and Dayanand Shetty in lead roles. The series will showcase how the team solves criminal cases with the help of intelligence and clues. The series also stars Ansha Syed, Dinesh Phadnis, Piyush Mehta, Narendra Gupta, Avdhesh Kumar and Abhay Shukla.

    On streaming Crime Investigation Force with a digital-first approach, a Dangal spokesperson said: “There has been a significant surge in consumption of content over digital mediums since the lockdown. Audiences are constantly on the lookout for quality content. While we continue to keep our viewers entertained on television, we believe it is only apt to keep our audience on digital platforms engaged and entertained as well. The Crime Investigation Force had a very strong connect with viewers when we launched it on TV in 2019. The show has an interesting mix of stories that is sure to keep viewers engaged. We are sure that the series will attract viewers on digital media as it did with viewers on TV.

    Keeping its viewers entertained during this lockdown, Dangal recently brought back some of its most iconic shows including Ramayan, Chandragupt Maurya, Mahima Shani Dev Ki, Baba Aiso Varr Dhundo and more. The channel will now keep its digital viewers entertained with the launch of CIF on May 15, 2020 exclusively on the Dangal Facebook page.

  • Dangal’s mytho epic ‘Ramayana’ back on TV screens

    Dangal’s mytho epic ‘Ramayana’ back on TV screens

    MUMBAI: Hindi general entertainment channel Dangal has brought back its mythological epic Ramayana starring Gurmeet Choudhary and Debina Bonnerjee in lead roles. This epic tale of promises and ideologies is being telecast daily at 7.30 pm followed by its repeat telecast at 9.30 am. The mythological series went on air from 26 April 2020.

    A Dangal spokesperson said, “At Dangal, we are committed to keeping our discerning viewers entertained especially during unprecedented times like these. Over the years, our viewers have supported us and it is now upon public demand that we have brought back one of India’s most followed epics and revered shows of all times, Ramayana. By showcasing a culturally rooted show like Ramayana with traditional ideologies and strongly entrenched lessons, we are sure that viewers will stay engaged while staying safe indoors. Moreover, while Ramayana will invoke nostalgia among the older generations, it will be a new and beautiful experience for the younger audience.”

    Ramayana is one of the major Sanskrit epics of ancient India. It is an Indian television mythological series depicting the story of lord Rama based on the classic Indian literature which narrates his exile of 14 years along with Sita and Lakshman.

    Dangal is available in all leading cable networks and DTH platforms – DD Free Dish (CHN NO 27), Tata Sky(CHN NO 177), Airtel (CHN NO 133), Dish TV (CHN NO 119) and Videocon D2H (CHN NO 106).

  • Sony Sab continues as most watched pay TV Hindi GEC across genres

    Sony Sab continues as most watched pay TV Hindi GEC across genres

    BENGALURU: Sony Pictures Network India (SPN) Sony Sab continued as the most watched pay TV Hindi GEC in week 11 of 2019 (Saturday, 14 March 2020 to Friday, 20 March 2020, week or period under review). The channel had replaced Viacom18’s flagship Hindi GEC Colors which until recently had been the most watched Hindi GEC for a few weeks in 2020.

    Most watched pay channels across genres in week 11 of 2020

    Five Hindi GECs and one channel each from the Hindi Movies, Kannada, Kids, Telugu and Tamil genres comprised BARC’s weekly list of the Top 10 Pay Channels Across Genres for week 11 of 2020. There were three channels from Sony Pictures Network India (SPN), two channels each from Star India, Viacom18 and Zee Entertainment Enterprises Limited (Zeel) and one channel from the Sun Tv Network. Eight of the channels were GECs’, while there was one each from the Kids and Hindi Movies genres during the week under review.

    The list of top 10 pay channels across genres for week 11 of 2020 was the same up to rank 4 as compared to the previous week. Star India’s flagship Tamil GEC Star Vijay exited the list in week 11 of 2020 and was replaced by Viacom18’s kids channel Nick.Colors climbed up a place to fifth rank, while Zeel’s flagship Hindi GEC dropped a place to sixth rank in week 11 of 2020 from fifth rank in the previous week. SPN’s Hindi Movies retained its 10 rank in the list in week 11 of 2020. SPN’s flagship GEC Sony Entertainment Television also dropped a place to eighth rank in week 11 of 2020 as compared to seventh rank in the previous week.

    Refer to the figure below for ratings of the Top 10 Pay Channels Across Genres for weeks 10 and 11.

    Most watched free channels across genres in week 11 of 2020

    Enterr 10 Television’s Hindi GEC Dangal led BARC’s weekly list of Top 10 Free Channels Across Genres in week 11 of 2020, as it had in the previous weeks. Dangal has generally been the most watched channel across genres ever since BARC recommenced publication of data in week 13 of 2019 after the implementation of Telecom Regulatory Authority of India or TRAI’s New Tariff Order or NTO.

    During the period under review, four channels from the Hindi Movies and three channels from the Bhojpuri from Hindi GEC,two channels from the Bhojpuri and one channel from the Hindi Music genre comprised BARC’s weekly list of Top 10 Free Channels in week 11 of 2020.  Four of the channels were from Zeel and there were three channels from Enterr 10 Television, two channels from B4U and one channel from the SkyStar Network.

    Nine of the channels in BARC’s weekly list of Top 10 Free Channels in week 10 of 2020 were the same as in the previous week with changes in ranks. B4U’s Bhojpuri channel B4UBhojpuri exited the list in week 11 of 2020, while SkyStar’s Hindi Movies channel ABZY Movies reentered the list.

    Please refer to the figure below for ratings of the Top 10 Free Channels Across Genres for weeks 10 and 11

    Most watched channels on all platforms across genresin week 11 of 2020

    Dangal continued its domination of BARC’s weekly lists of Top 10 Channels on All Platforms Across Genres in week 11 of 2020 at rank 1 as it has in the recent past. The first five channels in BARC’s across genres on all platforms weekly list during week 11 were the same in rank and file as in week 10 of 2020. One channel reentered the list -Nick, while Star India’s Telugu GEC Star Vijay exited it.

    Nine of the 10 channels in BARC’s weekly lists of Top 10 Channels on All Platforms Across Genres in week 10 of 2020 were GECs’. Seven of the channels were Hindi GECs’, while there was one channel each from the Kids,Tamil and Telugu genres in the list. From the networks’ perspective, there were three channels from SPN, two channels each from Star India, Viacom 18 and Zeel and one channel from the Sun Tv Network.

    Refer to the figure below for ratings of the Top 10 Channels on All Platforms Across Genres for weeks 10 and 11


     

  • Southern channels continue Pay-TV viewership dominance across genres

    Southern channels continue Pay-TV viewership dominance across genres

    BENGALURU: In the recent past, channels in two South Indian languages, Tamil and Telugu, have been the most watched pay-TV channels across genres, according to Broadcast Audience Research Council of India (BARC) weekly data. There have been exceptions to this. The weeks when the annual cricketing bonanza Indian Premier League had been played had sports channels dominating viewership of pay-TV channels. Further, though Viacom18’s flagship Hindi GEC Colors became the second most watched pay-TV channel in the country in the start of 2020, the Sun TV Network’s Tamil GEC Sun TV led pay-TV viewership at rank one.

    Media reports from around the world stated that the World Health Organisation or WHO had declared the coronavirus outbreak as a pandemic on 11 March 2020. BARC data for week 10 of 2019 (Saturday, 7 March 2020 to Friday, 13 March 2020, week or period under review) of the top 10 Pay Channels Across Genres shows that Sun TV and Star India’s Star Maa were the first and the second most watched channels across genres. The duo had led pay-TV across genres weekly ratings for pervious week also.

    Most watched pay channels across genres in week 10 of 2020

    Five Hindi GECs, two Tamil and one channel each from the Hindi Movies, Kannada and Telugu genres comprised BARC’s weekly list of the Top 10 Pay Channels Across Genres for week 10 of 2020. There were three channels each from Sony Pictures Network India (SPN), Star India and Zee Entertainment Enterprises Limited (Zeel) and one channel from the Sun TV Network. Nine of the channels were GECs, while one was from the Hindi movies genre during the week under review.

    The list of top 10 pay channels across genres during the period was the same up to rank 7 as compared to the previous week. Star India’s flagship Tamil GEC Star Vijay climbed up to eighth place in week 10 of 2020 from tenth place in week 9. ZEEL’s flagship Kannada GEC dropped a place to ninth rank in week 10 of 2020 from eighth rank in the previous week. SPN’s Hindi Movies reentered the top 10 pay channels across genres list in week 10 of 2020, while the Sun Tv Network’s flagship Telugu GEC Gemini TV exited the list.

    Please refer to the figure below for ratings of the Top 10 Pay Channels Across Genres for weeks 9 and 10.

    Most watched free channels across genres in week 10 of 2020

    Enterr 10 Television’s Hindi GEC Dangal led BARC’s weekly list of Top 10 Free Channels Across Genres in week 10 of 2020, as it had in the previous weeks. Dangal has been the most watched channel across genres ever since BARC recommenced publication of data in week 13 of 2019 after the implementation of Telecom Regulatory Authority of India or TRAI’s New Tariff Order or NTO.

    During the period under review, three channels each from the Bhojpuri, Hindi GEC and Hindi Movies genres and one channel from the Hindi Music genre comprised BARC’s weekly list of Top 10 Free Channels in week 10 of 2020.  Four of the channels were from Zeel and there were three channels each from B4U and Enterr 10 Television.

    Nine of the channels in BARC’s weekly list of Top 10 Free Channels in week 10 of 2020 were the same as in the previous week with changes in ranks. Enterr 10 Television’s Marathi GEC Fakt Marathi exited the list in week 10 of 2020, while B4U’s Bhojpuri Movies channel B4U Bhojpuri reentered the list.

    Please refer to the figure below for ratings of the Top 10 Free Channels Across Genres for weeks 9 and 10

    Most watched channels on all platforms across genres in week 10 of 2020

    Dangal continued its domination of BARC’s weekly lists of Top 10 Channels on All Platforms Across Genres in week 10 of 2020 at rank 1 as it has in the recent past. The first eight channels in BARC’s across genres on all platforms weekly list during week 10 were the same as in week 9 of 2020 with a some shuffling of ranks. Two channels reentered the list -Zeel’s Hindi GEC Big Magic and Star Vijay, while two channels – Zeel’s Zee Kannada and Sun Tv Network’s Gemini TV exited it.

    All the 10 channels in BARC’s weekly lists of Top 10 Channels on All Platforms Across Genres in week 10 of 2020 were GECs’. Seven of the channels were Hindi GECs’, while there were two Tamil and one Telugu channel in the list. From the networks’ perspective, there were three channels from Star India, two channels each from SPN and Zeel and one channel each from Enterr 10 Television, Sun Tv Network and Viacom18.

    Please refer to the figure below for ratings of the Top 10 Channels on All Platforms Across Genres for weeks 9 and 10