Tag: CTV

  • OACT2021: Plugging the gap of measurability

    OACT2021: Plugging the gap of measurability

    Mumbai: The burgeoning of OTT content consumption in the past couple of years fuelled a proportional increase in the demand for third-party viewership data which, in turn, led to the proliferation of tools and technology available for digital measurement. Some of the important trends and challenges that emerged as a result of these developments were discussed at the OTT Advertising and Connected TV Summit organised by Indiantelevision.com on 7 and 8 October. The two-day event was powered by Mediasmart, an Affle Company and summit partner The Q.

    During the session titled ‘Plugging the gap of measurability’ the expert panel comprising of Integral Ad Science- India Country Head, VP Engineering & Operations – Mehul Desai, DoubleVerify- head of sales, India, Nachiket Deole, Synamedia- principal product manager, Advanced Advertising – Synamedia, Daniel Wohlfart, and Nielsen Media India MD, Dolly Jha shed light on why digital measurement cannot be a simple ‘plug and play’ game, and the need for evolving metrics, for data sharing as well as well-thought-out measurement strategies optimised for through-the-funnel advertising. The discussion was moderated by Madison World, Madison Media Sigma CEO Vanita Keswani.

    Sharing some stark facts to explain the emergence of fraud prevention as the top trend in the digital measurement space, Integral Ad Science’s Mehul Desai said, “Annually, close to 35 billion advertising dollars are lost to global ad fraud. It is the second biggest industry, after drugs, in terms of organised crime.” Daniel Wohlfart further pointed out that “almost every ad campaign in Europe comes with a built-in requirement for ad verification by third-party.”

    In the Indian context where OTT measurement is in the early stages and many advertisers are starting out on their digital journeys, trends point towards increasing awareness on the issue.

    At Neilsen, measuring the percentage of ad fraud is one of the deliverables on every campaign, yet “not more than 25-30 per cent of ad spends are getting measured currently,” observed Dolly Jha. She added that systematic and consistent measurement of ROIs, the technology and tools for which exist and are being implemented as well, has to be set in to scale up ad fraud prevention, attributions, data sharing, and other aspects of OTT measurement.

    As Desai indicated the growing importance of brand suitability for a particular ad environment and context matching in a world where “advertising has changed from being persona and user-driven to being context-driven”, Nachiket Deole of DoubleVerify shared his understanding of marketers moving beyond traditional metrics such as CTR, VTR, CPRP, and even polls and attributions to measure the impact of consumer action in real-time – how consumers are responding to/engaging with their campaigns. “We always recommend our clients to optimise campaigns on all aspects – ad fraud, viewability, brand safety. Every single impression must pass through all three quality parameters for it to become a quality impression and deliver results.” 

    With the above, almost all components for evolving a third-party cross-platform digital measurement ecosystem – the demand for which is seeing a significant push from advertisers across categories, are in place, except the industry has to work around accessing, and not breaching, the Walled Gardens. Jha shared that while there has been some tight-fisting from expected quarters “the number of publishers that have come on board for measurement at Nielsen in the past nearly 18 months has been phenomenal.”

    Concerted efforts are needed to sustain this extremely positive development towards the inevitable goal. “There is increasing awareness among the walled gardens and independent broadcasters/publishers of third-party cross-platform measurement as a thing that advertisers want to achieve. The unique identifiers that these broadcasters have are their most valuable asset; naturally, they want to be able to monetise as well as safeguard it. As platform providers, it is important for us to convince and enable them – through tech and tools – to buy at their own standards, because otherwise, the budgets are just not there,” Synamedia’s Wohlfart explained in his closing remarks to the session.

  • OACT2021: The evolution of Connected TV in India

    OACT2021: The evolution of Connected TV in India

    Mumbai: The addressable connected TV (CTV) advertising universe is estimated at six to eight million, according to mediasmart, an Affle company, India and SEA, senior director- brand and strategy Nikhil Kumar.  The CTV evolution has arrived in India. Today, you can easily join the CTV ecosystem via a smart TV, dongle, gaming console, or connected set-top-box (STB).

    Kumar was addressing the ‘OTT Advertising and Connected TV Summit 2021’ organised by Indiantelevision.com on 7 October. The two-day event is co-powered by mediasmart, an Affle company and summit partner – The Q. Stakeholders across the industry engaged in insightful discussions on the dynamics of OTT and CTV advertising.

    The growth of CTV in India is driven by several factors. Chinese manufacturers have played a pivotal role by introducing low-cost smart TVs for as much as Rs 15,000. Low-cost dongles like Amazon Firestick and Google Chromecast are popular ways to access web content. Jio has led the adoption of connected STBs. These technologies have driven the penetration of the CTV market to a point where you don’t necessarily have to be from a metro or Tier-1 city to be a part of the CTV ecosystem. According to a report by Counterpoint Research, India’s smart TV market saw 65 per cent year-on-year growth in Q2 2021 due to increasing demand.

    Some may conflate over-the-top platforms with CTV but they are completely different ecosystems. While OTT can be seen as a subset of the CTV ecosystem, its journey began almost two decades back with Netflix. Certainly, a majority of the usage on CTV is driven by OTT viewing. A report indicates that 91 per cent of users watch movies on CTV, there is also a small but growing audience that is listening to music, playing games, and catching up on the news.

    “CTV is reaching an incremental base of evolved users who have come into the ecosystem to enjoy everything that the internet has to offer,” said Kumar, adding that the pandemic has played the role of a catalyst for CTV.

    “People confined at homes realised that linear TV was mundane because of repeated content and were looking at new ways to entertain themselves,” he added. It helped that India has the cheapest data costs in the world at $ 0.09 per Gb. A survey showed that 78 per cent of smart TV users were accessing the internet via direct apps instead of search and discovery platforms.

    Even though the base of CTV was nascent compared to other media, mediasmart was excited to tap into the opportunity. “We’ve always been a platform that’s believed in strong digital ownership of the consumer journey,” said Kumar.

    The company did not look at CTV in isolation. When it targeted a CTV household, it assumed that there were three to four members in the household who owned a smartphone. They developed a technology system called ‘Household Sync’ that maps the user journey on CTV and mobile.

    Marketers have always bifurcated between brand and performance, opined Kumar. “Here’s a technology that puts your brand advertising on the largest screen possible but also delivers middle and bottom-funnel conversions, so it takes you across the entire funnel. At mediasmart, we’ve always valued metrics such as cost per conversion and verticalisation approaches.”

    mediasmart’s solutions looked at delivering immediate action-oriented feedback to advertisers on the brand impact. Their platform allowed them to look at completion rates on TV followed by retargeting on mobile devices. It also let them measure click-through rates to analyse if the brand was reaching the last mile. “Ultimately, what every brand is concerned about is the bottom-funnel,” opined Kumar.

    The CTV market is growing in double-digits month-on-month that will lead to an increase in users, advertising penetration, and reach. In markets like the US, the share of video impressions on CTV is as high as the share of video impressions on mobile. While the US was never a major mobile market, unlike India, Kumar explains that the opportunity is still attractive because even though the base is small, the impact is large.

    He added, “There is a lot of headroom for CTV to grow in India. There is still a significant base of box TV users in India who may potentially migrate to low-cost smart TVs. Apart from cord-cutting, there is a whole new generation of ‘affluent cord nevers’ who are opting for CTV systems over DTH and cable connections.”

    (Source: India CTV Report 2021 by mediasmart, an Affle Company, VTION, and Interactive Avenues)

    For more information: https://indiantelevision.com/events/oact-summit-2021/

  • Neilsen announces ‘Impressions-First Initiative’ for cross-platform measurement

    Neilsen announces ‘Impressions-First Initiative’ for cross-platform measurement

    Mumbai: Nielsen has announced that it will take the lead on an ‘Impressions-First Initiative’ to support an industry-wide move to impressions-based buying and selling in local markets across the US. The move to impressions will occur in conjunction with the integration of broadband-only (BBO) homes into Nielsen’s local measurement metrics in January 2022, said the global market information & measurement company on Tuesday.

    According to a statement, migration to an impressions-based currency will deliver a more complete, precise and representative audience measurement, along with the added benefit of enabling cross-platform audience measurement.

    “In today’s fragmented media landscape, the shift to impressions lays the groundwork for implementing Nielsen One across local, national, and digital measurement. The inclusion of BBO homes will enable the industry to rapidly transition to trading on impressions. Impressions represent all viewers regardless of platform—which is especially important given the significant and growing penetration of BBO homes in local markets,” the company said.

    For more than two years, Nielsen has been working with the media and advertising industries in preparation for the inclusion of BBO homes in local TV measurement for its 56 LPM and set meter markets.

    “Nielsen is committed to measuring all audiences and the complete video consumption across the local marketplace,” said Nielsen CEO David Kenny. “Impressions are the great equaliser across all screens, programs, listeners and viewers. Nielsen’s move to prioritise reporting impressions will help standardise the way it measures ads and content, enabling greater comparability across national, local and digital and is in line with Nielsen’s initiative to drive comparable metrics which are foundational to Nielsen One.”

    Nielsen, which had previously announced a BBO implementation date of October 2021, made the final decision to begin implementation in January 2022 in response to industry requests. The TV measurement company had been facing criticism from the Video Advertising Bureau (trade organisation representing the advertising sales departments of networks and distributors) over the accuracy of its ratings, following which the Media Ratings Council (MRC) had suspended its accreditation for national and local TV ratings service in September.

    The new timing will enable the rating company to publish an official BBO UE that will be audited and reviewed by the MRC. In addition to delivering one month of impact data, a January implementation will include all BBO homes. Adding BBO homes will increase reporting sample sizes significantly and capture impressions that may be missing, especially for sports and OTT content.

    Concurrent with Nielsen’s support of an industry-wide move from ratings to impressions in January 2022, the company will default its local reporting settings to impressions in its software systems (Arianna, NLTV, eVip) and will lead with impressions in all of its external communications. Ratings will remain available to end-users for planning purposes. 

  • The Trade Desk partners with Samsung Ads

    The Trade Desk partners with Samsung Ads

    Mumbai: Global tech company The Trade Desk on Wednesday announced its collaboration with Samsung Ads, a platform for advanced TV advertising solutions that can further help Indian marketers reach millions of highly engaged Indian viewers across the open internet. 

    The Trade Desk is expanding CTV advertising opportunities to India’s fast-growing open internet which includes over-the-top (OTT), music streaming, websites, and mobile apps, for the first time.

    Through The Trade Desk’s platform, marketers will have access to Connected TV (CTV) inventory on Samsung Smart TV, offered through its free, ad-supported on-demand (AVOD) streaming service, Samsung TV Plus. The collaboration will allow marketers to add Samsung CTV inventory to their programmatic media buy, said the statement.

    As more Indian consumers access digital content through multiple screens and platforms, CTV is emerging as the new, premium channel for India’s consumers and marketers. According to a report by Ernst & Young, CTV is expected to reach over 40 million homes in India by 2025, from seven million homes today. For marketers, CTV represents an opportunity to apply data to what is often the largest segment of their advertising investment.

    Commenting on the collaboration, Samsung Ads, senior director-India and South East Asia, Prabhvir Sahmey said, “India is fast becoming a programmatic-first market, with 74 per cent of total digital ad sales predicted to be programmatic by next year. For this reason, India is the first market where we are launching a programmatic first strategy. Our collaboration with The Trade Desk is integral to facilitating wide access to our inventory, offering brands the opportunity to extend their reach in a premium, brand-safe environment – the biggest screen in the house.”

    The collaboration will enable marketers to measure their advertising campaigns in a way that is not possible with linear TV. By applying the same level of data-driven insights that they do with their digital advertising campaigns, marketers can compare and measure ad opportunities across channels on the open internet in a transparent way.

    The Trade Desk India’s GM, Tejinder Gill stated, “Indian marketers are increasing their spends on digital advertising and steadily turning to programmatic advertising, which offers real-time measurement and better control over ad frequency. CTV, which is rapidly gaining adoption among consumers, is one of the best platforms in India for programmatic advertising. As CTV advertising does not rely on third-party cookies, marketers can also measure and compare the effectiveness of their CTV advertising with other channels on the open internet. We will leverage our global expertise to pioneer CTV advertising on the open internet in India, starting with our collaboration with Samsung Ads.”

  • Chyron taps Jason Toliopoulos as SVP – operations & customer success

    Chyron taps Jason Toliopoulos as SVP – operations & customer success

    NEW YORK: Broadcast titling firm Chyron has elevated Jason Toliopoulos to senior vice president of operations and customer success. Toliopoulos brings extensive creative, technical, and project management experience to this new role. His career in broadcast technology began in various design and management roles at Global News, CBC, and CTV. He eventually became creative director at CTV, where he successfully led many major projects, including the redesign and relaunch of the Business News Network (BNN) website, viewed by three million users daily.

    At Chyron, Toliopoulos has previously held roles in professional services, solutions engineering, and development of strategic accounts.

    "Jason's hands-on experiences in the real world of high-level graphics design and implementation, along with his success at Chyron managing many projects for our most high-profile customers, make him the ideal fit for this new role," states Chyron CEO Ariel Garcia. "This role represents Chyron's commitment to building successful long-term customer relationships, from the initiation of high-level discussions about customer needs and potential solutions, to installation and launch, to ongoing world-class support."

    Toliopoulos now oversees all pre-sales and solutions engineering activities, installation and training delivery, creative services, and technical support. He brings dedication and enthusiasm to his new role.

    "This role is the culmination of everything I have done in my career so far," said Toliopoulos. "I am really humbled to be working with so many talented people, and I look forward to growing the team and taking it to the next level. I originally started at Chyron because I have always found this industry to be so exciting. To get to work on projects like the Super Bowl, the Olympics, or election night in countries all around the world is genuinely a thrill for me."

  • CTV acquires ‘Rising Star’ from Keshet DCP for summer 2014

    CTV acquires ‘Rising Star’ from Keshet DCP for summer 2014

    MUMBAI: It’s social TV on a whole new level. CTV announced today it has acquired the exclusive Canadian broadcast rights to the much buzzed-about and sought-after new revolutionary reality series RISING STAR from Keshet International. The fastest-selling talent show ever and already a massive hit in its original Israeli market, RISING STAR is the first competition series ever to tally viewer votes in real time, making it truly interactive television. From the very first minute of the very first episode, viewers play an integral role in every decision made throughout the season via an innovative free app, available in both Canada and the U.S. From Keshet DCP and executive producers Ken Warwick (AMERICAN IDOL) and Nicolle Yaron (THE VOICE), RISING STAR skyrockets onto CTV’s summer schedule Sundays at 9 p.m. ET/PT beginning June 22 with a special two-hour premiere. The series will also be available live and on demand on CTV.ca and the CTV Go app.

     

    RISING STAR sees aspiring singers – including solo vocalists, duos, and vocal groups – perform alone behind a giant wall of TV screens displaying the faces of viewers at home who have shown their support for the performance. As viewers, the judging panel, and the studio audience vote, competitors and viewers see how they’re doing in real time through a live vote meter. Once the competitors’ votes reach a certain level, the screen in front of them slowly rises and a new star is revealed.

     

    **Media Note** – Download photos from RISING STAR at BellMediaPR.ca

     

    “RISING STAR’s innovative format is truly revolutionary, compelling, and offers CTV viewers an engagement opportunity like never before,” said Mike Cosentino, Senior Vice-President, Programming, CTV Networks.

     

    RISING STAR had a record-breaking debut on Keshet’s Channel 2 in Israel from September to December 2013, maintaining its audience throughout Season 1 as the highest-rated show in 10 of its 15 weeks on air. The series also saw over 10 million votes cast through the app. Now sold to more than 25 broadcasters and territories, RISING STAR is the fastest-selling talent show ever. The territories include the USA (ABC), UK (ITV), Spain (Atresmedia), Italy (Toro), France (M6 Group), Russia (Rossiya1), Germany (RTL), the Nordics (Nordisk), Hungary (TV2), Brazil (Rede Globo), Portugal (TVI), and most recently Argentina (Telefe), Turkey (Acun Medya), and Indonesia (RCTI).

  • CTV and Bell Canada launch mobile video news services

    CTV and Bell Canada launch mobile video news services

    MUMBAI: CTV Inc. and Bell Canada has announced the launch of two new made-for-mobile video news services for CTV News and Report on Business Television (ROBTv).

    Bell Mobility customers can now access video news package available in Canada along with the country’s
    first-ever business-only news reports directly on their video-capable handsets. Canada’s newscasts are now available 24 hours a day on television, online, and now wirelessly through Bell.

    CTV News and ROBTv mobile video news service complements other Bell Mobility TV services, which includes NHL highlights, news, weather, sports and entertainment content.

    In an official statement, the Bell Mobility customers will receive CTV News, which is a three-minute branded newscast updated hourly throughout the day, making it the most current mobile newscast available in Canada. For Canadians, it’s a solution that offers unfettered and up-to-date access to the day’s breaking news stories and beyond.

    The ROBTv mobile news service is the first mobile content dedicated exclusively to business news. Available only from Bell Mobility, ROBTv’s packaged business news wrap will be updated hourly, delivering the ongoing stories of the day from Bay Street to Wall Street and beyond.

    The mobile reports will also include analyst ratings, Stars and Dogs Picks and exclusive interviews with the business newsmakers of the day. It’s the must- have mobile video news service for business minded Canadians.

    “The mandate of the CTV News division is to deliver meaningful and comprehensive news reports in a timely fashion,” said CTV News president Robert Hurst. “With Bell Mobility, we now have a mobile strategy that showcases our leading news services and ensures Canadians can stay connected to the
    critical news of the day.”

    “Extending CTV’s news and business content onto a mobile platform only made sense if we could deliver value to the consumer,” said CTV VP digital media Kris Faibish. “Working with Bell Mobility, the opportunity to deliver hourly news and business wraps, something no other broadcaster provides, delivers that value and provides the perfect entry point for CTV News on mobile.”

    Bell’s streaming video clip service is currently available on the EV-DO enabled Samsung a920 and the Sanyo 8300 and 7500, and a downloadable news video clip service is available on the Motorola E815 and RAZRV3c, states the official release.

  • CTV launches multi-channel broadband service

    CTV launches multi-channel broadband service

    MUMBAI: Canada’s private broadcaster CTV launches phase one of the CTV Broadband Network, an on-demand broadband service featuring four distinct broadband channels. 

    The CTV Broadband Network features a free, premium broadband video player that harnesses the latest in technology to deliver full length CTV programme ming in all forms from all genres at broadband speeds and enhanced resolution.

    The ad-supported broadband network was launched at CTV’s 2006 Fall Upfront in Toronto.

    The CTV Broadband Network is currently integrated into the CTV web site and can be found at www.ctv.ca. The network currently houses four channels. They are CTV Shows, a broadband channel featuring full length CTV prime time programme ming, CTV News and Docs, featuring comprehensive local, national, international and business news, all updated hourly, etalk on Broadband, Canada’s first and only broadband channel devoted exclusively to covering the Canadian and international entertainment industry and the Discovery Channel on CTV delivering entertaining science, nature and travel programme ming, informs an official release.

    Commenting on the launch of the new CTV broadband service, Bell Globemedia president and CEO and CTV CEO Ivan Fecan said: “Canadians are leaders in consuming media and the CTV Broadband Network is part one of CTV’s answer to their appetite to tap programme ming on emerging platforms and to provide a solution to the advertisers who want to reach them.”

    “CTV’s broadband network is a powerful 4-channel platform that immediately provides Canadians with the ability to access a roster of some of the top television shows in Canada and the best of news and current affairs,” said CTV VP digital media Kris Faibish. “For CTV, this is an opportunity to deliver award-winning original programme ming on demand.”

    Under phase one of the launch, the CTV Broadband Network will feature programme ming pulled from CTV’s original stable of award-winning and popular programme mes . Over the next several weeks, more and more programme ming will be loaded onto the channels with a view to launching phase 2 in Fall 2006,
    coinciding with the launch of CTV’s Fall 2006 Fall Season. 

    CTV Shows will a first look at key CTV programme mes , before they make their television premieres. In July, CTV broadband will launch Season 2 of Instant Star one day ahead of its television premiere and run episodes all summer in a one-day broadband pre-release. Immediately available now are episodes of Corner Gas (Seasons 3) Degrassi: The NextGeneration (Seasons 5) including Degrassi Webisodes, Instant Star (Season 1), Canadian Idol (Season 4) and Whistler (Season 1) launching on 26 June.

    CTV News and Documentaries will offer local, national and international news and other programme ming from the award winning CTV News Division.

    While, etalk on Broadband, the broadband channel will focus exclusively on the world of celebrity entertainment. This channel is an extension of Canada’s favourite entertainment brand etalk. While you may catch one minute of an A-lister on TV, you can catch the whole interview on broadband. programme ming here is focused on delivering entire interviews with key Canadian and international stars. Daily entertainment packages and stories from etalk and E2 can be found here.

    Discovery Channel on CTV will bring the best of Discovery programme ming from its acclaimed flagship programme Daily Planet, to the Extremely Wild and Ultimate series as well as the travel show, Valerie Pringle has Left the Building.

  • America crowns Taylor Hicks its 5th ‘Idol’; viewership hits 35.4 million

    America crowns Taylor Hicks its 5th ‘Idol’; viewership hits 35.4 million

    MUMBAI: Twenty-nine-year old Taylor Hicks from Alabama beat LA gal Katharine McPhee to be crowned the American Idol in the finale of the fifth season. A whopping 63.4 million votes were cast and America made its choice. According to host Ryan Seacrest, Hicks took the majority of the fan votes, though he did not reveal how close McPhee came.

    Taylor Hicks — The winner takes it all!

    Hicks now joins the likes of Carrie Underwood, Kelly Clarkson, Ruben Studdard and Fantasia Barrino, who have been previous season winners. However, the result of fifth season of American Idol doesn’t come as a surprise as Hicks had wooed TV audiences with his raw singing style and boisterous personality.

    Hicks foisted the ubiquitous catchphrase “Soul Patrol!” on an unsuspecting audience and turned it into a national movement. What Hicks has won is an RCA recording contract and his first single will be Do I Make You Proud.

    Katharine McPhee and Taylor Hicks on judgement day
    As for the network that airs the show in the US – Fox, the two weekly Idol episodes remain the top-rated shows in the US, raking in tens of millions of dollars for the network.

    The American Idol seasons have been a ratings goldmine for Fox. The show has continued to rate high even in its fifth season and has given the network the biggest hit in prime time, propelling the broadcaster to first place this season in the ratings race for viewers aged 18 to 49.

    ‘AMERICAN IDOL’ FINALE DRAWS 35.4 MN VIEWERS

    It was not only Taylor Hicks that emerged winner on American Idol’s fifth season finale. Fox, too emerged as a major winner in terms of the ratings it clocked. According to Nielsen Media Research, the finale of Fox’s two-hour American Idol special was a big hit among viewers, drawing an audience of 35.4 million people.

    Idol opened at 8 pm with 27.4 million viewers, climbing steadily to a peak of 42.9 million in its final half-hour as Hicks edged past Katharine McPhee to take the crown.

    This makes it the second most-watched Idol finale ever behind 2003’s competition, which was watched by 38.1 million viewers. Last year’s contest won by Carrie Underwood was seen by 30.3 million.

    In Canada, CTV said the American Idol season finale peaked at 5.2 million viewers when Hicks was announced as winner.

    The American Idol TV audience was only about two million viewers shy of the Oscars for being the most-watched television event of the year after the Super Bowl.

    What has also added to the popularity and interest levels in American Idol through the seasons is the incessant coverage by the print, internet and television media.

    Shows like Entertainment Tonight and Saturday Night Live give constant updates on every twist and turn on Idol. Dedicated websites and blogs have also kept the interest levels high. On the other hand, producers of the show claim that the success of season five came from the fact that they had a particularly good batch of talent.

    The finale of the fifth season had plenty of star power with the likes of Ben Stiller, Heather Locklear, Mary J. Blige and David Hasselhoff. What’s more, the Baywatch star got all teary eyed when Hicks was announced the winner. Prince too made a surprise appearance on the show and performed.

    After the winner was announced, runner-up McPhee was reportedly quoted as saying that she hadn’t expected to win and didn’t have any regrets.

    McPhee said she planned to take a week’s break before heading for the American Idol tour with Hicks and the other finalists.