Tag: Crystal Ball

  • Gazing into the Crystal Ball – Sustaining Growth in Uncertain Times

    Gazing into the Crystal Ball – Sustaining Growth in Uncertain Times

    MUMBAI: In an interesting session titled “Gazing into the Crystal Ball – Sustaining Growth in Uncertain Times, that was held on day 3 of at the 20th edition of Ficci Frames, Shri Sanjeev Sanyal, Principal Economic Advisor, Ministry of Finance, Goverment of India gave a keynote address.  

    While in conversation with Mr. Ashish Pherwani, Partner, Advisory, EY, Mr. Sanyal spoke about how Indian content has found resonance globally. 

    “Few of the successful writers like Amish Tripathi and Chetan Bhagat are writing in the languages that are Indian but are relatable to the audiences internationally. Similarly filmmakers are making films that have indian stories but are attract audiences globally. Dangal for example was not written with an international audience in mind but the story was true to our roots and we succeeded”

    “We have a lot of talent in our country and India has great stories. The time is to reinvent those stories and tell them with top class technologies. We definitely have ability to create global content.” He concluded.

  • Crystal Ball gazing: The biggies give their view

    Crystal Ball gazing: The biggies give their view

    MUMBAI: With the digital ecosystem evolving since the last few years, the next three to five years are seen as the years of ‘quantum leap’. These were the views of a panel at the Crystal Ball session on the second day of Mix Radio Music Connects (MRMC).

    The panel comprised of Gaana.com VP and business head Pawan Agarwal, HMV Saregama India head music business Adarsh Gupta, Bharti Airtel chief product officer Anand Chandrasekaran, Sony MAX and Sony MIX senior executive VP and  business head Neeraj Vyas and Samsung South West Asia director and head, media and  cloud services Tarun Malik.

    With a rise in music streaming services, visual content streaming services and music channels and companies competing for content will give more traction to these services felt the experts.

    Commenting on the digital eco system, Gupta said, “It is going to take a quantum leap in the next three years; there has been immense mobile penetration and data digitisation in recent times and many digital services have been launched.”

    “Since most music channels are free to air and the revenue comes only through ads, music channels have 20-25 minutes of advertisement/ trailers per hour. We need to focus on bringing music back to the audience but the music channels are here to stay,” according to Vyas.

     “Music channels have a base of around 400 million people and that is the number covered by TAM. We need a lot of changes like digitization, it is the future.” he emphasized.

    Agarwal added, “There are two big things that are happening right now – availability of content and a lot more awareness of the industry going faster. The number of downloads are increasing and digital is the future.”

    Talking about the music industry, Chandrasekaran added, “This is the best time for the music industry.”

    Malik further explained, “Personalisation is the key and differentiation should go beyond just music. The services must be more centric and personalised in terms of what the users want to consume.”
    “What we need to focus on in the coming future is ‘convergence of devices’. The volume of consumption is increasing and they need to be accessible easily across all users’ devices,” he added.

    Chandrasekharan expressed his opinions on what is the need of the hour saying, “Only 1/5 of the overall smartphone using population has the data capability to use apps. We all need to cater to what users want. User problems need to be solved and there must be transparency. For example, when a user is using a music streaming app, they do not know how much data is going to be consumed. That is why we have introduced Freedom subscription in Wynk, which includes bundled data.”

    The biggest challenge that the music industry faces is piracy, especially in India, where users download illegal music for convenience. Agarwal said, “The entire industry is trying very hard to curb piracy by introducing many services. Apps should introduce subscriptions which allow the users to download music when they have Wi-Fi and later listen, without data usage.”

    The panellists agreed that the mid-term goal is to get at least a hundred million people to stream music, which will help reduce the piracy. With healthy smartphone consumption in the country, they believe, that hundred million is a reasonable number to expect in the next two years.

     

  • Keane announce Berlin show to be broadcast live into cinemas across the world on 6th november

    Keane announce Berlin show to be broadcast live into cinemas across the world on 6th november

    Keane are excited to announce they will be performing at the iconic Goya in Berlin on 6th November 2013, whichwill be the first in a series of music events, presented by Music Screen, to be broadcast live into over a thousand cinemas across Europe, North and South America.

     

    Only 300 tickets will be available for this exclusive show on 23rd September, 10am UK, 11am Euro time at http://keane.seetickets.com

     

    Screening information will be available atwww.keanemusic.comfrom 23rdSeptember.

     

    Over the past ten years Keane have become one of the world’s most successful and admired British bands.  They have sold over 11 million albums worldwide and had many hits including ‘Somewhere Only We Know’, ‘Everybody’s Changing’, ‘Is It Any Wonder?’, ‘Crystal Ball’, ‘Silenced By The Night’ and ‘Spiralling’. They have performed 700 shows in over 40 countries including an acoustic performance on the Great Wall of China.

     

    Throughout their career, Keane have continually embraced technology becoming the first band to release a single on USB stick and the first to stream a live performance in 3D. They have always been passionate about giving fans a unique live experience and this show brings the two together in a city that has been such an inspiration to them over the last ten years.

     

    Bernie Spratt Music Screen’s Chairman says, “We’re delighted to have Keane as our inaugural artist. This concert, produced exclusively for a worldwide cinema audience will deliver a unique experience.”

     

    ‘The Best Of Keane’ features 18 fan favourites, plucked from the band’s five consecutive UK Number One albums, alongside two powerful new songs, ‘Higher Than The Sun’ and ‘Won’t Be Broken’. The Deluxe version of the album will also include a collection of the band’s exceptionally strong B-sides.  The super deluxe edition contains the two discs from the deluxe edition (The Best Of and B-sides) and an exclusive DVD of a special acoustic set, for which the set list has been chosen by Keane fans.

     

    Track listing:

     

    1. Everybody’s Changing

     

    2. Somewhere Only We Know

     

    3. Bend and Break

     

    4. Bedshaped

     

    5. This Is The Last Time

     

    6. Atlantic

     

    7. Is It Any Wonder?

     

    8. Nothing In My Way

     

    9. Hamburg Song

     

    10. Crystal Ball

     

    11. A Bad Dream

     

    12. Try Again

     

    13. Spiralling

     

    14. Perfect Symmetry

     

    15. My Shadow

     

    16. Silenced By The Night

     

    17. Disconnected

     

    18. Sovereign Light Cafe

     

    19. Higher Than the Sun

     

    20. Won’t Be Broken

  • Millennials may opt for Net TV over traditional pay TV

    Millennials may opt for Net TV over traditional pay TV

    MUMBAI: Pay TV providers may want to skip peeking into the crystal ball.

    New research from The Diffusion Group (TDG) finds that younger consumers are less likely than their older counterparts to subscribe to legacy pay-TV services, opting instead for the likes of Netflix or Hulu Plus.

    TDG’s Late Millennials: A Study in Media Behavior surveyed a random sampling of more than 2,000 broadband users between the ages of 18 and 24, half of which were living at home with their parents. Of this latter group, 49 per cent said they were highly inclined to sign up for an online subscription video service once they moved out on their own, compared to 31 per cent that were highly inclined to sign up for a traditional pay-TV service when they set up their own households. This is a difference of 58 per cent.

    TDG president and principal analyst Michael Greeson admits these dispositions could change over time if OTT TV services are unable to acquire the content these consumers will want as they marry, have children, and move up the career ladder. “In the end, it will still be less about the conduit and more about the content and value the service provides.”

    “While this data can be spun to rationalise a number of arguments, the simplest insight may be the most profound,” noted Greeson. “The very fact that young consumers perceive online video services as somehow more desirable or necessary than incumbent pay-TV services says volumes about the future of video.”