Tag: Dangal

  • PWL: All eyes on Geeta-Marwa, Sandeep-Amit bouts

    PWL: All eyes on Geeta-Marwa, Sandeep-Amit bouts

    MUMBAI: After a solid start to the season, reigning defending champions Mumbai Maharathis in the inaugural match, the Haryana Hammers are upbeat for their next encounter against UP Dangal in the second season of Patanjali Powervita Pro Wrestling League (PWL) on Wednesday.

    It won’t be an easy affair for them, as the star-studded UP team includes Commonwealth gold medallist Geeta Phogat, Babita Kumari, Maria Mamashuk and marquee player Elitsa Yankova along with Amit Dahiya.

    The star encounters of the night will be the fights between Geeta and Marwa Amri, along with Sandeep Tomar and Amit Dahiya. On the other hand, Babita will be eager to repeat her performance same as in season-1, where she outshone World No 3 Ukraine grappler Tatyana Kit, who was representing Haryana then.

    After the release of Bollywood film – Dangal, all eyes are set on Geeta and Babita and they are expected to prove that they still have the same energy and aggression, which was portrayed in the film.

    Marwa Amri is in good form after beating Sarita in the first bout, and it will be a close battle when she will take on Geeta on the mat. The way Geeta had brought down World champion Oksana Herhel of Ukraine in the previous season, nothing is impossible for the Dhaakad girl.

    Haryana squad will also have Kiran (75kg), Indu Choudhary (48kg) and Sumit (74kg) take the mat but it all depends on the result between Andrey Kviatkovski and Rajneesh in men’s 65kg weight category.

    “Elitsa is world renowned player and has acclaimed various accolades, whereas we have a huge respect and feel proud for what Geeta has done till now. But having them both makes our team more balanced now,” said Sunny Katyal, UP Dangal team.

    Rio Olympics medallist Elitsa Yankova (48kg) and World championship silver medallist Abdusalam Gadisov are marquee players for UP and Haryana respectively.

  • PWL: All eyes on Geeta-Marwa, Sandeep-Amit bouts

    PWL: All eyes on Geeta-Marwa, Sandeep-Amit bouts

    MUMBAI: After a solid start to the season, reigning defending champions Mumbai Maharathis in the inaugural match, the Haryana Hammers are upbeat for their next encounter against UP Dangal in the second season of Patanjali Powervita Pro Wrestling League (PWL) on Wednesday.

    It won’t be an easy affair for them, as the star-studded UP team includes Commonwealth gold medallist Geeta Phogat, Babita Kumari, Maria Mamashuk and marquee player Elitsa Yankova along with Amit Dahiya.

    The star encounters of the night will be the fights between Geeta and Marwa Amri, along with Sandeep Tomar and Amit Dahiya. On the other hand, Babita will be eager to repeat her performance same as in season-1, where she outshone World No 3 Ukraine grappler Tatyana Kit, who was representing Haryana then.

    After the release of Bollywood film – Dangal, all eyes are set on Geeta and Babita and they are expected to prove that they still have the same energy and aggression, which was portrayed in the film.

    Marwa Amri is in good form after beating Sarita in the first bout, and it will be a close battle when she will take on Geeta on the mat. The way Geeta had brought down World champion Oksana Herhel of Ukraine in the previous season, nothing is impossible for the Dhaakad girl.

    Haryana squad will also have Kiran (75kg), Indu Choudhary (48kg) and Sumit (74kg) take the mat but it all depends on the result between Andrey Kviatkovski and Rajneesh in men’s 65kg weight category.

    “Elitsa is world renowned player and has acclaimed various accolades, whereas we have a huge respect and feel proud for what Geeta has done till now. But having them both makes our team more balanced now,” said Sunny Katyal, UP Dangal team.

    Rio Olympics medallist Elitsa Yankova (48kg) and World championship silver medallist Abdusalam Gadisov are marquee players for UP and Haryana respectively.

  • One-horse race Dangal sweeps box office

    One-horse race Dangal sweeps box office

    MUMBAI: It has been a one-horse race at the box office as Dangal sweeps the box office setting new records. The film crossed the Rs 100-crore mark in its first weekend and continued to enjoy a healthy run through rest of the week to almost make it to the Rs 200 crore mark in its first week as it collected Rs 197.55 crore.

    As is the norm, no major film released a week after another big film, the film also had an open run during its second weekend which was expected to add another huge chunk to the film’s kitty and that is how it has been. The film has had an outstanding second weekend as it set a new peak for the second Sunday with figures of Rs 31.27 crore.

    The film added Rs 72.93 crore for its second weekend taking its 10-day total to Rs 271.24 crore.

    The film showed all indications of crossing the Rs 300 crore mark from day one following its reports. Now, despite the Christmas festival season and holidays coming to end, the film should manage the Rs 300-crore milestone with ease because it will go on to enjoy a near solo run till 13 January when the flow of regular releases starts.

    *Wajah Tum Ho failed badly. After a poor first week, the film adds a meager seven lakh in its second week to take its two week total to Rs 10.8 crore.

    *Befikre collects about a crore in its third week to take its three week tally to Rs 59.5 crore.

    *Kahaani 2 has collected Rs 20 lakh in its fourth week to take its four week total to Rs 30.7 crore.

    *Dear Zindagi has added Rs 15 lakh in its fifth week to take its five week total to Rs 63.95 lakh.

  • One-horse race Dangal sweeps box office

    One-horse race Dangal sweeps box office

    MUMBAI: It has been a one-horse race at the box office as Dangal sweeps the box office setting new records. The film crossed the Rs 100-crore mark in its first weekend and continued to enjoy a healthy run through rest of the week to almost make it to the Rs 200 crore mark in its first week as it collected Rs 197.55 crore.

    As is the norm, no major film released a week after another big film, the film also had an open run during its second weekend which was expected to add another huge chunk to the film’s kitty and that is how it has been. The film has had an outstanding second weekend as it set a new peak for the second Sunday with figures of Rs 31.27 crore.

    The film added Rs 72.93 crore for its second weekend taking its 10-day total to Rs 271.24 crore.

    The film showed all indications of crossing the Rs 300 crore mark from day one following its reports. Now, despite the Christmas festival season and holidays coming to end, the film should manage the Rs 300-crore milestone with ease because it will go on to enjoy a near solo run till 13 January when the flow of regular releases starts.

    *Wajah Tum Ho failed badly. After a poor first week, the film adds a meager seven lakh in its second week to take its two week total to Rs 10.8 crore.

    *Befikre collects about a crore in its third week to take its three week tally to Rs 59.5 crore.

    *Kahaani 2 has collected Rs 20 lakh in its fourth week to take its four week total to Rs 30.7 crore.

    *Dear Zindagi has added Rs 15 lakh in its fifth week to take its five week total to Rs 63.95 lakh.

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.

  • Dangal: This is a winner!

    Dangal: This is a winner!

    Sports-based films had few takers till late, especially the concocted stories kind. However, the biographical sports-oriented films seem to work better, albeit, if they are inspiring enough and based on the lives of self-made successes.

    Bhaag Milkha Bhaag, Paan Singh Tomar, M S Dhoni: The Untold Story, Mary Kom are a few examples. Whose story the film is based on and the faces behind such a film also matters.

    Dangal is a biopic based on one such story that has a lot working for it. The story defies taboos and traditions of the native Haryana where a father pining for boys in the family but siring, instead, four daughters, decides to train his daughters to step into an arena of wrestling, a sport dominated by men, and excel.

    Dangal is based on the life of Mahavir Singh Phogat, a wrestler from Bilali village in Haryana who served as a coach for India’s Olympic wrestlers. Phogat, played by Aamir Khan, always dreamt of making wrestling champions out of his sons and win a Gold Medal for India. However, his dreams are far from being realised when his wife, Daya Shobha Kaur (Sakshi Tanwar) delivers four daughters.

    Phogat is disillusioned when one day while he hears of his two daughters beating up a village bully. Seeing their aggression and fighting spirit, he decides to do something nobody in his state would dream of. Train his daughters into world class wrestlers and bring the country its first gold medal.

    As the training begins, much to the girls’ reluctance and resistance, any and everything that hinders their training and concentration is done away with. The salwar kameez are replaced by shorts and T shirts, their long hair are shorn off and chicken becomes the staple food. A wrestling arena is built in the family farm and the girls’ cousin, Aparshakti Khurrana’s character, is the guinea pig with whom the girls practice their wrestling strategies.

    As the older of the two daughters, Geeta (Fatima Sana Shaikh) qualifies to train at the National Sports Academy, the grounds rules change, something Fatima is not used to. Life here is easier than the one she lived at home training under her father. Her first lesson from the coach (Girish Kulkarni) is that she unlearns all that her father taught her and begin anew. There is enough indulgence in watching TV, outings in the town and also freedom to eat gol gappas. This only works to corrupt the qualities and expertise that the girl possessed in wrestling.

    The result is, Geeta goes on losing all her international bouts and gets into verbal conflicts with her disappointed father. By now, even the younger Phogat girl, Babita (Sanya Malhotra) has qualified for a place at the Academy. Through her, she sees the value of her father’s coaching. Then starts a dual of coaches unawares of each other as Geeta listens to all that her coach has to say while follows what her father teaches her.

    Aamir Khan has become the master of playing unconventional roles in a totally deglamorised avatar and yet promise a hit! He gets into the skin of the veteran coach, Mahavir Singh Phogat so much that even the later would be proud of.

    The girls, Zaira Wasim and Suhani Bhatnagar as young Geeta and Babita are excellent as most of the earlier and challenging part rests on their shoulders. Fatima Sana Shaikh and Sanya Malhotra, the grown-up Phogat sisters, carry on the solid base created convincingly by the young ones and not letting a continuity jerk show. SakshiTanwar and Aparshakti are natural all the way.

    Dangal wins half its bout at the writing stage itself as the narration is smooth and witty dialogue make the initial training parts enjoyable which, in other such training phases in a film are tougher on viewers than on the aspiring sportsperson! Direction by Nitesh Tiwari is accomplished; he never lets the film sag at any stage despite its genre and length (161 minutes).

    The climax strays for the better and sends a viewer back with a serving of patriotism. Cinematography is very good. The songs have a purely utility value.

    The Haryanvi language used extensively in the film is no deterrent. Dangal is a winner all the way with all the makings of a first blockbuster biopic in Hindi film industry.

    Producers: Aamir Khan, Kiran Rao, Sidharth Roy Kapur.

    Direction: Nitesh Tiwari.

    Cast: Aamir Khan, Fatima Sana Shaikh, Sanya Malhotra, Zaira Washim, Suhani Bhatnagar, Sakshi Tanwar.

  • Dangal: This is a winner!

    Dangal: This is a winner!

    Sports-based films had few takers till late, especially the concocted stories kind. However, the biographical sports-oriented films seem to work better, albeit, if they are inspiring enough and based on the lives of self-made successes.

    Bhaag Milkha Bhaag, Paan Singh Tomar, M S Dhoni: The Untold Story, Mary Kom are a few examples. Whose story the film is based on and the faces behind such a film also matters.

    Dangal is a biopic based on one such story that has a lot working for it. The story defies taboos and traditions of the native Haryana where a father pining for boys in the family but siring, instead, four daughters, decides to train his daughters to step into an arena of wrestling, a sport dominated by men, and excel.

    Dangal is based on the life of Mahavir Singh Phogat, a wrestler from Bilali village in Haryana who served as a coach for India’s Olympic wrestlers. Phogat, played by Aamir Khan, always dreamt of making wrestling champions out of his sons and win a Gold Medal for India. However, his dreams are far from being realised when his wife, Daya Shobha Kaur (Sakshi Tanwar) delivers four daughters.

    Phogat is disillusioned when one day while he hears of his two daughters beating up a village bully. Seeing their aggression and fighting spirit, he decides to do something nobody in his state would dream of. Train his daughters into world class wrestlers and bring the country its first gold medal.

    As the training begins, much to the girls’ reluctance and resistance, any and everything that hinders their training and concentration is done away with. The salwar kameez are replaced by shorts and T shirts, their long hair are shorn off and chicken becomes the staple food. A wrestling arena is built in the family farm and the girls’ cousin, Aparshakti Khurrana’s character, is the guinea pig with whom the girls practice their wrestling strategies.

    As the older of the two daughters, Geeta (Fatima Sana Shaikh) qualifies to train at the National Sports Academy, the grounds rules change, something Fatima is not used to. Life here is easier than the one she lived at home training under her father. Her first lesson from the coach (Girish Kulkarni) is that she unlearns all that her father taught her and begin anew. There is enough indulgence in watching TV, outings in the town and also freedom to eat gol gappas. This only works to corrupt the qualities and expertise that the girl possessed in wrestling.

    The result is, Geeta goes on losing all her international bouts and gets into verbal conflicts with her disappointed father. By now, even the younger Phogat girl, Babita (Sanya Malhotra) has qualified for a place at the Academy. Through her, she sees the value of her father’s coaching. Then starts a dual of coaches unawares of each other as Geeta listens to all that her coach has to say while follows what her father teaches her.

    Aamir Khan has become the master of playing unconventional roles in a totally deglamorised avatar and yet promise a hit! He gets into the skin of the veteran coach, Mahavir Singh Phogat so much that even the later would be proud of.

    The girls, Zaira Wasim and Suhani Bhatnagar as young Geeta and Babita are excellent as most of the earlier and challenging part rests on their shoulders. Fatima Sana Shaikh and Sanya Malhotra, the grown-up Phogat sisters, carry on the solid base created convincingly by the young ones and not letting a continuity jerk show. SakshiTanwar and Aparshakti are natural all the way.

    Dangal wins half its bout at the writing stage itself as the narration is smooth and witty dialogue make the initial training parts enjoyable which, in other such training phases in a film are tougher on viewers than on the aspiring sportsperson! Direction by Nitesh Tiwari is accomplished; he never lets the film sag at any stage despite its genre and length (161 minutes).

    The climax strays for the better and sends a viewer back with a serving of patriotism. Cinematography is very good. The songs have a purely utility value.

    The Haryanvi language used extensively in the film is no deterrent. Dangal is a winner all the way with all the makings of a first blockbuster biopic in Hindi film industry.

    Producers: Aamir Khan, Kiran Rao, Sidharth Roy Kapur.

    Direction: Nitesh Tiwari.

    Cast: Aamir Khan, Fatima Sana Shaikh, Sanya Malhotra, Zaira Washim, Suhani Bhatnagar, Sakshi Tanwar.

  • Poor content blamed on demonetisation

    Poor content blamed on demonetisation

    MUMBAI: As the poor run of films continues at the box office, often poor content blamed on demonetisation lately, exhibitors look forward to the release of Aamir Khan’s Dangal, due on Friday, 23 December.

    *Postponed from its earlier release date of 2 December owing to the effect of demonetisation on the box office, Wajah Tum Ho, released on 16 December, fails to benefit from the move. A disjointed script as an excuse to show love scenes, the film fails to arouse even the initial curiosity as the it had a poor opening of Rs 2.3 crore and ended its opening weekend with Rs 6.7 crore.

    *Befikre manages to sustain despite mixed reactions as the film enjoyed no opposition while Ranveer Singh’s growing popularity also helped. The film had a decent opening weekend and went on to add another Rs 14.4 crore during rest of the week taking its first week total to Rs 48.75 crore.

    *Kahaani 2 has added Rs 5.6 crore to take its two week total to Rs 29.4 crore. Poor.

    *Dear Zindagi collected Rs 4.25 crore in its third week to take its three week total to Rs 62.4 crore.

  • Poor content blamed on demonetisation

    Poor content blamed on demonetisation

    MUMBAI: As the poor run of films continues at the box office, often poor content blamed on demonetisation lately, exhibitors look forward to the release of Aamir Khan’s Dangal, due on Friday, 23 December.

    *Postponed from its earlier release date of 2 December owing to the effect of demonetisation on the box office, Wajah Tum Ho, released on 16 December, fails to benefit from the move. A disjointed script as an excuse to show love scenes, the film fails to arouse even the initial curiosity as the it had a poor opening of Rs 2.3 crore and ended its opening weekend with Rs 6.7 crore.

    *Befikre manages to sustain despite mixed reactions as the film enjoyed no opposition while Ranveer Singh’s growing popularity also helped. The film had a decent opening weekend and went on to add another Rs 14.4 crore during rest of the week taking its first week total to Rs 48.75 crore.

    *Kahaani 2 has added Rs 5.6 crore to take its two week total to Rs 29.4 crore. Poor.

    *Dear Zindagi collected Rs 4.25 crore in its third week to take its three week total to Rs 62.4 crore.