Tag: covid-19

  • Industry bigwigs sound the alarm on piracy from OTT platforms

    Industry bigwigs sound the alarm on piracy from OTT platforms

    KOLKATA: Digital piracy is nothing new. But it has registered a massive uptick as millions of people have been forced to stay cooped up in their homes because of the Covid2019 pandemic. Illegal streaming could cost the industry around $12.5 billion by 2024 and the only way to curb the threat is a concerted effort by policy makers and service providers, according to experts.

    In a webinar hosted by Indiantelevision.com, panellists agreed that a 360 degree approach can help win the battle against piracy. ZEE5 India technology head Tushar Vohra, SonyLIV technology head Manish Verma, Synamedia intelligence and security operations VP Avigail Gutman participated in the discussion, which was moderated by Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari.

    Gutman elaborated on how piracy from streaming platforms has come to be the most significant problem in the last five-ten years. Content is being extracted from the devices from where it is legitimately supplied, says Gutman. Along with that, another kind of copyright violation has emerged including identity theft and skimming of customer credentials. While there are many security solutions that prevent older forms of piracy, streaming is now “the lowest hanging fruit” for pirates.

     

     

    With more and more people switching to digital platforms, piracy is also increasing in tandem, states SonyLIV’s Manish Verma, agreeing to the fact that the issue is ever-evolving. He explained that it started with a very simple process like deep linking of content. It went one step further when people started using proxy and VPN to stream content illegally. This gradually devolved into credential theft, identity sharing, screen mirroring and copying the content on screen.

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    Verma believes that the rise in content piracy has a lot to do with malpractices on social media platforms like Telegram, which allows people to share large multimedia files without supervision. The messenger app became immensely popular after the government crackdown on peer-to-peer file sharing sites, better known as torrents. While the company behind the app claims to have a zero tolerance policy on pirated content, its encryption makes it nearly impossible to find out what users are sharing.

    “With content acquisition and content production costs increasing – whether it is for original content or live sports events –it is very important for us to see what all we can do to stop piracy,” he added.

    ZEE5’s Vohra pointed out how they witnessed a big spike in piracy in the wake of Covid2019 crisis. As TV content dried up with the beginning of lockdown, the platform saw a huge increase in credential theft, and original content getting pirated. This is only going to increase as people have now already tasted original premium content, he warned. 

    “It is easy for pirate services to lure audience as they combine content from several platforms and offer it freely or for a much lower price,” Vohra said. Clearly, 360 investment from content owners, communities, governments and lawmakers is the need of the hour to tackle this challenge.

    With the evolution in the nature of piracy, security solutions have also changed. Verma said that at the outset, the platform used to take basic steps earlier as the volume of traffic and impact wasn’t very high. Then they went from encrypting content, user URLs, using DRMs to blocking proxy and VPN access. Now, they’re looking at more advanced measures at different layers to make the service completely watertight against piracy.

    On the other hand, ZEE5’s Vohra said that the company believes in creating a barrier. It is trying to warn pirates that ZEE5 can catch them by figuring out their IP, user id, device etc. The platform is working on a forensic watermark to be launched on the web player in October. Later, it will be launched on all applications expect for KAIOS by end of December. He is optimistic that the OTT service will be in a better position after six months.

    “We were engaging with the government of India for data protection laws and we stressed content protection as one of the most important clauses that the lawmakers should take up. We are seeing good results from that engagement. We are hopeful that a new law that doubles down on copyright protection will be introduced by April,” Vohra added.

    Gutman concurred that there is great need for stricter law enforcement as hackers are attacking DRMs exploiting the loopholes, legitimate CDNs, video services. As piracy becomes increasingly sophisticated, it demands equally progressive regulations to check it.

  • Yoodlee Films Moves into Next Gear: finishes four films during COVID- 19

    Yoodlee Films Moves into Next Gear: finishes four films during COVID- 19

    Four films in various stages of completion in the last four months of the pandemic. Sounds like a tall order, but this is exactly what one new-age production house has gone ahead and done. 

    The unexpected onset of a global pandemic notwithstanding, Yoodlee Films has moved into the next gear, by completing four feature films, in the last few months. COVID-19 has pushed the Indian film industry to rethink production logistics, on-set protocol, safety regulations for cast and crew, and challenged conventional distribution, publicity, and release methodologies. In the midst of this, Yoodlee Films has defied all odds and has successfully managed to complete the shooting of two feature films simultaneously, with all directives and measures in place.  Alongside they have also wrapped up the post-production work on two other films, which are now being readied for release.

    Known for films that traverse a wide spectrum of topics and genres, Yoodlee Films immediately sprung into action as soon as the Unlock guidelines for shooting films were announced.  Two major feature films –  a Hindi romantic comedy involving a stand-up comic duo, called  'Comedy Couple' and Marathi cinema’s first horror-comedy featuring Zombies –  'Zombivali’,  started shoot immediately after the lockdown was lifted and completed the same in the next couple of months. Apart from this, two other features – 'Agra' and 'Bahut Hua Samman’ have sped into various stages of post-production and were readied for release, making Yoodlee Films the only production house to continue to be this prolific through the pandemic.  Its also to be noted that during the lockdown,  Yoodlee released the critically acclaimed 'Axone' and the crowd favorite 'Chaman Bahaar' on Netflix.

    'Agra' stars an ensemble cast headed by Rahul Roy who makes a comeback, along with Priyanka Bose, Mohit Agarwal, Ruhani Sharma, Vibha Chibber, Sonal Jha, and Aanchal Goswami. It explores confined spaces and suppressed sexuality in small towns and promises to start a conversation around taboo subjects. Agra which is being touted as a festival favorite is directed by Kanu Behl,  whose 2015 debut ‘Titli’ won much critical acclaim.

    'Bahut Hua Samman' stars Raghav Junyal, Sanjay Mishra, Nidhi Singh, and Ram Kapoor among others.  The film tweaks the idea of a heist caper and follows two students as they ideate to pull off a fool-proof robbery. Directed by Ashish Shukla and the film is set to launch on Disney+ Hotstar VIP on 2nd October 2020.

    'Comedy Couple' – starring Saqib Salim and Shweta Basu Prasad and directed by Nachiket Samant,  is an insightful look into the lives of two stand-up comics in the metro and is being touted as ‘com-rom’. The Film will premiere on Zee 5 Premium on the 21st of October. 

    'Zombivali,' is a unique Marathi horror comedy, featuring zombies for the first time,  is directed by Aditya Sarpotdar and stars popular actors Amey Wagh, Lalit Prabhakar, and Vaidehi Parshuram. 

    Vikram Mehra, MD Saregama India, says: We are passionate about telling interesting stories in Yoodlee Films. We had set out three years back, as a rank outsider, with a thriving desire to create cinema that affects and engages and to bring some order and method into the madness of film-making. Today we have proved ourselves to be the fastest-growing movie studio in the business, ready to take up challenges (such as we faced in the last few months) and create a new work principle, which is both effective and economical. Our success proves that the tenets of good management work even in the film industry if applied with reason and sense.

    Zombivali is looking at release next year when theatres will be operational, while Agra will soon be setting out to do the festival rounds all over.

  • Chandramukhi: Amitabh Bachchan Starrer AB Aani CD Filmmakers To Go On Floor With The First Big Banner Marathi Film Since Outbreak Of COVID-19

    Chandramukhi: Amitabh Bachchan Starrer AB Aani CD Filmmakers To Go On Floor With The First Big Banner Marathi Film Since Outbreak Of COVID-19

    Excerpt: The only big banner Marathi film to go on floors after the pandemic is Akshay Bardapurkar and Piiyush Singh’s Chandramukhi.

    After massive success on OTT of Amitabh Bachchan starrer AB Aani CD; filmmaker Akshay Bardapurkar teams up with Piiyush Singh for the third time in a row. Writer Vishwas Patil's novel Chandramukhi is being adapted for the silver screen and this mammoth of a film project will go on the floors in November 2020. This will be one of the first big banner Marathi films to go on floors since the pandemic. The bestseller novel Chandramukhi by Vishwas Patil unravels the story of a beautiful Lavani dancer who is set out on an unconventional journey. The worlds of Tamasha and Politics unite with Chandramukhi.

    Prasad Oak, the director of the National Award-winning film Kaccha Limbu will be directing this film. Perfectionist screenplay writer Chinmay Mandlekar and cinematographer Sanjay Memane will join Prasad once again after the massive success of Hirkani. While we are sure that the audience is in for a treat to the eyes, the film also promises to be a musical treat. The talented singers of the Marathi industry who have given their legendary voice and music to the best of Marathi and Hindi films, prodigy singer duo Ajay- Atul, have composed a promising blend of hard-hitting music with lively lavani scores. This film has been produced under the banner of Planet Marathi and Golden Ratio Films by Akshay Bardapurkar and Piiyush Singh.

    After making its mark in several Hindi, Tamil, and International film projects, Golden Ratio Films stepped foot in the Marathi film industry with a great hit like the Amitabh Bachchan starrer AB Aani CD. Now, after producing Goshta Eka Paithanichi, the COO of Golden Ratio films, Piiyush Singh is drawn towards creating more Marathi films. He recognizes the immense potential the regional filmmakers have demonstrated. Chandramukhi is one of his passion projects. While talking about the film, Piiyush says, “The audience is sensitive, now more than ever, to meaningful content. We have all hands on deck and a great team on board to take this film to greater heights. We thrive to entertain our audience with content that brings meaning along with entertainment. Although we cannot talk much about the cast and the storyline at this point, we are certain that the audience will love this film.”

    Talking about this larger than life project, ecstatic Akshay commented, “Chandramukhi is a perfect example of a content-driven piece that will move the audience. The film explores the realities of a spellbinding woman who finds herself on an unconventional path. We are excited to tell this story, at the same time, this is a huge responsibility to retain the authenticity of the bestseller by Vishwas Patil. We have a blend of talented filmmakers, musicians, and artists who are known for their craft. This film has a promise to take Marathi cinema to newer heights. Being the only big banner Marathi film to go on floors after the pandemic started, Chandramukhi has stirred a lot of excitement in the Marathi movie fans. The shoot begins in November 2020."

    Right before the start of the unfortunate pandemic, in January 2020, the makers released the official poster of the film. The face of the lead protagonist is not yet unveiled. Even the filmmakers are tight-lipped about their cast. This nerve-racking excitement, to know who will be the face of Chandramukhi, has pushed the audience on the edge of their seat. The film certainly promises drama, politics, beauty, music, and dance with all the right blockbuster elements. Planet Marathi and Golden Ratio Films have also roped in the big guns of talent on board. What more does a film need to hook their fans with the excitement of the release?

  • First Partners bags PR Mandate for Federation of Associations in Indian Tourism & Hospitality (FAITH)

    First Partners bags PR Mandate for Federation of Associations in Indian Tourism & Hospitality (FAITH)

    First Partners, an award-winning premier communications firm, has been accorded the PR mandate and annexed the Agency on Record (AOR) for FAITH (Federation of Associations in Indian Tourism & Hospitality), the National Federation of the ten National Tourism, Travel and Hospitality associations of India.

    These member associations of FAITH in alphabetical order are ADTOI (Association of Domestic Tour Operators of India), ATOAI (Adventure Tour Operators of India), FHRAI (Federation of Hotel & Restaurant Association of India), HAI (Hotels Association of India), IATO (Indian Association of Tour Operators), ICPB (India Convention Promotion Bureau), IHHA (Indian Heritage Hotels Association), ITTA (Indian Tourist Transporters Association), TAAI (Travel Agents Association of India) and TAFI (Travel Agents Federation of India) and cost partner AIRDA(All India Resort Development Associations).

    FAITH, on behalf of the whole tourism industry engages in key policy and strategy ideation with Central and State Governments of India for growth of the Indian tourism industry.

    First Partners would be responsible for providing public relations and media relations support to FAITH and its efforts to recover the Indian Tourism, Travel and Hospitality industry from its worst ever crisis brought out by the COVID-19 pandemic. 

  • What’s exciting Mimi Deb about her new role at Publicis’ platformGSK

    What’s exciting Mimi Deb about her new role at Publicis’ platformGSK

    NEW DELHI: Warming up in her new role as the leader of Publicis Media’s bespoke unit platformGSK, Mimi Deb is quite excited and enthralled to take up the responsibilities of managing the offline and digital global paid media strategy and planning of GSK in India.

    While the lady had taken up the role in early April, she still hasn’t got the chance to visit the office, courtesy the Covid2019 pandemic but has bonded really well with the team over video calls and daily chats, she tells Indiantelevision.com in an exclusive candid chat. 

    “We interact pretty regularly with our department and also intra-team meetings keep on happening. And it’s not like that we just dive into the meetings, the environment is lighter than that. We familiarise ourselves with what is happening in everybody’s lives, keep checking on each other in case of any issues. That has helped break the ice,” Deb happily notes. 

    She also shares that because she comes from a slightly different environment, her last stint being at Wavemaker, it makes the new role even more exciting for her. “It is a different energy that I am feeling here because I come from a different setup. I think here there is a lot of young energy which is exciting and the conversations are very interesting and straightforward,” Deb quips. 

    However, she is looking forward to incorporating her rich experience of over two decades working for brands like Dabur, Perfetti, Mother Dairy, RSPL, Amway, McCain Foods, and OLX at GSK which has under its umbrella some of the most successful and popular brands like Sensodyne, Eno, Iodex, and Crocin. 

    While right now her entire focus is on understanding the business and making contacts with people, both within the industry and on the client-side, going ahead, she is going to play a key role in speeding up the areas of implementation and digital transformation for GSK, while keeping their mainline strategies sharp. 

    “It (platform GSK) is a new business for the company and a very prestigious one. Initially, my focus is on familiarising myself and then look at the transformation agenda in the data and content space. Whether it is the content initiatives for some of the brands where it plays a bigger role or creating a great brand presence over the media space, everything is on my agenda.”

    An important factor in Deb’s strategies going ahead is going to be the impact that Covid2019 has left on consumer behavior and media preferences and she is keen on exploring avenues like social media and OTT more, depending on the brands.

    Deb is also glad that the client she will be working with is agile and is on its toes in adapting to the changing environment, which makes it easier for her to work with them. She is looking forward to her stint with great positivity.  

  • #MediaMinds2 | We prepared last year for the world going completely digital: IBM’s Deepali Naair

    #MediaMinds2 | We prepared last year for the world going completely digital: IBM’s Deepali Naair

    NEW DELHI: While the world is still struggling to understand how to take their day-to-day activities online, IBM India was already one step ahead as it enjoys the success of a number of online events, simply by the virtue of being better prepared to handle a complete digital takeover of the world. The company’s CMO for the country and South Asia Deepali Naair shares her thoughts in this latest episode of Indiantelevision.com’s Media Minds season 2

    “Last year in October, when we didn’t even know that Covid2019 was going to happen, my team sat down and said that the world is going completely digital. We, of course, thought that it would take some time for that to happen but we discussed how to prepare ourselves for that moment. What do we need to learn; what do we need to do; what do we need to experiment with! And in February, even before the lockdown, we did a 100 per cent virtual event which was attended by 3500 people.”

    She said that their vision and quick actions helped them create properties and a culture that other CMOs also took inspiration from.

    Naair also talked extensively about her journey in the industry and the shift between different roles she has taken up in her career spanning over more than two decades. She attributes the success and popularity to her attitude of being a lifelong learner. 

    “I am a lifelong learner. I approach everything saying let me learn. Let me learn the medium of a podcast, let me learn the medium of digital, which is how I moved to digital and e-commerce much sooner than some of my contemporaries. So that attitude has helped me again that I moved to technology.” 

    She also shared tips for CXOs who want to get into the personal branding space, stating that having one’s own brand helps even the organisation that one is working for. “I think if you have a large CXO brand you are also available to everybody to reach out to, for them to take an authentic point of view from you.”

    Watch the complete discussion here:

  • Covid2019 creates opportunity for used car market

    Covid2019 creates opportunity for used car market

    NEW DELHI- Covid2019 battered the automotive industry in India with the demand for new cars and two-wheelers plummeted between March-May 2020. The month of April 2020 has gone down in the history of the country when not even a single car was except a few that were exported out of the country. The industry started to pick up since May 2020 and has been showing signs of recovery. Even then at a cumulative level, the first half of the year 2020 has battered the auto industry, even worst then the last year. In passenger vehicles, in particular, the April-June period saw sales drop of 78.43 percent, making it possibly the worst-ever quarter since the time such data were being compiled.

    Covid2019 actually forced people to think twice before making investment into a big ticket purchase like cars. As a result, it created a window for the already existing new car market to grow further. Several brands have reported that there is an increased number of inquiries from customers around used cars. These include brands like Maruti Suzuki True Value and Hyundai’s H Promise.

    Maruti Suzuki India Limited executive director marketing and sales, Shashank Srivastava said, “During lockdown scenario, most media got impacted due to restrictions and hence their consumption. In New normal, ensuring customer safety and communicating safe practices is of utmost priority.”

    As per experts, the car buyers who had plans to buy new cars will opt for used cars seeing the economic uncertainty and the tougher times ahead. As economic activities resume, people prefer personal cars over public transport for the fear of being affected by the virus and to follow the physical distancing norms. This will give an impetus to the used car business.

    People will either go for two-wheeler or pre-owned cars. Historically, it has been that whenever there’s an economic downturn people gravitate towards pre-owned goods as they are cost-effective.

    Covid2019 has created a great opportunity for brands like Droom, CARS24, Olx, Mahindra First choice, and others in the space. They are aggressively promoting their products and released campaigns to connect with their consumers.

    CARS24 rolled out a 360-degree campaign with MS Dhoni that talks about how CARS24 can help connect sellers with buyers directly making the process more transparent and easier for its new-age customers.

    OLX CashMyCar is also doubling down digital presence across platforms. Maruti Suzuki also launched a 360-degree campaign on ‘Buy & Sell’ for True Value before the lockdown happened.

    CARS24 co-founder and CMO Gajendra Jangid explains, “the size of the used car industry is 1.3 times the size of the new car market, in other words, used cars accounted for 55 percent of total 7.5 million car transactions in India. We are expecting a steady growth in demand post lockdown period due to the shift in budgets.”

    He further said, “According to our recent research study, we saw that Intention to use private cars by consumers increased by 41 per cent and 22.5 per cent people who were preferring to buy new cars earlier are now shifting to pre-owned cars which looks promising for the pre-owned auto segment.” 

    However, since the time economic activity resumed, several automobile brands have also launched new products that were on hold. They are realigning new strategies to connect with the target audience.

    OLX CashMyCar business head Amit Kumar shares that the launch of new models will definitely help the pre-owned car market as consumers will have a wider range of brands and models to choose from across price ranges. 

    Kumar explains, “Pre-owned car market actually benefits from the increased activity in the new car market. “An important source of pre-owned market supply is the new car sold on the exchange. So, more new cars entering the market augurs well for the pre-owned car market as this would result in the availability of fresh new models with the latest features.”

    However, the used car market in India is highly unorganized, only a few organized players are operating in the market. The organized market contributes only 18 percent of total pre-owned cars sold in the country. The used car market size is around 1.5-1.7x (times) of the new car market. As per estimates, over 4 million pre-owned cars were traded and sold in FY19.

    Increase demand, the rise in personal mobility.

    Covid2019 has impacted the consumer’s behavior and preferences towards their commute choices. He prefers personal mobility over public transport.

    According to Jangid, as social distancing is the primary norm of the ‘new normal’, people are inclined towards commuting through their personal vehicles. But at the same time, they are looking for more affordable and budget-friendly deals as well. “This is the reason behind people moving more towards owning a pre-owned vehicle that fulfills both requirements. Further to the resumption of the services as soon as Unlock was announced, we have witnessed a surge in used car sales, he said.”

    However, during economic stress, customers are expected to downgrade their demand due to declining affordability and enhanced focus on functionality.

    Srivastava explains, “Nearly 85 percent pre-owned car customers are two-wheeler upgrades. We are confident that the current situation and sentiments will have a positive rub off on the used car market as the price of the new vehicle would be higher.”

    He further adds that telescoping of demand is expected to happen due to economic stress and customers will give more importance to functionality buying, Customers who were earlier planning to buy a Swift top variant may now consider the base variant. “First-time buyers are also expected to increase,” adds Srivastava.

    The used car market has registered healthy growth in India in the last few months. According to statistics released by the Society of Indian Automobile Manufacturers’ (SIAM), pre-owned vehicle segment that accounts for 18 percent of the market share, registered estimated sales of 4.4 million units, whereas the new passenger vehicle sales in FY 20 stood at 2,775,679 units, dipping below the 3 million sales unit mark for the first time since FY17.

    Kumar concluded by saying, “Pre-owned cars could see an increased supply of new car models. Buyers of pre-owned cars now would also prefer transacting with their local sellers instead of traveling to far off places which would further boost their local economy.” He also believes that the pre-owned industry will adopt digitization as a key pillar to ensure business continuity.

  • Sun TV operating margin up despite revenue and bottom-line fall in Covid2019 quarter

    Sun TV operating margin up despite revenue and bottom-line fall in Covid2019 quarter

    BENGALURU: Kalanathi Maran’s regional telecaster and FM radio broadcaster Sun Tv Network (Sun TV) reported 44.3 percent y-o-y decrease in consolidated operating revenue for the quarter ended 30 June 2020 (Q1 2021, period or quarter under review) as compared to the corresponding quarter of the previous year Q1 2020. Total Income (operating revenue plus other income) during the quarter declined 38.2 percent y-o-y as compared to Q1 2020. Profit after tax (PAT) declined 33.5 percent y-o-y in Q1 2021 as compared to the year ago quarter. Even the operating profit (EBITDA) for Q1 2021 fell 41.1 percent y-o-y in Q1 2021 as compared to Q1 2020. However, EBITDA margin of operating revenue for Q1 2021 was 66.9 percent as compared to 62.6 percent in Q1 2020. Sun TV is one of the largest networks in the country that has channels across the four major South Indian languages. All the numbers in this reported are consolidated unless stated otherwise.

    The company reported revenue of Rs 611.51 crore and Rs 1,110.04 crore in Q1 2021 and Q1 2020 respectively, PAT for Q1 2021 was Rs 257.11 crore and for Q1 2020 it was Rs 386.81 crore. EBITDA in Q1 2021 was Rs 409.11 crore as compared to Rs 694.95 crore in the corresponding year ago quarter. The company attributes the fall in revenue to the absence of IPL which normally happens during the first quarter and also absence of movie distribution in particular during the COVID2019 quarter. In the corresponding year ago quarter, Sun TV had reported revenue of Rs 244.39 crores and corresponding costs of Rs 138.40 crores for its IPL franchisee SunRisers Hyderabad.

    Sun TV has mentioned in its earnings release for Q1 2021 that subscription revenue during the quarter under review increased 17.6 percent y-o-y to Rs 442.25 crore from Rs 375.95 crore in Q1 2020.

    Let us look at the other consolidated numbers reported by the company for Q1 2021

    Consolidated total expenditure in Q1 2021 was 38.8 percent lower y-o-y at Rs 356.82 crore as compared to Rs 582.09 crore in the corresponding quarter of the previous year.

    Consolidated operating expense in Q1 2021 reduced 52.1 percent y-o-y to Rs 70.85 crore from Rs 148.01 crore in Q1 2020. Consolidated employee benefits expense in Q1 2021 declined 1.2 percent y-o-y to Rs 80.03 crore as compared to Rs 81.02 crore in Q1 2020. Consolidated other expenses (OE) in the Q1 2021 fell 63.1 percent to Rs 51.52 crore as compared to Rs 139.75 crore in Q1 2020.

  • On this Independence Day, ZEE Keralam releases a video honouring the role of youngsters in making India a better place

    On this Independence Day, ZEE Keralam releases a video honouring the role of youngsters in making India a better place

    Kochi: On the 74th Independence Day, ZEE Keralam brings out an inspiring video that honours the role of youngsters in building a bright and better India. The brand tagline of the channel, “Let’s weave wonders in life”, is echoed in the short video. The video features youngsters from all walks of life, doctors, engineers, sportspersons, politicians, soldiers, and other professionals who are working together to build a new India.

    The video has been shot in a novel style by rays of light illuminating individuals, with the visuals in the light projecting what each individual in the video represents – a new and progressive nation. The individuals themselves represent the younger generation of India from all aspects of life who are strong-willed, considerate and are all set to take our country to the next level in the global stage. During this COVID 19, youngsters have been instrumental in stringing together the country as a single unit.

    These youngsters are the future of Indian, brave, focused, and above all independent thinkers. India has stood together beyond all circumstances during this pandemic. The video is a reflection upon our younger generation’s commitment and patriotism towards making India better every day.

    ZEE Keralam since its inception has focused on progressive content by telling the stories of ordinary people as they overcome challenges in life and shape their extraordinary destinies.

    ZEE Entertainment Enterprises is currently the No.1 Entertainment Network in India and ZEE Keralam proudly enjoys a number 2 position in the fiction category among all Malayalam channels.

    With an array of original content from their high-voltage musical reality show SaReGaMaPa Keralam to the best-rated fictions like Chembarathi, Neeyum Njaanum, Karthikadeepam, Pookkalam Varavayi, Sumangali Bhava, ZEE Keralam presents to its viewers a strong line-up of novel and innovative content that is family-inclusive and is culturally-rooted within the diversity of Kerala.

  • Times Network launches India Revival Mission; sets the agenda to revive Indian economy from the impact of COVID-19

    Times Network launches India Revival Mission; sets the agenda to revive Indian economy from the impact of COVID-19

    Mumbai: The Covid-19 pandemic has adversely affected businesses across sectors and it's vital to plan the revival of the economy and put business community back to economic certainty. Driving this agenda, Times Network, India's premium broadcast Network launches India Revival Mission (IRM), a mega campaign aimed to shape decisive strategies & policies to reboot, reload and relaunch the economy. 

    An ongoing thought leadership platform by the Network, India Revival Mission conducts series of curated initiatives through discourses and deliberations with global visionaries, key policymakers, influencers and corporate leaders who share their vision and actionable insights to accelerate India’s economic resurgence. 

    MK Anand, MD & CEO, Times Network said, “The pandemic has created unprecedented impact on Business and economy globally. As we come to terms with its persistent nature and adjust our lives around it with a view to restart parts of the economy that have been suspended for months, we realise the need for actionable Intelligence, Innovation and Ideation. As India’s significant influencer and opinion maker, we at Times Network are committed to play an active role in championing critical issues that matter to the nation. India Revival Mission, collates substantial insights and knowledge from leaders of India Inc., through multiple detailed surveys and uses this intelligence to guide the discourse and discussions that will help frame the best policy response that can mitigate the impending Economic crisis.” 

    Encouraging small businesses revive from the economic impact of COVID-19, Nirmala Sitharaman, Finance Minister said, “I want to assure through you to all businesses, please go ahead approaching the banks. Take the loans. Please have the money in your hand to restart the business.”

    Speaking on boosting a self-reliant India with Atmanirbhar Bharat initiative, Piyush Goyal, Minister of Railways and Minister of Commerce and Industry said, “The Atmanirbhar Bharat package is not a short-term band aid solution, it's a sustainable long-term program for the prosperity of 135 crore Indians. It is a program that will define the future of India not only taking us to the 5 trillion-dollar mark in the next five years but make us a 10 trillion-dollar economy by 2030, we may have lost some time in the last year or so because of the global World Trade wars in the initial period and then covid-19 but we have the resilience, we have the confidence to make up for the loss of time and emerge victorious in our targets.”

    Fronted by the network news channels, ET NOW, TIMES NOW, TIMES NOW WORLD, Mirror NOW and its digital assets, Times Network brings a comprehensive curated programming line-up under the ambit of India Revival Mission. This includes IRM India Development Debate, special primetime discussions with some of the world’s leading minds on the challenges that lie ahead to revive India’s economy, IRM 

    Dialogues, a series of  in-depth interviews featuring key economic architects of India, who will share their perspective, drawing from their area of expertise, to helping traverse this crisis and accelerate economic recovery and IRM Council, a weekly round table series focused on key sectors with voices from India’s political and industry bodies who will assess the sectoral challenges during and post pandemic and the outline the road map for the recovery of the sector. The various segments and primetime shows will feature leading policy making and thought-leaders of the India Inc. including Nirmala Sitharaman, Finance Minister, Piyush Goyal, Minister of Railways and Minister of Commerce and Industry, Smriti Irani, Minister for Women Child Development and Textiles, Nitin Gadkari, Minister of MSMEs, Road Transport and Highways, Hardeep Singh Puri, minister of Civil Aviation and Housing & Urban Affairs, Rajnish Kumar, Chairman, State Bank of India, S.S. Mallikarjuna Rao, MD & CEO , Punjab National Bank, M.R. Kumar, Chairman, LIC, Gita Gopinath, Chief Economist of the IMF and Nouriel Roubini, American Economist amongst many others to share actionable insights and strategies.

    To assess the impact of the pandemic on businesses across various sectors, Times Network has also developed an in-depth Business Perception Survey, in partnership with Institute For Competitiveness. The survey will lead with insights from India’s business community and present a holistic blueprint for India’s recovery and distil domain specific action points that need to be implemented to ensure long-term health of businesses and the economy. Strongly led with a purpose to arm leading policymakers with relevant information they would require for critical policy decisions to revive the economy, the survey results will be analysed through special programming on air and the findings will be compiled as a White Paper. 

    Sustaining the momentum to revive India post the lockdown, the Network would also host a thought-leadership event, IRM Conclave with the leaders of India Inc, leading economic minds, domain experts, key administrators and bureaucrats to discuss the way ahead for the nation. Times Network India Revival Mission is presented by YONO SBI, co-powered by LIC and Punjab National Bank and knowledge partner Institute For Competitiveness. 

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