Tag: Content

  • When brands think like publishers: CMS Asia 2016

    When brands think like publishers: CMS Asia 2016

    MUMBAI: As more brands are waking up to the perks of content marketing, they increasingly realise the need to think like a content platform or publisher. But, are they doing it right? — was the question raised in the panel discussion at CMS Asia 2016. The panellists were — Autocar’s Hormazd Sorabjee, Mxm’s Pradyuman Maheshwari, Scoopwhoop’s Sattvik Mishra and Reliance Broadcast Network’s Ashwin Padmanabhan. Qyunki’s Sameer Bangara was the dynamic moderator.

    The panellists had a mix response to Bangara’s question – What are brands missing when they try to act as publishers? Maheshwari pointed out that brands often didn’t see the various possibilities that content can provide, being closeted in their traditional mindset. “Rarely do I see branded content that has actually explored the concept more radically. I don’t see why a Lux, backed by HUL’s money and business acumen, can’t have a content wing that does interviews with celebrities?,” he asked.

    Mishra pointed out how brands need to take Ad Blockers and Youtube’s ‘skip ad’ statistics seriously and think deep into why its failing. “That’s why branded content becomes important to engage the consumer. A user doesn’t care if it’s branded or not, as long as the story is entertaining, albeit it needs to be mentioned that it is a branded content. The problem is brands want to do marketing first, and content later,” Mishra frankly stated.

    Sorabjee criticised how brands often are in it for the one-time association, and are quick to seek results. “Content marketing doesn’t work that way, one needs a continuous engagement with the consumer. Long-term association is the key to content marketing, provided the communication is consistent. Brands that are in it for the short spurt may not see much of a difference in their brand uplift.”

    Padmanabhan urged brands to look at different metrics when it comes to content marketing and not go for a single standard measurement. “With the amount of data available today, it is easy to get confused but the CMO needs to identify which of those figures really align with the brand objective. Do views matter, or likes? Or shares? Or, the time spent on engagement…each brand will have different metrics to look at depending on the target they have.

    Seconding Padmanabhan, Mishra added, “We give brands something we call a ‘brand lift’ where, if the brand was spoken about X number of times before engaging in a campaign with us, we show them that, after the campaign, the brand was spoken of 3X times, hypothetically. We have 3rd-party agencies who work on these numbers and internal machinery as well to provide these numbers to the brands.”

    When it came to the measurement of a campaign’s success, Sorabjee differed from the rest of the panellists. “Numbers don’t really matter, I don’t believe in them. In content marketing, brands should, and they do look at the quality of your reader or viewer of a certain publisher. Therefore, the key is to keep your reader as the first priority . A publisher shouldn’t decide on the content based on what the brand wants but what its readers want to consume, and trust me, brands too want to reach that reader,” he said, adding that both, brands and publishers, shouldn’t compromise on content for the sake of metrics and numbers.

  • travelxp partners with AzamTV; brings content to Africa

    travelxp partners with AzamTV; brings content to Africa

    MUMBAI: After venturing into 4K, travelxp is in news for tying up with Azam Tv, and reaching out to audiences in Tanzania, Kenya, Uganda, Malawi & Rwanda. Azam TV is a brand in broadcasting industry in eastern Africa, and claims to have millions customers across the said countries.

    travexp is a Indian lifestyle channel attempting to make a mark internationally after its launched in February 2011. The customers of AzamTV will enjoy travel programming filmed in HD over 40 countries.

    Having a footprint in North America, Middle-East and the Indian Subcontinent, the channel’s entry into the east African region is a sure shot boost. The channel says that the shows like Xplore Hong Kong, Strictly Street, Bliss and Quest are favourite amongst its audiences.

    Commenting on the occasion, travelxp CEO and MD Prashant Chothani said “Africa is a market with enormous potential. The percentage penetration and growth of pay TV population is one of the fastest growing markets in the world. With content syndicated in over 40+countries, further reinforces our belief in our offerings and ability to match viewing preferences of our audiences. We are pleased to join hands with AzamTV to distribute our high quality content to entertain the viewers of Africa”

    Azam Media Limited COO Jacob Joseph added, “ We are glad to have travelxp in our bouquet. It is the most watched channel and perhaps the one &only channel that portray ‘ Life into Reality’. The channel that don’t settle for less but aimed for its best’.As our slogan ‘Entertainment for Everybody.’

  • travelxp partners with AzamTV; brings content to Africa

    travelxp partners with AzamTV; brings content to Africa

    MUMBAI: After venturing into 4K, travelxp is in news for tying up with Azam Tv, and reaching out to audiences in Tanzania, Kenya, Uganda, Malawi & Rwanda. Azam TV is a brand in broadcasting industry in eastern Africa, and claims to have millions customers across the said countries.

    travexp is a Indian lifestyle channel attempting to make a mark internationally after its launched in February 2011. The customers of AzamTV will enjoy travel programming filmed in HD over 40 countries.

    Having a footprint in North America, Middle-East and the Indian Subcontinent, the channel’s entry into the east African region is a sure shot boost. The channel says that the shows like Xplore Hong Kong, Strictly Street, Bliss and Quest are favourite amongst its audiences.

    Commenting on the occasion, travelxp CEO and MD Prashant Chothani said “Africa is a market with enormous potential. The percentage penetration and growth of pay TV population is one of the fastest growing markets in the world. With content syndicated in over 40+countries, further reinforces our belief in our offerings and ability to match viewing preferences of our audiences. We are pleased to join hands with AzamTV to distribute our high quality content to entertain the viewers of Africa”

    Azam Media Limited COO Jacob Joseph added, “ We are glad to have travelxp in our bouquet. It is the most watched channel and perhaps the one &only channel that portray ‘ Life into Reality’. The channel that don’t settle for less but aimed for its best’.As our slogan ‘Entertainment for Everybody.’

  • Mindshare India and Vidooly  create video analytics tool ‘KYVE’

    Mindshare India and Vidooly create video analytics tool ‘KYVE’

    MUMBAI: Mindshare has partnered exclusively with Vidooly, India’s first video analytics startup, to cocreate and launch ‘Kyve’ in India, a platform for brands and advertisers to track online video viewership. The ‘Kyve’ tool will be part of the core Mindshare planning framework in India.

    The ‘Kyve tool created by Mindshare and Vidooly is part of ‘Content+’, an adaptable content model that leverages Mindshare’s unique place as a trusted advisor, helping our clients drive efficiency and effectiveness by not just considering the media channel/ but also the messaging and creative platforms. The ‘Content+’ division is spearheaded by Devendra Deshpande.

    ‘Kyve’ is a new age online video data science platform for advertisers and brands that will provide them with insights into the viewership habits of their target audience, understand viewers’ consumption as well as engagement. This data will help Mindshare India to source relevant partners and influencers for brands to engage with for content creation. Mindshare India will also use the data and intelligence gathered to scan, seed and strategize end to end digital video & content strategies for brands. The tool can also leverage its platform for precise brand targeting on online video, to eliminate audience spillage, and further measure the success of video campaigns.

    “Mindshare’s prime focus remains our commitment to our client brands, and to help create top of mind recall in our messaging, we are working with Vidooly, a leading player in the video analytics space. Millennials in India have transitioned from watching traditional TV to online videos, and consume content anytime, anywhere. Video platforms have been major driving forces behind the rise in original online video programming”, said Prasanth Kumar, CEO, Mindshare South Asia. He further added, “In an adaptive world it is important to track genres of content that is popular with users. The ‘Kyve’ tool is the first of its kind to track the user journey of online viewership and develop a video strategy that is weaved into the consumer conversation. We at Mindshare are hopeful that ‘Kyve’ will redefine the way brands advertise and are certain that our partnership with Vidooly will take us places in delivering quality services to consumers.”

    Vidooly co-founder and CEO Subrat Kar said, “We are thrilled to partner with Mindshare, one the most well known media agencies, to introduce Kyve to the Indian market. Kyve is a joint effort combining Vidooly’s video analytics technology along with Mindshare’s expertise of new and emerging media. With this platform, our aim is to be the go to tool for any brand or advertiser who wants to execute an online video campaign effectively and yield an optimal ROI. We believe Kyve will be a game changer in digital video marketing.”

    According to a 2015 Nielsen report approximately 78% of regular internet users in India watch or download digital content such as videos, television shows, or movies online. India’s online video viewership has doubled since 2011. With the rapid rise of smartphones and internet penetration in India, the demand for online video will only grow further. Viewership of online content on mobile devices is already on the rise, especially amongst Millennials.

  • Mindshare India and Vidooly  create video analytics tool ‘KYVE’

    Mindshare India and Vidooly create video analytics tool ‘KYVE’

    MUMBAI: Mindshare has partnered exclusively with Vidooly, India’s first video analytics startup, to cocreate and launch ‘Kyve’ in India, a platform for brands and advertisers to track online video viewership. The ‘Kyve’ tool will be part of the core Mindshare planning framework in India.

    The ‘Kyve tool created by Mindshare and Vidooly is part of ‘Content+’, an adaptable content model that leverages Mindshare’s unique place as a trusted advisor, helping our clients drive efficiency and effectiveness by not just considering the media channel/ but also the messaging and creative platforms. The ‘Content+’ division is spearheaded by Devendra Deshpande.

    ‘Kyve’ is a new age online video data science platform for advertisers and brands that will provide them with insights into the viewership habits of their target audience, understand viewers’ consumption as well as engagement. This data will help Mindshare India to source relevant partners and influencers for brands to engage with for content creation. Mindshare India will also use the data and intelligence gathered to scan, seed and strategize end to end digital video & content strategies for brands. The tool can also leverage its platform for precise brand targeting on online video, to eliminate audience spillage, and further measure the success of video campaigns.

    “Mindshare’s prime focus remains our commitment to our client brands, and to help create top of mind recall in our messaging, we are working with Vidooly, a leading player in the video analytics space. Millennials in India have transitioned from watching traditional TV to online videos, and consume content anytime, anywhere. Video platforms have been major driving forces behind the rise in original online video programming”, said Prasanth Kumar, CEO, Mindshare South Asia. He further added, “In an adaptive world it is important to track genres of content that is popular with users. The ‘Kyve’ tool is the first of its kind to track the user journey of online viewership and develop a video strategy that is weaved into the consumer conversation. We at Mindshare are hopeful that ‘Kyve’ will redefine the way brands advertise and are certain that our partnership with Vidooly will take us places in delivering quality services to consumers.”

    Vidooly co-founder and CEO Subrat Kar said, “We are thrilled to partner with Mindshare, one the most well known media agencies, to introduce Kyve to the Indian market. Kyve is a joint effort combining Vidooly’s video analytics technology along with Mindshare’s expertise of new and emerging media. With this platform, our aim is to be the go to tool for any brand or advertiser who wants to execute an online video campaign effectively and yield an optimal ROI. We believe Kyve will be a game changer in digital video marketing.”

    According to a 2015 Nielsen report approximately 78% of regular internet users in India watch or download digital content such as videos, television shows, or movies online. India’s online video viewership has doubled since 2011. With the rapid rise of smartphones and internet penetration in India, the demand for online video will only grow further. Viewership of online content on mobile devices is already on the rise, especially amongst Millennials.

  • Blush Originals to release Papa Reji’s story

    Blush Originals to release Papa Reji’s story

    MUMBAI: The inspiring tales of real life heroes, people who stood up against all odds, the stories that will melt everyone’s heart are the stories that Culture Machine’s Blush is set to recite under its Blush Original vertical. Encouraged by the heart-warming response for its first documentary-narration on Bollywood stunt woman Geeta Tondon, Blush has come up with a new story based on Papa Reji to be released on Father’s Day.

    Papa Reji Thomas gave up his government job and started the Bless Foundation to shelter HIV+ve kids that have been abandoned by their families. Reji shelters 22 children, he takes care of their medical treatment, their living expenses and their education with the help of public donations. He has so far managed to rehabilitate 90 percent of the kids brought under his care. His wife and kids stay with these children as one big family, giving these kids parental care and a place to call home.

    public://reji.png

    The channel calls Papa Reji’s story a reality check. During times when we are stuck with our worldly problems, people with the least amount of money and huge hearts are making a difference. “It does not take a big bank account to help people, it takes determination and a very big heart” expressed Blush channel director Akanksha.

    The film on Geeta Tondan narrated the tale of how she survived an ugly marriage, of her escape from brothels and her bringing up her two young children. It recounted how Geeta made her space to do stunts for Deepika Padukone and Alia Bhatt as Bollywood’s leading stuntwoman.

    public://geeta.png

    Blush has content under many verticals like Unblushed, which has stories of outstanding celebrity heroes, and Blush Verdict for its entertainment column. The Original space is entirely dedicated to the real life stories that deserve to be told. “We wish to inspire people through these strong hearted humans, Blush Originals is a celebration of humanity and spirit that people have to live it” explained Seda.

    In spite of Blush being a women-centric content creator, Blush Originals is planning to not only concentrate on female stories, but also narrate any inspiring story from a chaiwala to an up market entrepreneur. Any tale that can inspire. Seda asserted that through digital platforms it has become much easier to create awareness among people and have them share what they have gone through. Digitization has brought people together to empathize and understand the other person’s journey, and Blush is planning to make most of it. It is also open to creating something around a concept and connect various individual stories to it.

    Each documentary is planned to be shot in its own taste say the makers. All the productions are in-house, shot with Sony F7 and 5D Mark III cameras. Blush Originals is set to release one documentary per month. The production team has informed that its is ready with two more videos to be released in July and August.

    Explaining about the people to be showcased, the makers said that they pick up stories amongst themselves. “These are the people we come across day by day, it could be my friend or a neighbor or just someone I run into. There is a story everyone has and every story deserves to be told” added Seda.

    There is no specific search team. It is an in-house task to find people. The makers also claim that they have such a good response after the first video that stories are coming to them now.

    On the marketing and promotion front, Blush is majorly using cross promotion with its sister YouTube channel Being Indian. Otherwise it is pushing the videos through regular online marketing strategies. “Documentaries have reached the right audiences through digitization” commented Seda while explaining the promotion front.  

    There are no tie ups with any brands or sponsors as of now. These documentaries are intellectual properties of Blush.

  • Blush Originals to release Papa Reji’s story

    Blush Originals to release Papa Reji’s story

    MUMBAI: The inspiring tales of real life heroes, people who stood up against all odds, the stories that will melt everyone’s heart are the stories that Culture Machine’s Blush is set to recite under its Blush Original vertical. Encouraged by the heart-warming response for its first documentary-narration on Bollywood stunt woman Geeta Tondon, Blush has come up with a new story based on Papa Reji to be released on Father’s Day.

    Papa Reji Thomas gave up his government job and started the Bless Foundation to shelter HIV+ve kids that have been abandoned by their families. Reji shelters 22 children, he takes care of their medical treatment, their living expenses and their education with the help of public donations. He has so far managed to rehabilitate 90 percent of the kids brought under his care. His wife and kids stay with these children as one big family, giving these kids parental care and a place to call home.

    public://reji.png

    The channel calls Papa Reji’s story a reality check. During times when we are stuck with our worldly problems, people with the least amount of money and huge hearts are making a difference. “It does not take a big bank account to help people, it takes determination and a very big heart” expressed Blush channel director Akanksha.

    The film on Geeta Tondan narrated the tale of how she survived an ugly marriage, of her escape from brothels and her bringing up her two young children. It recounted how Geeta made her space to do stunts for Deepika Padukone and Alia Bhatt as Bollywood’s leading stuntwoman.

    public://geeta.png

    Blush has content under many verticals like Unblushed, which has stories of outstanding celebrity heroes, and Blush Verdict for its entertainment column. The Original space is entirely dedicated to the real life stories that deserve to be told. “We wish to inspire people through these strong hearted humans, Blush Originals is a celebration of humanity and spirit that people have to live it” explained Seda.

    In spite of Blush being a women-centric content creator, Blush Originals is planning to not only concentrate on female stories, but also narrate any inspiring story from a chaiwala to an up market entrepreneur. Any tale that can inspire. Seda asserted that through digital platforms it has become much easier to create awareness among people and have them share what they have gone through. Digitization has brought people together to empathize and understand the other person’s journey, and Blush is planning to make most of it. It is also open to creating something around a concept and connect various individual stories to it.

    Each documentary is planned to be shot in its own taste say the makers. All the productions are in-house, shot with Sony F7 and 5D Mark III cameras. Blush Originals is set to release one documentary per month. The production team has informed that its is ready with two more videos to be released in July and August.

    Explaining about the people to be showcased, the makers said that they pick up stories amongst themselves. “These are the people we come across day by day, it could be my friend or a neighbor or just someone I run into. There is a story everyone has and every story deserves to be told” added Seda.

    There is no specific search team. It is an in-house task to find people. The makers also claim that they have such a good response after the first video that stories are coming to them now.

    On the marketing and promotion front, Blush is majorly using cross promotion with its sister YouTube channel Being Indian. Otherwise it is pushing the videos through regular online marketing strategies. “Documentaries have reached the right audiences through digitization” commented Seda while explaining the promotion front.  

    There are no tie ups with any brands or sponsors as of now. These documentaries are intellectual properties of Blush.

  • Broadcasting to get Rs 475.5 crore in Annual Plan 2016-17 of MIB

    Broadcasting to get Rs 475.5 crore in Annual Plan 2016-17 of MIB

    NEW DELHI: There is a provision of Rs 390 crore as grant-in-aid for Prasar Bharati for the year 2016-17 which includes Rs 50 crore for the north east region.

    In addition, there is a grant-in-aid of Rs 60 crore including Rs 8 crore for the north east region, according to the annual plan of the Information and Broadcastng Ministry for 2016-17.

    In addition, Doordarshan will get Rs 125 crore and All India Radio will receive Rs 75 crore for development of new content.   

    A sum of Rs 12 crore has been set aside for strengthening the Electronic Media Monitoring Cell which will soon increase its capacity to monitor all TV channels in the country.

    A budget of Rs 4 crore has been set aside for supporting community radio stations which includes Rs 20 lakh for the north east region.

    Infrastructure Support Cell in the ministry renamed as Digitisation Mission has a budget of Rs 5 crore in the annual plan, while Rs 4.5 crore has been set aside for automation of the broadcasting sector.

    Thus the total budget in the annual plan for the broadcasting sector is Rs 475.50 crore including Rs 58.2 criore for the north east.  

  • Broadcasting to get Rs 475.5 crore in Annual Plan 2016-17 of MIB

    Broadcasting to get Rs 475.5 crore in Annual Plan 2016-17 of MIB

    NEW DELHI: There is a provision of Rs 390 crore as grant-in-aid for Prasar Bharati for the year 2016-17 which includes Rs 50 crore for the north east region.

    In addition, there is a grant-in-aid of Rs 60 crore including Rs 8 crore for the north east region, according to the annual plan of the Information and Broadcastng Ministry for 2016-17.

    In addition, Doordarshan will get Rs 125 crore and All India Radio will receive Rs 75 crore for development of new content.   

    A sum of Rs 12 crore has been set aside for strengthening the Electronic Media Monitoring Cell which will soon increase its capacity to monitor all TV channels in the country.

    A budget of Rs 4 crore has been set aside for supporting community radio stations which includes Rs 20 lakh for the north east region.

    Infrastructure Support Cell in the ministry renamed as Digitisation Mission has a budget of Rs 5 crore in the annual plan, while Rs 4.5 crore has been set aside for automation of the broadcasting sector.

    Thus the total budget in the annual plan for the broadcasting sector is Rs 475.50 crore including Rs 58.2 criore for the north east.  

  • ESPN US to focus more on content, technology, intl business with restructuring

    ESPN US to focus more on content, technology, intl business with restructuring

    MUMBAI: ESPN US and ABC Sports president George Bodenheimer has announced the reorganisation of ESPN’s business functions and executive management into six specific areas.

    The aim is to pursue the company’s primary mission to serve sports fans and for future growth in the areas of content, technology, sales and marketing, the international arena, finance and administration.

    The executive management team reporting to Bodenheimer includes John Skipper, who has been promoted to executive VP content; Chuck Pagano whos is now executive VP technology; Sean Bratches who is executive VP sales and marketing. Christine Driessen continues to serve as ESPN executive VP and CFO. Ed Durso contnues to be ESPN executive VP, administration; and Russell Wolff stays in his position as ESPN Intl executive VP and MD.

    Bodenheimer says, “Changes in our management ranks presented an opportunity to redefine our structure. Aggregating all our creative energies in one division; placing all sales and marketing in one area to sell our growing menu of services; consolidating oversight of all technology; and affirming the centralised management of all international businesses are powerful statements. I am excited about the prospects of this realignment and the people leading these areas. Not only does this reaffirm ESPN as the leading sports media entity, it will strengthen our commitment to serving sports fans.”

    Skipper will now oversee content in all its forms for all ESPN and ABC Sports television, radio, Internet, publishing, wireless, broadband and Enterprises operations. Skipper joined ESPN in June 1997 after several years in the publishing business, including the Disney Publishing Group, which he joined in 1990. He oversaw one of the most successful magazine launches, ESPN The Magazine in March 1998.

    Wolff, along with the support of Driessen, has led initiatives around the world increasing the financial success of ESPN’s international operations. Wolff, who joined ESPN in 1997 managing ESPN’s business interests in the Pacific Rim, is responsible for all of ESPN’s international business initiatives across television, radio, publishing, wireless, broadband, and ESPN Enterprises operations.