Tag: Creativity

  • KidZania Mumbai takes learning to new heights with NMMC school visit

    KidZania Mumbai takes learning to new heights with NMMC school visit

    MUMBAI: When play meets purpose, the result is a lesson for life. That’s exactly what KidZania Mumbai delivered as 13,705 students from Navi Mumbai Municipal Corp (NMMC) schools embarked on a thrilling, interactive journey into the world of professions. Over 10 days from 20-29 January 2025, kids from grades two to five explored careers ranging from doctors to journalists, chefs to pilots, all while learning vital skills for the future.

    The massive school engagement program was orchestrated by NMMC, deputy commissioner for education department, Sangharatna Khillare.

    The aim? To use KidZania’s real-world role-playing activities as a fun and immersive way to teach financial literacy, teamwork, problem-solving, and career exploration.

    “Experiential learning is the cornerstone of shaping young minds,” said Khillare. “KidZania’s platform allows children to not only engage with different professions but also to gain essential life skills in a creative, hands-on way.”

    KidZania India, chief business officer, Tarandeep Singh Sekhon added, “It’s fantastic to see so many young minds so excited about learning through play. Our goal has always been to provide an environment where kids can have fun while developing important life skills. This initiative is a testament to our commitment to making learning both engaging and impactful.”

    From firefighting to journalism, kids got to role-play a variety of careers, stepping into the shoes of professionals and gaining firsthand experience in a safe and stimulating environment. The large-scale visit reinforced the power of experiential learning, highlighting the importance of creativity, curiosity, and teamwork in real-world scenarios.

  • AdClub’s M.Ad Quiz is scheduled for Saturday 14 Dec 2024 at 6:30 pm

    AdClub’s M.Ad Quiz is scheduled for Saturday 14 Dec 2024 at 6:30 pm

    MUMBAI: It may be called M.Ad. But the focus  at  the Ad Club’s M.Ad Quiz is not on the insanity of advertising, rather it is on the celebration of human ingenuity.  Scheduled for Saturday 14 December 2024 at 6.30 pm at The Great Room, Four Seasons Hotel, Worli, Mumbai, this event invites participants to unleash their creativity and passion for knowledge in a fun-filled evening led by the legendary Derek O’Brien, a master quiz host.

    This quiz involves  participants from the media, advertising, and marketing industries, as well as curious professionals from various sectors, including business school students.  The  program promises exciting prizes from leading brands, ensuring enjoyment for both participants and the audience. Winners can look forward to prizes such as an Ampere Electric Scooter, IFB washing machines, microwaves, and products from renowned brands like Britannia, Godrej Consumer Products, and Nestle.

    Co-powered by Radio City and Zing, with Mainland China as the associate sponsor, the M.Ad Quiz reaffirms The Ad Club’s commitment to nurturing young talent and promoting creativity.

    The Ad Club president Rana Barua stated, “The M.Ad Quiz is a testament to The Ad Club’s unwavering commitment to nurturing young professionals and creating platforms that inspire creativity and curiosity. With the legendary Derek O’Brien at the helm, this coveted quiz celebrates the brilliance of young minds and fosters connections that transcend industries.”

    Teams will consist of two members, and each team can bring five cheerleaders at no additional cost. The final six teams selected will compete on stage during the final session. Organisations can enter multiple teams.

    Entry Fee for Participation:

    1   Team Entry: Rs. 2000- plus 18% GST (total Rs. 2360/- for two team members and five cheerleaders)

    Donor Passes:

    1   Gold Member: Rs. 650

    2   Silver Member: Rs. 850

    3   Ad Club Senior Citizen Member: Rs. 500

    The event will conclude with cocktails and dinner.

  • Dentsu Creative charts trends marketers need to look out for in 2025

    Dentsu Creative charts trends marketers need to look out for in 2025

    MUMBAI: It’s a complicated world we are living in today what with rapid digitalisation changing the way we interact with our individual selves, others, our evolving consumption habits, and the way we view culture, technology, society and money.

    To make some significant sense of the forces impacting today’s cultural, economic, and technological landscapes, Dentsu Creative recently launched its 2025 Trends Report, Fragment Forward.

    The report draws from insights across the agency’s global network, showcasing actionable opportunities for brands to engage in a more culturally sensitive, connected, and inclusive world. Each trend is accompanied by case studies and detailed sub-trends, equipping brands with the knowledge they need to navigate a market where consumer priorities are continually evolving.

    A quick run through it, reveals that the world is getting increasingly fragmented where shared experiences and aspirations are growing scarcer, shaped by long periods of isolation, the cost of living crisis and of course, a fragmented media landscape. The report asks not only what brands and businesses need to win in the age of the algorithm, but what humans need to thrive in a world where old certainties are crumbling, and new possibilities are emerging.  

    It highlights that technology advances, yet quality of life has not kept pace, leaving younger generations unable to meet the same milestones and aspirations as their elders. Some find promise in the expanding “passion economy,” while others seek comfort by embracing traditional values and practices. Older generations embrace miracle drugs, “silver start ups” are booming, while younger generations are impatient to get started, questioning the value of a conventional education. In an unpredictable future, many prioritise the now, the moment, the vibes; embracing personal wellbeing, simple pleasures, and financial freedom over constant striving. Overall, we are seeing old certainties crumbling; the certainties of life’s milestones, of generational norms, of the societal ties and spaces that connect us. New possibilities are emerging – from virtual communities to AI companions – but may be imperfect substitutes for a sense of our shared humanity – and responsibility.

    Fragment Forward explores five trends shaped by the age of the algorithm, examining the implications for brands, businesses and individuals and exploring both timeless human desires and their most timely and trending expressions.
     

    The good enough life in numbers

    The  first trend is The Good Enough Life – Redefining what it means to live well in a world where old milestones are less achievable, and shared aspirations are fewer. Research by Deloitte revealed that almost two-thirds of young people believe that owning their own home will be a challenge, while 47 per cent of millennials feel that starting a family is out of reach, In some cases this leads to angry protests and social unrest – such as the housing protests that sprang up across Europe in 2023 and 2024 – as young people grapple with an acute sense that the social contract that promises every generation the ability to progress has broken down. For others the response is at worst a sense of resignation, at best a re-evaluation of what a life well-lived means, and whether an alternative definition of success, one that prioritises well-being and personal fulfilment, may be possible.

    The passion economy is having a transformational effect on the future of employment, as more and more individuals embrace a freelance existence, develop their own business or find ways to monetise their passions. 45 per cent of millennials in the US are freelancers, while 60 per cent of young people in the UK want to start their own business. 

    Within this, Dentsu Creative has identified three sub-trends. The first sub-trend is  Saving for now: Whereas previous generations saved for the future, younger audiences today are saving for trips, treats, and the freedom to live on their own terms. Travel has emerged as a high priority.  

    The second sub-trend is complex consumption. What this shows up in is the trend to use what you have and encourage others to do the same by showcasing your “good-enough” old items. It follows other nudge-based trends that seek to normalise not spending like “loud budgeting” and “de-influencing”.  

    The third sub-trend  has been defined as  rest is radical.  This is now reverberating across the generations. The FIRE (Financial Independence, Retire Early) movement – which encourages a frugal approach in your younger years to fund early retirement, travel and well-being – has been gaining pace for some time, in contrast to the “save for now” trend.
     

    The togetherness deficit

    The second major trend is the Togetherness Deficit – the fragmentation of media, long periods of lockdown and a cultural shift towards remote working have contributed to a “togetherness deficit” around the world. People are exploring the new technologies, experiences and narratives emerging in their  attempts to reignite a lost sense of togetherness.

    The first sub-trend under this  is craving companionship. People are willing to go any lengths  to get that connection with someone who can be their companion or lover.

    The desire for togetherness has  triggered  a  second sub-trend which is Nostalgia is so now. Many are showing a fondness, a desire for a time when cultural references were simpler and more collective. A report from Ipsos and the Effies, by Samira Brophy and Rachel Emms, shows that 44 per cent of people in Great Britain agree that “given the choice I would prefer to have grown up at the time when my parents were children.” While data in the same report shows that utilizing aspects of a brand’s heritage in advertising provides an 8 per cent bump in brand attention.

    The third  sub-trend is connected communities. At the heart of our desire to come together in a fragmented world is the rise of online communities of shared passion and interest. In fact, nearly 80 per cent of people say that the most important group they belong to operates online.In some cases, these online communities spill over into real-world connection: community-based sports such as park runs, and team sports such as netball and football are booming in popularity versus solitary gym workouts. Book clubs are hugely popular, on and offline, accelerated by the #booktok phenomenon.
     

    THe generation blur

    The third major trend is Generation Blur: A world where old generational boundaries are much less accurate predictors of attitudes, behavior, or affinity.  In 2025, attitudes and behaviors will become less predictable and more fluid across generations. A recent study from Ikea reveals that age is no predictor of affinity or connection, showing that 21 per cent of us find a sense of belonging from shared values versus just 11 per cent  who feel that belonging results from being part of a similar age group.

    Gen Alpha (born early 2010s-2025) will constitute the largest generation – some two billion  individuals by 2025 – with surprisingly mature tastes and sophisticated digital understanding. Gen X and Boomers, the most valuable but perhaps the most under-valued generation, are re-defining what it means to be middle (or old) aged, maturing on their own terms and resisting stereotypes.

    We see a shift in familial responsibility – in the west caring responsibilities are falling heavily on the “sandwich” generation – whilst traditionally dutiful young adults in developing economies seek to carve out their own identity beyond the family unit.

    In some cohorts, gender is becoming a greater determinant of attitudes than age or generation. Recent data shows a stark contrast between the attitudes of young men and young women around the world. Data reported in the Financial Times shows a 30 percentage point gap between young men and women’s liberal vs conservative worldviews in the US and Germany. Similar patterns appear internationally. 

    Younger generations are also turning back to religion and spirituality to manifest better fortune in an uncertain world, where the usual routes to success aren’t delivering as they once did. In India, young people are returning to temples whilst in China, traditional rituals are being digitised for a new generation. The Buddhist and Taoist ritual of knocking on wooden fish has been translated into an app-based version. Within this trend we see a huge blurring of interests and attitudes across  the sub-trends.

    The first of these sub-trends is The new Old age: Gen X and the Baby Boomer generation boast the greatest spending power  yet their commercial influence is routinely overlooked by marketers. Mature audiences and savvy brands are reframing conversations around what it means to ‘age.’

    The second sub-trend is Learning the Alpha-bet: By 2025 Gen Alpha will be the biggest generational cohort, reaching two billion people. While, as we note, generational cohorts may be becoming less and less relevant, there is no denying that is a group who are more technically sophisticated, and more demanding in their purchasing behaviours than their elders. “95 per cent  of their parents learn about brands from them” while “49 per cent of parents’ purchasing decisions were influenced by their child’s opinion” according to a study by DKC. Exposure to online content and advertising is driving an accelerated maturity and with it challenges for brands to navigate responsibly such as Gen Alpha’s obsession with luxury skin-care and the rise of the “Sephora Kids.”

    The third sub-trend is The Blended Home: By 2030, one in six people in the world will be aged 60 years or over (WHO, 2024)25 while birthrates are dropping around the world. An ageing population has created a cohort who are simultaneously raising children and caring for their own ageing parents. In response, Sweden has introduced a grandparental “maternity leave” to help even out responsibilities. Amazon is introducing term-time only working options to help with childcare.

    Curioser and curioser

    The fourth major trend is that we are getting Curiouser and Curiouser –With all the world’s content available at the touch of a button, consumers are exploring compelling stories across culture and languages. A meeting of global cultures is generating access to a dynamic and enriching kaleidoscope of new content, codes, perspectives and aesthetics.

    We live in paradoxical times, where the world’s information is at our fingertips but the channels and platforms we access it through can make us feel as though we’re wading through a highly polished sea of sameness. This sparks a hunger and curiosity for all things different, authentic and unexpected.

    The first  sub-trend we are seeing in this is Fandom is going beyond borders. Where brands in the past focused on local relevance, we now see many seek to re-energize familiar brand stories by mobilising international communities and passion points.

    The second sub-trend is Cultural fluency: Foreign language films and series continue to accelerate within streaming platforms in English speaking markets. Research firm Ampere (July, 2024) found that regular viewing of non-English-language TV shows and movies has increased by 24% among 18- to 64-year-olds in the UK, US, Australia, and Canada in the past four years.

    The third sub-trend is Paths less traveled  : In 2024 we have seen an unprecedented backlash against over-tourism motivated by a desire to prevent strains on local infrastructure, preserve local dignity, reduce antisocial behavior and resist the commoditization of a culture, city or landmark. This has opened up wider conversations about what we are seeking when we travel and what “off the beaten track” looks like in a world where every view and landmark has its own Instagram following.

    Algorithms and blues

    The fifth major trend Dentsu Creative has identified is Algorithms and Blues. In a world where every piece of content we see and every product we buy has been shaped and recommended by powerful algorithms and crafted by AI, brands face a dual challenge. The newsfeed, all too often, is a sea of sameness; similar content with similar design cues targeting similar audiences. To cut through, brands must understand how to make the algorithm work for them, not against them, which means hacking a complex combination of signals and variables, from recency to reach to popularity. But the AI assisted platforms we’ve built to drive efficiency can compound the problem if not blended with craft and distinctiveness.

    Navigating the algorithmic era means every piece of content must perform; not always by driving conversion, but by driving visibility; sending the right signals to the algorithms that determine whether our content surfaces in the feed, or must pay a higher and higher premium to interrupt.

    A sub-trend that is emerging from this is Running on Vibes:   In a polarised and often confusing world, “vibes” have replaced facts as the driver of public opinion, political affiliation and purchasing behaviours. While deeply irrational, consumers instinctively trust the vibes. Economist Kyla Scanlon coined the phrase “vibecession” back in 2022, now widely adopted by politicians and financial institutions to explain how perception of poor economic performance lags reality.

    The second  sub-trend  is Binge-snacking content: As the boundaries between content and commerce become ever more blurred, only a fraction of content’s cultural and commercial value lies in traditional views. Younger generations are just as likely to watch in bite-sized chunks on social media, enough to be part of the conversation without committing to an entire episode. Viewers admit to watching series or movies in minute-long clips on TikTok or Instagram; a highlight reel approach to popular culture where contemporary hits jostle alongside Gossip Girl, Sex and the City and Friends for attention.

    The third sub-trend under this is  AI everywhere:  AI generated content has shifted from a quirk to something deeply embedded in how we search, consume content and present ourselves to the world in a matter of months. Yet while Gen AI has made it easier for brands to generate SEO-friendly content at pace, it has also created new challenges.

    The Dentsu creative leadership also gave their views on what the report has tried to achieve and what lessons we can learn from it as we go in to 2025. Hear them out:

    Abbey Klaasen Yasu Sasaki

    Dentsu Creative global brand president Abbey Klaassen: 

    “Winning in the age of the algorithm means winning an outsized share of culture, not just a robust share of voice. Our work with Nutter Butter, for example, understands how to hack the weird and wonderful side of internet culture to revive the fortunes of a 55-year old cookie brand. The challenge brands face in the age of the algorithm is that it is very easy for all highly optimised content to start to look the same – so when we think about the efficiency AI brings us we also need to blend AI-assisted production with craft and brand distinctiveness. Our work with Adobe is helping brands make AI work for them, rather than contributing to a sea of sameness.”  

     Dentsu Creative global chief creative officer Yasu Sasaki:

    “As a creative, I’m constantly looking to the future, but inspired as well by the craft and beauty of the past. Some of the most innovative projects we’ve been involved in combine leading edge technology with the simplest and most human impulses; like Hugtics, a project that enables users to give themselves a hug. Or the “Upcycling Possibility” project which combines the traditional art of Kintsugi with circuitry and electronics to create an entirely new drinking experience.”  

    Pats McDonald Amit Wadhwa

    Dentsu Creative global CSO Pats McDonald:

    “As we look around, we see a world where marketers and innovators are using all manner of tactics to try to engineer the sense of togetherness we once perhaps took for granted. From innovative wearables to social experiments to the power of nostalgia, there is a huge drive to fill what we call the “togetherness deficit”. Which provides a huge challenge, and opportunity for the industry; to create ideas and platforms that connect brands to culture, businesses to customers and communities to one another.” 

    Dentsu Creative chief executive officer south Asia Amit Wadhwa:

    “In an age where technology and culture intersect at every turn, the 2025 Trends Report captures the evolving ways people live, connect, and define themselves. From reimagining what a fulfilling life looks like to navigating the ever-blurring lines between generations, these trends reflect a world in flux—one where shared aspirations are fewer but possibilities are endless. As we confront the challenges of algorithms shaping content and a growing togetherness deficit, the report offers insights into how brands, businesses, and individuals can thrive. It reminds us that while technology drives change, it’s human creativity and connection that will ultimately shape the future.”

  • Joseph Gordon-Levitt to headline IFP season 14 as opening session speaker

    Joseph Gordon-Levitt to headline IFP season 14 as opening session speaker

    Mumbai: IFP (formerly India Film Project) has announced celebrated international actor Joseph Gordon-Levitt as a special speaker for its opening session at the fourteenth edition of the festival on 12 and 13 October in Mumbai. Building on its legacy of thirteen successful seasons, this premier festival for ‘Creativity X Culture’ marks Gordon-Levitt’s first visit to India.

    Gordon-Levitt is an actor, filmmaker, and entrepreneur known for films such as 500 Days of Summer, Inception, Looper, Snowden, Don Jon, and Beverly Hills Cop: Axel F and his online media platform HIT RECORD. He’s a two-time Primetime Emmy Award winner renowned for his versatility and stellar performances, will join the esteemed lineup of Indian film industry luminaries, including Naseeruddin Shah, Ratna Pathak Shah, Vidhu Vinod Chopra, Kabir Khan, Tapsee Pannu, Aditi Rao Hydari, Saurabh Shukla, Shoojit Sircar, Guneet Monga, Ram Madhvani, Kunal Kemmu, Sharvari, and many more.

    Sharing his excitement about coming to IFP, Gordon-Levitt expressed, “It feels surreal to be visiting India for the first time. I’ve long been a fan of Indian music and culture and have been engaging with Indian creators through our community, HIT RECORD. Being invited to speak at the 14th Season of IFP is truly an honor. The rise of independent cinema, storytelling, and art in India fascinates me. There’s something captivating about how its rich history blends with the world of film and music. I’m excited to experience this vibrant creativity firsthand at IFP.”

    Staying true to its innovative roots, IFP brings back its signature series of 50-hour challenges in filmmaking, music, design, performing arts, writing, and photography to this season, with over 54,000 creative minds participating globally. IFP Season 14 has something unique to offer to everyone – from thought-provoking discussions to immersive experiences.

  • Ludium Lab, ACCESS Europe and XPENG present Europe’s cloud gaming platform

    Ludium Lab, ACCESS Europe and XPENG present Europe’s cloud gaming platform

    Mumbai: ACCESS Europe GmbH, Ludium Lab, and XPENG announced they have collaborated to make cloud gaming for in-car displays a reality. This project combines ACCESS’s IVI (in-vehicle infotainment) technology with Ludium Lab’s cloud gaming platform to enable XPENG customers to enjoy state-of-the-art cloud gaming.

    The collaboration sees SoraStream white-labelled as XPLAY from Ludium Lab, and enabled through the ACCESS TwineTM for Car (Twine4Car) app store platform from ACCESS Europe provided in XPENG vehicles. XPLAY gives users access to a large catalogue of PC, mobile, and console games, including major AAA games and games exclusive to Ludium Lab.

    XPENG vice chairman and president Brian Gu said, “In-car entertainment is an increasingly important part of the car-buying decision, so offering an exciting portfolio of audio, games, and video entertainment through XPLAY is critical, The collaboration with ACCESS Europe and Ludium Lab ensures that easy and enjoyable journeys in an XPENG will be engaging for everyone thanks to the high-quality cloud gaming developed specifically for our extra-wide infotainment screens.”

    A stand-out feature of the gaming performance is the 60 FPS Full HD games that can be played on XPENG infotainment screens. Users do not need to download any games, and the service includes parental controls. The XPLAY service also uses a monthly subscription model.

    ACCESS Europe CEO Aono Masahiro said, “Our Twine4Car Platform and App Store is a content aggregation platform that for the first time brings together the latest in IVI technology and premium content in a fully OEM-branded interface. The addition of Sora Stream from Ludium Lab ensures that XPENG car users have access to a truly engaging mobility experience”

    Ludium Lab CEO José Martín said “The collaboration between all three companies has been essential in enabling the launch of this disruptive and innovative in-car cloud-gaming service .Our SoraStream solution offers a large video game catalogue for all kinds of players, making this project an exciting opportunity for XPENG customers.”
     

  • ICA Italian Wood finishes elevates design excellence with EDIDA 2023

    ICA Italian Wood finishes elevates design excellence with EDIDA 2023

    Mumbai: For four years in a row, ICA Italian Wood Finishes has actively engaged with Elle Deco International Design Awards (EDIDA) – India Edition, to recognise and encourage exceptional design talent.

    Embracing the core philosophy of “design first” and living by the motto “Good Taste Shows,” ICA Italian Wood Finishes goes beyond the realm of wood finishes. ICA demonstrates a profound commitment to design, possessing an in-depth understanding of the language spoken by designers, and showcasing unwavering dedication to creativity.

    ICA Pidilite president Manish Airee said, “Heartfelt congratulations to all the EDIDA winners. He mentioned, “At ICA, we take immense pride in our association with EDIDA. The partnership between Elle Décor and ICA stands as a strong testament to their shared commitment to pushing the boundaries of exceptional design and creating a space where innovation and creativity thrive.”

    The integration between ICA – Italian Wood Finishes and EDIDA – 2023 was highlighted by their curated setup. The exhibit featured furniture pieces crafted by industry-leading architects and interior designers, coated with ICA finishes. This served as a subtle yet powerful representation of the brand’s ethos, encapsulated by the tagline “Good Taste Shows.”

    This ongoing collaboration mirrors the inherent synergy between EDIDA, as the ultimate showcase for the future of design, and ICA’s commitment to thrust design to the forefront. ICA’s meticulously crafted finishes add a touch of glamour to aesthetics, harmonizing seamlessly with the overarching ethos of EDIDA, turning the partnership into a seamless celebration of design excellence.

    Being a “design first” company means more than just producing top-notch products; it involves understanding the profound importance of creativity and acknowledging that design serves as the vehicle through which innovation flourishes. In the role of title sponsor at this prestigious event, dedicated to acknowledging and celebrating the pinnacle of design excellence, ICA cements its commitment to champion outstanding creative talent.

  • “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    Mumbai: Niddhish Puuzhakkal, a creative dynamo hailing from Mumbai, has carved an inspiring path in the world of filmmaking that speaks volumes about the power of experience-driven education. While his journey took him through renowned institutions like NYFA, ZIMA, and Washington Film Institute, DC, Niddhish’s true mastery stems from the richness of his hands-on encounters with the art of storytelling, his profound understanding of human psychology and absolutely child-like curiosity.

    With a diverse portfolio spanning TV series, music videos, advertising, and Bollywood, Niddhish is making waves with his gripping narratives. Beyond filmmaking, he’s a thought leader in creativity, performance coaching, and a boundary-pushing contemporary artist.

    In an insightful conversation with multi-faceted Niddhish Puuzhakkal, Indiantelevision.com had a chat on his recent directorial achievement, upcoming projects and more…

    Edited Excerpts:

    On your recent directorial achievement in the Vivo mobile ad film and your upcoming Sprint ad project

    Vivo Mobile Ad Project: The Vivo mobile ad project was an exhilarating opportunity for me as a director. The central product feature of this film is photography, and I wanted to do justice to it. My creative treatment focused on crafting visually stunning imagery that would not only capture the audience’s attention but also leave a profound and lasting impression.

    To achieve this, I delved deep into the details of photography, playing with elements like light, shadow, depth, and composition in each frame. The result was a narrative that transcended the ordinary realm of advertising. Every shot was meticulously curated to evoke emotions and tell a compelling story. I produced this under my banner Light Seeker Films, and it was an absolute pleasure to work on this project, with the great team at FCB Ulka and I’m incredibly proud of the final product.

    Upcoming Sprint Energy Drink Project: Sprint Energy Drink project, is equally exciting. For this endeavor, I took a highly technical approach. I’ve completely embraced virtual production techniques for this one, leveraging my background in 3D and unreal engine.

    The entire project was shot within the virtual production environment. We’ve harnessed the power of VFX to enhance the visuals, and what’s particularly unique is that I’ve personally handled the execution of these visual effects and unreal engine details. This hands-on approach has allowed us to create a visual that pushes the boundaries of traditional advertising.

    While I can’t divulge all the specifics just yet, I can assure you that our creative approach for the project goes beyond the conventional. We’re not merely promoting a product; we’re crafting a narrative that tells a visually distinctive story. Look out for this one – it’s going to be something truly exceptional!

    On approaching different mediums such as TV series, feature films, and advertising within your filmmaking journey in terms of storytelling

    When it comes to feature films, it’s all about my vision as a filmmaker. It’s an opportunity to tell a compelling story where I have complete creative control over every minute detail. As a writer-director, the film is a canvas for my aesthetics and storytelling abilities. I can shape every aspect to reflect my unique style and narrative vision. It’s a deeply personal and immersive experience.

    Whereas TV series offer a different dynamic. Here, I have the luxury of time to develop complex characters and intricate plotlines. It’s an opportunity to delve deeper into the nuances of storytelling, allowing characters to evolve over multiple episodes. The challenge is to keep the audience engaged and invested in the long-term journey of the narrative.

    Advertising: Advertising presents a unique challenge. It requires the ability to distill a message into a short, compelling narrative. It’s a collaborative effort where the creative team conceives ideas based on the brand’s needs. The priority is to meet and exceed the brand’s expectations while delivering a concise and persuasive story.

    On your background in psychology and your specialisation in creativity and performance coaching and this psychological knowledge influencing your approach to filmmaking

    Psychology has truly been a game-changer in my journey as a filmmaker. It’s not just a background; it’s a lens through which I view the world of storytelling. This understanding of human behavior, emotions, and motivations has a profound impact on my approach to filmmaking.

    First and foremost, it allows me to create characters that feel remarkably authentic and relatable. I can delve deep into their psyche, exploring the intricacies of their thoughts and feelings. This depth and complexity make the characters come alive on screen, connecting with the audience on a profound level. It’s about more than just telling a story; it’s about making the audience truly empathize with the characters.

    Moreover, my psychological knowledge becomes a powerful tool on set. When working with actors, it’s not just about giving them lines to recite; it’s about helping them become the character. I use psychological and even hypnotic methods to immerse actors in the character’s mindset and emotional state. It’s a transformative process that brings out genuine and captivating performances. I don’t get to use it as much in advertising as most scripts don’t need such depth of character – I use that more in long form content – I always look forward to doing advertising content with stronger character sketches and emotions as well .

    Beyond the actors, it influences how I foster a collaborative and creative environment on set. Understanding the psychology of teamwork and motivation allows me to lead a crew that is passionate, dedicated, and inspired. It’s about creating an atmosphere where everyone feels valued and invested in the project. You will find that energy of creative focus in my set, you will never find loud screaming matches or other such conflicts in my set no matter what challenges, or exhausting and how long a schedule may be. I ensure everyone is engaged and driven as a team.

    So,yeah, psychology is not just a part of my background – it’s a driving force that shapes the way I approach storytelling, character development, and the entire filmmaking process. It’s the secret ingredient that adds depth, authenticity, and impact to my work as a filmmaker.

    On your debut as a writer-director in Bollywood and your upcoming projects, including a web series and Bollywood and Malayalam films, and what can the audiences anticipate from these projects

    My journey into Bollywood as a writer-director was nothing short of exhilarating. It was a project that allowed me to collaborate with an exceptionally talented ensemble cast, including Arshad Warsi, Juhi Chawla, Divya Dutta, Anirudh Tanwar, Jitendra Joshi, Prakash Belawadi and Gauhar Khan, in a psychological thriller. This film delves deep into the fascinating realms of psychology and guilt, delivering a narrative that’s both distinctive and gripping. Viewers can brace themselves for an intellectually stimulating and emotionally charged cinematic experience. Arshad Warsi’s portrayal of a character like never before in Bollywood is a standout performance that will leave audiences in awe.

    As for what lies ahead, I’m currently immersed in the creation of a web series that promises to be a rollercoaster ride of emotions, sprinkled with humor and a unique slice of life. It’s a project close to my heart, and I can’t wait to share it with the world.

    In addition, I am also working on an exciting one of its kind Malayalam cinema. While I can’t reveal too much at this stage, I can assure audiences that these films will continue to push boundaries, challenge conventions, and offer a fresh take on storytelling. Expect the unexpected!

    On your approach to contemporary, abstract, and digital art as an accomplished artist alongside your filmmaking career and the intersection of your artistry your work in filmmaking

    My artistic journey began much like many others, as an outlet for expressing abstract inner feelings. Over the years, it has taken various forms, including filmmaking, design, and traditional art. I’ve even dabbled in music, so you might see something exciting on that front in the near future.

    My artistry and filmmaking often intersect in intriguing ways. They both rely on storytelling, albeit through different mediums. My experiences as an artist inform my visual style as a filmmaker, giving my work a distinct and captivating aesthetic. It’s all about finding new ways to engage audiences, whether through a canvas or a screen.

    On balancing roles as a filmmaker, psychologist, author, and artist and finding any common threads or influences that connect these diverse aspects of your career

    Well, the journey doesn’t stop there; I’ve recently ventured into e-commerce with a contemporary clothing brand, Just Younger, where I personally design the captivating collections. I’ve also launched a wellness organics store, VibeVeda, and I’m on the cusp of launching a creative community app in the coming month. And in the process of publishing my third book.  So, yes, it’s quite a balancing act, but it’s incredibly fulfilling.

    What ties all these roles together is the thread of creativity and human connection.

    It’s about resonating with their thoughts, feelings, and aspirations. And most importantly it also enriches my creativity in the process, constantly opening more creative neural pathways – allowing me to think in interesting ways.

    My background in psychology plays a pivotal role in understanding human behavior and emotions, which is crucial in all my endeavors. Ultimately, my diverse career allows me to explore different facets of creativity and storytelling, enriching each aspect along the way. It’s a journey I wouldn’t trade for anything else.

  • Cannes Lions Day 4: India wins 19 more Lions, Dentsu Creative scores third Grand Prix

    Cannes Lions Day 4: India wins 19 more Lions, Dentsu Creative scores third Grand Prix

    MUMBAI: India continued its winning spree  at the ongoing Cannes Lions Festival of Creativity, earning 19 more Lions that took its total tally to 39- including four Grand Prix- in one of the country’s best performances at the fest yet. The Lions were won across Creative Data, Direct, Media, PR, Social & Influencer categories.

    Dentsu Creative scripted history, bagging its third Grand Prix at the Cannes Lions, for its star campaign ‘The Unfiltered History Tour’ under the ‘Social and Influencer’ category. It also bagged a silver lion and a bronze lion for the same campaign.

    Reacting to the agency’s momentous performance, Dentsu Creative CEO India Amit Wadhwa exulted, “And it’s a Hat-Trick. Three Grand Prix in four days!! I still have to come to terms with this.”

    “Not a single day here can be equated to another. Each day has been unique. And thriving. Today, we add yet another Grand Prix, one Silver and one Bronze to our wins. And yet again, kudos to each and every one of our present and ex-teammates for the dedication, brilliance, and excellence that they have put in and into this journey to get us here. This belongs to them. All of them. We have one more day to go and we are getting a bit greedy now!” he added.

    Dentsu Creative group chief creative officer India Ajay Gahlaut added, “Here we are almost towards the end of this Grand Festival, and we win a third Grand Prix today along with a Silver and Bronze. We are definitely writing history here. I am extremely proud of how we have fared so far. And there’s still a day to go. We’re not done yet!”

    FCB India also scored 11 metals on the fourth day of the Cannes Lions. The award-winning campaigns included its popular campaign ‘Chatpat’ in partnership with Kinnect + FCB Chicago,  ‘The Nominate Me Selfie’ campaign  and the Unaids’ ‘Unbox Me’ campaigns.

    The Indian contingent also added 14 more shortlists: 8 in Film Lions and 6 in Sustainable Development Goals Lions to round up its final shortlists tally at 121.

    Here’s the breakdown of the day four’s wins under various categories:

    Creative Data Winners

    Ogilvy India won a Gold Lion for Cadbury Celebrations’ ‘Shah Rukh Khan My Ad’ campaign under Data-enhanced Creativity subcategory.

    Direct Winners

    Ogilvy bagged one more Gold and one Bronze Lion for Cadbury Celebrations’ ‘Shah Rukh Khan My Ad’ campaign in Data-driven Targeting and Use of Digital Platforms subcategories, respectively.

    A Gold Lion came for FCB India + FCB Chicago for ‘The Nominate Me Selfie’ under Cultural Insight subcategory.

    The agency, in partnership with Kinnect, won one more Bronze Lion for SOS Childern’s Villages India’s young brand mascot Chatpat in Breakthrough On A Budget subcategory.

    Media Winners

    ‘Chatpat’ got Kinnect + FCB India + FCB Chicago, one Gold Lion (Not-for-Profit/Charity/Government) and one Silver Lion (Use of Stunts), as well.

    FCB India + FCB Chicago picked another Silver Lion for ‘The Nominate Me Selfie’ in the Cultural Insight Section.

    Additionally, Ogilvy and BBDO won one Silver and one Bronze metal, respectively. 

    Ogilvy won the Silver for ‘Cadbury Perk Disclaimers’ (Food & Drink) – a campaign that asked people who tend to take offence quickly, to ‘take it light’. 

    BBDO won it for its much popular ‘Ariel See Equal #ShareTheLoad (Integrated) campaign in Corporate Purpose & Social Responsibility subcategory.

    PR Winners

    FCB India + FCB Chicago won two Bronze Lions in Social Engagement and Cultural Insight subcategories for ‘Unbox Me’ – a campaign for Unaids that advocates for the rights of transgender children via a heartwarming film.

    Conceptualised by Denstu Creative, Vice Media’s ‘The Unfiltered History Tour’ won one Bronze Lion in content creation & production.

    The campaign via an interactive Instagram filter tells the story of some of the most disputed artefacts in the British Museum through the perspective of communities that they have been stolen from.

    Social & Influencer Winners

    Denstu Creative picked up its third Grand Prix for ‘The Unfiltered History Tour’ under the Media/Entertainment subcategory. The campaign also picked a Silver Lion under the Social Purpose category.

    Kinnect + FCB India + FCB Chicago’s work ‘Chatpat’ won one Gold, one Silver, and Bronze Lion in Not-for-Profit/Charity/Government, Innovative Use of Influencers, and Social Film Series subcategories.

    FCB India + FCB Chicago picked a Bronze Lion for Unaids’ ‘Unbox Me’ campaign in the Cultural Insight section.

    Shortlists

    The final set of shortlists for the Cannes Lions Festival of Creativity 2022 was announced on day 04 and India got 14 shortlists.

    ‘Chatpat’ by Kinnect + FCB India + FCB Chicago that got three shortlists : two in Fim Lions (Online & Viral Fim, Breakthrough on a Budget and one in SDG Lions (Poverty).

    Another campaign to get three shortlists was ‘Machine Gun Mouth’, created by DDB Mudra for Battlegrounds Mobile India. The campaign was shortlisted in Media/Entertainment, Viral Fim, and Social Behaviour subcategories in Film Lions.

     ‘The Missing Chapter’ by Leo Burnett for P&G Whisper got two shortlists in SDG Lions under Good Health & Well-Being and Quality Education Subcategories.

    Enormous Brands got one shortlist in Film Lions (Consumer Goods) for its very popular ‘Jaquar Bath & Lights – Office’ campaign. 

    ‘Pure As Love’, a beautiful campaign by Animal for Bhima Jewellery got one shortlist in Film Lions under Consumer Goods.

    BYJU’s ‘Master Ji’, which has already won a Silver Entertainment Lion, got one shortlist in Film Lions in Consumer Service/Business to Business section.

    Global Esports’ campaign  ‘The Protest Match – The Final That Could Have Happened’ got Isobar one shortlist in SDG Lions under Gender Equality. 

    Unipads’ ‘Adeli’ got VMLY&R a shortlist in SDG Lions, while VMLY&R Commerce got another shortlist for Unilever’s ‘Smart Fill’ in SDG Lions (Responsible Consumption & Production). 

  • Cannes Lions Day 4: India continues its strong performance, scores 14 shortlists

    Cannes Lions Day 4: India continues its strong performance, scores 14 shortlists

    Mumbai: India scored 14 more shortlists- 8 in ‘film category’ and 6 under ‘Sustainable Development Goals’ category on day four of the Cannes Lions Festival of Creativity 2022, rounding off its total shortlists tally to a stunning 121.

    In film lions, Battlegrounds Mobile India ‘Machine Gun Mouth’ crafted by DDB Mudra secured three shortlists. ‘Jaquar Bath & Lights – Office’ created by Enormous Brands and Bhima Jewellery’s ‘Pure as Love’ by Animal scored one shortlist each in the category.

    SOS Children’s Villages India’s young brand ambassador ‘Chatpat’ created by Kinnect + FCB India + FCB Chicago also earned two shortlists. The campaign earned one shortlist in Sustainable Development Goals Lions as well.

    The other shortlists under the Sustainable Development Goals Lions category include P&G Whisper’s ‘The Missing Chapter’ conceptualised by Leo Burnett Mumbai which earned two shortlists.

    VMLY&R Commerce’s ‘Smart Fill’ campaign for Unilever gained one shortlist, while another shortlist was scored by the Adeli campaign for Unipads’ crafted by VMLY&R Mumbai.

    Isobar’s ‘The Protest Match – The Finals That Could Have Happened’ for Global ESports’ also picked up a single shortlist.

  • Cannes Lions Day 3: Dentsu Creative bags second Grand Prix, India scores 10 more Lions

    Cannes Lions Day 3: Dentsu Creative bags second Grand Prix, India scores 10 more Lions

    Mumbai: The Indian contingent continued its dominant run on day three of Cannes Lions, doubling its tally of 10 metals across 6 categories in one of its best performances at the event.

    The latest 10-metal tally includes one Grand Prix, two Gold Lions, five Silver Lions, and two Bronze Lions across Brand Experience & Activation, Creative Business Transformation, Creative Commerce, Innovation, Mobile, and Creative Effectiveness Lions.

    Meanwhile, Dentsu Creative created history by winning its second Grand Prix this year in the Brand Experience and Activations category for Vice Media’s ‘The Unfiltered History Tour’ campaign.

    Additionally, India scored 50 more shortlists, taking its total shortlists tally to a stunning 107.

    Here’s the breakdown of the day three’s wins under various categories:

    Brand Experience & Activation

    The leading campaign of the year from India, ‘The Unfiltered Selfie’ won a Grand Prix (use of mobile devices) and one Silver Lion (new realities & voice activation). The campaign created by Dentsu Creative for Vice Media now has two Grand Prix, one Gold, two Silver, and two Bronze Lions in its kitty and around 24 shortlists thus far.

    Dentsu Creative group chief creative officer India Ajay Gahlaut exulted at the agency’s performance, “Today, we have made history with another tremendous victory. A Grand Prix and Silver!! Kudos to the entire team for the massive win. I am enthralled with the mark ‘The Unfiltered History Tour’ campaign and everyone behind it has left. My heartiest congratulations to all of them. It’s time to celebrate while we wait to increase the number of our wins.”

    Dentsu Creative CEO India Amit Wadhwa said, “It is our third day at Cannes and we are on top of the world to win yet another Grand Prix and Silver Lion. It is indeed blissful to take back two Grand Prix in addition to the many metals. It has been a mind-blowing experience so far. While we party harder for this one, I am in awe of the level of global creativity and innovation displayed at the festival. We are totally looking forward to witnessing more innovation ahead and expecting many more wins, fingers crossed!”

    ‘The Nominate Me Selfie’ campaign created by FCB for Political Shakti – a non-partisan women’s collective passionate about female leaders in politics, that appeared in The Times of India won a Silver in the category under Use of Mobile & Devices Section.

    The second Silver in the category was won by the ‘Shah Rukh Khan – My Ad’ campaign created by Ogilvy for Cadbury Celebrations under Tech-led Brand Experience subcategory.

    Creative Business Transformation

    The ‘Smart Fill’ initiative of Unilever, conceptualised by VMLY&R Commerce won a Silver Lion under the Brand Purpose & Impact subcategory.

    Creative Commerce Winners

    ‘Smart Fill’ also won a Gold Metal in Creative Commerce Lions under the Sustainable Commerce subcategory.

    Reacting to the wins, VMLY&R Commerce executive creative director Arpan Jain said, “There are ideas and there are awards, but there are only a few pieces of work that have a purpose at the heart of consumer experience and actually have the power to change the world. I’m happy to see Smart Fill being recognized as one such piece of amazing work.”

    A Gold came for McCann for its ‘Shagun Ka Lifafa’ campaign created for Ujjivan Small Finance Bank under the subcategory of Social Behaviour and Cultural Insight.

    Innovation

    VMLY&R Mumbai’s winning campaign ‘The Killer Pack’ secured a Silver Lion in Innovation (product innovation) category.

    Mobile

    The only win in the category came for Vice Media’s ‘The Unfiltered History Tour’ created by Dentsu Creative, scoring a Silver Lion under the Mobile-led Creativity subcategory.

    Creative Effectiveness

    ‘Project Free Period’ an initiative by P&G’s Stayfree sanitary pads, conceptualised and executed by DDB Mudra picked a Bronze Lion under the Creative Effectiveness for Good subcategory.

    Shortlists

    13 shortlists were garnered by ‘Chatpat’, a ten-year-old brand ambassador for SOS Children’s Villages of India NGO and its campaign ‘No Child Alone’. The campaign got three shortlists in Direct (not-for-profit/charity/government, use of social platforms, breakthrough on a budget), three in Media (not-for-profit/charity/government, use of stunts, use of social platforms), three in PR (content creation & production, innovative use of influencers, breakthrough on a budget), and four in Social & Influencer (not-for-profit/charity/government, innovative use of influencers, social film series, breakthrough on a budget).

    ‘Unbox Me’ campaign for Unaids by  FCB India and FCB Chicago got six shortlists, including three in PR (innovative use of influencers, cultural insight, social engagement) and three in Social & Influencers (not-for-profit/charity/government, social purpose, cultural insight).

    The Cadbury Celebrations’ ‘Shah Rukh Khan – My Ad’ campaign created by Ogilvy, Political Shakti + The Times of India’s ‘The Nominate Me Selfie’ by FCB, and Vice Media’s ‘The Unfiltered History’ also scored six shortlists each.

    Further, the ‘Adeli’ campaign created by VMLY&R for Unipads got three shortlists. The campaign got shortlisted in PR Lions (corporate purpose & social responsibility, use of events & stunts, social behaviour).

    BBDO India’s ‘See Equal #ShareTheLoad (Integrated)’ campaign for P&G’s Ariel also got three shortlists – one in Media (corporate purpose & social responsibility) and two in PR (single market campaign, consumer goods).

    The agency got another shortlist in Media Lions (use of ambient media: small scale) for the same brand’s ‘Name Change Pack #ShareTheLoad’ campaign.” These special packs were customised with some of the most common Indian male names instead of the brand name.

    Ogilvy got two shortlists for the ‘Perk Disclaimers’ campaign that asked people who tend to take offence quickly, to ‘take it light’. The shortlists came in Media Lions (food & drink, use of social platforms).

    Another shortlist for Ogivy came for Cadbury 5 Stars ‘NothingCoin’ in PR Lions (use of technology).

    McCann’s ‘Shagun Ka Lifafa’ campaign created for Ujjivan Small Finance Bank got another shortlist in Direct Lions (social behaviour).

    Mindshare’s ‘Bringing Back Colours In the Lives of Weavers’ created for Sunlight Detergent secured one shortlist in Media (local brands) Lions.