Tag: Colosceum Media

  • TV content creators keen on digital platforms but rue dearth of writers

    TV content creators keen on digital platforms but rue dearth of writers

    GOA: Producers of content for television feel that they are not creating value as the intellectual property rights go to the channels. However, they are ready to invest in creating content for digital networks and over-the-top (OTT) platforms.

     

    Addressing a session on whether the content ecosystem was ready to serve 2000 channels, these producers said serials made for television gave them money but they did not feel satisfied since they were not the owners of their creations. 

     

    Contiloe Pictures CEO Abhimanyu Singh said there was little doubt that TV got more eyeballs than cinema, but this was not totally satisfying. Singh was in fact keen to syndicate their content, which the company could then monetize in different languages.

     

    “One reason why content creators settle for the present position is because the risk lies with the broadcaster and not with the creator,” he said.

     

    In the session moderated by Indiantelevision founder CEO and editor-in-chief Anil Wanvari, Singh said that he was keen to take up the challenge of creating content for other digital platforms.

     

    Further stating that the younger generation was not coming to television but taking to other mediums, Singh lamented the shortage of good writers in the industry. “The ecosystem has to change for content creators, and this can happen when the intellectual property rights remain with the creator,” he emphasised.

     

    Concurring with Singh on the shortage of writers, Colosceum Media CEO Lalit Sharma looked upon the future as an opportunity for new people to come in. He said, “We will be ready to create content for other digital platforms.”

     

    Beyond Dreams Entertainment Ltd founder Yash Patnaik added, “We have already been doing programmes for other platforms and we have tested audiences for new formats. I am waiting for the market to open up with the entry of OTTs.”

     

    Referring to the shortage of writers, Patnaik said that the writer was also preparing himself for digital platforms. “It is an investment on losses, which may turn into profits later. Content creation needs money, which in turn will create value, which will fetch more investments,” he added. 

     

    Wanvari expressed confidence that OTT players will pay well.

  • Zee Khana Khazana ropes in Srikant Malladi as programming head

    Zee Khana Khazana ropes in Srikant Malladi as programming head

    MUMBAI: Zee Khana Khazana, the 24-hour food channel, has appointed Srikant Malladi as head of programming.

     

    Formerly with Colosceum Media as non-fiction head, Malladi played a pivotal to make MasterChef India one of the most popular shows in the Indian TV industry.

     

    Zee Khana Khazana business head Amit Nair believes that the channel has been growing at an incredible momentum and it is time to take it to the next level. “We are honored to appoint Srikant Malladi as the head of programming for our channel. Srikant comes with a lot of valuable experience across the entertainment and media platform and we are happy to have him on-board. We are confident that he will help us take the brand to greater heights,” he said.

     

    Malladi comes with over 14 years of diverse media experience – web journalism, films (Bollywood and Hollywood) and television. In the last eight years he has focused and specialised in large format, prime time, non – fiction shows for a variety of Indian broadcasters.

     

    Malladi joined Miditech India in 2006 as associate creative director (non-fiction) for shows like Lead India (Star One), K for Kishore (Sony) and Acting Ki Funshala (Sab TV). Post that he joined Colosceum Media in 2007 as supervising producer and moved up the ladder to become head of development and eventually got appointed as the head of entertainment (non-fiction). In his seven year stint at Coloseum Media, he was part of  several mainstream non fictional shows like Covershot 2: Mission North East, Roadies X1, Jaanbaaz, MasterChef Junior, MasterChef India and MasterChef Season 4.

  • Star Plus gears for ‘MasterChef India 4’

    Star Plus gears for ‘MasterChef India 4’

    MUMBAI: A necessity or a luxury, what we eat in our daily lives has turned around from something edible to ‘delicacies’ over the centuries.

     

    Taking into consideration the seriousness of this knack of cooking experience worldwide, right from the most secluded house where the artist is the woman of the house to the delights from the chefs of the best hotels in the world, Star Plus has brought this art into every kitchen with the launch of MasterChef India.

     

    Just when you thought the culinary juggernaut that is MasterChef couldn’t serve anything tastier, it goes and plates up perfection.

     

    After the immense success of the first three seasons and Junior MasterChef, Star Plus is back yet again to embark on a culinary journey to find India’s next MasterChef. Come January 2015, viewers will witness a journey of looking for ordinary Indians who can cook extraordinary food.

     

    Being produced by Colosceum Media, the series is known to help the ordinary Indian change their destiny and fulfil their dreams through food. While the fourth season is back, it comes with a twist.

    A source close to the development reveals that this season promises to draw on the success of the past three seasons, delivering even more stunning challenges, contestants that one can relate to and judges that one just won’t let go of.

     

    It will be judged by the biggest food icon of the country – Sanjeev Kapoor, Chef Vikas Khanna and Chef Ranveer Brar. The format remains the same with top 12 contestants competing against each other to win the title of MasterChef India – Kitchen Ke Superstar.  The only change that the season will undergo is that it goes ‘Vegetarian’.

     

    The same source further says that India has a rich heritage of vegetarian food which has not been celebrated so far. The current season will give chance to the vegetarian cooking enthusiasts who have not been able to participate in the last three seasons.

     

    Does that mean only vegetarians can participate? “No,” comes a quick reply from the same source. “Even non-vegetarians will get the opportunity to come and showcase their cooking skills in vegetarian food.”

     

    The audition phase has already been canned in 24 cities. It began from 16 October with Ranchi followed by several other cities like Udaipur, Dehradun, Rajkot, Bhopal etc with the last city being Mumbai on 16 November.

     

    After receiving entries of around a lakh from 24 cities, top 60 contestants have already been shortlisted and now the channel is making its way to find the top 12 cooking enthusiasts for the season. The shooting will begin from January 2015 first week at Filmcity, Mumbai. Though the time-slot and date is not yet finalised, the channel will continue to target it as a weekday property.  

  • NGC set on a photography sojourn with Cover Shot 2

    NGC set on a photography sojourn with Cover Shot 2

    MUMBAI: “Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.” –Ansel Adams

     

    Adams, who is popular for his heart-touching photography the world over, in these two lines, has best described the art of photography – the perception of which can change from individual to individual and only those with a keen interest and passion can bring out the best in the art.

     

    While there are numerous talent shows on music and dance, one on photography is something really rare. One such show is National Geographic Channel’s Mission Cover Shot produced by Colosceum Media that won many accolades from the industry when its first edition was telecast last year. Set to enter its second season, the show has become bigger and better.

     

    While last year, with eight contestants passionate for photography, it covered the beautiful locales of Sri Lanka, this time the team wanted to tap a picturesque, unexplored local region. A place that is visually captivating, extremely rich in cultural diversities, extends a strong streak of adventure through its diverse terrains and naturally enhances the competitive quotient in the show by all that it has to offer to the aspiring photographers. And thus the team zeroed in on the North East.

     

    “While selecting the location for Cover Shot, one needs to understand, that it is almost like selecting a canvas. The venue practically sets the tone and context of the entire season, let alone the actual photographs. Hence it is but natural that the travel destination gets showcased in all its glory. Sri Lanka worked spectacularly for us, and so will north east,” says National Geographic and FOX International Channels VP Marketing, Debarpita Banerjee.

     

    Besides the new location, there’s not much change in the format of the show. Banerjee says, “Since the show had done well for us in the first season, the format broadly remains the same. However, this year, the competition between the contestants is way tougher and each one has a strategy to get the perfect shot. As a result of this competitive spirit, the show will have interesting snacky fodder for all reality television addicts and hence, will appeal to viewers beyond the infotainment genre.”

     

    While in the first edition, filmmaker Nagesh Kukunoor and award winning American photographer Ami Vitale judged the eight contestants, this year the judges include Rajiv Laxman and photographer Lana Šlezic. The number of contestants has also gone up to 10 this time.

     

    Rajiv says that the most fascinating part of the show is shooting it. “To get the frontal view of the contestants, my camera people had to be in front. At the same time whatever the contestants were shooting also needed to be captured and thus it was an interesting as well as challenging process,” says Rajiv, who thinks that the show is a good platform for people who are interested in photography as once getting the exposure on the show and with guidance from international photographers the skills improve.

     

    The first edition of the show was extremely successful. However, it wasn’t easy to convince people to come on board, be it the advertisers or the judges. “Explaining a new concept, without mainline celebrities, is always tough. But three things worked very well for Cover Shot – the fact that it is youthful, the fact that it is based on the very popular obsession called photography and the fact that it is in a reality format. Which is why, lots of brands that find relevance in the above three came on board. This year too we are expecting many such associations,” says Banerjee, also talking about the three sponsors on board last year – HTC as presenting sponsor who was also given in-show mileage; Aircel as the powered by sponsor and Cinnamon hotels as the associate sponsor.

     

    “We are expecting a good response from the advertisers this season as well, since the first one did really well, earning us the most commended reality TV show at the Asian television awards 2013. We have already pitched it to more than 10 brands for association and will soon have them on board,” she adds.

     

    Unlike the last season when Cinnamon hotels became the hospitality partner, this time there are none. However, the team says that they got immense support from The Ministry of Development of North-Eastern Region, North-East India.

     

    The focus of this year’s campaign is very contestant-driven and highlights the promise of whatever it takes to get that perfect shot to get to the cover page of Nat Geo Traveller. NGC’s in-house On-Air Promo team has aptly designed the promos keeping this premise in mind. Hence, one could look forward to a campaign that will exude stylish, contemporary, grungy, aggressive, adventurous and reality-led communication.

     

    Since the show is about breathtaking photography, photo exhibition is one of the most important promotional strategies. Other strategies include making the brand a part of the show by showing usage of the product in show. “Something that we did with HTC on Mission Cover Shot by making use of the phone as part of a task and since some stake-holders these days are wanting to do more and more on the digital space, we have different associations for them on our FB page along with other online strategies,” says Banerjee.

     

    Nat Geo Covershot: Mission North East will be launching on 11 April, Friday at 10 pm, which the channel says is one of its strongest slot. The winning shot will still be featured on the cover page of Nat Geo Traveller.

  • Who will be India’s Junior MasterChef?

    Who will be India’s Junior MasterChef?

    MUMBAI: If you thought children’s reality shows on the small screen were only about singing, dancing or acting, think again. Riding on the success of MasterChef India, Star Plus is gearing up for a brand new show that will see kids aged eight to twelve years cooking up a storm in the kitchen. Indeed, the show titled Junior MasterChef – Swaad Ke Ustaad and produced by Colosceum Media, will be the first such in the history of Indian television.

    It is not a singing or dancing show. Nobody has ever seen kids cooking, I am sure in my head and heart that the show will do well, says Ashish Golwalkar

    But why children? clarifies Star India senior VP – marketing Nikhil Madhok: “Kids have a universal appeal. Everybody, including adults and kids themselves, will be interested in what these small wonders cook up. Most importantly, we are giving young cooking enthusiasts a platform.”

    While the format is modeled on the lines of Junior MasterChef Australia, which has already completed one season, the show will adapt to Indian sensibilities. Explains Star India senior vice president – programming, Ashish Golwalkar: “What they cook there, we cannot cook here because many of the ingredients are not available. The basic essence will be similar to Junior Masterchef Australia, but we have changed it a lot to suit the Indian palate.”

    Auditions have been conducted in three cities including Mumbai, Delhi and Kolkata and ten kids have been finalised. What’s more, four to five episodes have already been shot at RK Studios in Chembur.

    Chefs Jolly, Kunal and Vikas will expect nothing less than perfect, well-executed and delicious dishes

    Talking about the response at the auditions, Golwalkar says: “To be frank, before conducting the auditions, we were not sure whether the kids would be able to do this or not. And if so, then what kind of kids we were going to take. But the response we received was overwhelming. Around 8,000 kids turned up for the auditions. Some even travelled from smaller towns to showcase their skills.”

    But will it work? Madhok sounds confident: “We want to capture the innocence of the children and showcase their skills in an area usually associated with adults. Eight to twelve years is perfect for us because the kids are cute, eager to learn and the way they will demonstrate their talent will amaze people worldwide.”

    Adds Golwalkar: “It is not a singing or dancing show. Nobody has ever seen kids cooking, I am sure in my head and heart that the show will do well. So, by the sheer nature of its content, it will be different from the others. It’s prime time and we are ready to take a fight, and as a channel, we are ready to take up any challenge. As leaders, if we don’t take risks and push the envelope, then who else will.”

    The first season of Junior MasterChef – Swaad Ke Ustaad will be begin to air from today, for 12 weeks every Saturday and Sunday at 9 p.m.

    And it’s not just about giving other reality shows a run for their money.

    We are giving young cooking enthusiasts a reality show platform but in a whole new avatar says Nikhil Madhok

    “One child will win, that is the nature of the competition, but our attitude and endeavour is to encourage all the children who participate in the show,” says Madhok.
    Chefs Vikas Khanna, Kunal Kapoor and Surjan Singh Jolly will be the celebrity judges on the show. With kids involved, won’t they be lenient as compared to the adults’ version?

    Nothing will be made easy for the li’l chefs, clarifies Golwalkar. Every week, different tasks will be assigned to them and they will have to live up to the judges’ expectations.
    What about the kids’ safety?

    Four contestant managers will take care of the children while they chop or cook, says Golwalkar, adding: “Nobody needs to worry about safety. We have followed enough precautions as per the international format.”

    The show will be replacing the dance reality show India’s Dancing Superstar on Star Plus. Amul is the presenting sponsor and Pigeon, Fiona and Yippee noodles are its associate sponsors.

    Marketing and promotions

    Star Plus has adopted a three-pronged approach toward promoting Junior MasterChef – Swaad Ke Ustaad; television, digital and on-ground.

     

    On the television front, promos are already being aired on the entire Star network as well as 22 channels outside the network to communicate that JMC is not just a show for kids but for the entire family.

    Digitally, Star Plus has tied-up with MSN India and Yahoo! to make available exclusive behind-the-scenes content of the show. A digital application is on the cards which will help download recipes one sees on the show or indulge in a live chat with the judges and kids. A Facebook application has also been created where the young guns will test the audience’s knowledge about food.

    As far as on-ground activity is concerned, various competitions will be held between adults and children in ten cities including Delhi, Mumbai, Ahmedabad, Indore, Pune, Chandigarh and Lucknow. The intent is to demonstrate how talented kids can be, sometimes surpassing adults as well.

    Viewers will witness a perfect amalgamation of great food stirred up with a riot of laughter and fun

    Apart from the three important legs of the campaign, Star Plus has teamed up with Hindustan Times for a novel print idea. On the day of the launch of JMC, HT Cafe and HT City will appear half their usual size as a tribute to the “Junior Master Chefs” debuting the same night.

    Secondly, in a unique contest on Radio City, listeners who believe they have carried the most boring dabba that day will be encouraged to interact with the RJ. If the listener manages to convince the RJ that he/she does have ‘the most boring dabba’, he/she will win a treat from The Junior MasterChef Kitchen – the very same day.

    Thirdly, selected cinema halls will have a special ‘Junior Master Chef seat’. The lucky viewer who happens to get that seat will be treated to a delicious surprise from the JMC kitchen during the interval.

    While season one of the Australian version was won by one Isabella, we eagerly await to see who will win the show’s Indian counterpart.