Tag: DAB

  • IRF 2013: James Cridland: Indians love their radio

    IRF 2013: James Cridland: Indians love their radio

    James Cridland is a radio futurologist and managing director of Media UK and Radio DnS. He was the Digital Media Director for Virgin Radio in London in 2001; in 2007 he joined the BBC to work on the BBC iPlayer for Radio; he also worked at PURE, Audioboo, UK Radioplayer. He is a trustee of the Radio Academy, and sits on the International Radio Festival Advisory Board.

    At the recently concluded International Radio Forum (IRF 2013) at Zurich, Cridland had a session on “How People Are Listening to Radio in Today’s Multiplatform World – and what your station needs to do about it.” This is part I of a two part summary of Cridland’s session by The Indian Television Dot Com Pvt. Ltd. group South India Head Tarachand Wanvari. Excerpts:
    New Broadcast Format

    Cridland began by saying,”Let us talk about how people are tuning into radio in today’s world. There is the internet, FM and AM, there is a new broadcast format – DAB+ or HD radio and then radio broadcast through the TV that is strongly visible in a many of countries. The UK is one of the countries that broadcast radio in all the four formats like most European countries. In terms of popularity, FM is first; internet is the third most popular in terms of number of people tuning into live radio, but it’s alongside TV as well.”

    Cridland revealed that based on the latest figures, for the first time ever in the UK’s radio history internet streaming of radio stands way above radio over TV. “This counts anything and everything that anybody classifies as being a radio station. This is from a pretty robust census survey. We have noticed something interesting here, FM radio is broadcast radio, TV is broadcast, DAB is broadcast, as is HD and there is a real story here in terms of the continuing strength of broadcast.”

    However, Cridland admitted that both AM and FM have seen slow decline over the last five years while DAB in the UK has had a slow increase as have TV and internet radio, but the last two were still very small.

    “There is an awful lot of talk about how internet radio is the future of radio. The reality right now is that internet is a quite small part of radio consumption at present. But no predication can be made for next 5-10 years. Right now broadcast is preeminent in terms of radio consumption,” said Cridland.

    “In the UK, only 20 per cent of radio listening is in car, DAB is pre-installed in 33 per cent of all new cars. In the UK we have no pure play radio stations that are internet only. One of the reasons is a very strong public service broadcaster (BBC), and also the music rights in the UK are expensive”, said Cridland.

    “The US is quite different, where comparatively, 50 per cent of all radio listening is in cars. Pandora is preinstalled in a third of all new cars, and if it were a radio station. It would have a seven percent of the market share in the US. Over fifty percent of Pandora’s consumption is on mobile. HD radio is preinstalled in thirty percent of all new cars and Sirius XM is pre-installed in a number of new cars, but a majority of people actually don’t buy the service once the free period lapses”, further revealed Cridland.

    Comparing the various landscapes

    “Actually when you start looking at the US for radio consumption, then it is very different, because the US has a very different media landscape. HD radio works brilliantly in the US. It should work brilliantly in Canada and in Mexico as well,” said Cridland.

    “In the UK, the owners of the radio ratings service are all radio stations. The same happens in Belgium in France and across most of Scandinavia. The US is a very competitive radio market and all the players don’t work together. That’s why, HD, a good protective technology works brilliantly for the US and fits in with the differences in media consumption there. “

    “In Europe it is a different story and in India too it’s even more different. In India, they love their radio. Radio has a future there because 94 per cent of the listeners in Mumbai tune into radio on mobile phone, only 16 per cent on radio receiver. So radio consumption is very different, depending on where you go across the world,” said Cridland.

    New broadcast platform

    Cridland said, “New broadcast platforms create choice. You can see that if you are a program maker, all of a sudden there is a bunch of additional choices that you can actually have. Loads of additional choice is great news if you are making content because it means that there are more places that want to buy and air your content that enables you to be heard by more people”
    “You can see that all of a sudden we have radio stations for specific niches. Planet Rock is one good classic example of a Rock station that never gets onto FM. Then a religious radio, Premiere Christian Radio and the United Christian Broadcasters; we have got additional music choice from services such as Absolute Radio which is actually growing their business and additional the public service broadcasters business as well.”

    Taking a quick look at broadcast versus internet, Cridland said, “I believe podcasting and on-demand content is where radio has headed. On-demand is a great way of getting more people tuning in, but we can only forget about the power of live radio at our peril.”

    Countries exploring new broadcast platform

    “There are a number of examples where internet and broadcast are working together. For example, Kronehit -a CHR station in Austria. They have a bunch of additional services online-from Kronehit Love which plays love songs to Kronehit Balkan Bees, because they have a lot of people from the Balkans who’ve moved over into Austria so they have produced a radio station especially for them. They can’t do this on FM because they can’t get additional licenses, but they can do it on things like DAB+ and on the internet world, and they also have their own personalised music,” informed Cridland.

    “Similarly if we go to Australia, Southern Cross Austereo- one of the largest radio groups in the world broadcast has a bunch of radio stations across Australia in FM, AM and DAB+. They also have Songl which is their equivalent of Spotify,” added Cridland.

    “In Turkey – Spectrum Medya runs a bunch of radio stations. You have to register if you wish to listen to those radio stations online. Once you have registered then the ad-breaks online contain specific advertising for your type of demographics. It is a great way of making additional revenue, but only possible on the internet,” opined Cridland.

    “In the US there’s a company called Entercom that runs a bunch of radio stations. They work with a company that helps them sell advertising online for which you don’t need to register. All you have to do is to visit their websites and listen. They have teamed up with a company that knows the websites that you have been to. So,if a person has booked a flight to New York, they’ll give him an ad for hotels in New York. It is a great way of earning more cash from your advertiser,” felt Cridland.

    “The cost of broadcasting on the internet to a larger audience is significantly more than broadcasting over FM or HD or DAB+. There is a pretty low threshold where the internet suddenly becomes quite expensive. I am not saying that internet is a bad thing. In fact, internet and broadcast do work together really well, but it is going to be a long time before internet gets even to twenty percent of the listeners” revealed Cridland.

    Elaborating further on the way radio and internet work together, Cridland said, “The States have really cracked this. There’s Nextradio, it uses FM to get the audio from an FM station with a ludicrous name of Hack FM and it is using the internet to get additional information on a mobile device. One can click to play this song and click to get more information and more actions such as sharing and liking. All of this is available through HD radio.”

    “Analogue FM will never die out. It’s a noble aim for any country to try and phase out FM, I can’t see it happen. If I was a pirate radio broadcaster, I’d be rubbing my hands in glee at that prospect. FM does a great job if you can get an FM license.”

    Radio receivers

    “The problem is that radios are rubbish. In a typical radio, when you turn it on, it asks you if you want FM radio or DAB+ or do you want internet radio. It is almost as if it is a set of different radios in one unit sharing one speaker and they all work differently which is bizarre. The TV industry has completely got the user experience sorted out.”

    Speaking on standards on radio receivers, Cridland said that there were no standards. If someone was to buy an FM radio in the US and brought it to Europe, it wouldn’t pick up half the radio stations and the ones that it did pick up would sound rubbish. In Japan, European FM radio would probably pick up half the radio stations there, they used a different waveband. Cridland said that AM works differently in the US as compared to Europe. There were no worldwide standards. “We need to have a continental standard, and the continental standard for Europe is DAB+, and a DAB radio stations is also available on a DAB+ receiver.”

    (Part II, about how people are listening to radio on the mobile, will be published soon…)

  • AIR conducts trial runs for digital short wave

    AIR conducts trial runs for digital short wave

    NEW DELHI: The first digital transmitter for All India Radio (AIR) on the short wave is already going through a successful trial run, officials say, adding that the pilot run for the medium wave digital radio too, will commence from May or June this year.

    The transmitter (250 kw) – which started operating from Republic Day this year is on the short wave band and broadcasting for Delhi, with the ‘skip distance’ reduced to “near zero”, officials have revealed to indiantelevision.com, and data transmission is also on.

    This means that if you have the required receiver, you could here and now access digital radio, and while listening to radio news or music, you could read on your set the news flashes and even see where the bulls or bears are in the stock market, said officials, requesting not to be named.

    The system is operating on DRM technology, which AIR experts feel is the best choice, as it covers all existing bands, medium, short and long waves.

    The handsets are being taken to various locations in Delhi now, and being tested with the required equipment, and it has been found that the skip distance, or the distance between where the transmitter is and the first point from where the waves are actually accessible, has been reduced from almost zero in some places, to one or two kilometres in others. The usual skip distance would be around 70 km.

    But as a senior official explained, skip distance is not a major issue. “We could reduce the skip distance for analogue too, depending on the content and the target audience.”

    What he meant was that if the programme is being broadcast from Delhi but for Jharkhand, the skip distance could be extended to 1,000 km, and for, say, England, it could made available from about 3,000 km from where the transmission is taking place.

    These adjustments can be made in repositioning the antenna, they explained.

    “The point is that we have been successful in handling this technology and the transmitter is functioning perfectly. The only problem is that receivers are not available in the country,” the official held.

    According to him, the receivers, for which costs have been calculated, at the moment come for euro 200. But as officials in charge of the AIR digitalisation programme have been saying, the cost will come down with increase in demand.

    The big calculation is that once India and China go for DRM technology, that would mean something close to half the world’s population, and most market players would look at the sheer volume and cut the prices.

    “There are various standards in digital radio transmission, officials explained, which include Eureka 147 DAB, IBOC (HD Radio) and DRM. But the latter allows transmission on all the bands we presently have and also the FM band.

    The advantage of DRM technology is that no additional band allocation is required and no additional spectrum is needed.

    What the trial transmission is now giving is FM quality sound on medium and short waves and CD quality sound on FM, officials said.

    “Objective measurements are going on for sound quality and we shall check all the myriad factors before we go for expansion,” the officials asserted.

    There is dialogue within the DRM Consortium, the officials said, and efforts are being made to rope in member countries, with an eye to cutting down the cost of receivers.

    But when would private players come in and add to the market factor that would reduce price for tabletop digital radio sets?

    The officials said that FM had been set up 20 years before the market started seeing the money in it. But with the FM experiment successful, market players may not take that long with digital radio. “This could happen in three or four years.

    “Our point is to create the infrastructure and that has been successfully done in the initial phase of experimentation,” the officials said.

  • China to have over 32 million mobile video users in 2008

    China to have over 32 million mobile video users in 2008

    MUMBAI: The mobile video market in China will take off in 2008, driven by interest in the Beijing Olympics.

    A new study from ABI Research published out of Singapore forecasts total mobile video users at more than 32 million in 2008. About 27 per cent of these consumers will use broadcasting technology, and 73 per cent will use unicast streaming technology, while a number of viewers are likely to use both.

    In 2006, SARFT, the Chinese State Administration of Radio, Film, and Television, announced two handset-related standards. DAB is likely to be the first phase of mobile multimedia broadcasting standards development in China. DAB paves the way for upgrading to China’s proposed mobile multimedia broadcasting standard, T-DMB, a terrestrial implementation of SK Telecom’s mobile video format.

    Because both standards are voluntary, there are questions surrounding their effect in the market. “It is likely that local media groups and TV stations will deploy DAB initially, and implement T-DMB at a later date,” 3g.co.uk quotes ABI research director Jake Saunders as saying. “The Chinese government will give preference to a standard that will be used in the 2008 Olympics, and DAB has been listed as one of the broadcast services that will be available at the Beijing Games.”

    “Although lack of content is still deemed to be a bottleneck for mobile video in mainland China, the problem will be solved in the next two years,” adds Saunders. “The current content shortage is caused by the limited number of handset TV SP licenses. When more companies obtain licenses, competition will become the lubricant to drive up the market.”

    Meanwhile in Hong Kong, mobile operators are active in mobile video streaming. Their international operations backgrounds allow them to provide diversified content to users.

    PCCW’s experience in operating its IPTV business will boost its performance in the 3G market. ABI Research forecasts approximately 715,000 mobile video users in Hong Kong in 2008, of which 99 per cent will be streaming users. In Taiwan, ABI Research forecasts that there will be over 1.5 million mobile video users in 2008, with 97 per cent receiving content via streaming.

    “Mobile Video in China” analyzes the mobile video market in mainland China, Hong Kong, and Taiwan. It lists the streaming mobile services offered by mobile operators in the three areas, discusses the regulatory environment in mainland China, and charts the directions that will be taken by mobile video development based on different technologies.

  • BroadcastAsia2006 to focus on latest technologies

    BroadcastAsia2006 to focus on latest technologies

    MUMBAI: BroadcastAsia 2006, the Asian International Electronic Media Technology Exhibition & Conference, will take place from 20 June to 23 June 2006 at the Singapore Expo.

    Organised by Singapore Exhibition Services (SES), the event promises a bigger and more comprehensive platform for India to source for the latest broadcast technologies and solutions to meet the growth of its media industry. IPTV, HD Technologies, and digital audio broadcasting (DAB) will be the highlights of this year’s show.

    Indian participation at this year’s BroadcastAsia2OO6 exhibition include All India Radio, Monarch Computers, Essel Shyam Communications and Cicada Broadcast Solutions.

    Geared to meet India’s demand, BroadcastAsia2OO6 is expected to gather over 750 international companies, with nine group pavilions from countries such as China, France, Germany, Italy, Korea, Spain, Singapore, UK and USA.

    Highlights at this year’s exhibition include the latest in Professional Audio Technology, IPTV, computer graphics and animation, HD Technology, broadcasting to handhelds, video on demand, personal video recording, and digital audio broadcasting (DAB).

    Director and CEO of Cicada Broadcast Solutions Pvt Limited Prasanta kumar Ghatak said, “It is our desire to extend our reach beyond India and obtain a foothold in the Asia Pacific region. We believe that our participation in BroadcastAsia2OO6 will give us the opportunity to reach out to our target customers effectively. Cicada Broadcast Solutions is committed to bringing the same quality of service and dedication to customers beyond our shores, and BroadcastAsia2OO6 is a fantastic platform from which to do so.”

    In view of this, animation buffs will not be disappointed as ComGraphics&Animation2006 (CGA), held in conjunction with BroadcastAsia2OO6, will feature the latest hardware, software and services designed especially for the computer graphics and animation industry, film and motion picture industry. A number of conferences and masters classes will also be held for developers and professionals to exchange ideas & expertise learn and network.

    “With India’s healthy growth in movie and film output, significant market opportunities are now available for those within the broadcasting industry. BroadcastAsia2006 complements India’s remarkable industry growth by offering not only the latest, but most relevant technologies and solutions to meet the media expansion plans that are set to take place in India” said Jackson Yeoh, project director with event organiser Singapore Exhibition Services.