Tag: Content Strategy

  • Kavitha Jaubin to look after aha Tamil & Telugu content & strategy

    Kavitha Jaubin to look after aha Tamil & Telugu content & strategy

    MUMBAI: Hyderabad-based OTT aha has upped the ante in its Telugu content game. In March 2025. it expanded senior vice-president – content & strategy (aha Tamil) Kavitha Jaubin’s role to cover aha’s Telugu programming as well. 

    The industry veteran took to LinkedIn to share the news, calling it a “new chapter with renewed energy and vision.”

    Known for her sharp storytelling instincts and deep roots in southern entertainment, she’s expected to shape aha Telugu’s creative and strategic direction as it competes in an increasingly crowded OTT battleground.

    With over two decades in content across TV, radio, and streaming, Jaubin has worn many hats—from writer-director at Star Vijay, to producer under K. Balachander’s Minbinbangal banner, and later content head across four southern languages at Sun TV Network. Her tenure at Sun saw her drive content and brand integrations for multiple genres, including kids and GECs.

    At aha, she first joined in 2022 to lead content for the Tamil arm before rising to a dual-language SVP role earlier this year. Her promotion signals the platform’s intent to double down on premium, culturally resonant Telugu storytelling.

    Hashtag  #ahaTelugu just got a whole lot more ambitious.

  • ADK Global India and The PR Stop. ink partnership to stir the creative pot

    ADK Global India and The PR Stop. ink partnership to stir the creative pot

    MUMBAI: Ever heard the phrase “two heads are better than one”? Well, imagine those two heads belonging to digital marketing maestros and storytelling savants. Intrigued yet? ADK Global India, a leading digital agency, has teamed up with The PR Stop., Mumbai’s storytelling gurus, promising to deliver creative chaos and tech wizardry like never before. Ready for some serious innovation fireworks?

    Announced on 18 March 2025, this partnership aims to boost ADK Global India’s visibility as a formidable challenger in digital marketing. How? By blending creativity, data, and tech to reinvent the consumer experience. Simply put, they’re promising results so seamless you’ll forget they’re working behind the scenes (spoiler: they are).

    ADK Global India CEO Neville Medhora says, “As a challenger agency, we’re all about simplifying complexity with integrated, tech-driven solutions that deliver real impact. This collaboration will help us showcase how our adaptive approach sets us apart and drives growth in a dynamic industry.” Translation: Expect fewer buzzwords, more results.

    Neville

    The PR Stop., known for crafting narratives that slice through clutter, will amplify ADK Global India’s innovative moves. The PR Stop. founder & PR strategist Rohini Saldanha adds, “I’m thrilled to team up with ADK Global India because their innovative, cohesive approach to challenging the status quo and their commitment to client success truly inspires me. At The PR Stop., we’re all about crafting stories that cut through the noise, and this collaboration allows us to spotlight ADK Global India’s mission to lead with relevance and impact.” In other words, prepare for storytelling so sharp it’ll cut through digital fatigue faster than your Wi-Fi speed.

    ADK Global India, with its deep expertise in UI/UX, social media, and search optimisation, is always two steps ahead in user engagement. Combine this with The PR Stop.’s prowess in content development, crisis management, and strategic storytelling, and you’ve got yourself a partnership primed to shake up the status quo.

    So, will this dynamic duo redefine creative and tech innovation, or just make competitors nervous? Either way, grab your popcorn—the digital scene’s about to get interesting.

  • Desi Trill names Ruth Mohinani as head of operations in India

    Desi Trill names Ruth Mohinani as head of operations in India

    MUMBAI: Desi Trill, the trailblazing global movement reshaping South Asian music and culture, has announced the appointment of Ruth Mohinani as its head of operations in India. With over 17 years of experience in television, music, and sports, spanning content strategy, IP development, A&R, sync, and licensing, Ruth is set to supercharge Desi Trill’s footprint in one of the world’s most electrifying music markets.

    As the driving force behind Desi Trill’s expansion in India, Mohinani will spearhead collaborations, curate groundbreaking events, and propel South Asian artists onto the global stage.

    Expressing her enthusiasm for this pivotal role, Mohinani shared, “Desi Trill is more than a movement—it’s a cultural shift. I’m honored to take on this role and work with a team that’s dedicated to showcasing south Asian artistry worldwide. Desi Trill’s vision aligns with my own—to empower artists, build meaningful IPs, and create content that resonates across cultures. The journey ahead is exciting, and we’re just getting started.”

    Echoing this excitement, Desi Trill co-founder Shabz Naqvi stated, “Ruth’s entry marks a pivotal moment for us in India. Her impressive track record and deep understanding of the industry make her ideal to drive our mission of creating a new genre and building south Asian talent globally under our Brown Is Everywhere community activations. We’re excited to have her on board in this journey.”

    Prior to joining Desi Trill, Mohinani served at Rolling Stone India as SVP – content strategy, where she played a key role in shaping content direction and artist engagement. Before that, she led Indian hip-hop’s meteoric rise as general manager (A&R) at Universal Music India, overseeing record-breaking streaming successes through Mass Appeal India and Def Jam India.

    Her illustrious career also includes pivotal leadership roles at NBA India, Viacom18 (Vh1 India & Comedy Central India), and Zee Trendz/Zee Café, where she pioneered IP development, content programming, acquisitions, talent management, and major events. Beyond corporate leadership, Mohinani remains a steadfast mentor, guiding emerging artists as they navigate the ever-evolving music industry.

    With this strategic appointment, Desi Trill is doubling down on its mission to connect South Asian sounds with global audiences, expanding its reach and influence across India and beyond.
     

  • NP Digital India ropes in Venkata Gavaskar Dontha from iProspect India

    NP Digital India ropes in Venkata Gavaskar Dontha from iProspect India

    MUMBAI: The performance-driven digital marketing agency, NP Digital India, has welcomed Venkata Gavaskar Dontha as its new head of digital operations. Armed with over 17 years of expertise in performance marketing, SEO, social media, and analytics, he’s stepping in to lead client growth, revenue expansion, and the next wave of digital innovation tailored for the Indian market.

    Venkata joins NP Digital India from iProspect India, where he helmed the performance practice, driving cross-functional teams to award-winning success. His strategic vision helped the agency bag prestigious Agency of the Year titles, cementing his status as a digital marketing trailblazer. Now, at NP Digital India, he’s all set to shake things up.

    The appointment of Venkata is part of NP Digital India’s aggressive growth strategy. Over the past few months, the company has strategically onboarded two senior leaders, reinforcing its commitment to expanding global digital solutions in India.

    “We are thrilled to welcome Venkata to our leadership team. His remarkable expertise will be key to our strategy of integrating technology-driven digital services and SEO, enabling us to deliver global products in the Indian market. In fact, over the last couple of months, we have strategically onboarded two leadership positions to strengthen our executive team and accelerate our growth. This is just the beginning of a transformative phase for NP Digital India,” said NP Digital India CEO & co-founder Prady.

    Venkata, too, is ready to hit the ground running. “I have always admired the digital marketing insights of Neil Patel. Now, joining NP Digital India gives me a unique opportunity to both learn and apply my existing experience within a company that embodies an innovative, ahead-of-the-curve approach. I’m excited to transform digital challenges into creative, performance-driven solutions for our clients,” he said.

    NP Digital India is on a mission to dominate the digital marketing space, and bringing in leaders like Venkata only strengthens its commitment to innovation and client success. With his expertise, the company aims to drive operational excellence, expand revenue streams, and continue leading the charge in digital marketing’s technological evolution.

  • Enterr10 Television appoints Harshad Wadadekar as director, syndication & partnerships

    Enterr10 Television appoints Harshad Wadadekar as director, syndication & partnerships

    MUMBAI: Content licensing and syndication runs through his veins and it is a skillset he has developed over the past 12 years of his career in media and entertainment. Harshad Wadadekar  is continuing in that space, the only difference being that he will be doing it at the Manish Singhal promoted Enterr10 Television – the company which runs the No 1 Indian Hindi TV channel – as director – syndication & partnerships.

    Wadadekar’s career encompasses significant roles in leading media organisations. He cut his teeth in the content licensing and syndication business at the Vivek Lath-Jimmy George owned GoQuest Media (June 2013-August 2022) where he rose to become general manager. He followed that with short stints at Sony Pictures Networks (August 2022-Septemebr 2023) and Shemaroo Entertianment (September 2023-January 2025. In the beginning of his career, Harshad  worked a few months each at various companies like Indian Magic Eye, Reliance Entertainment, B4U Television either in production or assisting the syndication teams for Hong Kong Film Art.

    Wadadekar holds a bachelor’s degree  in mass media &  production management and a master’s degree in business administration and a PGP in  media and communication. 

    “I’m happy to share that I’m starting a new position as director – syndication & partnerships at Enterr10 Television,” Wadadekar announced on Linkedin.

  • Sun TV’s Kavitha Jaubin joins Arha media-owned Aha as VP content & strategy- Tamil

    Sun TV’s Kavitha Jaubin joins Arha media-owned Aha as VP content & strategy- Tamil

    Mumbai: Sun TV veteran Kavitha Jaubin has joined Arha media-owned Aha as VP of content & strategy-Tamil. Jaubin confirmed the development to Indiantelevision.com over a call. Jaubin led the content and brand integration at Sun TV, where she served a stint of over 15 years.

    Indiantelevision.com broke the news of the media veteran putting in her papers at the Kalanithi Maran-owned network last month.

    ALSO READ |Sun TV veteran Kavitha Jaubin quits

    Aha is an OTT player owned by Arha Media & Broadcasting, a joint venture between Geetha Arts and real estate business group My Home Group, which offers original content in Telugu and Tamil languages. After establishing itself as the one-stop destination for Telugu-speaking viewers globally, the OTT player forayed into the Tamil market late last year, following its debut in March 2020.

    At Sun TV, the Chennai-based Jaubin handled several challenging assignments, having joined the network in August 2007 as head of Kids Channels (Tamil, Telugu, Kannada and Malayalam). She took on the additional responsibility of cluster head-content acquisition at the broadcaster.

    Jaubin took over the mantle of head of Sun Life, the network’s second general entertainment channel, in 2011 for nine years before taking up her final stint at the broadcaster as head of content and brand integration in February 2020.

    Prior to Sun TV, she served a brief stint as executive producer at 92.7 BIGFM.

    Early on in her career, she even donned a creative hat as writer-director at Star India’s Star Vijay Television for four years.

  • Solid content planning, programming & marketing strategy makes CNN-News18 industry leader: Smriti Mehra

    Solid content planning, programming & marketing strategy makes CNN-News18 industry leader: Smriti Mehra

    Mumbai: CNN-News18 emerged as the leading English news channel in terms of relative market share during weeks 15-18 2022, as per Broadcast Audience Research Council (Barc) India. The channel garnered a relative share of 29 per cent followed by other channels Republic TV (25.90 per cent) and Times Now (23.80 per cent). 

    The channel’s lead became even more remarkable during the primetime hours between 18:00-23:00 pm where its relative share reached 37.3 per cent with Republic TV in second place trailing far behind at 28.7 per cent.

    The leap in the channel’s ratings were supported by a sustained strategy by the broadcaster to broad base its programming to cater to all geographies in the country and build its content strategy around news that the consumer wants to see. This strategy was implemented during the ‘ratings dark’ period that lasted from October 2020 until March 2022 (week 10 2022) where there was no Barc data available for individual news channels.

    With 19 years of experience, Smriti Mehra leads Network18 Group’s news brands such as CNBC TV18, CNBC Awaaz, CNBC Bajar and CNBCTV18.com. She’s an experienced revenue head with a demonstrated history of working in the media industry across mediums.

    Her expertise lies in customer relationship management, market research, management, marketing, and business development.

    Her past associations include stints at Bennett Coleman and Company, Discovery Communications, Turner Broadcasting and Arré.

    In conversation with Indiantelevision.com, Network18 Media and Investments CEO – business news Smriti Mehra who speaks about the business strategy, brand positioning and marketing initiatives by the network to become a leading brand in the English news genre.

    Edited Excerpts

    On the programming strategy adopted by Network18 during ‘ratings dark’ period

    In the 18 months when there were no ratings, we consciously took a step back from everything we were doing. When you work in a faced-paced industry some paradigms and templates are formed that everyone conforms to. We took that time to reflect and it was not just a passive process, it involved social listening and observing the content offtake. We asked if there was a sharper target group that we wanted to aim at. We decided that we have to diversify beyond just serving political news to understanding what the consumer really wants to watch.

    The channel built its content strategy around multiple layers of content. Now, it shows content on start-ups and sports while there is still political news at the centre.

    Network18 has a massive network of 1200 reporters across the length and breadth of the country that helps us go hyperlocal. There’s also a strong international presence with brands like CNN and CNBC. This helps us cover an entire palette in our content strategy and that’s what we offered to the consumer.

    The amalgamation of all of this has been an evolved content strategy. Along with distribution, it has led to a dramatic surge in CNN-News18’s performance and I think this strategy, where we put the consumer at the centre and build content around them, is here to stay. CNN-News18 is not just a debate-only channel, we’re doing story-led content that’s really working with our viewers.

    On broad basing programming to attract a wider audience to the channel

    To widen our content offering, what we’ve done is integrate our newsroom. The content needs to be offered across multiple platforms and in multiple formats but at the centre the product remains the same, which is news. That has helped us attract eyeballs or target audiences beyond the core T.G of the news genre that every channel goes after.

    On the brand positioning – ‘news over noise’

    What I’ve spoken to you about kind of reflects our positioning as well. We want to invest our mind space, energy and efforts into actually doing the news. It’s also about breaking the existing mould of TV programming and moving away from the standard template. This is an experiment that we’re trying and some of the experiments may succeed and others may not succeed but at the end the consumer is at the centre of the news programming that we’re building.

    There has been a positive response to our efforts from the viewers and acceptance of our programming. Not to say that this strategy is fixed and not open to change as some things will work and others will not. By and large, we are constantly putting pressure on ourselves to evolve as the demand from the viewer changes and the audience asks for something different from news programming.

    On consumption trends of the English-speaking audience in the news genre

    Broadcast is seeing an increasing need to converge. The offtake of news consumption is moving to screens beyond television. TV content is also moving from being just cable and DTH driven to being powered by the internet.

    The sources of news and credibility of news brands, however, are not changing. There are still people who want to listen to brands like ours whether it is CNN-News18 or CNBC-TV18.

    We’re moved beyond just doing TV news. Our brand is across formats like platform video, audio and we’re investing in products like Local18, our hyperlocal news platform, and we’re building our social media content as well. This is the need of the hour and there’s no running away from it. 

    On the revenue outcomes for the channel

    The revenue outcomes for the channel change in two ways.

    One is just the television ratings. Not just now but even during the Covid phase when ratings were there, since there was no fresh content on entertainment channels and live sports was not happening, the news genre saw a huge upsurge in viewership.

    The news cycle became extremely relevant in the backdrop of Covid and the economy. People were turning to news and being an essential service, we were up and running at all points in time. During this period, we saw a huge amount of viewer interest and because of that a whole lot of advertisers partnered with us. This was an industry phenomenon and not confined to CNN-News18.

    The return of TV ratings has only helped us substantiate our position and supersize our association and commercial arrangements with a lot of advertisers.

    The second part is Network18 Group at large is diversifying its content and bringing news at the centre of all its programming efforts. And I think advertisers have taken notice of our efforts. We’re become so much more brand safe and have created a non-volatile environment to advertise in.

    We’ve created solutions for big name advertisers like Reckitt who partnered with us for the social campaign ‘Mission Paani’. P&G partnered with us on the ‘Period of Pride’ campaign around menstrual health education. These are brands of repute who are wanting to affect behaviour change through social campaigns.

    When you do all these things, my experience of 19 years has shown that revenues generally follow. This strategy has not been taken up with just revenues in mind but as an overall business strategy upholding all the pillars of Network18.  

    On partnering with brands for larger initiatives

    There’s a lot more appetite among brands to do socially conscious messaging campaigns. On 5 June, World Environment Day, you must have observed that a plethora of brands put out messaging celebrating the day. Climate change is a reality and as the country experienced one of the harshest summers in decades, brands want their communication to reflect what the consumer is going through.

    A lot of brands want to partner with a larger platform like ours to co-create and build large campaigns that speak to the consumer. At Network18, we’re brilliantly poised to deliver such campaigns as we have a national presence, a regional presence and speak across 12 Indian languages. We report news from every corner of the country and there’s a big digital reach as well.

    On the business strategy of the channel going forward

    We want to continue our content and performance leadership. We’ve been able to reach there very quickly during the financial year. Our efforts will be to remain in this position and grow bigger from here. There will be endeavour to experiment with more content formats as we continue to stay committed to our diversification intent for CNN-News18. Beyond that, we’d like to partner with advertisers to work on contextual campaigns and co-create large campaigns that really bring their message across in a credible way.

    English news content will become multi-screen sooner than any other language. The response to this trend is not bifurcating your business into silos. Network18 has a very large TV business and digital business and we’ve seamlessly converged on the content side and business side everywhere. That’s a step that most companies haven’t taken.

    For us, digital business is growing at a hyper-speed and it is happening because there is excellent monetisation of the audiences that come on digital.

    On the marketing initiatives undertaken by the network to strengthen its positioning

    During the two years of the pandemic, we constantly rolled our campaigns that had nothing to do with CNN-News18 brand or TV ratings. Our marketing was about building a responsible voice and communicating what was important to the consumer. We executed a campaign that celebrated frontline workers ‘Extraordinary Among Us’ and another one that was about India supporting Covid orphans. There were campaigns on masking-up and social distancing because the community needed to know.

    In the coming months, you’ll see fresh intellectual properties (IPs) coming from our stable that capitalise on the leadership position of CNN-News18.

  • Ullu appoints Nivedita Basu as head of content strategy & business alliances

    Ullu appoints Nivedita Basu as head of content strategy & business alliances

    Mumbai: Homegrown OTT platform Ullu has appointed Nivedita Basu as the head of content strategy and business alliances. Her role will entail developing, creating, and producing original content and leading strategic business alliances for the platform. 

    With over two decades of experience in production and programming, Nivedita is one of the most noteworthy professionals in the entertainment industry. Her most significant stint was with Balaji Telefilms, where she donned the hat of a creative director.  She was key in revolutionising Indian soap series and also spear-headed content creation for leading Indian GEC namely Star, Zee Entertainment, Sony amongst many others. She is lauded for shows like “Saas Bhi Kabhi Bahu Thi,” “Kahani Ghar Ghar Ki,” “Kasauti Zindagii Ki,” “Kusum” and has also worked as a creative director for 24 at Anil Kapoor Film Company. Prior to joining Ullu, Nivedita had directed and co-produced its much-talked-about show “Tandoor.”

    Speaking on her appointment, Ullu founder and CEO Vibhu Agarwal said, “As we continue to expand and foray in different domains, Nivedita’s rich and illustrious experience will help us drive our goals. In her capacity, Nivedita will be responsible for not just creating engaging original content but also identifying the right talent for it. She will also lead our existing and new key business alliances.”

    “It gives me immense pleasure to join the vibrant and growing team of Ullu. Its commendable, how in such a short span of time, Ullu has established itself as a key player in the OTT space which offers content across genres,” said Nivedita Basu. “Earlier last year it expanded its library with family viewing shows like Assi Nabbe Poore Sau,  Bulls of Dalal Street, Cyanide and Tandoor amongst others which had some of the best-known talents from the industry along with intriguing concepts.  It is now at a pivotal juncture of diversifying and I join the team to further solidify its premium content offering.  I am really thankful to Vibhu ji for instilling faith in me.  I hope to take Ullu’s premium content domains to new heights and make the brand a one-stop destination of entertainment across domains.”

  • Industry heads see huge headroom for growth across TV & digital in India

    Industry heads see huge headroom for growth across TV & digital in India

    KOLKATA: At the Asia Video Industry Association’s (AVIA) recent Future of Video India conference, industry leaders remained upbeat about the potential for growth in India’s television landscape despite a painful 2020 which had seen a 25 per cent drop in TV advertising revenue.

    The conference opened with an overview of the Future of Video in India with Media Partners Asia (MPA) India VP Mihir Shah. With learnings from the last year and economic resurgence in certain sectors, MPA predicts that in the next five years, with every new incremental dollar in the region, India will have 35 per cent share, almost evenly divided between television and online video.

    While cable in general is going through a structural decline, pay-TV subscriptions will grow both in value and volume and continue to offer scale for the traditional media players. And with more than 60 online video services in India, the total addressable market will continue to expand.

    This local expansion is what Disney+ Hotstar president & head Sunil Rayan is eyeing, with the streamer’s next stage of growth primed at developing their product for India, with pricing and content made for the local market. As India is a mobile-first market which drives individual viewing, while OTT and TV is not a zero sum game, OTT content needs to be far more engaging for individual viewing. “Fundamentally, we don’t believe in a one-size-fits-all approach for India because there are multiple Indias within India,” mentioned Rayan.

    The sentiment of diversity and positive co-existence among the platforms was echoed by Discovery Communications India south Asia MD Megha Tata. “India lives in several centuries at the same time,” she said, and this is not only the beauty and complexity of the market but also the opportunity to do more. While it is still a long way away before the demise of the TV, a differentiated content and product offering remains a key focus.

    “Content is king . . . distribution is god . . . that play of god and king will continue but differentiation of content will play a critical part in decision making,” added Tata.

    This focus on local content is also what drives content platforms. Netflix India VP content Monika Shergill shared that premium storytelling was a new space in India, as Indian audiences were open to experimentation and yet gravitating towards highly local tastes. “Our job and our passion is to find the best stories . . . the biggest stories . . . the untold stories from India and to become the service of choice for Indians in India . . . and in different parts of the world,” shared Shergill.

    For Zee5 Hindi Originals head Nimisha Pandey, the initial focus was on building volume, though it has now shifted to adding to the variety and scaling up the content offering. She, too, has realised the need to up the game on the regional market for the next set of growth. “There is so much demand that there is much hope for everyone to grow their businesses,” said Pandey.

    As the market where the next billion consumers of video will come from, Zee5 Global chief business officer Archana Anand summed it up best when she said, “It is the decade of video.”

  • India is a ‘speculative’ investment: Netflix’s Reed Hastings

    India is a ‘speculative’ investment: Netflix’s Reed Hastings

    KOLKATA: It is not easy to win over Indian consumers given the diversity of the market – be it in terms of language, income or preferences. Since its foray into India, streaming giant Netflix has taken several measures from the dual point of view of content and pricing. While top executives remain bullish about the India market, there’s still a lot of work to be done by the streamer.

    Netflix has already seen huge success in some Asian markets like Japan, South Korea. The APAC region has contributed to a third of its subscriber growth in Q1 and has seen healthy revenue growth, including average revenue per member. However, it is “still figuring things out” in India, Netflix co-CEO Reed Hastings said in an earnings call.

    “Investment takes some guts and belief forward-looking. But the other investments you should think of, just like rich European countries, content exports really well and we are just getting a little better every month on it,” he added.

    While comparing India’s growth story to that of other Asian countries, Hastings averred that investing here still remains a "speculative" venture as they're still working out the kinks in their overall content strategy.

    “I would say we are still mostly focused on getting a content fit and getting broader content. So that’s why I would say that one is a more speculative investment than, say, Korea or Japan, which again, five years ago was very speculative. But we are over the hump on that,” he detailed.

    India is a tremendous opportunity for Netflix; moreover, the platform offers great scope for the creative community to connect with the enormous audiences, Netflix co-CEO and chief content officer Ted Sarandos said.

    “It’s just like all great opportunities. It’s a long journey, and it’s a challenge. And we think it’s worth it. And that’s why we’re investing early and trying to stay ahead of it. And I think we will be able to see those kinds of results that we’ve seen in other places in the world as we continue to learn more and more and more,” he stated.

    Of all its markets, India was the first one where Netflix launched its mobile only plan. Recently, it started testing Mobile+ plan at Rs 299 per month. Netflix COO Greg Peters said they would work more and more on such plans that have the right balance of features and pricing. The streaming platform is working on bringing in price points that are low enough for more and more of the world’s population to be able to access the service.

    Along with sachet plans, partnerships with market leaders have also yielded good results for the platform. “Jio is a great example of a partner we’ve been working with there to really bring the service to a new demographic at a very, very low price associated with low-cost mobile plans that they are offering as well as home-based IPTV plans. And those have been successful for us as well,” Peters said.