Tag: Contiloe Pictures

  • Prasar Bharati looks for exclusive OTT partner to bring ‘Swaraj’ to global audience

    Prasar Bharati looks for exclusive OTT partner to bring ‘Swaraj’ to global audience

    Mumbai: Prasar Bharati has invited applications from OTT platforms for the exclusive global licence for its programme Swaraj for three-years. The bidding process will be done via e-auction.

    The public broadcaster set the reserve price for 75-episode Hindi programme at Rs 26.25 crore plus GST. Any incremental bid beyond the reserve price must be Rs 5 lakh and multiples thereof. The last date for submission for the applications is 4 August.

    Produced by Contiloe Pictures, the series was announced by minister of information and broadcasting (MIB) Anurag Thakur on 25 July and is scheduled to telecast on Doordarshan network on 14 August on the eve of India’s 75th year of independence.

    The programme commissioned by Prasar Bharati is focused on the unsung heroes and battles of India’s independence all across the country. Originally produced in Hindi, the series will also be dubbed in English and nine other languages including Marathi, Odia, Tamil, Telugu, Malayalam, Kannada, Bengali, Assamese and Gujarati.

    On winning the bid for the programme, the OTT platform shall be authorised to upload and store the series on its server for the purpose of transmitting the programme to audiences via the OTT platform, either free of cost or behind the paywall, as per the terms and conditions of the licence agreement.

    Each episode of the programme will be available on the OTT platform after 48 hours of its first telecast on Doordarshan network.

  • Zee5 premiers ‘State of Siege: Temple Attack’ in three languages

    Zee5 premiers ‘State of Siege: Temple Attack’ in three languages

    KOLKATA: Zee5 original film State of Siege: Temple Attack has premiered in Hindi, Tamil, and Telugu simultaneously on 9 July. To create buzz around the film, the OTT platform has deployed an extensive 360-degree campaign consisting of print, TV, digital and on-ground promotions.

    From multiple print ads and an on-air promotional plan to a stimulating digital plan including a UGC activity where people sent in their gratitude in the form of a message to NSG commandos, ZEE5 left no stone unturned to promote the film, the platform said in a statement.
     
    Inspired by true events, State of Siege: Temple Attack pays tribute to our soldiers, salutes the brave Indian spirit, and continues the legacy of the Siege series. It stars Akshaye Khanna in the lead role, alongside Vivek Dahiya, Gautam Rode, Sameer Soni, Parvin Dabas, and Manjari Phadnis.

     “After receiving an overwhelming response from audiences across the country for State of Siege: 26/11, we are extremely thrilled to bring forth another story from the successful State of Siege franchise that will captivate the audience’s attention,” ZEE5 India chief business officer Manish Kalra said. “We take immense pride in telling stories of valour and unwavering grit, and this film, which is based on NSG commandos’ sacrifices, pays a befitting tribute to these real-life heroes who risk their lives to save ours.”

    State of Siege: Temple Attack is produced by Contiloe Pictures led by Abhimanyu Singh, and Ken Ghosh who previously helmed ZEE5’s web series Abhay 2 has directed the film. With a generous dose of thrill, action, drama, and suspense, this latest offering from ZEE5 promises the audience an edge-of-the-seat experience.

  • Illusion Reality Studioz partners with Kunal Kohli for Ramyug

    Illusion Reality Studioz partners with Kunal Kohli for Ramyug

    Mumbai: After successfully venturing into the digital space with the web series State of Siege: 26/11, Illusion Reality Studioz has added another title to their list – MX Player’s highly anticipated series Ramyug.

    Directed by Kunal Kohli, the magnum opus is the latest visual interpretation of Ramayana that uses modern technology in a never-seen before manner to narrate the epic. The MX Original series is also the first mythological web series that has been produced from the ground up and starts streaming on MX Player on 6 May.

    Backed by Abhimanyu Singh, Illusion Reality Studioz has become the go-to destination for animation and VFX needs across industries, with some popular projects under their belt including the Mahayoddha Rama, Battle of Saragarhi 21 Sarfarosh, Vighnaharta Ganesha, ‘American Pie Girls’ Rules’ and ‘Sye Raa Narasimha Reddy’.

    Illusion Reality Studioz, CFO and business head, Nitin Dadoo said, “Lately, there has been an increasing demand for quality content strengthened by advanced visual effects. At Illusion Reality Studioz, we aim to extend our services to create high-quality narratives across mediums. Ramyug is the first mythological show to hit digital screens and it gives us great pride to be in the premier league of creating game-changing and cutting edge content. We will continue to expand our visual effects division to support storytellers”

    Contiloe Pictures was the first to pioneer real-time facial motion capture on the small screen. It has also received the National Award in the Best Animation Film category for the 3D animation feature Mahayoddha Rama. In March, Contiloe Pictures rebranded its VFX division to Illusion Reality Studioz, led by Nitin Dadoo.

    “The team at Illusion Reality Studioz (Contiloe Pictures) has been reliable and extremely proactive, given the pressure of content, delivery, and time to present world-class visual effects. They have truly become a VFX – CGI outfit at par with the best in the world. The detailing in their work is immaculate. Their contribution to Ramyug cannot be described in words. From CGI to VFX, they have created memorable content and truly brought Ramyug to life”, filmmaker Kunal Kohli said about the association.

  • Illusion Reality Studioz aims to revolutionise post-production space in India: Nitin Dadoo

    Illusion Reality Studioz aims to revolutionise post-production space in India: Nitin Dadoo

    MUMBAI: Contiloe Pictures has proved itself a pioneer in the industry since its inception two decades ago. And now, the fully integrated, premium broad-based entertainment content production company announced that its VFX division will be rebranded to Illusion Reality Studioz.

    With the aim to become the one stop destination for all VFX needs, the in-house vertical will solely focus on VFX, animation, previz/techviz, on-set camera tracking, lidar scanning amongst others, and will continue the Contiloe ethos of merging storytelling and art with science. The vertical will be helmed by Illusion Reality Studioz( a Contiloe Pictures group company) animation & VFX business head, Contiloe Pictures CFO Nitin Dadoo.

    “For the last three years, we were evaluating the significance and the extension plan.  Apart from in-house content we started taking external projects – from Hollywood, OTT or regional shows. During this time, we realised that the complexities and number of projects are increasing and it is the best time to start a new vertical which will cater into both VFX and animation,” explained Dadoo, adding that the rebrand was deferred from 2020 to 2021 due to the Covid2019 pandemic.

    At present, the studio has a strength of more than 200 employees who are working from its Mumbai and Bhubaneshwar facilities. The team is bifurcated into two divisions – one solely focused on internal projects and the other handles external projects. The creative team is headed by Nicholas Camecho, along with creative directors Deepak SV and Indraneel Roy. Nicholas boasts of over 35 years experience in the VFX and animation space including his stints with studios like Disney and Warner Bros. He has also held the title of creative supervisor, director and producer across several CG development projects in London. Deepak is an old hand in visual effects and animation, and handles foreign and Indian clients. A national film awardee creative director with a demonstrated history of working in the entertainment industry, he has had successful stints working with Pixion, Maya Entertainment and Accel media. Roy’s expertise lies in motion pictures and visual effects. With 25 years of diverse experience, he has worked closely with the directors, producers, production houses, cinematographers and studios as Visual Effects Director / VFX Supervisor to materialize their varied visions. Nishikant is the CGI and VFX supervisor. Head of production Bharat Mistry has been associated with Contiloe Pictures for well over a decade now.

    In the aftermath of the virus outbreak and resumption of filming, it was observed that several production houses are venturing into virtual production to minimise the budget and avoid outdoor shoots. The team at Illusion Reality Studioz is aiming to take virtual production a notch higher, as it is going to be a key pillar in the VFX facility. Under this technology, there will be functions like unreal motion builder which will be used to create photo imagery. Within the camera, the team can showcase what the directors are emphasising. Through this technology, directors, creators  and DOPs can become the part of visualisation process before it goes on the edit table.

    Citing an example, Dadoo mentioned that for their upcoming premium series, they are virtually creating some assets and locations within the script to make it easier for the director to figure out the cast needed for the show and other important details. He shared that this process will save time on post-production.

    Virtual production will allow them to create photo real and hyper real assets within the existing system. Through on-set camera tracking, lidar scanning (used to scan the set) it would be easier to create an environment in real time and it will also allow to create final imagery without going into post production.

    “In India, we spend 15-20 per cent of our time in pre-production, 40 per cent in shooting and another 35-40 per cent goes in post-production. But in the western world, things are more organised. They spend 40 per cent of their time in pre-production followed by shooting and in post-production they only spend 20 per cent. India is still in the learning process, with our studio we are also trying to get into that space where we plan much in advance and save cost and time,” Dadoo detailed.

    He envisages to become the first VFX studio in the country to use these tools and change the landscape of post-production process.

    Apart from working on current projects like Vighnaharta Ganesha, State of Siege 26: 11, the studio is busy developing an original series – Akshardham, the shooting will commence in may. On the external projects, the team recently finished working on MX Player’s eight-part web series Ram Yug. The series is directed and produced by Kunal Kohli. The studio will also start working on 26-part animation series for The Jim Henson Company.

    Dadoo said he is flexible with working on both co-production and commission based projects. Acquisition and syndication of content is also on the cards, stating that he’s working on syndicating content from Thailand and the Sri Lankan market. However, the major focus will be on creating content where the studio can retain the rights.

  • Strengthening their VFX vertical, Contiloe Pictures ventures into Hollywood with ‘American Pie Girls’ Rules’

    Strengthening their VFX vertical, Contiloe Pictures ventures into Hollywood with ‘American Pie Girls’ Rules’

    After creating a mark for themselves in the television industry, in Indian Cinema and the Web, Contiloe Pictures has now announced their extension into Hollywood by bagging their first ever International project – ‘American Pie Girls’ Rules’. Strengthening their VFX portfolio, the content powerhouse has worked on the visual effects for the famous franchise, along with other partners. 

    Commenting on the same, Nitin Dadoo, CFO and Head – VFX & Animation Business, Contiloe Pictures, said,“When we began building this vertical, we were mainly Mumbai based but we have now expanded our services as well as our team to Bhubaneshwar last year, and see a great potential to scale. The first large scale project we partnered for was ‘Sye Raa Narasimha Reddy’ and bagging an International film is only a positive step in our endeavour of becoming a one stop destination for all VFX and animation needs across the entertainment industry. This is our first International film, and it’s fair to say, there’s more to come”

    Commenting on the same, Abhimanyu Singh, CEO, Contiloe Pictures,said, “Today there is increasing demand for quality content strengthened by advanced visual effects, in both, domestic and international markets. Our aim has always been to create and support high quality content and this film is a positive step in that direction”

    The movie plays as a gender-flipped re-imagination of the 1999 film franchise and follows the lives of Annie, Kayla, Michelle and Stephanie coming together to harness their girl power to get what they want. The movie premiered on Netflix this month. 

  • “Time to discuss IP ownership”: Contiloe Pictures’ Abhimanyu Singh

    “Time to discuss IP ownership”: Contiloe Pictures’ Abhimanyu Singh

    MUMBAI: Television producers, after a long hiatus, have started shooting with limited cast and crew members. However, taking care of the team and the implementation of other SOP measures has escalated production cost.

    Contiloe Pictures founder and CEO Abhimanyu Singh says that most companies are at a vulnerable stage. Production has come to a standstill where revenue is zero with underlying assets to depend on.

    Singh believes that the IP-based system needs to start so that creators can benefit from reusing, reworking and reutilising their assets. He adds that the entire ecosystem needs to prepare itself to be able to create world-class content.

    He further explains that apart from owning studios, having a stronger production fraternity is good for the creation environment. “Smaller units will always have a problem and the system will remain fractured in the way it functions. If you have a strong infrastructure and strong production companies it will be always helpful to fight any natural disaster.”
     
    Singh is currently shooting with his team in Amgaon and Naigaon where he has arranged a living accommodation for his cast and crew members. The entire arrangement was done within 20 days since the lockdown was imposed. The team at Contiloe Pictures worked overtime to make this transition happen. Nearly 75 people are staying within the studio in Amgaon. Everything from their living cost to food is taken care of by the studio. In the same manner, close to 30 people are staying at the other set in Naigaon.

    Contiloe Pictures has hired an external agency called Momentum India that looks after all the sanitisation, fumigation and other safety measures.

    Singh highlights that shooting is running smoothly with not limited challenges. He shares, “We had over 100 animation people and VFX supervisors because most of our shows require visual effects. Now there are fewer people in one slot. We have two floors where people were working in different shifts which have reduced now. Most of the post-production work is happening remotely.”

    The studio has introduced Adaptra lines, where data transfer happens at a higher speed. He also highlights that even if the cost goes up it is safe for the environment as people are working from home. This will help to stop the mitigation of viruses on the set. Singh says that these added costs will have to be taken for the time being since there isn’t any other option. 

    Singh has introduced very limited changes in the scripts. Storytelling has changed to a certain extent, but the plotline remains the same. A lot of crowd scenes, darbaar sequences are done through CGI (Computer-generated imagery).

    Singh credits the entire industry for coming together in this time of crisis.  He shares, “Most of the industry is shooting for over 40 days now and people are being responsible for their working environment and their units.”

    Contiloe's currently running shows on television include Tenali Rama and Vighnaharta Ganesh. It has also previously created shows like Veer Shivaji, Jhansi ki Rani, Mahabali Hanuman, Chakravartin Ashoka Samrat, Maharana Pratap, Ssshhhh…Koi Hai amongst others.

  • Can’t insist producers to use only their members: Competition Commission to FWICE

    Can’t insist producers to use only their members: Competition Commission to FWICE

    MUMBAI: In a landmark judgement, the Competition Commission of India (CCI) has told the All India Film Employees Confederation and Federation of Western India Cine Employees (FWICE) that they cannot insist producers to take only their members to work with them.

    On 31 October 2017, the CCI passed cease and desist orders against certain national and regional trade associations of film artists and producers for engaging in practices of controlling/limiting the supply of services and market sharing. Such acts have been held to be in contravention of sections 3(3)(b) and 3(3)(c) read with Section 3(1) of the Competition Act, 2002 (Competition Act).

    The  final order by the CCI was passed on an information filed by Bollywood producer and director Vipul Shah who alleged that specific provisions of the MoU dated 1 October 2010 (MoU) signed between FWICE and producer associations i.e.  IMPPA, FTPGI, and IFTPC relating to various matters including member-to-member working, fixation of wages, etc., are anti-competitive in nature.

    Thereafter, on 8 August 2019 an application under Section 42 of the Act alleging noncompliance of the aforesaid order by other parties was received by the Commission from Contiloe Pictures Private Ltd (CPPL).

    On 12 March 2020, the matter was listed for hearing between FWICE and CPPL. Upon hearing the counsels of CPPL and FWICE, the commission observed that the contents of the directives issued by FWICE to its member affiliates/producers were in the nature of direction to its members not to engage the non-members and were in violation of the order of the Commission dated 31 October 2017.

    Later, FWICE submitted that they would withdraw their letters dated 29 March 2018 and 26 November 2018 issued to its affiliates and also the letter dated 30 November 2018 issued to CPPL, without any conditions. The association also tendered unconditional apology for disobeying the directions of the Commission.

    The Commission directed FWICE to issue communication to its affiliates," all production houses/ producers including CPPL regarding withdrawal of the said letters and file a copy thereof with the Commission within a period of 10 days. Further, FWICE was also directed to file an affidavit along with status/ compliance report within ten days to the Commission."

    However, the commission later observed that none of the parties have filed any evidence. Therefore, the commission has directed all the parties involved in the matter to file an affidavit along with status/compliance report through e-mail at secy(cci.gov.in, latest by 15 July 2020 without fail.  The secretary is directed to inform FWICE and CPPL, accordingly.

  • Will TV producers look at IP ownership in the post-Covid2019 world?

    Will TV producers look at IP ownership in the post-Covid2019 world?

    MUMBAI: When a nationwide lockdown was imposed to stem the tide of Covid2019, all film and TV shoots were suspended. Finally, the Maharashtra government gave a green signal for the resumption of film and television shootings in non-containment zones.

    As things are slowly getting back to normalcy it has become important for every production house to hold its intellectual property.

    This was the unanimous view of a virtual round table conference organised by Indiantelevision.com to discuss the challenges faced by TV producers. 

    The panel, moderated by indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari, had Swastik Productions & One Life Studios producer & managing director Rahul Kumar Tewary, SOL Productions founder and managing director Fazila Allana, Contiloe Pictures founder and CEO Abhimanyu Singh, Endemol Shine India CEO Abhishek Rege, Fremantle India Television Productions managing director Aradhana Bhola, Taarak Mehta Ka Ooltah Chashmah producer and Neela Films owner Asit Kumarr Modi, and ANM Global managing partner Nidhish Mehrotra.

    With the whole pandemic situation, some television producers also have the fear of being kicked out of shows. This scenario has put a big question mark on broadcasters who own the intellectual property rights for most TV shows.

    Swastik Productions & One Life Studios producer & managing director Rahul Kumar Tewary says, “Currently broadcasters have been very supportive, but mostly it is discussion rather than action that has happened from broadcasters’ end. However, I am very hopeful that they will come forward and help. Ultimately, they are the owners of the IP.”

    He adds that this lockdown will create opportunities for producers who have trust in their content and IP. This situation will give producers some time to create different business models and IPs. Apart from this, there will be huge financial calculations also.

    Adding to Tewary’s point, Contiloe Pictures founder-CEO Abhimanyu Singh said, “It has been a long discussion among all producers. This is a time where the production community can work along with broadcasters with some co-investment in place to create IPs.”

    Taarak Mehta Ka Ooltah Chashmah producer and Neela Films owner Asit Kumarr Modi thinks it is very important for all producers to own their IPs. With the help of IPs producers can also sustain their business and become a long-time player.

    He adds, “If I don’t own an intellectual property then I am merely a production coordinator and not a producer. Post Covid2019 it will be interesting to see who owns IP. Repeat telecasts are seeing a huge consumption on digital media. IP has its own value, who will own what percentage that producers and broadcasters will have to mutually decide.”

    SOL Productions founder-MD Fazila Allana said: “Despite having our own IP there are certain formats which are created indigenously for the movie market which is not owned by them.”

    She adds that it is a continued struggle. It is more than ever now that the platforms and the channels do not want to give up IPs. Because even they have realised that in this situation, they need a bank to play and they don’t want to pay for it again.

    “The struggle is going to be tougher as everybody is now realising that there is a huge financial problem, so they are alright with producers sharing the cost and therefore own half IP. So, co-investing and co-owning could be a solution for this mid path. I don’t think the broadcasters or OTT players will give 100 per cent IP,” she further explains.

    Adding to what Fazilla Allana said, Fremantle India Television Productions MD Aradhana Bhola believes that OTT players have now realised that there is no boundary to create content. They can do dubbing and subtitling; and consumers are willing to see those contents.

    As we all know that a large part of Indian television comprises reality TV shows like Indian Idol, Bigg Boss, Dance Plus, etc.   While some producers are of the opinion that owning IP will incur them huge costs and financial burden, others think that it could be the way going forward.
     

  • Contiloe Pictures ventures into digital

    Contiloe Pictures ventures into digital

    MUMBAI: For more than two decades, Contiloe Pictures has been entertaining viewers on television through its premium content. This year, the production house is ready to enter the digital space and cater to the viewers of OTT platforms. The company’s first digital series State of Siege: 26/11 will premiere on ZEE5 on 20 March.

    In an interaction with Indiantelevision.com, Contiloe Pictures founder-producer Abhimanyu Singh said, “We want to focus on telling stories, from across the spectrum – local, regional or national. Currently, we moved into the digital space, plus we are looking at visual effects and animation in a big way. We have a new facility started in Bhubaneswar and we are housing a few artists there. We are increasing our overall post production spends. All these will be new growth engines even as the traditional platform will continue to be our focus area.”  

    The company spent a year researching and studying before producing digital content. “We started working on the story early last year when we acquired the rights to the book "Black Torando". Sandeep Unnithan, who came on board, had thoroughly researched for two years. We also got on board Lt Col Sandeep Sen who was second-in-command of the operation in Mumbai. He hand-held us through the whole making process right from research to how commandos operate in anti-insurgency,” said Singh.

    He further said, “26/11 lasted for four days and it also has the aspect of a Pakistan-based terror house that trained nine attackers to attack in Mumbai. If we look at the whole story there is an angle of how the attack was planned, how media covered it and one of the NSC commandos (which nobody has explored) and how they fought with those terrorists. In the series you will get to see exactly what happened inside the attack and how our commandos did the whole anti-insurgency operations. This 360 degree angle has never been presented from the commandos' point of view.”

    Singh said that the book takes into account all the three sieges of attack and how it happened, who were the perpetrators and how our black cat commando liberated the three sieges of Mumbai. "It’s a large enough story to be able to delve into an eight-hour format. The exciting part is that it’s a new space for us in the way we have approached doing it and the way we have prepped and crewed up for it. It has been a truly enriching experience for us,” said Singh.

    The company acquired "Black Torando"’s rights to produce content specifically for OTT. Singh said, “When we decided to make shows for digital space we want to study it in the right manner. Now, finally we are getting a product that we are satisfied of. I believe it’s never too late or too early unless things are done right. The show that I make I should be able to do it in a right manner, so the way I prep for it, the way I produce it or the post- production everything should be done within the confines of creating premium content and that is what we have focused on. It’s a two-year job we have studied, learn, and applied and then we are entering the digital space.”

    On the relation with ZEE5, Singh said that it has a big and large audience base and is experimenting too. "We find that this is the time to tell different kinds of stories. We have something in the pipeline and we want to take it organically; we don’t want to rush in,” he added.

    On television, Contiloe has worked on genres like horror, thriller, comedy, mythology and historical and that helped in moving into the digital space.

    Contiloe's current running shows on television include Tenali Rama and Vighnaharta Ganesh, both which recently completed successful 500 episodes. It has also previously created shows like Veer Shivaji, Jhansi ki Rani, Mahabali Hanuman, Chakravartin Ashoka Samrat, Maharana Pratap, Ssshhhh…Koi Hai amongst others which have achieved milestones in terms of their ratings, audience reception and appreciation.

    Singh reiterated that TV continues to yield the same results. "Now TV is being consumed on digital so, there are new sets of audiences coming in. On digital we need to prep well and stand out. There are so many digital shows but only a handful of shows can be remembered. Both have their different set of challenges and both will continue to grow.”

    He is aware that there are new types of audiences evolving and a change in television programming is required to cater to them. 

  • Content executives believe ‘doing it the right way’ should be the focus

    Content executives believe ‘doing it the right way’ should be the focus

    MUMBAI: Doing it right! This was the fundamental view of the panel of content creators that participated in a discussion on ‘uncovering opportunities for great content’ during the fourth edition of The Content Hub 2020, an initiative by Indiantelevision.com.

    The panel, moderated by Bulldog Media and Entertainment co-founder and producer Akash Sharma, comprises of Zee Studios Originals vice-president and head Ashima Avasthi, Contiloe Pictures Pvt Ltd chief creative officer Abhimanyu Singh, SonyLIV head of original content Saugata Mukherjee.

    The panel was also of the view that the recent surge in content creation and consumption is mainly because of technological advancement and awareness within the audience. Due to these factors, the boundaries across the world have come down and local stories are becoming global.

    In this regard, Avasthi while giving her input said, “The content boom in India was about to happen. Individual viewing has eventually increased all thanks to the emergence of smartphones and high-speed internet. As technology grows, the boundaries between countries are coming down.”

    Zee group’s film production and distribution arm Zee Studios last year had rolled-out an independent digital content subsidy Zee Studios Originals, which will produce premium, original content and create new IPs (intellectual properties) for all digital platforms of the group globally.

    She added, “Despite the surge of individual viewership, there is no difference between binge and traditional watching, both have respective markets. However, television gives only a single opportunity, whereas the digital platform is providing viewers’ a variety.”

    Meanwhile, Singh was of the view that the number of increasing screens such as mobile, laptop, smart TV, etc., are directly proportional to the number of increasing audience. He said, “The television audience is no more identifying the content shown on the channels and is done with it. Currently, the content market is driven by what consumers want and watch.”

    He added, “It’s the right time to re-invent the grammar of telling stories and digital platforms have this acumen to show these stories with a new tale. India has a quality to tell its own Narcos story and we have many stories to tell the world.”

    Abhimanyu’s Contiloe Pictures' upcoming State of Siege: 26/11 will feature on ZEE5 from 20 March 2020 and took at least a year to complete, said Singh.

    Another panellist, Mukherjee, pointed out that the growth of the internet has helped content to boom. “Digital has enabled the diversified connection of content, which has been appreciated the across continents in the world,” he said.

    Mukherjee added, “There’s scope and space for everyone, be it TV or OTT (over-the-top) platforms; it's never us versus them.” He believes that content will find its place and reach across borders. Moreover, broadcast content won’t go away because there’s a big market for it already.

    Echoing the thoughts of Singh, the SonyLIV head said, “The big difference between TV and digital platform is the grammar of storytelling. We should re-invent and tell stories which are quintessentially Indian and draw a line of how Indian platform is different from global digital platforms.”

    Saugata, talking about SonyLIV’s future plan, said: “We don’t want to get stuck with thriller or love stories; rather we are going to try everything to lure the consumers to the platform.”

    Being positive of the growth of the digital content, the panel mentioned that this is the perfect time to enter the business. However, the only thing that should be adhered to is whichever form or format is done, it should be done in the right way as content creation is not an easy task and takes blood and sweat.