Tag: Content Creators

  • Oneplus shoots for the stars, puts Dolby Vision in every creator’s pocket

    Oneplus shoots for the stars, puts Dolby Vision in every creator’s pocket

    MUMBAI: Ever fancied yourself the next Scorsese but stuck filming cat videos? Good news! Oneplus is here to rescue you (and maybe even your bored feline) from cinematic obscurity. The smartphone giant is handing everyday creators a Hollywood upgrade with Dolby Vision technology, right on the sleek new Oneplus 13. Because who needs Spielberg when your phone can make your selfies look Oscar-worthy?

    On 13 March 2025, Oneplus launched its snazzy new campaign, #ShootYourShort, encouraging storytellers, filmmakers, and content creators to flex their cinematic muscles using the impressive Dolby Vision features on the Oneplus 13.

    To kickstart the fun, Oneplus roped in four award-winning directors—Maanvi Bedi, Sreemoyi Singh, Chattarpal Ninawane, and Mohammad Ali—to showcase their short films, shot entirely on Oneplus 13. These shorts capture the vibrant, colourful chaos of Holi, turning ordinary festival moments into visual masterpieces. Think vibrant colours, sharp contrasts, and emotional storytelling that could make even Tarantino raise an eyebrow.

    “At Oneplus India, we are constantly pushing the boundaries of smartphone photography and videography,” said Oneplus India director of marketing Ishita Grover. “With #ShootYourShort, we are providing creators and our community an opportunity to explore their artistic vision using the power of Dolby Vision on the Oneplus 13. With Holi around the corner, this campaign celebrates the festival’s vibrant colors and emotions, bringing them to life with stunning picture quality. We are committed to delivering a cinema-grade experience in Dolby Vision that empowers professionals and enthusiasts alike to create visually stunning content with the Oneplus 13.”

    Echoing this enthusiasm, Sameer Seth from Dolby Laboratories chimed in, “Dolby Vision has long been the imaging technology of choice for the world’s leading storytellers and device makers enabling them to deliver unparalleled visual experiences. With the Oneplus 13, we are excited to bring this content creation technology into the hands of everyday creators, empowering them to capture every detail with incredible contrast and lifelike colors. Dolby Vision ensures that every frame is optimized for brilliance and naturalness, allowing creators to push the boundaries of smartphone cinematography.” Translation: your Tiktok dances are about to get Oscar-level cinematography.

    But the cinematic fun doesn’t stop there. Oneplus is inviting all creative minds (yes, even you binge-watchers) to join the #ShootYourShort challenge. Participants can submit their own cinematic mini-masterpieces inspired by a colour of their choice, highlighting the powerful capabilities of Oneplus 13’s Dolby Vision videography.

    To sweeten the deal, the top three submissions will bask in glory (and bragging rights), proving that cinema magic truly fits into your pocket.

    So, grab your Oneplus 13, say ‘action!’, and remember—even Spielberg had to start somewhere.

  • Social Panga brings out ‘The Viral Union’ to power influencer marketing

    Social Panga brings out ‘The Viral Union’ to power influencer marketing

    MUMBAI: Social Panga is stepping up its game in the creator economy. The integrated creative and digital marketing agency has launched The Viral Union (TVU)—a dedicated influencer marketing vertical designed to bridge the gap between brands and content creators.

    Led by Sudarshan Kailash, TVU will offer brands 360-degree influencer solutions, spanning nano, micro, and macro influencers, talent partnerships, and performance-driven campaigns. With influencer marketing expected to grow at 25 per cent annually, reaching Rs 10,500 crore by 2027, Social Panga is seizing the opportunity to provide data-backed, scalable, and high-impact influencer marketing strategies.

    Social Panga co-founder Himanshu Arora underscored the significance of this move, “Influencer marketing is no longer an add-on—it’s a core strategy for brands looking to engage audiences authentically. The Viral Union is designed to bridge the gap between content creators and brand narratives, ensuring campaigns that not only drive visibility but also deliver tangible business impact. With TVU, we are doubling down on our commitment to data-backed, creative-first storytelling that truly resonates.”

    Social Panga co-founder Gaurav Arora echoed the sentiment, “We have always believed in deep vertical expertise and evolving with market dynamics. The Viral Union is a natural extension of this philosophy, bringing together data, creativity, and authenticity to drive meaningful engagement for brands. With TVU, we are strengthening our integrated ecosystem—complementing the production excellence of The Yellow Shutter and the creative ingenuity of Social Panga—to elevate brand storytelling and campaign impact.”

    Kailash emphasised the evolving nature of influencer marketing, “Influencer marketing is no longer just about visibility; it’s about delivering real impact. At The Viral Union, we are committed to building campaigns rooted in authenticity, backed by data, and driven by creativity. Our goal is to set new benchmarks in the industry, helping brands connect with audiences in more meaningful and effective ways.”

    TVU is already working with major brands such as Domino’s, AMD, Kit Kat, Bumble, Swiggy, Tata Motors, Pepperfry, and 3M. With plans to scale influencer-driven strategies across multiple platforms, industries, and audience segments, the vertical is set to redefine how brands leverage the power of digital storytelling.

    Social Panga, a part of LS Digital, also operates a production house called The Yellow Shutter, further enhancing its creative capabilities.

     

  • India emerges as content hub: I&B ministry hosts WAVE Summit 2025

    India emerges as content hub: I&B ministry hosts WAVE Summit 2025

    Mumbai: India is positioning itself as a global content hub, with the Ministry of Information and Broadcasting spearheading initiatives to foster innovation in the broadcasting sector. The WAVESummit, scheduled from 5-9 February 2025, will challenge content creators with 27 unique opportunities, providing a national and international platform for talent showcasing and employment generation.

    On 17 October 2024, information and broadcasting minister of state, L. Murugan inaugurated a symposium on ‘Emerging Trends and Technologies in Broadcasting,’ hosted by the Telecom Regulatory Authority of India (TRAI) during the India Mobile Congress 2024. The event witnessed key addresses by industry leaders, including TRAI chairman Anil Kumar Lahoti, ministry of I&B secretary Sanjay Jaju, and TRAI secretary Atul Kumar Chaudhary.

    Murugan emphasised that India’s broadcasting sector is undergoing a transformative phase due to technological advancements. With the rise of social media, the landscape of content creation has dramatically expanded, turning India into a major player in the global content economy. “We live in a content-driven economy, and India is emerging as a content hub,” said Murugan. He also highlighted the government’s focus on promoting content production through a streamlined single-window system to enhance the ease of doing business, particularly in the AVGC (Animation, Visual Effects, Gaming, Comics) sector.

    Further supporting content growth, the union cabinet recently approved the auctioning of FM radio channels in 234 new cities, aiming to boost local content and create more employment opportunities. Murugan reaffirmed the government’s commitment to leveraging technological advancements to strengthen the broadcasting sector’s contribution to India’s economic and cultural development.

    Jaju, in his special address, emphasised the potential of digital radio and direct-to-mobile (D2M) broadcasting. He mentioned ongoing trials conducted by Prasar Bharati in collaboration with IIT Kanpur and Saankhya Labs, aiming to deliver content directly to mobile devices using low- and high-power transmitters. Jaju also underscored the transformative potential of 5G technology, particularly when combined with immersive media such as augmented reality (AR) and virtual reality (VR), which could redefine the content consumption experience.

    The symposium also focused on discussions around strengthening the regulatory framework. Chaudhary highlighted the necessity of adapting regulations to meet emerging technological needs. He noted that today’s discussions aim to shape future policies that ensure a balanced and inclusive broadcasting ecosystem.

    Lahoti highlighted the booming growth of India’s media & entertainment sector, projected to reach Rs 3.08 trillion by 2026, driven by new media platforms and immersive technologies. He reiterated TRAI’s commitment to fostering innovation through forward-looking regulatory recommendations.

    The symposium explored the future of immersive technologies, D2M, and 5G broadcasting. The event featured over 100 national and international participants, with expert speakers from various industries, including broadcasting and telecommunications.

  • Boosting local market manufacturing will help the Indian M&E industry to become a supplier to the world: CII Big Picture Summit 2022

    Boosting local market manufacturing will help the Indian M&E industry to become a supplier to the world: CII Big Picture Summit 2022

    Mumbai: The 11th edition of the Big Picture Summit 2022, organised by the Confederation of Indian Industry (CII), is a two-day event that is taking place on 16-17 November. The Summit witnessed the participation of various eminent panellists and marked the release of the CII-BCG report on “Shaping the Future of Indian M&E” and the CII-IBDF-KPMG report on “Sports Broadcasting in India.”

    CII Big Picture Summit 2022, with a range of sessions, has participation from content creators, broadcasters, buyers, studios, production companies, publishers, distributors, and developers across the gamut of the Media & Entertainment (M&E) landscape.

    On 16 November, the first day of the event, discussions centred around global trends and opportunities, the bounce-back of revenues to pre-pandemic levels, domestic consumer preferences, and local opportunities for a global audience through digital platforms that have never existed before, especially for the creative industry, storytellers, and technology providers.

    Speaking at the event, the ministry of information and broadcasting (MIB) secretary Apurva Chandra, stated that MIB, along with the Indian M&E industry, has set a goal of making the M&E sector a $100 billion industry by 2030. Chandra acknowledged the announcement by the ministry on the incentive policy for cinema at the Cannes Film Festival this year, out of which many proposals have been accepted for foreign productions in India.

    He further revealed, “The animation, visual graphics, gaming, and comics (AVGC) taskforce, which was launched as a part of the budget 2022, has completed its deliberations and is in the process of finalisation. The government will soon work towards actioning on the recommendations that come out of the report.” As regards the broadcasting sector, Chandra stated that the ministry has recently revised the guidelines for uplinking and downlinking for satellite television channels in India to ease the burden of compliance on channels.

    Telecom Regulatory Authority of India (Trai) chairman Dr. P.D. Vaghela highlighted the significance of the Indian M&E sector in the national growth story and economic prosperity. With about half of the population being young, the Indian demographic dividend presents a huge opportunity for Indian M&E services. Television is the largest and fastest-growing segment, representing around 50 per cent of the total media and entertainment revenue.

    He added that during the last decade, the M&E sector in the country has undergone several radical changes and is experiencing a paradigm shift due to the advancement of technologies and innovations in the creation, distribution, and consumption of media. He stressed that the traditional media would lose ground unless it understands, adopts, and merges its own business models with society 5.0, AI, machine learning, and other technologies that are being unleashed. Vaghela further mentioned, “The government needs to come out with policies that are flexible in nature and allow new players to easily enter the industry while at the same time not strangling the traditional sector with numerous regulations.”

    MIB joint secretary Sanjiv Shankar mentioned the various efforts made by the ministry in the recent past to ensure significant interventions in the regulatory framework, largely based on ease of doing business, Atmanirbhar Bharat, and Make in India. He stressed on the Broadcast Seva portal, which offers a single point facility to various stakeholders and applicants to apply for various permissions, registrations, licences, etc., for the development and integration of the broadcast industry.

    CII National Committee on media & entertainment chairman and Disney Star country manager & president K Madhavan, in his opening remarks commended CII for bringing together key stakeholders and policy makers together to discuss the future of India’s M&E industry and its potential in shaping societies. The M&E sector in India is underpenetrated, with a contribution of 0.9 per cent to the GDP compared to 3-4 per cent for many developed countries.

    He further advocated the potential for growth for the industry, owing to the presence of 300 million households in India, of which about 100 million households still have no access to television headsets. He further urged for timely support by policymakers in the areas of privacy, ensuring a supportive IPR protection measure, and announcing content-related policies while taking note of changing consumer habits and helping the industry to reinvent itself and adapt to creating travelable content.

    CII National Committee on media & entertainment chair & CII sub committee for AVGC & Immersive Media – vice chairman, and Technicolor India country head Biren Ghose in his closing remarks mentioned about the need to evolve in the ways content is being created and urged the stakeholders to look at growth from a different lens, particularly away from a linear vertical growth. Moreover, he mentioned fostering collaboration between government, industry, and academia for the continued growth of the M&E sector.

    Furthermore, Trai advisor Anil Bharadwaj said that while Trai is trying to enable a positive, consultative-based, industry-friendly approach with regards to the new tariff order (NTO), the industry needs to focus on building capacities and centres of excellence.

    CII has been driving several initiatives to take the Indian M&E sector to new heights and expand its global footprint in close collaboration with MIB. These include representing the Indian film and entertainment industries at the prestigious Cannes Film Market for the past 20 years, at the Berlin Film Festival for the past five years, and at the Toronto Film Festival for the past three years. CII’s strength in policy advocacy is acknowledged and accepted by both the government and media industries.

  • Pinkvilla & Mad Influence launches ‘Creators United’ for content creators

    Pinkvilla & Mad Influence launches ‘Creators United’ for content creators

    Mumbai: India’s leading digital entertainment & lifestyle platform, Pinkvilla, and one of the country’s largest influencer agencies, Mad Influence, have partnered to launch a new joint entity, Creators United, the first-of-its-kind creators’ confluence in India. 

    The maiden edition of the event will be held in Goa in January 2023. The event is slated to be a two-day exclusive congregation that brings the country’s best content creators, influencers, brands, publishers, and social media platforms under one roof.

    The joint venture was announced with an interesting teaser campaign.

    The partnership aims to positively influence those who influence billions and celebrates content in all its forms, with the theme “It starts with you.”

    With extremely unique experiential events giving creators access to exclusive activities over two days, it will enable the most compelling live experiences for creators, such as networking sundowners, special content zones, music, wellness and mindfulness activities, brand collaboration initiatives, and much more. It will also honour the leaders of today’s conversations through an awards ceremony, recognising the many diverse and influential voices in India.

    Curated to present experiences of a lifetime, the property is built on the mutual passion shared by Pinkvilla and Mad Influence to pioneer the most happening conversations in the digital space, which has made them instrumental forces in shaping the future of Indian digital content today. The joint venture is built on a long-term vision to define how content creators can engage audiences in a meaningful and growth-oriented way in the new digital era. Beginning with the flagship event, the two content giants aim to amass their enormous collective reach of over five billion through influencer-led branded content, to drive meaningful change and lead important conversations shaping the future.

    Speaking of the partnership, Pinkvilla CEO and founder Nandini Shenoy stated, “At Pinkvilla and Mad Influence, we share a mutual passion for pioneering the most compelling content experiences, and creators have played a key role in this journey. With the continual goal to evolve and elevate the bar for far-reaching content, through Creators United we aim to curate experiences that will define how we engage audiences and consumer media in the future, and transform influencer-brand narratives in the most positive ways!”

    Adding to it, Mad Influence CEO and founder Gautam Madhavan said, “Mad Influence and Pinkvilla share the same vision of building the largest community of influencers globally with Creators United. Content needs to be celebrated, not just created, and that is what we are building for the future. Through this highly-curated experience for the digital changemakers of the world, we aim to amplify the biggest and brightest voices in the world and enable them with a platform that provides a 360-degree value-driven event experience.”

    Creators United’s director Karan Sawhney said about the newly launched venture, “Successful events are the ones that add immense value to the lives of the attendees, while also curating an experience of a lifetime, through exciting and creative offerings. This is precisely our aim, as we bring together some of the biggest influencers, content creators, and brands on a scale never seen before through Creators United. With this one-of-a-kind celebration that merges the most avant-garde activities and wide-ranging transformative content experiences, we aim to push the boundaries, not just for the emerging creators’ economy, but also for the future of the events space in India.”

  • Big Bang Social signs Zomaland by Zomato as the creator experience partner

    Big Bang Social signs Zomaland by Zomato as the creator experience partner

    Mumbai: Creator marketplace Big Bang Social has tied up with Zomaland, one of India’s grandest food and entertainment carnivals, by Zomato, which is spread over the weekend across seven cities in 2022-2023 with incredible food, entertainment, carnival games, and attractions all under one roof.

    Big Bang Social has been brought on board as a creator experience partner to activate its vast network of creators that are social storytellers and pop-culture custodians, in their own right.

    As Zomaland makes its place among India’s most iconic live experiences, the country’s thriving creator community will be made part of the legacy being built. Big Bang Social will cater to creators providing them with unforgettable Zomaland experiences.

    The collaboration will include over 300 creators across seven cities where the event is scheduled to take place. Creators will be capturing the best of culinary delights, carnival games, music, and comedy performances at the festival through mini-vlogs and engaging content. Attendees will get a chance to interact with their favourite creators as they attend the spectacular festival.

    “CreatorXP is our way of bringing the world’s best experiences to India’s creator universe. Creators are constantly looking for unique spaces to create content, and IP owners find mutual benefit in their unique story-telling and digital distribution expertise. We’re delighted to be partnering with Zomaland by Zomato to enable this very idea. Creators are gaining a fantastic opportunity to showcase their stories at Zomaland in this amazing confluence of food, music, and community,” says Big Bang Social co-founder Dhruv Chitgopekar.

    “Zomaland is an experience-led food carnival that brings every aspect of Zomato to life. After a two-year hiatus, we are back—bigger, better, and grander—to celebrate and create immersive experiences for our attendees. We’re excited to partner with Big Bang Social and invite key trendsetters to become part of our community while indulging in great food, music, and entertainment at the carnival,” says Zomato Live global head Chaitanya Mathur.

    With over 1,20,000 “curated” influencers and growing on the platform, which has a cumulative reach of over 250 million, Big Bang Social strives to bring true creative and commercial value to the creator market by driving advertising & commerce revenues and creating opportunities across blockchain, metaverse, etc. This backed with the legacy and strength of Collective Artists’ premium celebrity network, makes this ecosystem a one-stop shop for the creator economy.

  • Vavo Digital announces collaboration with six content creators for LinkedIn

    Vavo Digital announces collaboration with six content creators for LinkedIn

    Mumbai: Vavo Digital has initiated a structured initiative to lend a fresh perspective to influencer marketing by exploring the coming-of-age social media platform LinkedIn.

    At the onset of this pursuit, Vavo Digital identified and signed up six key influencers. In the upcoming quarter, it aims to onboard 50+ talents on LinkedIn and further boost influencer marketing on this digital platform created especially for professional relationships.

    By onboarding personal branding experts Punita Parekh, M. Ayushi, and Shubhangi Madan, chartered accountant Palak Rathi, financial analyst Siddhant Garg, and audit analyst Sanskriti Pandey to facilitate collaborations with brands, the agency envisions assisting brands in reaching out to their target audiences through collaborations with these exclusive talents.

    Currently, the influencers onboarded are predominantly in the finance category; however, the agency envisions expanding the portfolio by being more inclusive and acquiring talent across multiple categories like technology, career coaches, HR professionals, marketing, public speakers, and content writers/freelancers.

    Commenting on the onboarding of these exclusive talents, Vavo Digital founder and CEO Neha Puri said, “As the first step towards establishing influencer marketing as a practical method on LinkedIn, the platform recently introduced a ‘creator mode’ that provides supplementary features and tools to users once activated. This significantly paved the way for content creators to establish themselves on LinkedIn. As an influencer myself, I view LinkedIn as an apt platform to associate with professional brands and gain a larger outreach. I believe it certainly helps to reach the right set of thriving entrepreneurs, as LinkedIn is home to all top decision makers, and that helps extensively in the appropriate development of emerging brands.” 

    At Vavo Digital, we are so pleased to have onboarded a talented set of independent content creators like Punita Parekh, M. Ayushi and Shubhangi Madan, Palak Rathi, Siddhant Garg, and Sanskriti Pandey from varied genres. We look forward to expanding the roaster and executing impactful campaigns for our brands. We aim to not only enhance the brand’s visibility but also create more engagement with the audience,” she added.

  • We are not very advertising oriented; we are influencer oriented: NOFILTR’s Hitarth Dadia

    We are not very advertising oriented; we are influencer oriented: NOFILTR’s Hitarth Dadia

    Mumbai: NOFILTR Group is an influencer marketing agency that was conceptualised and co-founded by Sumedh Chaphekar. The agency saw the first light of dawn on 21 September 2017 when the marketing dynamics in India were undergoing a tectonic shift and social media had gradually begun to occupy centre stage, grabbing the spotlight. At that exact moment, Chaphekar hit the hammer on the anvil by signing with the first influencer and laying the foundation for the NOFILTR.Group.

    By creating the enigmatic synthesis between influencers and brands, NOFILTR works towards intelligibly devising a network that enables the marriage of personal expression and thought-provoking content that has the ability to hook onlookers at every level of the marketing experience. In a nutshell, NOFILTR connects brands to influencers, who creatively connect with the brand’s target audience, by enticing onlookers with a plethora of services that include personal branding, content creation and curation, influencer marketing, brand collaboration, and campaign design, coupled with the total execution and analysis of the entire activity.

    Today, NOFILTR.Group graduates beyond the capacity of a typical influencer marketing and management company. Apart from providing content creators with facilities like brand collaboration and management, content ideation, growth mapping, and production team support, NOFILTR invests in the dreams of content creators, helping them to make them a reality.

    Presently, the company has exclusively signed up 39 content creators. Some of the names are Awez Darbar, Nagma Mirajkar, The Mermaid Scales (Krutika), Mr. MNV, and Aashna Hegde. NOFILTR.Group has also joined hands with celebrated YouTubers like Angry Prash and Funcho. The list grows as NOFILTR continues to mine for promising influencers who are on the verge of rising to their true potential.

    Indiantelevision.com caught up with NOFILTR.Group partner chief marketing officer Hitarth Dadia. His role involves optimising business collaborations and creating a profitable entrepreneurial blueprint for the influencers collaborating with NOFILTR.Group. While driving profits for the company remains a mainstay, Dadia works closely with the creative departments and plays an instrumental role in charting out the detailed insights in public relations and branding for the influencers. Armed with foresight and a market-savvy streak, he invests in a dint of hard work, giving NOFILTR.Group the edge it has today. He joined NOFILTR.Group as a sales intern and advanced onwards into the role of a business development head before taking over as the chief marketing officer.

    His accomplishments at NOFILTR.Group involve fruitful collaborations with international brands of repute. Some of these brands include Cadbury and Amazon Pay. While working with these brands, Dadia creatively coupled his insights in sales and marketing to garner the required traction for these brands on group media. He’s also worked extensively with reputed group media applications like Snapchat.

    Born and brought up in Mumbai, Dadia received her education from a prominent convent school. Being an introvert, he later slipped into his comfort zone during his years at Somaiya College. Soon after, he graduated in banking and insurance from Mithibai College in Mumbai, where he experienced a monumental personality shift for the positive.

    Dadia worked extensively towards overcoming all the blocks that would inhibit his growth. He worked at a multinational bank for a year to gain experience in the banking industry. Creativity took a back seat while working at the bank, but the experience helped him garner insight into the organisational hierarchy and structure.

    Being an avid reader has worked to his advantage. His passion for non-fiction has enabled him to borrow all the positive attributes from the role models who we look up to today.

    Excerpts:

    On the market gap that was seen when NOFILTR launched in 2017

    In 2017, there wasn’t much activity happening. There were a few people on a platform called AskFM. There were a few individuals who were gaining more than usual attention on social media. They were getting more and more relevant. What we understood is that brands do not understand getting people as influencers who are not traditional celebrities. Because of platforms like Instagram, we felt that these people would become more relevant. When we started, hardly any brands were interested in working with individuals who were not celebrities. But as time went on, awareness grew about the importance of influencers and things started building.

    On the USP of NOFILTR

    We are very focused. It is very easy to get distracted in this space. Technically, we are in the management and advertising businesses. Eventually, you land in the merchandising and brand-building business. Our focus is on incubating talented individuals who can be very effective influencers for brands. The focus is that if an individual is very talented, we will help that person. We are not very advertising-oriented. We are very influencer-oriented. We focus on what is best for talent. So let us say a brand is willing to pay a very high sum of money for an influencer, but it is not the right fit for the creator’s long-term goal and growth. We are not an ad company that does one campaign and moves on. We think long-term.

    On the key learnings so far

    There is no one formula. Influencer marketing is not about products. It is about human beings. There is no manufacturing blueprint. Every day will be different. Each influencer is different and highly opinionated. You have to make sure that an economy is built around them and not on them.

    On the impact of covid

    The first lockdown was a surprise in the grand scheme of things. We tried to figure out how to work through the new environment. Marketing was the first thing to take a hit. When you are trying to survive, you do not want to spend. But in the long term, when I retrospectively look at it, covid has sped up the industry. It was a very good thing for the industry. More people are focused on consuming their preferred content, and others are focused on creating their own content.

    On the company’s outlook before partnering with an influencer

    A bunch of things. First, we meet them to get an idea about how passionate they are. This is not conventional work. This is an extremely new space. You put your personality out there. We look at how willing they are to give it their all and how original they are not just in terms of content, but how true to themselves they are and how strong their identity is.

    On the rising number of NOFILTR’s exclusive influencers

    We started with four creators. Now we are at 40. We work with them exclusively. They create content in areas including entertainment, fashion, lifestyle, dance, comedy, etc.

    On the influencer marketing’s trends

    At least for the next 12 months, a lot of creators will become entrepreneurs. They will start on their own. Over a span of say five years, they have been interacting with brands. They have learned how to build their own brand and I think that over time you understand what you personally like, and prefer. They are themselves brands and I think that people are just to realise that. They are taking this space more and more seriously and are coming up with their own projects which are not just about ads or entertainment.

    On the business model

    We sign a creator who works exclusively with us. They create content. We help them with the business aspect of things like travel and business production. Doing this helps our creators put the best content out there.

    On the recent work

    For Diwali, we did a bunch of campaigns with companies like Gold and Coca-Cola. We have a NOFILTR Escapes division where tourism boards partner with our influencers. Influencers are taken to international destinations. This IP allowed creators to create content in different environments. The creators get to travel and create content. The tourism board gets more awareness. It is a successful IP that we have been working on for a while now. There are a bunch of projects in the works now. We will create IPs for our company and also creator IPs. We are working on three to four creator IPs and a bunch of IPs for the company. The creator IPs will leverage the skills of a particular creator.

    On the platform Creator 21

    Initially, we only worked with five creators. We just adopted them. This is not a conventional line of work. These are 18- to 23-year-old kids. We put in a lot of time, effort, and resources, and the creators succeeded. A lot of other creators wanted to sign with us. But giving so much attention to more and more people was not feasible. So we started another company to help creators with the business aspect of things. We help creators with their businesses and give them the tools to succeed. Brands want more and more influencers. If we also had more people on our roster, it would definitely help. The goal is to help more creators and access more brands.

    On the hand holding that NOFILTR does with influencers, given that social media platforms keep tweaking their algorithms

    Initially, two years ago, this was the case. The space was relatively new. Now it is a self-sustaining model where their circle can help them out.

    On the goals set for 2023 by NOFILTR

    There are a bunch of things. We want to make sure that we are helping as many people as possible in the content creation and self-expression space. We want to help the wackiest of creators. We have unconventional things in the works.

    On the various metrics that companies use to check the ROI of influencer marketing

    There are a bunch of things. There are KPIs and click-through rates. We do not work on deals like that. People will buy a product if it is good. We can give awareness of a product. We check the engagement level with a piece of content.

    On the whitespace in tier II, III towns and cities

    Vernacular content is growing in importance. This is usually the TG for a lot of FMCG and commercial brands. A lot of niches are forming in tier II and tier III audiences. Brands are diving deeper into assessing and targeting these grounds. People are becoming more aware of different sections of brands or different sections of the community.

    On whether companies have misconceptions when it comes to influencer marketing

    The situation today is much better in this respect. Earlier, people saw influencer marketing as being a product or a billboard. Today, that is not the case. If the influencer does not believe in your brand, they should have the freedom to choose. This aspect is also better. Brands do not usually focus on individuals who are extremely creative. They have to be creative, or else, you will not be relevant on social media. So brands should give influencers not just money but also creative freedom because they know their audience the best.

    On what one needs to keep in mind when using social media platforms like Instagram for influencer marketing

    You have to be very mindful when talking about things. You have to dive deep. You have to be aware. One creator has close to 25 million followers on Instagram, which is more than the city’s population. As an audience, you have to be mindful of who you follow. Watch enough 30-second videos and you will form an opinion. It is a good thing that Instagram is moving towards video. Video can tell better stories than pictures. It cannot be a one-sided conversation.

    On the growing importance of short-form video in influencer marketing

    This is a separate skill by itself. You have to be quick and very valuable when telling a story. Long-form allows you to tell a story and develop an intention, cause, and effect. We know that attention spans are going towards short forms. It is about getting a tiny gist or a teaser. It makes more sense for brands to put in more money and for platforms to put more resources into short-form content. It is still a little underdeveloped. Better storytelling can happen there. I am extremely excited to see where the short-form format goes in terms of storytelling. If you can tell a good story in 30 seconds, you are a legend.

    On whether LinkedIn is playing a role when it comes to influencer marketing in the B2B space

    It is an undervalued platform, if I am being very honest. For finding the right talent and the right team members, nothing has proven to be better than LinkedIn in the B2B space. If you have a project that requires multiple brands and agencies to be in the picture, the goal for us has been to use LinkedIn to find the right individual to talk to. LinkedIn has not been disappointing at all. It would be nice if more and more brands got involved. If brands were more accessible on LinkedIn, they would definitely find the right audience to promote their products. LinkedIn does have creators, but they are highly opinionated and entrepreneurial.

    On the challenge of using Twitter, which has a lot of noise

    Twitter and Reddit are examples of platforms that are highly opinionated. A lot of noise comes with that. People agree and disagree. You need to be more aware of navigating those platforms. Things can get real on Twitter, and things can get extremely useless as well. Creators have to be mindful of what is being put out. Twitter and Reddit, in the right hands, are beautiful tools. It can help you figure out the trends that will come here in the next three to four months. You have to follow the right kinds of conversations and that will tell you what will happen. These platforms can be indispensable. We offer suggestions based on these platforms. We know what they are going for.

    On Elon Musk’s owning of Twitter

    I am very excited about Elon Musk owning it. There are not a lot of billionaires who are relatable. Elon is extremely relatable. Platforms need a good shakeup every now and then for people to care about them. More people will take Twitter seriously.

    On the expansion plans abroad

    Our goal is not to be restricted to one domain in terms of platforms, countries, and culture. We want to bring in the best of every space and domain. We want to get better stuff to the crowd here. You cannot set stonewalls on the kind of content you consume or the things you read that are counterintuitive to cultural development. We want to get different perspectives here, and then people will form their niches and form their views on that.

    On the potential of the Metaverse

    We are working on projects in this area. We are in the initial stages of the Metaverse. It is going to lead to something else. People right now want to understand it out of FOMO. But if you dive deep, it is a beautiful place for identity and self-expression. You can be whoever you want to be there. In terms of self-expression, you will not be restricted to a particular domain.

  • QYOU Media elevates Karan Pherwani & Mrunali Dedhia to vice president of Chtrbox

    QYOU Media elevates Karan Pherwani & Mrunali Dedhia to vice president of Chtrbox

    Mumbai: QYOU media subsidiary Chtrbox has announced the promotion of Mrunali Dedhia and Karan Pherwani to further strengthen its leadership team.

    Dedhia and Pherwani have both been crucial in building Chtrbox to its nationwide position as a leader in influencer marketing and creator talent management. In their new roles, they will further innovate and scale-up Chtrbox’s creator-powered marketing solutions across India while driving synergies with QYOU’s influencer marketing group in the US.

    Dedhia and Pherwani have been heading key growth and servicing divisions at Chtrbox, including managing a team of over 60 influencer marketing and creator content specialists. Their expertise in the domain has led to award-winning work and the successful execution of thousands of creator-led campaigns by Chtrbox over the past six years.

    Pherwani comes with over 10 years of strong experience in India’s new-age media and entertainment industry, including being the leader behind the 2021 launch of Chtrbox’s talent management unit, Chtrbox Represent.

    Dedhia was Chtrbox’s first team member in 2016, and through her six intrapreneurial years with Chtrbox, she has successfully grown multiple influencer marketing divisions, key partnerships, and responsibilities for the company.

    “I have had the fortune and freedom to grow with Chtrbox over the past four-plus years. With such talented creators and teams around us, we believe we’ve only scratched the surface of what lies ahead. I’m excited to co-lead the growth and create even far more compelling offerings for brands, creators, and audiences alike,” said Pherwani.

    While sharing her experience of working with Chtrbox, Dedhia shared, “It’s been a tremendous ride with Chtrbox, from helping build and grow the team from the ground up, to consistently working with some of the best creators and brands-P&G, Amazon, HP, Cred, etc. I am looking forward to this new role and scaling QYOU & Chtrbox’s great work further.”

    Chtrbox CEO & co-founder Pranay Swarup added, “We are ecstatic to elevate Karan and Mrunali to their new roles. As we grow towards increased international capabilities with the QYOU influencer marketing team in the US, they are perfect to lead synergies there as well as continue to grow depth with our India business. They are true influencer marketing experts and path-breaking leaders, and we believe they will thrive in their new roles.”

  • ECOA appoints Shemaroo’s CEO Hiren Gada as its new president

    ECOA appoints Shemaroo’s CEO Hiren Gada as its new president

    Mumbai: According to a recent announcement made at the 58th annual general meeting of the Entertainment Content Owners Association of India (ECOA), Shemaroo Entertainment’s chief executive officer Hiren Gada has been named as their new president.

    In further development, RK Duggal, Ashok Jain, and Narendra Hirawat were onboarded as the association’s next vice president, secretary, and treasurer, respectively.

    Speaking on the announcement, Gada said, “It’s an honour to be elected as the president of this prestigious association that has been safeguarding the interests of the entertainment content owners of India. I am grateful to all my colleagues and members of the ECOA for entrusting me with this responsibility. I am excited to collaborate with industry leaders to future-proof content ownership and distribution with the emergence of technology and web 3.0.”

    ECOA is a comprehensive apex body dedicated to the causes, growth, promotion, protection, and welfare of all entertainment content owners in India across all genres, languages, and formats.

    On 15 October 1963, Lim Billimoria and a few other Indian film exporters formed the Indian Film Exporters Association to promote and facilitate the export of Indian films abroad.

    The association represents, protects, and promotes the overall well-being of all Indian entertainment content owners. It is a non-government and non-profit organisation that plays an important role in securing the holder’s various legitimate content rights.