Tag: Cricket

  • BCCI invites third party interest for IPL title sponsorship rights

    BCCI invites third party interest for IPL title sponsorship rights

    KOLKATA: The Board of Control for Cricket in India (BCCI) has invited third parties to express their interest (EOI) in acquiring the title sponsorship rights for the Indian Premier League 2020 (IPL) to be held in the United Arab Emirates from 19 September 2020 to 10 November 2020.

    The rights are available for the period from 18 August 2020 to 31 December 2020. The turnover of the interested third party must be over Rs 300 crore as per the last audited accounts.

    The BCCI confirmed on 6 August that Vivo will not be the title sponsor for IPL 2020 which signed a five-year sponsorship deal in 2018. The title sponsorship is a large source of IPL revenue.

    “For the avoidance of doubt, it is clarified that marketing agency/agents are not eligible to bid and any bid submitted by a marketing agency/agent shall be rejected at the outset,” BCCI added.

    The rights and the product categories will be discussed after the delivery of EOIs, with each third party having submitted an EOI and to clarify, third parties need not include any indicative level of fees for acquiring the rights in their EOIs. 

    “For the avoidance of doubt, it is clarified that BCCI shall not be obliged to award the rights to the third party which indicates willingness to pay the highest fees in the course of discussions/ negotiations with BCCI after submitting an EOI. BCCI’s decision in this regard will also depend on a number of other relevant factors, including but not limited to, the manner in which the third party intends to exploit the rights and the potential impact of the same on brand IPL as also the fan/ viewer experience, which will be examined/ evaluated by BCCI in the course of discussions/ negotiations with interested third parties who submit an EOI,” BCCI stated. 

    Each EOI has to reach BCCI’s relevant email id by 5 pm IST on 14 August. Any EOIs received after this deadline will not be considered unless BCCI decides otherwise at its sole discretion. Post-delivery of the EOI, BCCI shall inform the rights, product categories and entitlements to the interested third parties. The final bid should be sent to the board between 11 am to 1 pm on 18 August 2020. 

  • ICC postpones T20 World Cup due to the ongoing pandemic

    ICC postpones T20 World Cup due to the ongoing pandemic

    KOLKATA: The International Cricket Council (ICC) has confirmed the ICC Men’s T20 World Cup in Australia 2020 has been postponed due to the ongoing Covid2019 pandemic.

    ICC also put out in the statement that – ICC Men’s T20 World Cup 2021 will be held October – November 2021 with the final on 14 November 2021; ICC Men’s T20 World Cup 2022 will be held October – November 2022 with the final on 13 November 2022; ICC Men’s Cricket World Cup 2023 will be held in India October – November 2023 with the final on 26 November 2023.

    ICC chief executive Manu Sawhney said: “We have undertaken a comprehensive and complex contingency planning exercise and through this process, our number one priority has been to protect the health and safety of everyone involved in the sport.

    “The decision to postpone the ICC Men’s T20 World Cup was taken after careful consideration of all of the options available to us and gives us the best possible opportunity of delivering two safe and successful T20 World Cups for fans around the world.

    The IBC Board (the commercial subsidiary of the ICC) agreed to continue to monitor the rapidly changing situation and assess all the information available in order to make a considered decision on future hosts to ensure the sport is able to stage safe and successful global events in 2021 and 2022.

  • Women power behind the willow

    Women power behind the willow

    MUMBAI: Cricket has for a long time been labelled a man’s game. But, recently, eves have been wielding the willow with equal ease, smashing the ball in all parts of the ground, and out of it – drawing even the most die-hard chauvinists to switch on their TVs and flock to the stadiums.

    As a result, the sport has been gaining prominence in terms of audience reach and advertisers’ interest. Being a popular game that unites the nation, cricket is now performing one lofty duty, the duty of transcending gender boundaries!

    Cricket-hungry Indians are by now known for their alacrity in lapping up sports events in various formats. The ICC Women’s T20 World Cup 2020 which is being held Down Under has been covered by 16 broadcasters worldwide.

    In India, fans had the opportunity of watching the matches live either on TV or on digital platforms such as Hotstar, thanks to Star Sports, which is the global broadcast partner of the ICC.  Star’s live coverage is available to the rest of the sub-continent including Sri Lanka, and in languages such as Hindi, English, Telugu, Kannada and Tamil.

    A crowd of 13,432 watched the opening game between India and Australia at Sydney Showground Stadium on 24 February, the highest for a women’s international cricket match in Australia. That was three times the  4,131 who thronged to watch the Women’s Ashes T20I at Manuka Oval, Canberra in 2017. TV viewership syrocketed five times for the opener in 2020 as against that reported in 2018 when the last T20 World Cup was held. (source: BARC, TVR M15+ ABU).

    It was money and time well spent by them: top-order batswomen, the in-form 16-year-old Shafali Varma, scored aggressively to give the Indian team a fighting chance in the game, even as the more experienced players did not do well with the bat. Despite a relatively low score to defend, it was leggie Poonam Yadav who struck four Aussie batswomen out to seal the match for India.

    The Indian team, led by Harmanpreet Kaur, has been winning hearts and matches, courtesy great bowling performances. And it appears to be the favourite to bring home the trophy. Expectations are high and the excitement has been building up and, at the time of writing, more than 50,000 tickets had been sold for the final which is to be held at the Melbourne Cricket Ground scheduled on 8 March, Women’s Day.

    Though brand associations and sponsorships are a fraction of men’s tournaments, it won’t be too long when women’s cricket will assume the same status as men’s cricket. The T20 women’s World Cup has found Nissan, Oppo and Booking.com as its main backers. And a slew of other brands which believe in its ability to deliver. Sportswear brand Puma has a lot of campaigns lined up with women cricket players. Coca-Cola India’s #PowerHasNoGender is an ode to women cricket players who sweat it out across the country to make it big.

    Going by the popularity that women’s cricket matches have generated, media planners and advertisers are certain that the T20 Women’s World Cup is going to make history. They vouch for the ability of the game in bringing gender parity and creating interesting conversational points for brands.  

    Says Lodestar CEO Nandini Dias: “I am delighted that India has reached the semi-finals. We had the last winner, Australia, in our group. As soon as we won against them the interest has heightened. Tourism Australia has been actively promoting the final at the MCG, to be played under lights on Sunday, 8 March 2020, which presents a ground-breaking opportunity to set a new world record for attendance at a women's sporting fixture. Women stalwarts like Indra Nooyi have tweeted about it. I would be surprised if Star Sports would not get record viewing.”

    She feels that brands, which claim to be promoting gender equality, should look beyond just creating emotional films but should participate and help grow the sport.

    According to Madison Sigma CEO Vanita Keswani, the ICC Women’s T20 World Cup has showcased equality through sport on the global stage. “With the recent Indian cricket team wins, the buzz has certainly increased. Furthermore, the Final match this time being scheduled on International Women's Day gives a great topical opportunity for brands to celebrate and amplify women empowerment and success,” she said.

    Brands too have similar confidence in women’s cricket and the fact that it will only grow. “We see the fabric of Indian sport changing in the next 20 years and various sporting fields, including women’s cricket will become mainstream in this country,” Puma India managing director Abhishekh Ganguly was quoted as saying to a publication. “I do believe the next few years will see a colossal transformation in the dynamics around women’s cricket and brand associations…cricket is a game that’s owned by passion.”

    May the passion only increase!

  • Disney+  launch on Hotstar  during IPL 2020

    Disney+ launch on Hotstar during IPL 2020

    MUMBAI: Come the IPL in end March 2020, and Hotstar subscribers will be able to get access to the Disney+  app which has managed to attract 28.6 million subscribers in a short period since launch last year.

    Speaking at an investor earnings conference call after announcing the first quarter results ending 28 December 2019, The Walt Disney Co chairman  & chief executive officer Robert A. Iger said that Disney + will be bundled with Hotstar and sold as a product on 29 March at the beginning of the IPL season.  He refused to reveal the price points it will be launched at, although he acknowledged it will be tailored to the market.

    Said he: “We will be rebranding our existing Hotstar VIP and Premium subscription tiers to Disney Plus Hotstar. Assume that one will be more premium and will include the entire library plus original programming, and the other one will bemore basic that will only have the library and not the original programming. It will be launched at a peak period – that is the IPL cricket league. We will be taking advantage of the presence of Star in the market and the millions of subscribers that they have; we take advantage of the sports tie in. And we will be using the interface and technology that includes the billing that already exists (in Hotstar).  The launch of the service – we believe – (is) under very optimal circumstances.”

    He also told analysts that Disney's next priority is to launch its streaming service in western Europe on 24 March with debuts expected in the UK, France, Germany, Spain Italy, Switzerland, and Austria. Markets like Belgium, the Nordics, and Portugal will follow in the summer. " In December we signed a deal with Canal Plus, the leading pay TV provider in France," he said. "We're currently in talks with several other potential distribution partners throughout the region."

    Iger admitted interest in streaming across the world in international markets is not as high as in the US. “We have a marketing challenge to launch in those markets. Not that those markets have not been seeded with streaming. But we have to yet to launch there,” he said.

    Iger has been accelerating the launch of Disney+ globally, following the rapid uptake of it in the US. Markets like Australia, New Zealand and Peurto Rico followed a week later.

    Earlier expectations were that Disney+ would launch in India after the IPL, and it would launch in Europe much later.

    It may be recalled that Disney APAC president Uday Shankar had, earlier this year, been mandated to steer Hotstar, leaving K. Madhavan in charge of the TV business. Now we know why: to meet the early launch date of Disney+ on Hotstar.

    (updated at 10:19 am)

     

  • Sun TV regains most watched channel across genres top spot

    Sun TV regains most watched channel across genres top spot

    BENGALURU: The Sun TV Network’s flagship Tamil GEC Sun TV was ranked first in Broadcast Audience Research Council of India (BARC) weekly list of Top 10 Channels Across Genres on All Platforms in week 2 of 2020 (Saturday, 11 January 2020 to Friday, 17January 2020, week or period under consideration). This was the first time in 2020 and the first time since week 36 of 2019 that the channel regained what was its regular top spot during earlier periods before the implementation of Telephone Regulatory Authority of India (TRAI) New Tariff Order (NTO).

    Five Hindi GECs’, two Telugu GECs, and one channel each from the Kannada, Kids and Tamil genres made up BARCs’ weekly list of Top Channels Across Genres on All Platforms in week 2 of 2020. From the network’s perspective there were three channels from Star India, two channels each fromViacom18/Network18 and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Enterr 10 Television, Sony Pictures Network India (SPN) and the Sun Tv Network. Nine of the channels were pay TV and one channel, ranked second – Dangal, was free to air (FTA).

    Dangal, which was ranked first since week 37 of 2019 and even earlier, dropped a place to second rank during the week under review.

    Please refer to the figure below: 

    Top 10 Pay Channels Across Genres in week 2 of 2020

    As has become a norm, the top two pay channels in week 2 of 2020 were not Hindi GECs, they were a Tamil GEC and a Telugu GEC at ranks one and two respectively. Star India’s flagship Telugu GEC Star Maa replaced its network sibling Hindi GEC Star Plus at rank 2 in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 2 of 2020. 

    Five Hindi GECs’, two Telugu channels and one channel each from the Kannada, Kids and Tamil genres were present in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 2 of 2020. There were three channels from Star India, two channels each from SPN, Viacom18 and Zeel and one channel from the Sun Tv Network in the top 10 list during the period under consideration.

    Please refer to the list below:

    Top 10 Free to Air Channels Across Genres in week 2 of 2020

    Three channels from the Hindi Movies genre, two channels each from the Bhojpuri and Hindi GEC genres and one channel each from the Marathi, Music and Sports genres made BARC’s weekly list of Top 10 Free to Air Channels Across Genres in week 2 of 2020.  The nail biting India-Australia T20 cricket series has helped increase viewership of DD Sports, bringinr it into the fold of top 10 FTA channels across genres list during the past few weeks. Four of the channels were  from Enterr 10 Television network, three channels from Zeel, two channels from B4U and channel from pubcaster network Doordarshan in BARC’s weekly list of Top 10 Free to Air Channels Across Genres in week 2 of 2020. Please refer to the figure below:


     

  • Hindi GEC & Southern channels evenly matched across genres as TV viewership drops

    Hindi GEC & Southern channels evenly matched across genres as TV viewership drops

    BENGALURU: Southern languages channels shared equal space in Broadcast Audience Research Council of India (BARC) weekly list of Top 10 Channels on All Platforms Across genres list with Hindi GECs in week 50 of 2019 (Saturday, 7 December 2019 to Friday, 13 December 2019, week or period under review). In the meantime, TV viewership dropped to 13.8 billion weekly impressions in week 50 of 2019 from 14.2 billion in the previous week. 

    Overall TV and OTT weekly viewership according to BARC data declined 2.8 percent to 14 billion weekly impressions during the period under review from 14.4 billion impressions reported in week 49 of 2019. The Top 10 Pay Channels Across genres incurred a higher loss than the Top 10 Free to Air (FTA) Channels Across Genres did in week 50 of 2019 as compared to week 49, as their respective chartswhich follow in this paper will demonstrate.

    Please refer to the chart for TV and OTT viewership for week 49 and 50 of 2019: 

    Top 10 Channels on All Platforms Across Genres

    There were five channels each from Hindi GEC and three South Indian languages in Broadcast Audience Research Council of India (BARC) weekly list of Top 10 Channels on All Platforms Across genre for week 50 of 2019 as mentioned above. There were two channels each from the Tamil and Telugu genres and one channel from the Kannada genre in the top 10 across genres on all platforms weekly list for week 50 of 2019.

    There were three channels from Zee Entertainment Enterprises Limited (Zeel), two channels each from Star India and Network18/Viacom18 and one channel each from Enterr 10 Television, Sony Pictures Network India (SPN) and the Sun Tv Network in BARC’s weekly list of Top 10 Channels on All Platforms Across genre for week 50 of 2019.

    Nine of the channels in the across genres on all platforms list in week 50 of 2019 were same as in the previous week with some shuffling of ranks. Star India’s Tamil GEC Star Vijay exited the list in week 50, while the Network18 associated Telugu GEC ETV Telegu reentered the weekly list. One channel, the most watched one – Dangal TV was free to air (FTA), while the other nine were on the pay TV platform.

    The Top 10 Channels on All Platforms Across Genres recorded weekly impressions of 6.655 billion in week 50 of 2019, 3.4 percent lower than the 6.887 million weekly impressions in week 49.

    Please refer to the figure below:

    Top 10 Pay TV channels Across Genres

    It was the three South Indian languages channels that dominated BARC’s weekly list of Top 10 Pay Channels Across Genres in week 50 of 2019 in terms of viewership. There were five channels – two each from the Tamil and the Telugu and one from Kannada genres in BARC’s weekly list of Top 10 Pay Channels Across Genres during the period under review. Besides the five South Indian channels, there were four Hindi GEC’s in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 50 of 2019. The combined weekly impressions of the five South Indian channels was 3.099 billion weekly impressions, 9.7 percent more than the 2.826 billion weekly impressions of the Hindi GECs’ in week 50 of 2019. In week 49 of 2019 (previous week), there were six South Indian languages channels and four Hindi GECs’ in BARC’s weekly list of Top 10 Pay Channels Across Genres.  

    Further, as has been the case over the past few weeks, the most watched pay channels were not Hindi GEC – they were Tamil and Telugu GECs’ at ranks one and two respectively in the list. 

    Nine of the channels in the weekly pay TV across genres list in week 50 0f 2019 were same as in the previous week with a slight shuffling of ranks. SPN’s flagship Hindi GEC Sony Entertainment Television or SET reentered the list on the exit of Star India’s Tamil GEC Star Vijay. There were three channels fromZeel, two channels each from Network18/Viacom18, SPN and Star India and one channel from Sun Tv Network in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 50 of 2019.

    As mentioned above, the Top 10 Pay Channels Across Genres lost viewership in week 50 of 2019 as compared to week 49. The combined viewership of the Top 10 channels in week 50 of 2019 was 5.925 billion weekly impressions, 4.1 percent lower than the 6.178 billion weekly impressions in week 49.

    Please refer to the chart below

    Top 10 Free channels Across Genres

    Nine channels in BARC’s weekly list of Top 10 Free to Air Channels Across Genres in week 50 of 2019 were the same as in the previous week with slight changes in the ranks. SkyStar’s Hindi Movies channel ABZY Movies exited the list in week 50 of 2019 to be replaced by Doordarshan’s sports channel DD Sports, now that the one day series between India and West Indies is being played. 

    There were three channels each from Enterr 10 Television, the B4U Network and Zeel and one channel from Doordarshan in BARC’s weekly list of Top 10 Free Channels Across Genres for week 50 of 2019. There were three channels from the Hindi Movies genre, two movies each from the Bhojpuri and the Hindi GEC genres, and there was one channel each from the Marathi, Music and Sports genres in week 50 of 2019 in the free channels across genres weekly list.

    The combined viewership of the Top 10 Free Channels Across genres in week 50 of 2019 dropped 1.7 percent to 2.348 billion weekly impressions as compared to 2.388 billion weekly impressions in the previous week.

    Please refer to the chart below:

  • The popularity of fantasy cricket: from England to India

    The popularity of fantasy cricket: from England to India

    MUMBAI: Whenever you get caught up in the conversation with an Indian, it somehow gets to the topic of the most popular sports in India and you are most likely to not know the right answer. As surprising as it may seem, Indians are crazy about cricket and play it as their national sport. However, once you get to know the history of the mighty South Asian subcontinent it will not seem that surprising anymore. In this article we will explain the roots of the cricket in India and why does it have to do with the British.

    First things first, what kind of a game is cricket. This is a bat-and-ball game played between two teams of eleven players. These two teams take it in turns to bat and bowl. In the end, it is all about scoring more than the opposition. And now we are going to find out more about fantasy cricket (the virtual version of this game) in different countries.

    From the British Islands to Hindustan: How Did It Come So Far?

    The game itself is traced back to as early as the 16th century. By the 18th century, the game has already been shaped in terms of England’s national sport and was played by different clubs. In 1721, this game was recorded to be played in India for the first time owing to the efforts of British sailors of the East India Company. The first official club, though, dates back to 1792. It was called Calcutta Cricket Club with membership restricted to Europeans only.

    The rise of the British Empire in the 18th century was key for the establishment of cricket as an international sport. However, such a prominent success of the sport in India was unexpected even for the British. The very first Indian team was vividly discussed in the British press. There are still sarcastic sayings that cricket is “an Indian game accidentally invented by the English”. Even if it is so, the most important thing here is that Indians absolutely enjoy playing it and belong to one of the best teams in the world.

    Enough with the history. Let us look at some of the most interesting facts about this kind of sports and learn more about its developments nowadays:

    ●       This game is played all day, from morning to evening, with breaks for lunch and tea. The real cricket is played for 5 days straight. So if someone claims to be “watching cricket,” you can be sure that they have no time left for work and family;

    ●       A person who is not familiar with the game can watch it all day long but still have a poor understanding of both the tactics and the rules;

    ●       Canada is the only country in the British Commonwealth where cricket has not been such a prominent success. The only European country that has a national team (though a very weak one) is the Netherlands;

    ●       Unlike football and rugby, the United Kingdom is represented at the world cricket arena by one team called England;

    ●       The Ashes is the most prestigious test match series in cricket. This is the name given to the biannual meetings between England and Australia. As the main prize the winning team is awarded not a cup, but a small urn, symbolizing the long defeat of England, whose ashes have since rested there (on the usurper).

    All in all, cricket is the most popular national sport in the Republic of India as well as many other Commonwealth nations. It came to be so due to the expansion of the British Empire back in the 18th century. Nowadays, however, it is the Indians and other countries which make this sport incredibly interesting to watch and cheer for. 

  • IPL value increases to $6.8 billion in 2019

    IPL value increases to $6.8 billion in 2019

    MUMBAI: Duff & Phelps, the global advisor that protects, restores and maximizes value for clients, today announced findings from its IPL Brand Valuation Report 2019, a comprehensive study on brand values in the Indian Premier League (IPL).

    The findings of the sixth edition of Duff & Phelps’ annual IPL study suggests an increase in the overall value of the IPL ecosystem from $6.3 billion in 2018 to $6.8 billion in 2019, a growth of 7 per cent after considering currency fluctuations. In INR terms, the IPL ecosystem value increased by approximately 13.5 per cent from Rs 41,800 crore to Rs 47,500 crore, underpinned by the continued confidence advertisers, broadcasters, sponsors, affiliates, partners and viewers have shown in the IPL. The individual franchisee brands saw mixed fortunes, with their brand values increasing or decreasing in close correlation with their on-field performances.

    “Our IPL brand values report reflects the evolution of the modern cricket business paradigm. As we move into the second decade of IPL, the league has transitioned from being a startup to being a more mature, stable and profitable business. An increase of 20 per cent in advertising revenues this year and the recently renewed PayTM title sponsorship deal (which has fetched an increase of 58 per cent on a per-match basis over the last deal) are testaments to the continued popularity of IPL. This has resulted in a steady increase in the value of the ecosystem (which grew by 13.5 per cent in INR terms). However, for growth trajectories to maintain their momentum, all teams need to focus on their on-field performance while continuing to broaden their footprint, forge relationships and generate revenue opportunities in growth markets,” Duff & Phelps Asia Pacific Leader for Valuation advisory services and India country leader Varun Gupta said.

    “This year, Mumbai Indians (MI) and Chennai Super Kings (CSK), continued their absolute dominance with MI winning their fourth IPL title. Their consistent on-field performance has made them fulfil the dreams of their sponsors and advertisers resulting in a year-on-year increase in their brand value. On the contrary, Royal Challengers Bangalore (RCB) and Kolkata Knight Riders (KKR) have shed some of their brand value this year demonstrating that big city bases and marquee players are not the only factors influencing brand value; consistent performance on the field also matters,”  D and P India Advisory ServicesLLP (a member of the Duff & Phelps network) managing partner Santosh N said.

    Among franchises, MI, with a brand value of Rs 809 crore up by almost 8.5 per cent from last year, continues to top the charts for the fourth season in a row. CSK has seen a massive gain of 13.1 per cent in its brand value to Rs 732 crore, propelling the team to the No.2 spot in our brand rankings. Though CSK saw its brand value erode due to the two-year ban imposed on it, it seems to have recovered on the back of continued on-field success coupled with a pan-India fervent fan base and Dhoni’s charisma.

    KKR and RCB have seen their brand value erode primarily on account of their below-par on-field performances, with both franchises shedding approximately 8 per cent of their brand value. However, both continue to be backed by loyal fan bases and the presence of Shah Rukh Khan and Virat Kohli respectively, who continue to carry each brand on their shoulders. This is particularly so for RCB, who if not for Kohli, would have seen a significant erosion in its brand value in the last couple of years.

    Sunrisers Hyderabad, the youngest franchisee in IPL, has made steady gains over the years in terms of its brand value while Delhi Capitals, on the back of its on-field performances this season, saw an appreciation of 9 per cent to its brand values.

  • ESPN launches Singapore edition of flagship global site to extend leadership across digital sports category

    ESPN launches Singapore edition of flagship global site to extend leadership across digital sports category

    MUMBAI: Two days before Singapore stops to celebrate National Day, global sports leader ESPN has launched a new Singapore edition of its flagship digital platform – ESPN.com – to super serve fans with the best of global sport layered with a distinctly local flavour.

    Already the leading digital sports publisher in Singapore and around the world, ESPN will consolidate its market-leading position via a new local edition that extends on the growing Singapore audience already on ESPN.com consuming the best of international football and many other sports.

    ESPN Singapore edition adds to a growing global suite of 16 localised versions of the ESPN.com flagship, and it is the latest to launch in the APAC region following the Philippines, Australia and India editions.

    The Singapore launch is an extension of the August 2018 announcement of ESPN’s collaboration with Mediacorp, where the two parties signed a multi-year agreement with the objective to deliver a richer experience for sports fans and digital advertisers in Singapore.

    ESPN Singapore digital edition will offer Singapore sports fans a world-class, mobile-first, video-rich platform with unmatched depth of coverage to feed the country’s voracious appetite for Premiere League football, while also serving fans of golf, tennis, boxing, MMA, cricket, rugby, NBA, NFL, MLB and much more.

    Lance Peatey, General Manager of ESPN Southeast Asia, said, “This launch will reinforce our strong leadership position in Singapore, and our commitment to provide best in class content to sports fans. It will also provide impactful, practical solutions to advertisers, and bring a greater ability for brands to align with local content initiatives. The platform will benefit sports fans and advertisers alike.”

    ESPN.com is already the No.1 sports destination online for Singapore fans, with an average of 1 million unique users per month according to Adobe Omniture analytics, and three times more engagement (minutes consumed) than the nearest competitor according to comScore global rankings.

    Each month, ESPN digital content reaches and engages more sports fans around the world than any other sports brand. The multi-year agreement with Mediacorp allows it to be the exclusive representative for all ad sales in Singapore for ESPN.com and the new ESPN Singapore edition.

  • Byju’s acquires team India jersey rights replacing Oppo

    Byju’s acquires team India jersey rights replacing Oppo

    MUMBAI: The Board of Control for Cricket in India (BCCI) is pleased to welcome India’s leading education and learning app BYJU’S (Think and Learn Private Limited) as the official Team India sponsor from 5th September, 2019 until 31st March, 2022.

    BYJU’S will be taking over all associated sponsor rights of the current team sponsor OPPO mobiles India private limited (OPPO). BYJU’S will now be seen on the Indian team jersey from September 2019 when the home series against South Africa begins.

    About the announcement, Mr. Rahul Johri, CEO, BCCI, said, “On behalf of the BCCI, we would like to thank OPPO for its partnership with Indian Cricket. I congratulate BYJU’S on becoming the new Team India sponsor. BCCI and BYJU’S share a common vision and together we will take Indian Cricket forward.”

    Byju Raveendran, Founder & CEO of BYJU'S said, "We are proud to be the Indian Cricket Team sponsor. Cricket is the heartbeat of all Indians and we are thrilled to be an integral part of our much loved team. As a learning company, BYJU'S has always recognised the critical role that sport plays in a child's development. Just as cricket inspires a billion budding dreams across India, we too as a learning company hope to inspire the love of learning in every child's heart."

    OPPO India said, “We would like to thank Team India and BCCI for a meaningful association that led OPPO to become a household name in just five years of operations in India. As OPPO enters into its sixth year, India will continue to remain a key growth market. To meet rapidly growing consumer demand, OPPO will accelerate its efforts on local Production, R&D and Retail. This will help OPPO bolster its commitment to offer Indian consumers cutting-edge technology and a premium experience.”