Tag: D-CODE

  • Create campaigns to increase engagement and attract customers:Disney+ Hotstar’s EVP & CMO S Shakdher

    Create campaigns to increase engagement and attract customers:Disney+ Hotstar’s EVP & CMO S Shakdher

    Mumbai: In today’s world, creating the best marketing campaign means the company not only aims to attract consumers towards ads but engage them too, expressed Disney+ Hotstar executive VP and CMO Sidharth Shakdher. He was speaking at The Advertising Club’s third edition of D-CODE, held in Mumbai recently.

    He discussed the effectiveness of funnel marketing for Disney+ Hotstar, which led to the conversion of 95 million engaged viewers from an overall spike of 140 million viewers. In 2019, the viewership increased to 112 million.

    Shakdher further explained that in funnel marketing, a potential consumer goes from becoming aware of your brand to purchasing the goods or services.

    “While building a funnel, two things were important to us: to have a better experience and to maximise the spike. We wanted to reverse the narrative that digital drives people,” he said. “We created this funnel as there was a spike happening and the challenge was to convert them into engaged consumers.”

    “And every time a person got converted, they would negate, and then iterate the recommendations again and show him another set of recommendations so that he could convert from spiked to engaged,” he added.

    Sidharth further advised that in all marketing campaigns, advertisers have to be able to pivot the right objectives, so, if they’re looking at a conversion-based campaign then it is requisite that advertisers have an action-based campaign in place.

    “Your conversion could be a purchase, but your action could be an add to cart, reading a product retail page, or anything. Always know what works best for you in terms of conversion is concern,” he added further.

    Mentioning about the creative ads on Disney+ Hotstar, he highlighted the local superheroes advertisements that have Indian middle-class power. The professional campaign titled “Superheroes” was published in India in October 2020. Disney + Hotstar had built the creative where “superheroes” were shown as common people, and they were using superpowers to stop their friends from going out and watching a match with them. An interesting campaign indeed!

    He discussed further on ‘moment marketing’- a strategy for advertising that concentrates on reaching potential customers and where an advertiser takes advantage of ongoing events by delivering relevant and relatable content. Disney+ Hotstar reaped potential benefits matching it up during the IPL matches- an important cricket event. The broadcaster picked those moments on the controllable prioritisation matrix. The broadcaster prioritized its promotional technique based on trending things happening during the event and used social media to create connections and marketing opportunities.

    Shakdher mentioned that Disney+ Hotstar has built a prioritisation matrix and established 15 rules, which led to the incorporation of 15,000 dynamic creatives. In order to produce effective results, dynamic creatives optimise a variety of ad components (such as pictures, videos, titles, descriptions, and CTAs).

    There are instances, where a batsman is nearing a half-century of run, the other was a batsman’s strike rate went up above 150 percent , and there were two wickets falling in a row. In all the cases, ads used to appear automatically & matched with the situation when wickets were down, or batsmen were playing well & hitting sixes, which led consumers to click & engage with ads while watching matches.

    “We were able to serve up in real-time while the match was going on,” claimed Sidharth. “That led to a 200 per cent improvement in cost per click (CPC), and we were able to reach 80 million viewers.”

    Dynamic creative optimization (DCO), a real-time display advertising technology, was used by Disney+ Hotstar to personalise ads based on viewer information at the time of ad serving. Every time something similar occurs in a match, it appears on visual display, in static campaigns, performance marketing campaigns, or programmatic campaigns.

    “Always have practical objectives for the campaign. If your message is that a particular product serves a particular need, then we also have sub-segments like pricing, convenience, etc., so run these smaller campaigns within the larger campaign and find out the segments that gave the best result,” he concluded.

  • We keep talking about digital & technology, but at the end of the day it’ll always be about people: Dentsu’s Amit Wadhwa

    We keep talking about digital & technology, but at the end of the day it’ll always be about people: Dentsu’s Amit Wadhwa

    Mumbai: The ever-changing digital ecosystem has altered the game of advertising and marketing as we once knew it. Digital marketing has developed into a significant platform for some profound work and brand case studies. Whether it’s digital or non-digital, every creative needs to emanate from a strong idea, said Dentsu Creative India CEO Amit Wadhwa, sharing his insights on the digital space and what works in the medium at the third edition of The Advertising Club’s D: CODE held recently in Mumbai.

    We keep talking about digital and technology, but this will always be about people at the end of the day, Wadhwa emphasised. “People are needed for ideas. People are needed to create technology. People are needed to run and understand the medium. That is the most important consideration.”

    At the Tac’s annual digital review, ten digital evangelists from the advertising and marketing fraternity shared key takeaways that brands and their digital custodians can make use of.

    Repersenting dentsu creative, the winner of the Agency Of The Year award at Cannes this year, Wadhwa shared the two pieces of work that stirred him. Or, in his own words, like a true advertising professional, he “stuck to the brief” – where the brief given was to showcase one best-of-class work from their own stable, along with one work that truly inspired them. He started with a creative coming from Dentsu’s stable, called The Protest March.

    Speaking about exactly why he chose this particular piece of work, Wadhwa said, “Who says protests have to be on the street… who says protests have to be violent or there has to be aggression? This is cricket and this is a protest-you can’t get a bigger and better idea.” More importantly, he added, this idea is digital at its core. The whole reason this is happening is that digital is there as a platform.

    Pointing out the third important element, Wadhwa said, “And I strongly believe in the third power—that’s purpose. I think it’s important for everything to have a purpose. And look at the purpose this one had. Taliban taking over, rights being taken away and I think you can’t have a stronger purpose than that.”

    Titled ‘The Protest Match’, the initiative recreated the Afghanistan women’s cricket team virtually, replicating the exact team that was unfairly banned from playing in real life. With an objective to pledge support and protest the injustice caused to the Afghan Women’s Cricket team, on 3 April 2022 – the day the ICC Women’s World Cup finals took place in New Zealand, Global eSports, in partnership with Isobar India Group, re-created the finals—one that could have happened.

    Talking about the next piece of work that inspired him, titled ‘Backup Ukraine,’ Wadhwa said, “When I went to Cannes this year, there was a team from Ukraine presenting this idea. And it hit me so hard that it remained with me.”

    The project was led by Virtue Worldwide, a Vice Media-owned creative agency, and centres on a digital and mobile platform that enables people in Ukraine to capture and digitally preserve 3D images of historical artefacts, monuments, and other culturally-relevant structures and objects at risk of being damaged or destroyed in light of the ongoing war with Russia. The tool employs technology developed by 3D imaging startup Polycam to create realistic digital replicas and store the digital blueprints of the artefacts they capture in the cloud.

    “I feel equally important to “what” we show on digital is “when” we show it. The timing is key,” Wadhwa said, adding that timing is key in any medium, but more so in digital.

    Wadhwa also mentioned how, nowadays, the brief itself states, ‘We want a stronger integration on digital.’ “I don’t think we need a stronger integration of digital—digital is all around us. If the idea is good, it will finally land on digital,” he asserted, adding that the moment you start trying too hard, you will see it going wrong somewhere.” Talking about the one thing that’s really spoiled us, Wadhwa says that with this medium, everything is possible, and that’s what the medium is all about.

  • 10 digital evangelists decode the digital mantra at The Advertising Club’s third edition of D:CODE

    10 digital evangelists decode the digital mantra at The Advertising Club’s third edition of D:CODE

    Mumbai: Leaders from different digital domains, spanning publishers, marketers, new age digital companies, and creative and media agencies, gathered on 26 August at The Advertising Club’s third edition of D-CODE: The Annual Digital Review 2022 in Mumbai.

    The evening kicked off with tech professional turned stand-up comic turned compere for D-CODE 2022, Anshu Mor, who welcomed the attendees with a humorous anecdote narrating his real-life resignation story.

    Welcoming the attendees, The Advertising Club president Partha Sinha, emphasised how digital has become a game-changing medium for brands over the course of the last 10–15 years.

    Dentsu Creative CEO Amit Wadhwa kicked off the event as the first speaker, showcasing two case studies – ‘The Protest March’ and ‘Back Up Ukraine’—and prodded the audience to remember that we are still about people.

    S4 Capital CEO – APAC Michel de Rijk presented the Tata Tea example done for Independence Day and emphasised how the integration of data and content with technology enables agencies to create high-quality content overnight in just their own studio.

    ONDC chief business officer Shireesh Joshi articulated the vision and implications of the ONDC initiative for sellers, buyers, and every component and process along the e-commerce chain.

    Shedding light on the power of targeting and geolocation insights in campaigns, Jio Ads CEO Gulshan Verma enlightened the audience on the scale and solutions offered by JioAds.

    Talented founder P G Aditiya took the audience through the 55 steps that were involved in creating the Cannes 2022 Grand Prix winner, “The Unfiltered History Tour,” and emphasised the benefits of a long client-agency relationship in creating path-breaking campaigns.

    Following this was Disney+ Hotstar executive VP and CMO Sidharth Shakdher, who shared his thoughts on reversing the narrative of digital driving people apart by building a better consumer experience.

    YouTube India head of consumer marketing Mansha Tandon, spoke about shaping creativity with culture and trends in the digital space.

    Speaking next was luxury & lifestyle influencer Rizwan Bachav, who walked the audience through his journey, learning, and challenges in becoming an influencer.

    Sharing thoughts on how creativity can build brands, Starcom CEO Rathi Gangappa emphasised the need of being human in the age of digital transformation.

    Concluding the review, Meta marketing director Avinash Pant spoke about the evolution of social connections and the exponentially growing metaverse space empowering meaningful experiences.

    Addressing the evolving digital ecosystem at the third edition of D:CODE, Sinha said, “Digital marketing has gone on to become a game-changing phenomenon and the Advertising Club’s D:CODE is a testimony to our persistent efforts to create awareness and enhance the learning curve of the fraternity with insights and takeaways from the industry’s best digital minds. D:CODE has witnessed great case studies that have worked beyond the boardroom. As we move forward in this ever-evolving and competitive digital era, D-CODE will continue to become a significant platform with case studies that give profound experiences, transforming the way brand custodians especially approach their digital.”

    At the third edition of The Advertising Club’s annual digital review, the 10 digital evangelists from the advertising and marketing fraternity shared key takeaways that brands and their digital custodians can make use of.

  • D:CODE 2022 by The Advertising Club: Industry experts to share insights on rapid transformation of digital industry

    D:CODE 2022 by The Advertising Club: Industry experts to share insights on rapid transformation of digital industry

    Mumbai: The pandemic era which we passed through has seen an interesting shift in consumer behaviour towards small businesses and homegrown brands. This has fueled the need and importance of digital marketing as a platform to connect and reach out to more consumers. Owing to this accelerated business and rapid consumer shift towards digital, The Advertising Club is once again back with its third edition of D:CODE 2022, India’s Annual Digital Review.

    The Advertising Club’s third edition of D:CODE 2022, presented by Meta, will take place on 26 August 2022, at the Jio World Convention Centre in Mumbai, beginning at 6:30 p.m. Following the phenomenal success of the first two editions, the upcoming edition will see the best minds in digital, media, and marketing come together to address the evolving digital ecosystem.

    D:CODE 2022 will see the following 10 industry leaders, including Dentsu Creative chief executive officer Amit Wadhwa; Google director-marketing partners Satya Raghavan; Hotstar executive VP and CMO Sidharth Shakdher; Jio Ads CEO Gulshan Verma; Luxury & Lifestyle Influencer and I-banking professional turned KOL Rizwan Bachav; Meta marketing director Avinash Pant; ONDC chief business officer Shireesh Joshi; S4 Capital chief executive officer-APAC Michel de Rijk; Starcom CEO Rathi Gangappa and Talented founder P G Aditiya. They will cover three areas in 10 minutes each: their own work they are proud of; the work of other brands that inspired them; and tips to crack the digital code in the year ahead.

    Speaking about the third edition of the review, The Advertising Club president Partha Sinha, said, “The Advertising Club has been at the leading edge in driving several pioneering initiatives that truly define the current state of the media and advertising industry. With sustained efforts year on year, D:CODE has emerged as an engaging knowledge platform, providing a reason to “Inspire and be inspired”. We are excited to present our third edition of the show with leading industry stalwarts from India and APAC whose insights and learnings will continue to celebrate the rapidly changing dynamics of the digital industry. With D:CODE 2022, The Advertising Club looks forward to creating yet another benchmark in the Indian media and advertising landscape and paving the way to unleashing the true potential of digital.”

    D-CODE chairperson Punitha Arumugam added, “We are excited to continue with the 10 minute per speaker format at D-CODE 2022. Our 10 speakers will showcase, in total, 20 digital case studies done in the past year and provide 30 tips to crack the digital code in the year ahead—all this in just one evening! We hope it will be a truly educative and immersive experience for the audience.”

    “The D-CODE 2022 line up of speakers covers award winners from Cannes this year (Dentsu Creative, PG Aditiya), best of global digital publishers (Google, Meta, Disney+Hotstar, Jio Ads), new age orgs defining the future of digital agencies and e-commerce (S4 Capital, ONDC), digital forward media agencies (Starcom) and social influencers (niche KOL like Rizwan).  With these 10 speakers, D-CODE 2022 covers a relevant spectrum of all things digital; not to mention the laughs the audience will have with our compere Anshu Mor, a tech professional turned stand-up comic,” said D-CODE co-chairperson Avinash Pant.

    D-CODE 2022 is presented by Meta, co-powered by Times Network and Disney+Hotstar in association with MiQ & YOptima.

  • Home and Design TRENDS announces India’s first-ever virtual art and design festival ‘D/CODE Design Biennale 2020 – Jaipur Edition’

    Home and Design TRENDS announces India’s first-ever virtual art and design festival ‘D/CODE Design Biennale 2020 – Jaipur Edition’

    MUMBAI: The destination for mélange of luxury, extravagance, and design, D/CODE unravels yet another exciting chapter called D/CODE Design Biennale 2020 – Jaipur Edition.  This event would mark the first virtual exhibition of art & design by Home & Design TRENDS, a leading brand on architecture and design.

    Jaipur edition is being curated by renowned interior designer Shantanu Garg, where the inspiration comes from the royalty, colours and heritage of the Maharaja. This congregation of the country’s most ambitious and imaginative architects, designers, curators and artists will witness Shantanu Garg curate a virtual experience that will see art enthusiasts witness the sheer artistry in the 3D versions of the actual installations.

    D/CODE Design Biennale 2020 will witness brands collaborate with creative and innovative minds across the globe. This festival will showcase installations (3D format), Performance art, Video and Sound Installations, Digital Art and AR/AI – based art, essentially, art and design that is not curtailed or bound by the medium or format. It aims to host a series of online events, which will encompass myriad aspects like brand collaborations, art installations, students Biennale, performance art, power talks, podcasts & webinars.

    Speaking on the innovative exhibition, Mr. Deepak Lamba, CEO, Worldwide Media said, “By bringing together a collective of like-minded ideologies, practices and brands, D/Code, over the past three years has grown to become one of our most successful IP’s. With digital content continuing to break new ground, we look to take the value of a premium property like D/Code a notch higher and script a remarkable chapter in art and design.”

    Speaking on the first edition of ‘D/CODE Design Biennale 2020’, Ronitaa Italia, editor in Chief  said, “Over the last three years since its launch, D/code has come to be known for its impetus-driven approach to the business of design. Earlier this year, at the third edition, some of the biggest names in the industry came together for the launch of the Jaipur chapter to be curated by designer Shantanu Garg. In the phase-wise unravelling of the Jaipur chapter, we're really excited to bring to you D/code Design Biennale, a virtual art and design festival that will be presented to you right here in the comfort of your living rooms. A beautiful reflection of our tumultuous times, DDB will bring together some of the most prolific names in the worlds of art, design and architecture, charting a new course in the future of art and design shows. In the pure spirit of D/code, we're looking forward to bringing the industry together once again on a platform that promises to reach out to a larger, more diverse audience .”

    Speaking on the first ever D/CODE Design Biennale 2020, Shantanu Garg, curator of the D/CODE Jaipur edition said, "Considering the global scenario and the much anticipated trade shift towards India, the D/code Design Biennale would focus on interpreting Indian designers,indigenous brands and the glory that their collaboration can render. This will evoke new trends and set the benchmark in the design industry in terms of collaborative effort. The design biennale will celebrate the spirit of Indian design fraternity and make it visible to wider audiences nationally and internationally."

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  • Breaking the Digital Code at the 2nd Edition of The Advertising Club’s D-CODE

    Breaking the Digital Code at the 2nd Edition of The Advertising Club’s D-CODE

    Mumbai : India’s digital ecosystem has over the last few years taken significant growth strides by playing a decisive role in scripting success stories for many brands. An evening dedicated to showcasing and deliberating on these inspiring stories saw the best media, marketing and advertising brands come together at the value-driven, learning event – The Advertising Club’s D-CODE presented by MX Player and powered by Tik Tok Ads. A curated panel of 13 industry though leaders inspired and stirred conversations by sharing an example of their own best work, one work they admire and 3 learnings they would want to share with the audience.

    Addressing the forum were Amarjit Singh Batra, Managing Director, Spotify; Jogesh Lulla, COO, Corner Stone Sport and Entertainment; versatile Standup Comedian, Musician & Filmmaker, Kenny Sabastian; Karan Bedi, CEO, MX Player; Mustafa Ghouse, Chief Operating Officer, JSW Sports Pvt Ltd; Nirmal Pulickal, Head – Facebook Creative Shop, Facebook; Partha Sinha, Vice Chairman and Managing Director, McCann Worldgroup; Rashi Goel, VP- Consumer Communication Media, CRM & NHW, Nestle; Sachin Sharma, Director – Sales & Partnerships;  Bytedance (Tik Tok); Sidharth Rao, CEO & Co-Founder, Dentsu Webchutney; Srivats TS, VP Marketing, Swiggy; Sumeet Narang, Vice-President – Marketing, Bajaj Auto and Vikas Agnihotri, Country Director, Google.

    Vikram Sakhuja, President, The Advertising Club, opened the evening saying: “With D-Code we aim to break the definitive code of digital marketing. Today, most marketers are exploring various formats, forms and platforms to bring business value using digital marketing and the insights of our speakers today will go a long way in paving the best success stories for the industry in the coming years.”

    Aditya Swamy – Managing Committee Member, The Advertising Club said: “The goal of D-Code is to inspire and be inspired. With a range of speakers from across the eco system showing work by brands, platforms and talent, I hope we were able to raise the bar and give marketers thought starters to crack the Massive digital opportunity.”

    Punitha Arumugam – Managing Committee Member, The Advertising Club said: "26 case studies and 39 tips on digital in one evening was time well spent. We had great feedback from the audience with inputs on how to make D-CODE even larger and better in 2020."

    The five key learnings that the advertising, digital and marketing fraternity can take back from D-CODE 2019 are:

    1) It’s not the output but the outcome that matters in the digital world.

    2) Same customer consumes differently hence platforms matter.

    3) Connect customer data across touch points for a holistic view of the market.

    4) Plan ahead so you can be relevant and always answer ‘what’s in it for me’ for the customer.

    5) Learn to create before you sell as technology changes, but people don’t.

    With a galaxy of the who’s who of the media, advertising and digital industries in attendance, the second edition of D-CODE established once again established that knowledge sharing is the way to success for all.

  • Advertising Club announces the 2nd edition of India Digital Review: “D-CODE” presented by MX Player

    Advertising Club announces the 2nd edition of India Digital Review: “D-CODE” presented by MX Player

    MUMBAI: Digital marketing and engagement has now emerged as the staple in every brands marketing strategy. Fuelled by affordability, accessibility and data availability, digital is now the new mantra being leveraged by advertisers to build brands and businesses.  After the phenomenal success of the first edition addressing the drivers of the tectonically shifting brand ecosystem, The Advertising Club has now announced the 2nd edition of D-CODE presented by MX Player and powered by Tik Tok Ads.  

    The last edition saw the best minds in digital, media and marketing come together to share insights and learning from the evolving digital ecosystems. The upcoming edition to be held on 7th August, 2019, 6.30 pm onwards @ Taj Lands End, Mumbai will continue to drive idea exchange with 12 Industry game changers showcasing  best in class digital campaigns by their own brands and celebrating other inspiring digital campaigns, all in just 10 -minutes each. Each speaker showcase will include: 

    •    One best work of theirs
    •    One best work by another brand 
    •    3 tips to crack the digital code

    The first round of stalwarts confirmed to speak at D-CODE include 

    1.    Bajaj Auto: Sumit Narang, Vice-President, Marketing – Moving the world as the 4th largest three and two-wheeler manufacturer
    2.    Bytedance (Tik Tok): Sachin Sharma, Director, Sales & Partnerships – Revolutionising short-form digital content
    3.    Corner Stone Sport and Entertainment: Jogesh Lulla, COO– Talent Management of many sporting icons like Virat Kohli.
    4.    Dentsu Webchutney: Sidharth Rao, CEO & Co-Founder – Category evangelist making India proud with a lion’s share of global laurels. 
    5.    Facebook: Nirmal Pulickal, Head – Facebook Creative Shop – A beacon for brands to get the most from Facebook and Instagram’s social environment
    6.    Google: Vikas Agnihotri, Country Director, Google – Just ask Google!
    7.    Kolkata Knight Riders: Venky Mysore, MD and CEO – A franchise known for upping the cricketing game 
    8.    MX Player: Karan Bedi, CEO – Leading holistic mobile entertainment experience in India
    9.    McCann Worldgroup: Partha Sinha, Vice Chairman and Managing Director – World leaders in creatively driving effective marketing services 
    10.    Nestle: Rashi Goel, VP- Consumer Communication Media, CRM & NHW – Global leader in Food & Beverage
    11.    Swiggy: Srivats TS, VP Marketing – Driving the digital revolution in Foodtech
    12.    Kenny Sabastian: The multi-talented youth icon redefining entertainment

    Speaking about the second edition of the review Vikram Sakhuja, Group CEO, media and OOH, Madison Communications & President, The Advertising Club said “Digital occupies a higher share of mind space of marketers than the share of spends. Partly because they are still trying to figure out how to unleash the true power of Digital. D-CODE is the most important calendar entry for these marketers, because it is the only forum where numerous Digital practitioners, will share their best work, someone else’s best works, and give their essence of learnings on what worked. Miss it at your own risk.”

    Speaking about the need for a Digital Review, Aditya Swamy, Head, Agency Partnerships and Creative Services at Google & Managing Committee member, The Advertising Club said “Curating D-CODE with Punitha, we have looked to get views from all sides of the eco system. Publishers, marketers and agencies will put their work and the work of the industry under the scanner to tell you in a rapid-fire format the kind of work that truly makes the cut across creative, media and data. With over 500M users, digital is now truly mainstream and cracking the D-CODE is a huge opportunity to grow your brand and business.”

    Punitha Arumugam, Digital evangelist and the Managing Committee Member, The Advertising Club added “Similar to D-CODE last year, we are ensuring a speaker list that represents the vast and multifaceted dynamics of the online world. Our speakers this year once again include a mix of the established and emerging online publishers, a client list that spans the traditional advertisers to pure online commerce  businesses, representation from the agency world , creators who have built their brands online and the speaker list would not of course have been complete without cricket given its dominating online presence this year . We hope at the end of D-CODE 2019, the 24 case studies and 36 tips from these 12 speakers over just 2 hours would provide great insights on how to use online for brands and business”

    D-CODE, the Digital Review 2019 will reflect on the work presented by brands across digital platforms from April 2018-June 2019. The Review is slated to be presented on 7th August, 2019, 6.30pm onwards @ Taj Lands’ End, Mumbai

  • Challenge the establishment to crack digital code: Hotstar’s Ajit Mohan

    Challenge the establishment to crack digital code: Hotstar’s Ajit Mohan

    MUMBAI: Just when India was warming up to the concept of internet on the mobile, Star India came out with its over the top platform Hotstar. Today, it is the top OTT platform in the country and one may think the road to success was entirely smooth. But Hotstar CEO Ajit Mohan spoke about the streamer’s journey  while speaking at The Advertising Club’s D-Code.

    Hotstar was initially a free-ad supported venture when it was launched in 2015 causing rapid growth in users. The challenge was when it had to convince the price-conscious Indian consumer to pay. Indians were so used to free goodies that paying for content was unheard of.

    It had just bagged the streaming rights for the popular show Game of Thrones season 6 and came out with a campaign leveraging the lingo of the American fantasy drama. Though it was a great campaign for Game of Thrones fans, the subscription number did not move.

    The game changer campaign which makes the Hotstar CEO very proud, was launched during season 7 of the stalwart show. The multimedia campaign titled ‘Torrents Morghulis’ is a twist on the phrase ‘Valar Morghulis’ from the show. The meaning of the original phrase “All men must die” was tweaked into “All torrents must die.”

    “It clearly communicated the fearlessness of the premium proposition,” Ajit Mohan said. It was not easy to challenge torrents which enjoyed a lot of loyalty and commitment among its users. “…Therefore it was a statement to tell them (torrent users) that not just did we have a better proposition than torrent but torrent was dying,” he added. The campaign led to a “dramatic rise” in Hotstar Premium Subscription numbers.

    Mohan also spoke about a campaign from Domino’s which can give valuable lessons to brands. The “classic video campaign” was rolled out during this IPL leveraging Hotstar’s WatchN’Play. While WatchN’Play provided cricket fans to play along with their favourite teams virtually, Domino’s was the first brand to utilise the opportunity. The rule for users was that the points collected from the game help to access Domino’s coupons. 19 million coupons were distributed across the country on the back of this campaign. Domino’s blurred the line between brand and performance according to Mohan.

    This IPL itself was a benchmark for Hotstar as 202 million viewers logged on to its video streaming platform to watch the T20 tournament. Moreover, it successfully handled more than 10 million concurrent viewers during the IPL final match.

    The man who saw the challenges from the initial days of OTT business in India and built a world-class platform along with his team thinks challenging the establishment is very important, however small a brand could be. A campaign line alone does not suffice to crack digital code without an articulated philosophy. He concludes with, “Look for the truth in humour and the humour in truth.”

  • An evening dedicated to D-CODEing the digital landscape

    An evening dedicated to D-CODEing the digital landscape

    Mumbai, 1st August, 2018: The ballroom at a posh city hotel transformed into an interaction and learning hub as the leaders of Indian media, marketing and advertising industry gathered together at The Advertising Club’s maiden edition of D-CODE: The Annual Digital Review 2018. The panel asked its members to share an example of their own work, one work they admire and 3 learnings they would want to share with the audience. 

    On the stage were Ajit Mohan- CEO, Hotstar, Anupriya Acharya- CEO Publicis Media, Anuradha Aggarwal- CMO, Marico, Arun Iyer- Chairman & CCO, Lowe Lintas, Juhi Kalia- Head of India & Anthology APAC for Creative Shop, Facebook, Rahul Johri- CEO, BCCI, Mohit Kapoor- VP Advertising, Reliance JIO, Sam Singh- CEO- South Asia, GroupM, Sapna Chadha- Head of Marketing, India and SEA, Google, Siddharth Banerjee- EVP, Marketing, Vodafone and Tanmay Bhat- Co-Founder, AIB. 

    Vikram Sakhuja, President, The Advertising Club, said, “The Advertising Club has been at the forefront of driving the A&M industry’s excellence agenda. We are constantly creating forums that enhance the learning curve of the fraternity. With D-CODE we have created another engaging property that bring together the industry to debate and deliberate on the stimulating issues of the digital ecosystem.”

    Aditya Swamy – Managing Committee Member, The Advertising Club said: “I have always believed in the power of colabs. Inspire and be inspired was the theme of D-CODE and bringing together key stakeholders across the industry to crack the digital code was an exciting idea. From my days at MTV where we looked to marry pop culture and brands to now at Google where we unlock the power of digital and tech to deliver value to advertisers, this is a journey that only throws up more and more interesting opportunities. I look forward to being in the center of this equation as we build centers of excellence.”

    Punitha Arumugam – Managing Committee Member, The Advertising Club said: “Our endeavor while curating D-CODE was to create a platform that would showcase pioneering work on Digital and facilitate ideas exchange within the fraternity.  We have tried to bring representation of all facets of digital with the versatile panel of stalwarts from across the M&E industry.”

    The five key learnings that the advertising, digital and marketing mavens agreed upon were:

    1) Digital is a medium that everyone is experimenting with and no one exactly knows how to ‘crack-it’. The need of the hour is to approach it with an open mind, keep experimenting and learning from one’s own and each other’s strategies.

    2) Digital as a medium does not exist in a silo. All that media needs are great ideas, beautiful craft and creative people who can utilize the right tools to gain success. 

    3) One needs to invest in the right marketing technology, tools, talent and partnerships.

    4) To execute successful digital campaigns, one needs to fully leverage digital signals, customize messaging, employ data and have performance oriented goals. 

    5) Partnerships are critical in making digital campaigns effective. Scale for both a campaign and digital as a medium of marketing can be amplified when the power of partnerships is harnessed.
    With a galaxy of the who’s who of the media, advertising and digital industries in attendance, the debut edition of D-CODE was off to a fantastic beginning.  

  • “Inspire and Be Inspired”at “D-CODE” – The debut edition of The Advertising Club’s India Digital Review

    “Inspire and Be Inspired”at “D-CODE” – The debut edition of The Advertising Club’s India Digital Review

    MUMBAI: Indian brands have undergone a digital awakening with digital engagement and innovation being an integral part of every brands core marketing strategy. With over 400M Indians online, digital is now well and truly mainstream. And brands are leveraging this massive reach to drive business impact. The Governments call for a technology conscious and savvy “Digital India” coupled with the increased penetration of phones and affordability of data has given further impetus to the digital growth agenda. 

    Addressing the drivers of the tectonically shifting brand ecosystem, The Advertising Club has announced the debut edition of its India Digital Review – D-CODE. 

    A refreshing new format where 13 Industry champions do a show and tell for 10 minutes each about:
    1. One piece of work that they are proud of
    2. One piece of work another brand has done that inspires them
    3. Three pieces of advice for marketers for winning in digital

    The stalwarts speaking at the review include:
    1. Agnello Dias, Chairman & Co-Founder, Taproot
    2. Ajit Mohan, CEO, Hotstar
    3. Anupriya Acharya, CEO, Publicis Media
    4. Anuradha Aggarwal, CMO, Marico
    5. ArunIyer, Chairman & CCO, Lowe Lintas
    6. Juhi Kalia, Head of Creative Shop – India & Indonesia, Facebook
    7. Rahul Johri, CEO, BCCI
    8. Ravi Desai, Marketing Director, Amazon
    9. Sam Singh, CEO – South Asia, GroupM
    10. Sapna Chadha, Marketing Director – India & SEA, Google
    11. Shoumyan Biswas, Vice President, Marketing, Flipkart
    12. Siddharth Banerjee, EVP Marketing, Vodafone
    13. Tanmay Bhat, Co-Founder, AIB 

    The review will be moderated by industry veteran and President, The Advertising Club – Vikram Sakhuja. 

    Speaking about the maiden edition of the review Vikram Sakhuja, Group CEO, media and OOH, Madison Communications & President, The Advertising Club said “Brands are today operating in a globally competitive landscape making it imperative to ensure clutter breaking conversation and presence across dynamic digital mediums. With knowledge platforms like the Digital review, The Advertising Club endeavours to create awareness, facilitate ideas exchange and enable the Indian media and advertising fraternity to stay ahead of the curve on digital innovation and engagement. “ 

    Speaking about the need for a Digital Review, Aditya Swamy, Head, Agency Partnerships at Google & Managing Committee member, The Advertising Club said “It’s exciting to create a forum where the best can inspire and be inspired themselves to unleash the power of digital. With advertisers, publishers and agency leaders speaking, we will have a very real look into the many faces of the digital eco system ‘

    Punitha Arumugam, Platform Evangelist – Hotstar and Managing Committee member, The Advertising Club added “In shaping this Annual Digital Review, we at the AdClub were focused on ensuring the maximum possible learning for the audience in the shortest time. With 13 diverse industry leaders, each presenting 2 best of class examples and 3 learnings on using digital, the audience will see 26 break-through digital work done in India and get 39 tips for the year ahead. And all this in 150 minutes! We hope that this annual review will become the best learning ground for everything digital in India.”

    The Digital Review 2018 will reflect on the work presented by brands across digital platforms from April 2017-June 2018. The Review is slated to be presented on 1st August, 2018, 5.30pm onward @Taj Lands’ End, Mumbai