Tag: connected TV

  • Connected TV viewership growth: OTT users going beyond six-inch smartphones

    Connected TV viewership growth: OTT users going beyond six-inch smartphones

    KOLKATA: Indian viewers consume content only on smartphones – the market has matured enough to move on from this notion. With more and more premium content offered by leading streaming services, consumers don’t want to limit their viewing experience to six-inche screens anymore.

    It is undeniable that a large chunk of Indian consumers still watch content on mobile devices but their preference for the larger screen has increased by leaps and bounds, especially while they were homebound during lockdown. Moreover, the appetite for quality viewing experience also pushed them to larger screens.

    With smart TVs becoming more affordable, a number of TV households are replacing their old linear sets. Smart TV market has been on the rise over the last couple of years due to the entry of brands like Xiaomi, Vu, Real Me, One Plus, etc. In addition to that, traditional TV brands like Samsung, Panasonic, and LG also went aggressive in the segment. Reports have suggested the popularity of OTT content is driving smart TV growth in India.

    "India is one of the most exciting countries in the world with more than 200 million potential TV households and still underpenetrated. Smart TVs have become more affordable over the last three years, and represent the vast majority of all new TVs sold. People love having the ability to connect to the Internet and stream their favourite films and series on demand. We see an ever growing need among audiences to watch Netflix on a smart TV, at home, with their family,” Netflix India business development director Abhishek Nag said.

    Connected TV also includes streaming devices such as Roku, Chromecast and Fire TV. Users who don’t intend to invest in a brand new TV set are opting for these devices instead. Recently, Amazon said in a report that Fire TV users in India doubled consumption of entertainment content during their stay at home in 2020, with movies, cricket, online gaming and music gaining traction.

    “In 2025, we expect connected TV will reach over 40 million homes from around seven million homes today. This will further grow OTT viewership as people  prefer to watch content on a large screen if possible. Both Airtel and Jio have announced growth plans for home broadband. Hence, that’s growing to drive connected TV homes and viewership,” stated EY India partner and media & entertainment leader Ashish Pherwani.

    The prolonged shutdown of cinema halls and fresh content availability on OTTs also contributed to the uptake of connected TV. Over 50 per cent of Mirzapur 2 viewers completed the show within 48 hours of its release on Amazon Prime Video. Direct-to-digital releases Shakuntala Devi, Gulabo Sitabo, Coolie No.1,  Soorarai Pottru, Ponmagal Vandhal were the most watched movies from Prime Video on Fire TV devices. Users enjoyed sports content too as Disney+ Hotstar viewership increased 50 per cent during IPL 2020.

    Zee5 witnessed accelerated adoption of connected devices wherein, three out of five SVoD users watched content via connected devices, recording over 80 per cent growth during Covid2019. Overall engagement of the platform grew and the audience spent more time watching content on connected TV versus smartphone.

    “With the audience becoming acclimatised to the idea of work-from-home and social distancing owing to the pandemic, their content consumptions patterns have seen a drastic change and there has been a significant growth in terms of watch-time. The surge in content consumption is also partly driven by a big uplift in the use of connected devices,” shared Zee5 India chief business officer Manish Kalra.

    Earlier in a conference, head honchos from Disney+Hotstar, Voot, Amazom Prime Video also spoke of the shift towards the living room as opposed to mobile device viewing.  As a result of rapid growth lately, the current ratio of mobile-connected TV consumption for Zee5 stands at 50-50, Kalra revealed. This signifies higher engagement levels on CTV compared to content consumption on smartphones.

    “In terms of the genres, we have observed that the audience consumes more of family entertainment content. Some of the most watched content includes Jeet Ki Zid, Black Widows, Pareeksha as compared to crime and edgy content,” he added.

    On the back of surging demand for CTV, OTT services are increasingly forging partnerships with OEM manufacturers. Netflix’s Nag said the platform has tied up with global TV OEMs like Samsung, LG, Sony, Xiaomi, and OnePlus, and local TV OEMs like VU and MarQ, to ensure that all the members get the same consistent, high quality app experience, no matter which smart TV they choose. Zee5’s Kalra mentioned that the platform is available across all leading Smart TVs and smart sticks available in the market – Samsung, LG, Xiaomi, OnePlus, Sony; Amazon FireTV Stick and Mi 2k stick. Moreover, the streamer has a presence as Hot keys for Samsung, LG, TCL, Onida, Nokia and Marq TVs across all 2020 models.

    Although smart TV penetration is phenomenally low in India, going forwards it is projected to grow more swiftly than smartphones which have reached the 400 million threshold, Elara Capital VP research analyst (media) Karan Taurani noted. Moreover, affordability coming in with new players will boost growth. Hence, the mobile consumption of OTT platforms standing at 80-90 per cent can come down to 70 per cent in the next few years, albeit mobile devices will largely dominate the viewership for some time to come. However, the growth of connected TV viewership in India will be led by boxes offered by aggregators like Jio, Tata Sky, Taurani remarked.

    According to Deloitte India partner Jehil Thakkar, India is a mobile-first video consumption country and that will not change soon. Even, the launch of 5G can result in a better viewing experience for handheld devices. But viewership on connected TVs will parallelly go up, he asserted. During the Covid crisis, many users invested in new smart TVs or connected devices. These users will continue to consume content on those devices while they are homes, he opined. Along with that, the replacement of current TV sets in coming years will be mostly led by smart TVs only.

  • Netflix India’s Abhishek Nag on streaming challenges, connected TVs and local stories

    Netflix India’s Abhishek Nag on streaming challenges, connected TVs and local stories

    MUMBAI: Internet network speed hasn’t kept pace with the growth of internet adopters in India. Hence, streaming giant Netflix, which sees the potential of its next 100 million subscribers from this country, is heavily investing in compression technology to provide good viewing experience of high quality video even without a fast connection. Along with that, the OTT platform is highly committed to delivering locally relevant stories.

    “There was a time when if you watched a high quality video on Netflix you will be on a 750 kbps connection. Today you can watch extremely high quality video on Netflix at 270kbps. You can do this because we invest significantly on compression technologies,” Netflix India business development director Abhishek Nag said while speaking at The Future Of Video India 2019 summit organised by the Asia Video Industry Association (AVIA).

    Nag also emphasised on the importance of connected TVs as the partner of the OTT platform. Although handheld devices have emerged as the most popular medium to consume digital content, the Netflix executive said that users are gradually watching the streaming platform on large screens. He added that 42 per cent of accounts’ primary viewing in India became connected TVs within six months of activating subscription for the first time. Even broadband partnerships are extremely important for the company to provide a good viewing experience.

    According to him, the dichotomy between OTT and broadcaster is outdated now. He opined that the industry today is bifurcated as content creators and distributors. Rather than the medium and the delivery pipe, consumers ultimately care about content.

    Nag also reiterated the importance of locally relevant stories. Along with Sacred Games’success outside India, he also cited the example of Dark which had a successful run in its home country Germany but garnered more viewership across the globe. According to him, as the company continues to diversify content and personalise the service people will see value in subscribing.

    When it comes to the issue of censorship, which has become the centre of attraction for regulation since last year, OTT players teamed up to create a self-regulation code. Nag is of the view that the code balances creative freedom and expression along with getting consumers' choice to watch what they feel is right.

  • Ad spend on connected TV globally slated to grow in 2018

    Ad spend on connected TV globally slated to grow in 2018

    NEW DELHI: A new report has found that connected TV advertising is growing and 29 per cent of global advertisers and agencies plan to increase their connected TV advertising spend in 2018.

    In fact, 65 per cent of the respondents said they will maintain their current spend suggesting they were satisfied with connected TV performance to date and only 6 per cent planned to decrease their connected TV spend in the year ahead, according to a recent survey by US-based Videology Inc commissioned through Advertiser Perceptions.

    Explaining the phenomenon, Videology said data-based TV options are evolving every year and it expected more dollars will be shifted from traditional linear TV to advanced TV strategies in the months and years ahead as these strategies provide the ability to bring data and measurement to the entire marketing funnel when part of a holistic, cross-screen video approach.

    What’s connected TV? According to BBC, a connected TV uses a consumer’s broadband internet connection to bring the kind of video content one gets on a computer (including on-demand services) but back where it belongs—on the TV. A consumer can sit back and watch the best of both the internet and television from the comfort of one’s living room. Some connected TV services allow consumers to use the electronic programme guide or EPG to scroll back in time to see if there are any shows from the past seven days that one has missed and would like to catch up on.

    Though the Videology survey didn’t mention specific markets, it’s still unclear how such a trend would play out in India. Still, for the records, SonyLIV, an OTT platform that combines streaming of linear TV programmes and on video-on-demand service in India, had said it got separate advertisers for its streaming services involving some sporting programmes, which were different from the ones who advertised on Sony’s traditional TV channels in India.

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    Videology also added that its Q4 2017 TV and Video Market At-A-Glance Report had revealed that since 2015, there has been a 175 per cent increase in the amount of ad requests for connected TV in the Videology platform. The report also found that the amount of impressions running exclusively on connected TV grew 230 per cent from last quarter.

    According to Videology, the idea of “cross-screen” is key as “agnostic” video planning is another trend uncovered in the Q4 Video Market At-A-Glance report. In Q4, 97 per cent of campaigns run on the Videology platform ran on multiple screens, with 60 per cent of those including a connected TV component.

    As cross-screen strategies continue to grow, and to include connected TV alongside digital video, mobile, and linear TV, advertisers can expect to drive greater results, Videology said, adding there were still a few hurdles to overcome.

    In the Advertiser Perceptions research, 51 per cent of respondents cited consistent cross-screen measurement as their biggest challenge in regard to TV and video advertising, while 44 per cent said they were challenged with how to best leverage data, and over 1/3 said their biggest challenge was “lack of clarity/understanding of what’s available and how to execute.”

    “As we move towards an industry turning point for data-enabled, advanced TV advertising, there is still room for improvement in terms of data, measurement and education, and many in the ecosystem (like Videology) have built solutions to do just that. In the meantime, increased adoption of connected TV and other advanced TV channels is a step in the right direction,” Videology said in a blog.

    Videology Inc. is a company specialising in TV and video advertising. The company’s global technology helps marketers and media companies manage, measure and optimise digital video and TV advertising to drive greater results in today’s converged media landscape.

  • Eclat launches online sports channel for Korean pro leagues

    Eclat launches online sports channel for Korean pro leagues

    MUMBAI: Eclat Entertainment has partnered YouTube to launch an online channel, Spotv, that will offer major Korean professional sports.

    The channel includes video content from Korean sports leagues Korean Baseball Organization (KBO), K-league soccer, and the Korean Basketball League, as well as international soccer leagues.

    The Spotv channel will feature over 4,000 hours of live sports event coverage and also include video-on-demand access to full length matches and highlights.

    This will make coverage of Korean sports leagues available to fans worldwide, who can watch the videos on their desktop computer, mobile phone, connected TV, or YouTube-enabled gaming device.

    “With the opening of this channel, fans of Korean sports both inside and outside of Korea now have control over how and when they access their favorite teams‘ matches,” said YouTube Sports Partnerships Asia Pacific Director John Vamvakitis. “The Spotv channel on YouTube is a leading example of how great sports content will be digitally distributed to fans, and we‘re excited to partner with Eclat in making this a reality.”