Tag: Dangal

  • BARC week 36: Sony SAB replaces Zee TV on the pay platform

    BARC week 36: Sony SAB replaces Zee TV on the pay platform

    MUMBAI: Sony SAB has replaced Zee TV to secure second position on the pay platform however it continues to remain on third spot in the urban market in week 36 of 2020 (Saturday 5 September 2020 to Friday 11 September 2020) of Broadcast Audience Research Council of India (BARC) data. Dangal makes a comeback on the top 10 list of channels on the pay platform but slips down from being in the ninth spot  in week 35 of BARC India data to tenth position in week 36.

    Read more news on BARC

    Pay Platform

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    On Pay platform Star Plus, Sony Sab, Zee TV, Colors, Star Utsav, Sony Entertainment Television, Sony Pal, Star Bharat, Colors Rishtey and Dangal, were the top ten channels in the week 36 of BARC India ratings.

    Urban

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    In the urban market, the top ten channels were Star Plus, Star Utsav, Sony Sab, Colors, Zee TV, Sony Entertainment Television, Sony Pal, Colors Ristey, Zee Anmol and Dangal are in the top ten week 36 of BARC India ratings.

    Rural

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    Star Utsav, Zee Anmol, Dangal, Sony Pal, Colors Rishtey, Star Plus,Big Magic, Zee TV,  Sony Sab and Colors  were the top ten channels in the rural market.

    Free platform

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    On the Free platform Star Utsav, Zee Anmol, Dangal, Sony Pal,  Colors Rishtey,  Big Magic, DD National, DD Bharati, DD Retro and DD Madhya Pradesh were the top ten channels in week 36 of BARC ratings.

  • BARC week 35: Star Plus continues to dominate the urban market and pay platform

    BARC week 35: Star Plus continues to dominate the urban market and pay platform

    MUMBAI: Star Plus remained the undisputed leader on the pay platform and in the urban market in week 35 of 2020 ( Saturday, 29 August 2020 to Friday, 4 September 2020) of Broadcast Audience Research Council of India (BARC) data. Zee TV secured second position on the pay platform but slips down to fifth spot in the urban market.  Star Utsav continues to lead in the rural market.

    Pay Platform

    On Pay platform Star Plus, Zee TV, Sony Sab, Colors, Star Utsav, Sony Entertainment Television, Sony Pal, Star Bharat, Zee Anmol, and Colors Rishtey, were the top ten channels in the week 35 of BARC India ratings.

    Urban

    In the urban market, the top ten channels were Star Plus, Star Utsav, Sony Sab, Colors, Zee TV, Sony Entertainment Television, Sony Pal, Zee Anmol, Dangal, and Colors Ristey, in the top ten week 35 of BARC India ratings.

    Rural

    Star Utsav, Zee Anmol, Dangal, Sony Pal, Colors Rishtey, Star Plus, Zee TV, Big Magic, Sony Sab and Colors  were the top ten channels in the rural market

    Free platform

    On the Free platform Star Utsav, Zee Anmol, Dangal, Sony Pal,  Colors Rishtey,  Big Magic, DD National, DD Bharati, DD Retro and DD Uttar Pradesh were the top ten channels in week 35 of BARC ratings.

  • Dangal seeks to ramp up original TV programing

    Dangal seeks to ramp up original TV programing

    MUMBAI: In March 2019, the big four networks pulled out of DD’s  FreeDish service as TRAI’s new tariff order did not allow FTA (free to air) channels’ inclusion in the pay channel bouquet. However, it was the apt time for FTA channels to make merry.

    One such network was Enterr10 Television. The network’s Hindi FTA GEC Dangal TV gained significant viewers and today, it is one of the most popular Hindi GECs.

    Its top shows, Ramayan and Crime Alert, among others, brought it a one-fifth share of the viewership in the Hindi-speaking market (HSM), Many of the current shows on Dangal TV include those based on Indian mythology and reruns, sprinkled with a few original productions.

    “We have observed that putting original content has been a game changer for the other players in the market. Creating original content is the only way forward,” says Enterr10 Television COO Deep Drona. “ I have observed that the audience in FTA space is no more different then the  paid audience in terms of wanting to watch good entertainment.”

    He also highlights that TV  consumption amongst viewers is back to normal because the original programs are back on track. Drona believes that the many Hindi GEC channels with fresh programming line-up have significant advantage over other channels.

    He is quite optimistic about a new show- Aye Mere Humsafar – which is going to hit the screens in the coming week. Another four new series will debut on Dangal over the next two months, taking costs up by 40 to 50 per cent.

    According to him Dangal continued to be the leader in the rural market for the initial three months of the lockdown in terms of viewership; ad revenues however did not match up to the audience surge. But Drona points out that currently the channel is faring better than the pre-Covid2019 level with inventory fill  levels going back to what they were before the pandemic. He shares that adex had softened in the months of May and June but now things are getting back to normal.

    When most of the channels are worried about IPL, Drona thinks the entire FTA space will be spared from the brunt of the cricket extravaganza. He opines that the impact of IPL will not be very high especially for FTA channels.

    In its thirteenth year, the IPL is coinciding with the festival season, which is expected to lead to a reallocation of ad spends on TV. Drona shares that as IPL is a large property and everybody knows what kind of rating it can deliver; channels have planned a certain strategy to overcome this.

    “IPL is also coming at a time where viewers are dying for live sports content. So, there are many things that are going in its favour,” he explains. “For the past six to seven seasons it has been observed that IPL ratings do not disrupt GECs anymore. But this time it is a unique year no one can predict what will happen because it is coming during festivities. However, it will shake the advertising revenue and viewership.”

    His view is that  post-the- Covid2019 and lockdown period,  rural India  appears to be showing signs of a rebound; urban seems to be lagging behind, because many cities are partially contained still. With DD FreeDish more accessible in rural areas, it’s no wonder that Dangal has become a favourite hunting ground for FMCG advertisers.

    Says MediaDonuts MD Vidhu Sagar: “Advertisers are fundamentally interested in reach. The fact that audiences are flocking to  FTA channels such as Dangal, effectively turning them into potent messaging delivery avenues, is a win-win situation for both advertisers and the channel. The channels have chosen to forgo potential subscription revenues only since they believe greater audience traction would more than make up by way of advertising revenues. And advertisers are basically ROI-oriented. Greater reach is the most preferred option. If it’s courtesy of FTA channels like Dangal, so be it, that is just the way the cookie crumbles.”

    Uttar Pradesh, Uttarakhand, Chhattisgarh, Madhya Pradesh and Maharashtra are very strong markets for Dangal as majority of its audiences come from this belt.: “There is a lot of work to be done in places like Gujarat, Rajasthan and other urban markets but our strengths lie in the Hindi speaking belt,” reveals Drona. “As of now, we will continue to focus on these markets.”

    The channel is currently working with Swastik Productions, Shashi Sumeet Productions, Rashmi Sharma Telefilms and few others. Dangal is also looking at creating more home-based shows in the near future.

  • Dangal strengthens its original programming with the launch of  ‘Aye Mere Humsafar’

    Dangal strengthens its original programming with the launch of ‘Aye Mere Humsafar’

    MUMBAI: Hindi General Entertainment Channel, Dangal, a part of Enterr10 Television bolsters its original programming with Aye Mere Humsafar a women centric fictional drama that revolves around the challenges which women face while trying to find a balance between their dreams and taking care of their family. Growing from strength to strength with a clear goal of entertaining Indian viewers, Aye Mere Humsafar has a robust cast and is slated to premier on Monday 31 August, 2020 at 7 pm. Produced by Shashi Sumeet, Aye Mere Humsafar is a complicated fiction drama set in a powerful backdrop of achieving dreams before settling down in life and will air daily from Monday to Friday.

    Speaking on launching a new show, Enterr10 Television head of marketing Arpit Machhar said, “At Dangal, we are deeply invested in launching shows that are entertaining and yet relevant. We have been working towards strengthening our original programming with content that is relatable  and strong in storytelling.  Aye Mere Humsafar is a show that is built on a relevant story line, strong characters, and emotions that depict the very reality of an ambitious woman’s struggle while she is chasing her dream. The show will certainly connect with viewers across India while empowering and motivating women to take that leap of faith to achieve what they want both professionally and personally.”

    The story of Aye Mere Humsafar will take viewers through the journey, struggles and thrills of a simple, rational minded and extremely bright in academics, Vidhi Sharma, who has channelled her focus on becoming an I.A.S officer after coming to terms with the thought that a women with physical disabilities will not be accepted by a man and looked down upon by society. In an interesting turn of events, Vidhi ties the knot with the son of Pratibha Devi (played by Neelu Vaghela), the biggest name in the business of spices in Rajasthan. Vidhi’s better half, Ved Kothari played by Namish Taneja has little sense of direction in life but has the good fortune of receiving life’s comforts as he is the son to the most successful business woman. Aye Mere Humsafar portrays the life of an ambitious girl and a laid back boy and how their lives get entangled after a misunderstanding which leads to a mix up in their marriage.

    Speaking on the marketing strategy for the show, Machhar added, “At the heart of Aye Mere Humsafar is a very strong story that will organically be a driver for the show. In addition to this, we have an integrated marketing plan in place that will further push the show in the right direction and amplify its reach. Given Dangal’s strong reach in both rural and urban markets, we will focus on innovative communication given the current scenario to maximise reach and drive engagement.”

    The show has a strong line up of cast which includes, Urfi Javed, Vaishnavi MacDonald, Pooja Singh, Shailesh Gulabani, Parvati Sehgal, Hemant Thatte, Rishina Kandhari and Accher Bhardwaj.

  • Will GECs score big this IPL & festival season?

    Will GECs score big this IPL & festival season?

    MUMBAI: 2020 has been a different year, what with the pandemic totally putting things out of kilter for the economy, for business. And it continues to be different even as the festival season comes up in India.

    Normally, the fiefdom of India’s general entertainment channels which launch new seasons, and shows to indulge their viewers and attract a large chunk of the advertisers’ dollars and their own annual revenues,  August to November, this year features a party pooper, in the shape of India’s biggest sports extravaganza, the  Indian Premier League (IPL).

    Set to take place in the UAE between 19 September and 10 November, the league – which is usually held between April and May every year  – corners close to Rs 2100 odd crore of ad spends and is expected to better those numbers in its 2020 season .

    Hence, the question being asked is: will the IPL’s overlap with the festive season lead to  a drop in viewership for the GECs and to advertising dollars being sucked out from them towards the league?

    OMD MudraMax EVP & principal partner Navin Kathuria believes that viewers who are looking for refreshing content will find that in the IPL.  Says: ”Due to Covid2019, only 17 per cent of the total sports events took place and that too pre-Covod2019. Secondly, there is a fatigue in viewers due to the plethora of mythological programmes, overdose of Covid2019 news, repeat movies etc.”

    He says what will aid its viewership is the fact that majority of the working population will be at home during the IPL as many organisations will not be fully functional or will be working with shortened hours / reduced staff strength / alternate days of the week. “With bars and clubs shut, people will be watching more from home, reading to an  upsurge in home viewing.”

    The Media Ant co- founder Samir Chaudhary echoes Kathuria. Says he: “The lines were clearly demarcated that April-May would be for cricket and festive seasons would be for GEC, but as IPL is coming now the viewership of GECs will be impacted.”

    “The audience is hungry for IPL and cricket so the performance in terms of ratings could be unprecedented or amongst the best in the recent seasons,” shares regional language network Enter10 chief operating officer Deep Drona.

    The belief is that with matches scheduled at 3:30 pm and then at 7:30 pm, single TV homes – of which India has a majority – will opt for the IPL, with GEC shows being watched between the match breaks or viewers tuning into them when the matches end.

    Zee TV business head Aparna Bhosle does not support this viewpoint.

    According to her, Hindi GECs have over many years has managed to sustain viewership and even grow despite the IPL. She says, “Long running fiction or non-fiction shows have, by and large, not seen an adverse impact on viewership due to existing fan bases and the loyalty channels’ command in terms of appointment viewership.”

    She further adds: “The viewership of television has increased by 34 per cent during lockdown. There is a growth of 10 per cent in average daily reach as well as 22 per cent growth in average daily time spent. (Source: BARC| 2+| HSM (U+R)| Wk 12-20’20 vs Wk 1-11’20). With the best of content across our primetime, we want to ensure that our shows act as a great binder that brings families together during this period of social distancing.”

    In fact, so confident is she of it being business as usual, that Zee TV is gearing up to premiere four big-ticket family targeted shows during the festive season.

    Ditto with the Enter10 network. It is planning to have a robust line up starting from the end of August until November end with a slew of original new series planned.

    Estimates are that marketers signed checks to the tune of Rs 24,000 crore during the festival period last year. The pandemic and the lockdowns over the past six months have resulted in Indian advertising expenditure shrinking by as much as 39 per cent over last year. Soothsayers predict that 2019’s festival adex of Rs 24,000 crore will not be breached this year. 

    Not everyone agrees. Havas Media CEO Mohit Joshi says, “There has been a revival of sorts from June, July with spends going up gradually. We expect brands to press the accelerator pedal in September-October-November.”

    Drona believes the fact that the IPL and GEC launches are coinciding, will lead to an overall expansion of the ad pie in the festive season, benefiting both. According to him spending has been subdued for a large part of the year, and this will be the time when it will be all systems go for categories such as FMCGs, ecommerce sites, gaming platforms, the OTT sector and what have you. “Yes, there will be a scramble for marketing and ad budgets but that will lead to a growth in the overall spends,” he added.

    Chaudhary points out that may not come to be true as budgets have been slashed and with smaller budgets, advertisers would prefer to park it with a big bang event. Says he: “Disney Star India has priced its spots at Rs 10-15 lakh per 10 seconds. Only the big companies can afford these price points. So they will mostly park their spots with the IPL, leaving aside smaller spends for the GECs.”

    Will the GECs then be forced to shave their FCT and sponsorship rates? Kathuria would like to wait and watch. “Normally, GECs don’t discount big properties,” he says. “The challenge they face is that consumer sentiment has been subdued due to Covid2019 and it has impacted consumer spends. And hence the propensity by brands to spend big.”

    Clearly, for both the IPL and GECs, the festival season 2020 is bringing with it interesting and testing times.

  • IPL, festive season expected to push up ad rev for GECs

    IPL, festive season expected to push up ad rev for GECs

    MUMBAI/NEW DELHI: After almost four months of hiatus, advertising spend is slowly inching up on TV, especially GECs, which saw shows resume some weeks ago. Experts suggest that whenever consumer behaviour sees a shift, advertising spends have also adjusted.

    Havas Media Group MD–India Mohit Joshi says that growth would have been much sharper if the unscheduled one-off lockdowns in several parts of the country had not happened. He is expecting an overall increase in TV ad revenues in the coming weeks since brands want to make the best use of the remaining five months. Not to mention that IPL is also expected to take place in the last quarter coinciding with festive season.

    DDB Mudra Group executive director and OMD Mudramax president Sathyamurthy Namakkal says that August and September will continue to be lower than the previous years, but October-December should witness some positive growth,( as compared to the previous six months), due  to optimism about a vaccine solution for Covid2019 and festival advertising needs. However, he feels that IPL is likely to impact the viewership of GECs across markets.

    They are of the opinion that while many GECs haven’t yet matched their viewership numbers pre-Covid2019, there is an improvement in viewership post the revival of original content, a few weeks ago.

    Namakkal says, “Many advertisers have moved from negative sentiment to a more neutral sentiment as manifested in the planning process that has been reactivated after a gap of three months.”

    As per TAM media research the tally of advertisers on both national and regional news channels increased by four per cent and three per cent respectively during week 29 (12 July to 18 July)  to week 30 (19 July to 25 July)  compared to week 27 (28 June to 4 July) to week 28 (5 July to 11 July).

    The data further reveals that ad volume on both national and regional news channels increased by 18 per cent and 15 per cent respectively during week 29 to week 30 compared to week 27 to week 28.

    Channels began luring its viewers back to TV after some of them shifting off GECs due to lack of content. Zee Entertainment Enterprises Ltd (ZEEL) chief consumer officer Pratyusha Agarwal says, “Our comeback strategy was planned meticulously with the objective of reinstating the habit of appointment viewing for our audience across our GECs. We harnessed the power of digital and social platforms, PR, outdoor, print and the biggest asset of all, our network strength.”

    Zee TV engaged audiences with a combination of artist interviews and behind-the-scenes footage from primetime shows, building curiosity around the return of fresh programming.

    “Given that we are a video-led medium, we have continued to use video-led media as a predominant vehicle and the others being fit-to-purpose added as complimentary media. But with people not stepping out much or being a lot more careful when they step out, we are looking at in-home media a lot more with TV being our primary tool,” shares Agarwal.

    Dangal was the first channel which started airing fresh content from 2 July. Enterr10 Television (Dangal TV) COO Deep Drona shares, “An interesting part was that during lockdown a lot of sampling has happened by fresh viewers. We need to see if they change habits or go back as pause and play viewers.”

    However, Zee TV launched a mega OOH campaign announcing the resumption of its shows. On the other hand, Dangal will not be taking up OOH anytime soon. But, Dangal has increased its digital footprint in order to communicate with its prime audience in tier I and tier II cities.

    According to the tenth edition of BARC-Nielsen data, since 11 April total television consumption increased by 40 per cent. The data also reveals that news and movies continue to grow. April onwards, news has registered 16 per cent growth while GEC from 52 per cent from pre-Covid2019 is now steady at 44 per cent.

    The major revelation is that re-run driven Hindi GECs obtained all-time viewership high post exit from DD Free Dish. In fact, April onwards, overall FCT observed seven per cent growth. There is a significant growth in FCT across news, movies and kids genre. Major FMCG companies continue to advertise on GECs along with some new players.

    Even though news channels became the viewers’ darling for the last few months, Namakkal feels that it will continue to get its regular loyal advertisers. To this, Joshi says, “Each genre has a role to play in the plan. News has seen a lot of surge in viewership. Even today, this continues to be at a higher than pre-Covid2019 levels. Given their performance, their role as a reach driver in the plan has further been consolidated.”

    As primetime viewership starts to return to normalcy, advertiser spends will follow suit.

  • BARC week 27: Star Plus remains undisputed leader in urban market and pay platform

    BARC week 27: Star Plus remains undisputed leader in urban market and pay platform

    MUMBAI: Star Plus remained the undisputed leader on the pay platform and in the urban market in week 27 of 2020 ( Saturday 4 July 2020 to Friday, 10 July 2020) of Broadcast Audience Research Council of India (BARC) data. Sony Sab secured second position on the pay platform and in the urban market.  Colors replaced Sony Entertainment Television in  fourth position in the urban market. Star Utsav continues to lead in the rural market. Dangal slips down to the tenth position in the urban market.

    On Pay platform Star Plus, Sony Sab, Star Utsav, Colors, Sony Entertainment Television, Star Bharat, Sony Pal, Zee Anmol, Zee TV and Dangal and were the top ten channels in the week 27 of BARC India ratings.

    Pay Platform

    In the urban market, the top ten channels were Star Plus, Sony Sab, Star Utsav, Colors, Sony Entertainment Television, Sony Pal, Dangal, Zee Anmol, Colors Rishtey, and Star Bharat in week 27 of BARC India ratings.

    Urban

    Star Utsav, Dangal, Zee Anmol, Colors Rishtey, Sony Pal, Big Magic, Star Plus, Sony Sab, DD National, Colors and Zee TV were the top ten channels in the rural market

    Rural

    On the Free platform Dangal, Star Utsav, Zee Anmol, Colors Rishtey, Sony Pal, Big Magic, DD National, Manoranjan Grand, DD Retro and DD Bharati were the top ten channels in week 27 of BARC ratings.

    Free Platform

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  • Dangal’s ‘Pyar Ki Luka Chuppi’ crosses the 100-episode milestone!

    Dangal’s ‘Pyar Ki Luka Chuppi’ crosses the 100-episode milestone!

    Leading Hindi General Entertainment Channel, Dangal, a part of Enterr10 network recently became the first Hindi GEC to air fresh episodes of their fictional show Pyar Ki Luka Chuppi. Adding another feather to its cap, the channel crossed the monumental 100-episode landmark for its original programming show Pyar Ki Luka Chuppi. The day brought great joy to the entire team of the show which was followed by a small celebration on the set.

    Popular amongst viewers from across the heartland, the show has been an instant hit with the viewers. After Sarthak (Rahul Sharma) and Srishti (Aparna Dixit) parting ways from their marriage, the show took a one-year leap with Srishti now in a bold new avatar. The show also witnessed the entry of a new character, Angad played by Alan Kapoor who plays a pivotal role.

    Commenting on reaching the landmark for the first time, Dangal spokesperson, said, "Pyar Ki Luka Chuppi has taken viewers on a journey like never before. The story has seen ups and downs and Srishti turn into a strong independent self-made woman.  While Srishti’s character has become an audience favorite, the show too is revered across different sets of viewers. We are grateful to our viewers for their continued support and will continue to bring content that is entertaining, engaging and heartwarming."

    Expressing happiness on the success of the show, Aparna Dixit who plays the role of Srishti, said, “This 100-episode journey has been a very special one for all of us amidst these unprecedented times. As an actor, I feel blessed to have successfully completed this milestone and I wish that we cross many more. This landmark wouldn’t have been possible without the love and affection from our viewers. Rejoicing on the completion of 100-episodes, we made sure we are following all norms of social distancing while celebrating our success. Since our show airs daily, the team is putting in a lot of effort to give their best to the audience and therefore we decided to do a small cake cutting session on the set before resuming to shoot.”

    The cast and the crew celebrated the successful completion of their 100-episode milestone by cutting a cake on the set while following all norms of social distancing.

    Keep watching Pyar Ki Luka Chuppi daily at 7 pm only on Dangal. The show is sure to keep viewers excited and gripped with new turn of events.

    Dangal TV is available in all leading cable networks and DTH platforms – DD Free Dish (CHN NO 27), Tata Sky(CHN NO 177), Airtel (CHN NO 133), Dish TV (CHN NO 119) and Videocon D2H (CHN NO 106).

  • BARC week 25: Star Plus continues to hold top spot in urban market and pay platform

    BARC week 25: Star Plus continues to hold top spot in urban market and pay platform

    MUMBAI: Star Plus topped the chart on the pay platform and in the urban market in Week 25 of 2020 ( Saturday 20 June 2020 to Friday 26 June 2020  ) of Broadcast Audience Research Council of India (BARC) data. However, Star Plus slipped down to seventh position in the rural market. After a long time, STAR Utsav grabbed the leading position in the Rural market replacing Dangal. STAR Plus, SONY SAB, STAR Utsav, Sony Entertainment Television and Colors maintained top five positions in the Pay platform and Urban market.

    On Pay platform  STAR Plus, SONY SAB,STAR UTSAV, Sony Entertainment Television, Colors, Star Bharat, Sony Pal, Dangal, Zee TV and Zee Anmol were the top ten channels in the week 25 of BARC India ratings.

    Pay Platform

    In the urban market, the top ten channels were STAR Plus, SONY SAB, STAR Utsav  Sony Entertainment Television, Colors, Dangal, Sony Pal, Colors Rishtey, Zee Anmol and STAR Bharat,  in week 25 of BARC India ratings.

    Urban

    STAR Utsav, Dangal, Colors Rishtey, Zee Anmol, Sony Pal, DD National, Big Magic, STAR Plus,  Sony SAB, STAR Bharat and DD National were the top ten channels in the rural market

    Rural

    On the Free platform Dangal, STAR Utsav, Colors Rishtey, Zee Anmol, Big Magic, Sony Pal, DD National, DD Bharati, Manoranjan Grand, and DD Retro were the top ten channels in week 25 of BARC ratings.

    Free Platform

  • Dangal to entertain viewers with fresh content

    Dangal to entertain viewers with fresh content

    MUMBAI: Hindi general entertainment channel Dangal will begin airing fresh content for its original show Pyar Ki Luka Chuppi starting 2 July 2020. A part of Enterr10 Television, Dangal was one of the first channels to begin production for its show Pyar Ki Luka Chuppi with production house Rashmi Sharma Telefilms. Latest episodes for fiction drama series Pyar Ki Luka Chuppi will air daily starting Thursday, 2 July 2020 at 7 pm.

    On steadily moving back to normal, a channel spokesperson said, “We are very excited to resume airing of fresh episodes for our viewers. Over the past few months, we re-ran interesting shows like Ramayana, Baba Aiso Varr Dhoondo, Chandragupt Maurya, which kept our viewers engaged and entertained. Now that lockdown restrictions have been relaxed, we have begun shoots for our shows with all guidelines and norms being followed on sets. We will begin airing new episodes for Pyar Ki Luka Chuppi on 2 July. The show will restart with a new turn of events that is sure to keep viewers gripped. We are also working towards launching some more fresh content that will keep viewers entertained. We urge our viewers to stay safe and follow best practices while adapting to this new normal.”

    Pyar Ki Luka Chuppi returns to Dangal with a new story twist. The story will also see the entry of a new character. In addition to Pyar Ki Luka Chuppi, Devi Aadi Parashakti has also resumed its shoot.