Tag: CNBC

  • CNBC only exception as all other leaders witness ratings decline: BARC Week 47

    CNBC only exception as all other leaders witness ratings decline: BARC Week 47

    MUMBAI: Time Network’s English news channel Times Now and English business news channel ET Now witnessed a fall in ratings but continued to dominate their respective genres.

     

    In the Hindi news genre, Aaj Tak led the genre while CNBC Awaaz in Hindi business news genre became the number one channel according to week 47 of Broadcast Audience Research Council (BARC) India, all India (U+R) data.

     

    English News

     

    Times Now saw a fall in ratings this week but led the genre with 459 (000Sums) against 558 (000Sums) in week 46 followed by NDTV 24×7 in the second spot with 281 (000Sums) and India Today Television in the third slot with 233 (000Sums) respectively.

     

    CNN IBN with 224 (000Sums) and BBC World News with 175 (000Sums) bagged fourth and fifth spot respectively.

     

    English Business News

     

    ET Now continued to lead the genre and secured the leadership position with 264 (000Sums) against 381 (000Sums) in the previous week followed by CNBC TV18 in the second spot with 257 (000Sums). NDTV Profit & NDTV Prime with 83 (000Sums) stood in the third spot. Bloomberg TV maintained its position at the fourth spot with 21 (000Sums).

     

    Hindi News

     

    In week 47, Aaj Tak observed a decline in ratings but secured pole position with 77966 (000Sums) against 80873 (000Sums) in the previous week. India TV maintained its second position with 60871 (000Sums) followed by ABP News in the third place with 54566 (000Sums) and Zee News on the fourth spot with 50756 (000Sums). News Nation witnessed a drop in ratings but maintained its fifth position with 49680 (000Sums) as against 57997 (000Sums) in week 46.

     

    Hindi Business News

     

    CNBC Awaaz emerged as the leader in the genre and garnered the first position with 1222 (000Sums) followed by Zee Business in the second spot with 1058 (000Sums). 

  • “Television will move to Internet completely:” Netflix CEO Reed Hastings

    “Television will move to Internet completely:” Netflix CEO Reed Hastings

    MUMBAI: As the digital era ushers in with full gusto, Netflix CEO Reed Hastings is of the opinion that in a few years’ time, television will move to the internet completely, which has made many a international players in the cable and television broadcast industry shifty in their positions.

     

    In a recent interview with CNBC, Hastings said that in the next 10 to 20 years, television will shift completely to Internet, and his two cents are on the fact that Internet will be one of the fastest growing industry.

     

    Hastings may come off as bold, but his statement are in fact backed by facts and figures. The recent drop in subscription rates seen by television giants like Disney and Fox clearly indicates how rapidly the consumer is choosing internet as their staple platform for content consumption, be it entertainment, fiction or non-fiction. On the other hand, Netflix confirmed an addition of 3.3 million new subscribers in their quarter ending in July.

     

    When asked for his opinion on more and more people choosing to watch television on the internet rather than cable TV, Hastings told CNBC, “There are a few people that have cut the cord, but it is very, very small still today. But it’s a worry about the long term.”

     

    Considering its humble beginnings as a mail-order DVD company in 1997 to being an internet colossus worth over $32 billion, it will be right to say that Netflix is in for the long haul may even outrun some of the world’s biggest cable networks.

     

    The credit goes to internet, says the CEO of one of the world’s largest online video streaming platform. “It’s really the Internet. The Internet is transforming so many sectors of our economy, and we are Internet TV; and that sector has grown from very small 15 years ago to starting to be significant now,” Hasting asserted enthusiastically in his interview.

     

    Armed with analytics tools, Hastings stressed the importance of learning and evolving through time and new technology updates to survive in the market. “We are just a learning machine. Every time we put out a new show we are analysing it, figuring out what worked and what didn’t so we get better next time,” he adds.

     

    He also mentions that Orange is the New Black and House of Cards — Netflix’s two original shows – are the platform’s trump cards. With their ambition to spread their reach in Asia Pacific and the Indian subcontinent, the question remains if this formula will have the same impact as it did in America and Europe, especially in India, where broadband speed is still not up to international standards.

  • “Any channel that we launch in the future, will be successful in year one:” MK Anand

    “Any channel that we launch in the future, will be successful in year one:” MK Anand

    Heading the broadcasting expertise of a media conglomerate, which has been operating in India since 1838 is certainly a job of immense pressure. But there is someone who has been doing it with élan and that too at a time when every day gives birth to a new trend, every month, a new competitor enters and claims to be different. He is none other than Times Network CEO and MD MK Anand.

     

    Not long back, acknowledging the emergence of digital and new media, Anand spearheaded a staggering move in which the Times Television Network was transformed into Times Network. Despite having an English movie channel championing the ratings week after week, he marked the launch of another channel in the same genre, with a bigger and better philosophy. Under his leadership, various channels of the network secured pole position on numerous occasions in their respective genre. 

     

    Speaking exclusively to Indiantelevision.com’s Anirban Roy Choudhury, Anand shares his vision for the media industry especially the English entertainment industry and the road map ahead for Times Network. 

     

    Excerpts:

     

    Can you give an overview of Times Network’s news and entertainment channels and which segment is priority?

     

    Being in niche broadcasting, I believe all sectors need attention because it’s a highly competitive industry with some strong players. So innovation needs continuous attention. Our leadership position has been good in both English movies and news space. On the other hand, Zoom needed some specific product attention in the first quarter with reference to the re-launch, marketing etc.

     

    What next for the news sector? Property Now is launching soon and you already have Times Now and ET Now. Is there a Hindi news channel foray on the cards?

     

    Not really. I don’t think there is sense in it right now. The portfolio that we already have needs to be adequately and correctly monetized. I think there is headroom for both in subscription as well as ad sales, which we have seen in the past six quarters or so. We have been able to continuously move the needle on that and until we exhaust that, I don’t think there is sense in stretching and going into a different language all together.

     

    As of now, we are leaders and I feel we will be able to sustain this leadership in the top end category of the broadcast audience. There is a lot to be done there before we move into regional news etc.

     

    The network already had a English movie channel in Movies Now, what was the reason behind launching MN+? Was it to attract advertisers?

     

    I don’t think it is right to launch products for consumers because you have an advertising business opportunity. You launch products because you have consumer demand. So, the launch of Movies Now and now MN+ is to acknowledge the fact that with DAS Phase I and II and now as we go to Phase III and IV, the potential to launch more and more niche channels and to reach out to specific viewers is better and cheaper than it was with analog.

     

    Niche is the way to go. Niche is to acknowledge that specific groups in a large population and vast universe have different tastes. Movies Now is more descriptive as it caters to the whole English viewership but within that there is romance, action and slow movies sector. When you acknowledge the specific niches, you can come up with products like MN+. These channels come up because of niche recognition not because of advertising opportunities.

     

    What has been advertisers’ reaction so far to MN+?

     

    We are delighted with advertisers’ reaction. It is one of the channels, which has almost reached a maturity level in the shortest period of time.

     

    Speaking of the English entertainment genre as a whole, a few international channels have found it difficult to find a foothold in India. On the other hand, we have Colors Infinity and MN+ launching in the wake of the HD boom. What do you think is the need of the hour when it comes to English entertainment in India?

     

    The HD market is definitely growing. It is the natural progression of television viewing just like black and white went to colour, terrestrial went to cable and satellite. Similarly, HD technology is getting diffused and being adopted.

     

    The top of the pyramid is obviously the best place for advertisers to be, whether it is in print or television and therefore the returns on HD from an advertiser’s point of view will be much more than the other areas. HD is the future of all broadcasting. In fact, soon there’ll be someone launching a 4K channel and then 4K will be the future. So technological advancement per se will be the future of all broadcasting.

     

    English entertainment was mainly targeted at the metros at one point of time. Do you see the target group growing now given the fact that we are seeing growth everywhere?

     

    All this is happening because of digitisation. More channels per cable allows for better penetration. Secondly, in the past when TAM in its panel change introduced LC1, there was a rush to reach those markets.

     

    I think advertising optimized distribution and the way niche channels or networks distributed in the past is now gradually changing. One of the reasons why the base is expanding is because of digitization and the possibility that subscription revenues will eventually start flowing from consumers to cable operators in a more transparent manner and through MSOs and DTH operators to broadcasters. 

     

    Broadcasters know that in the next two to five years, subscription revenue will be a lot more transparent. From that point of view, it is a bet that we take and go to those markets.

     

    OTT player HOOQ armed with English entertainment content has entered the Indian market. With Netflix speculated to launch in India next year, do you think OTT services are a threat to traditional television model in a country like India?

     

    There will always be a huge base of Indian consumers who will be consuming English news, English entertainment, English GEC content. It could be through Netflix or it could be through Movies Now or MN+. The fact of the matter is that consumption is not going to go down.

     

    So if you’re asking me whether broadcasters should now stop investing in content because Netflix is coming in; I don’t think so.

     

    Just because a YouTube exists, does it mean that other apps are not going to survive or will get lost? These are all businesses, which have been built over the last ten years. You never know what’s going to happen in the next ten years. A Netflix equivalent or a bigger player may be coming out of India in the next ten years. However, that will happen only when Indian entrepreneurs – whether it is broadcasters or otherwise – play in that market with their own hands. So we won’t fade away because some competitor is coming into play.

     

    Do you think the time is right for India to create original English entertainment content? What is the scope for such content?

     

    That has already started with the infotainment segment whether it is travel or lifestyle type of content. There is a lot of stuff, which is made for India and can also travel across. However, creating entertainment content for Indian production companies will take some time and even if it happens, those will have wings to fly only when they are produced for the global market and not for the Indian market alone. The Indian market is not big enough for that as of now.

     

    Do you foresee digital overtaking television when it comes to news consumption? Or do they complement each other? Arnab Goswami recently said that by 2020, digital will probably overtake television. What is your viewpoint?

     

    In some sectors like news, yes, digital is likely to overtake television, but certainly not in all sectors. News will be travelling across multiple platforms.

     

    Brands like ZoOm and Times Now, which started on the broadcast medium, can now co-exist on the mobile platform with the emergence of the digital medium. I am not very sure if that will be the case with other genres. Maybe in the next elections, we will have a lot more apps giving competition to the broadcast platform. At the same time, television channels will also have a lot more viewership on apps. In the foreseeable future, both the platforms will complement each other and happily co-exist.

     

    What kind of push and emphasis is the network giving to the digital medium?

     

    We are ready to go full-fledge in terms of the launch of Times Now app. Video-on-demand (VOD) totally depends on Intellectual Property (IP) and we have some very strong IP in terms of Times Now’s News Hour and Frankly Speaking. However, to venture into VOD, we will need more IP. 

     

    Arnab is someone who every CEO would love to have in his team but do you sometimes feel that he is becoming bigger than the brand?

     

    (Laughs) That is like asking a production company if they were happy to have Johnny Depp or Salman Khan in their team. What I would say is that we are happiest to have him inside rather than outside. 

     

    Times Network recently promoted Arnab as the editor in chief of ET Now. What is the road ahead for ET Now and what role will Arnab play?

     

    ET Now has completed six years. The channel, in its first three and half years of existence, was able to challenge CNBC and become number one. The fact that we have been able to challenge CNBC is a big achievement.

    Getting numbers, viewership or reach is not what we want out of this market. ET Now’s challenge is something larger, which is to be appealing to a broader base than just the so-called ‘stock market players’ or ‘business viewers.’ And that is exactly where Arnab would be useful. 

     

    Can you throw some light on ZoOm’s positioning and the way forward?

     

    When we had launched ZoOm, music formed 80 per cent of the programming mix, whereas now that number has come down to 60 per cent. So 40 per cent of the channel’s programming is now content. Ideally, as we go forward, I see almost 65 per cent of the channel’s content comprising Bollywood trends, lifestyle and trivia. And viewers will be able to consume this content on the broadcast platform, as well as on platforms like digital and social media.

     

    Is the Indian media and entertainment industry moving towards more subscription and less ad revenue model? What is the scenario at Times Network?

     

    In the industry, we are already subscription positive. When it comes to Times Network, we are yet to shake off the burden of carriage fees and hence, we are still advertising led. Moreover, that is also because we don’t have a large channel, which at times is a handicap when it comes to distribution. 

     

    But yes, over the last two years, significant headway has been made. DTH operators and MSOs have started acknowledging the fact that we are a useful bunch to increase ARPUs. When it comes to the high-end consumers, you cannot have a distribution and subscription pack without including the Times Group channels. We have subsequently been able to use that to our advantage to improve our carriage versus subscription position. Our net income has improved. We are sure that it will continue to improve and we will get to a positive situation in a year or so and that’s big.

     

    Going forward what is the road map ahead for Times Network? Will there be any new launches?

     

    We would like to launch at least one or two channels every year complementing our catalogue. Property Now is a complement to ET Now, whereas MN+ complements Movies Now. So we will launch a new channel wherever we feel a need gap, which can be profitably filled.

     

    One thing I am sure of – both the channels that we have launched or any channel that we launch in the future, will be successful in year one.

     

    For the next couple of years, what we need to articulate is the fact that the sum is a lot more than individual parts. What I mean by this is, when you look at the holistic picture, we are talking to top two per cent of Indians. India’s population is 134 crore and India’s monthly English viewership is 2.6 crore, which is exactly two per cent of country’s population.

     

    On a regular basis, we are talking to 1.3 crore people, which means that we reach out to one per cent of India every day. However, when you look at that one per cent, it’s not just any one per cent. We are serving India’s most influential broadcast audience, and that is very important because that’s not just any audience. We are reaching to the decision makers. Last year, we managed to secure 30 per cent growth. My primary target is to secure 30 per cent CAGR for the next two years as that will take us to a very strong position as a network.

     

    What is your take on the digitisation progress so far?

     

    Given the size of the market, its ability to pay for boxes and the current state with reference to the mostly unorganized sector, DAS Phase I and II have really happened at commendable speed. Now we need to wait and watch the progress that takes place in the Phase III and IV. However, I am not very satisfied with the way Phase III has progressed.

     

    Has the new government addressed key issues bothering the media and entertainment industry? 

     

    I don’t think we are in a situation where things can be changed overnight. What we all are now looking at is Phase III and IV of digitization. The most important contribution I expect from the new government is to pace up the economy. If the pace is good, media will be good. Businesses like ours are very heavily advertising led and advertising follows the economy. As of right now, if we have done so well last year as well as this year until now, it’s because of the new government.

     

    What’s your take on BARC?

     

    I am very happy with BARC fundamentally because we have been able to hold on to our leadership. Moreover in the case of ET Now and Movies Now, our ratings have improved.

     

    Overall, the transition was smooth. And even though there have been some teething issues, I think things will get sorted in time. The management team and the technology are able and good.

     

  • CNBC launches new ‘Managing Asia’ series sponsored by Hitachi

    CNBC launches new ‘Managing Asia’ series sponsored by Hitachi

    MUMBAI: CNBC has launched its second regional, multi-platform sponsorship deal with Hitachi for the network’s Managing Asia: Asia Builders series. Content will largely be drawn from a special event in Jakarta on 11 June and broadcast in two-parts on 26 June and 3 July across CNBC’s Asia Pacific TV and all digital platforms.

     

    CNBC award-winning anchor Christine Tan will host the Jakarta discussions, titled Innovative Cities: Rising to the Challenge, at Hotel Indonesia Kempinski. She will talk to a high-powered panel of influential developers, who are behind some of the biggest urban development projects in Southeast Asia, exploring solutions to today’s urban challenges such as overcrowding, congestion and pollution. On the panel will be Datuk Ismail Ibrahim of the Iskandar Regional Development Authority, Liew Mun Leong of Surbana & Jurong International and SD Darmono of PT Jababeka.

     

    Tan also sits down with Indonesian billionaire-property tycoon Dr (HC) Ir Ciputra, known for the large-scale townships built by his eponymous company, along with his son Candra Ciputra, in a rare interview to examine how innovation has played a key role in building the Ciputra empire.

     

    A poll to assess public opinion on the biggest challenges facing Asian cities is already active on the Asia Builders website at http://cnbcasia.com/events/asiabuilders.

     

    CNBC Asia Pacific vice president of sales Kerry Tarrant said, “We are delighted to be working with Hitachi again. This event and campaign closely aligns with Hitachi’s strategic priorities in the fields of innovation and infrastructure development, while also engaging the influential CNBC business audience on some of the big pan-regional challenges that the Asian economy faces.”

     

    Hitachi Asia managing director Hirohiko Morisaki added, “Hitachi’s Social Innovation Business focuses on improving quality of life for the global community by combining infrastructure solutions with advanced IT technologies. As such, we are excited to partner CNBC once again for this meaningful event and broadcast. While Hitachi is already working closely with key stakeholders from both public and private sectors regionally to resolve urbanization-related issues, this event will provide new perspectives on how Hitachi can better address critical issues through our expertise in areas such as transportation, energy and water solutions.”

  • Q3-2015: Network18 reports improved results

    Q3-2015: Network18 reports improved results

    BENGALURU: Network18 Media & Investments Limited (Network18) reported better results in Q3-2015 as compared to Q2-2015. Improved performances by its media operations, web and publishing operations helped buoy the company’s topline. Q2-2015 was a bad quarter overall for the media and entertainment (M&E) industry in India. Is the Ambani habit of reporting good results rubbing on to its newly-taken over companies – TV18 and Network18; minnows when compared to the giant that the Mukesh Ambani run Reliance Group of Industries is? Only time will tell.

    Note: 100,00,000 = 100 Lakh = 10 million = 1 crore

     The company reported 11.7 per cent growth in Income from Operations at Rs 839.1 crore in Q3-2015 from Rs 744.8 crore in Q2-2014 and 14.3 per cent more than the Rs 727.6 crore in Q3-2014. During 9M-2015, Network18 Income from Operations improved 16.9 per cent to Rs 2285.1 crore from Rs 1954.1 crore in 9M-2014.

     Network18’s Profit Before Tax and Exceptional Items (PBT) improved to Rs 22.4 crore in Q3-2015 from a loss of Rs 14.8 crore in Q2-2015 and 15.7 per cent more than the Rs 19.3 crore in Q3-2014. For 9M-2015, loss at Rs 36.4 per cent was lower than the loss of Rs 65.6 crore in 9M-2014.

     Let us look at the other numbers reported by Network18:

     The company’s operating profit (Profit before depreciation, interest and tax – PBDIT) in Q3-2015 at Rs 67.1 crore was almost quadruple (up 3.8 times) than the Rs 17.4 crore in Q2-2015 and 12.7 per cent higher than the Rs 59.5 crore reported in the corresponding quarter of the previous year. For 9M-2015, PBDIT at Rs 97.2 crore was 2.5 times the Rs 39 crore reported for 9M-2014.

     Network18 reported 5.6 per cent higher Total Expense (TE) at Rs 788.5 crore in Q3-2015 versus the Rs 746.9 crore in Q2-2015 and 14.7 per cent more than the Rs 687.6 crore in Q3-2014. In 9M-2015, the company’s TE at Rs 2268.9 crore was 15.2 per cent more than the Rs 1969.5 crore in 9M-2015.

    Programming cost in Q3-2015 at Rs 202.1 crore was 13 per cent more than the Rs 178.8 crore in the immediate trailing quarter and 30.8 per cent more than the Rs 154.5 crore in Q3-2014. In 9M-2015, programming cost at Rs 546.5 crore was 37.8 per cent more than the Rs 396.5 crore in 9M-2014.

     Network18’s distribution, advertising and business (DAB) expense in Q3-2015 at Rs 214 crore was 3 per cent lower than the Rs 220.7 crore in Q2-2015 and 3.3 per cent less than the Rs 221.3 crore in Q3-2014. In 9M-2014, the company reported 5.2 per cent lower DAB expense at Rs 626.6 crore versus the Rs 660.7 crore in 9M-2014.
     
    Depreciation and amortisation cost (depreciation) in Q3-2015 at Rs 23.8 crore was 22.7 per cent lower than the Rs 19.4 crore in Q2-2015 and 22 per cent less than the Rs 19.5 crore in Q3-2014. Depreciation in 9M-2015 at Rs 80.9 crore was 48.7 per cent more than the Rs 54.4 crore in 9M-2014.

     Network18 says that its digital content operations – moneycontrol.com, Ibnlive.com, Firstpost.com and News18.com and its digital commerce operations bookmyshow.com and Homeshop 18 performed well in the current quarter with a monthly average reach of approximately 25 million visitors for first two months in this quarter.

    Its television business also performed well. The company said that its business news operations (CNBC-TV18, CNBC Awaaz, CNBC Bajar and CNBC-TV18 Prime HD) sustained their leadership position in the genre. CNBC Bajar showed accelerated growth in viewership with a 182 per cent increase in Q3-2015 over Q2-2015. CNN-IBN stood at No.2 position in the English General News category in Q3-2015 with a market share of 25 per cent. In the entertainment segment, Colors was the No.1 channel on weekend prime time with a market share of 28.3 per cent in Q3-2015. History TV18 ended the year 2014 with No.1 position in December 2014 with a market share of 25 per cent in 6 Metros and garnered the maximum time spent per viewer at 178 minutes in 6 Metros and 132 minutes in all India. The company’s regional news and entertainment group of channels under the ETV umbrella also performed well.

     

  • CNN named number one international news brand in India and Asia Pacific

    CNN named number one international news brand in India and Asia Pacific

    MUMBAI: CNN has been named the number one international news brand according to the latest Ipsos Affluent Survey Asia Pacific, reaching an unrivalled one in three upscale consumers in the region. CNN is consumed by more affluents in Asia Pacific in all daily, weekly and monthly metrics, as well as on all platforms of TV, online and mobile. In India, CNN is the leader amongst international news brands in multiplatform and digital reach, and also accumulates more TV viewers each month than BBC World News.

     

    Among international news brands and across platforms, CNN is the preferred destination for India’s affluent audience, with 20% monthly reach – significantly ahead of the next-placed brand (BBC World News). CNN is also the leading international news brand in terms of monthly TV reach as well as digital (websites & apps) reach, where CNN has a lead of over 50% compared to the next-placed international news brand (BBC World News).

     

    At the regional, Asia Pacific level, the survey shows every month CNN is consumed by over a third (34%) of the region’s affluent audience across all platforms, which is 40% more than the next largest news brand (BBC World News 24%) and twice as many as the third-placed brand (CNBC 16%). Each month CNN also reaches a large proportion of elusive target groups such as frequent business travelers (65%), opinion leaders* (51%), and top management (46%).

     

    On TV, CNN is the most watched international news channel with 27% monthly, 18% weekly and 6% daily reach. This is far ahead of the other news channels including BBC World News (18% monthly, 12% weekly and 4% daily), CNBC (12%, 8%, 2%), Channel NewsAsia (10%, 7%, 4%) and Bloomberg TV (7%, 5%, 1%). In a single week CNN reaches 99% as many upscale consumers as BBC World News does in an entire month. The research also shows over the course of a month 29% of CNN TV viewers watch CNN exclusively, watching no other news or business channel**.

     

    On digital platforms (websites and apps), CNN is ahead of all news and entertainment brands with 54% higher monthly reach than the next largest brand (CNN 9% monthly reach versus BBC World News 5%).

     

    CNN’s continual dominance extends beyond Asia Pacific with the Ipsos Affluent Global survey also released today showing CNN reaches 40% of upscale consumers and decision-makers in Europe, Middle East, Africa, Latin America and Asia combined. This audience is larger than all other news competitors in every metric across TV and digital platforms. The IPSOS Affluent Global findings follow CNN registering a global digital audience of 99 million Unique Visitors in comScore’s August data – over 25 million ahead of the BBC (73 million)****.  

     

    Rani Raad, Chief Commercial Officer, CNN International: “These results prove once again CNN has the winning combination of quality and quantity. CNN has an unrivalled ability to connect with affluent consumers and hard-to-reach groups and does so in large numbers. It’s been an extraordinary year for major news stories and these results are testament to the relevance and importance of CNN’s first-class journalism in Asia and all corners of the globe.”

     

  • Network18 Q2-2015 results a little better q-o-q and y-o-y

    Network18 Q2-2015 results a little better q-o-q and y-o-y

    BENGALURU: Bringing Network18 Media and Investments Limited (Network 18) to the black is still work in progress for its new board, but it should get there soon, considering the company’s Q2-2015 numbers and TAM data for its bouquet of news and GEC channels led by Colors, CNBC, CNN-IBN and ETV among others.

     

    Please refer to the attached financial performance statement and press release for the various figures and TAM data reported by Network18.
     
    Network18 reported 11.2 per cent y-o-y and 5.1 per cent q-o-q growth in consolidated Total Income from Operations (TIO) in Q2-2015. The company’s consolidated TIO in Q2-2015 was Rs 744.84 crore versus Rs 669.85 crore in Q2-2014 and Rs 708.39 crore in Q1-2015. Corresponding HY-2015 and HY-2014 TIO numbers were Rs 1226.48 crore and Rs 1023.98 crore respectively, indicating a decent 18.1 per cent growth in the current half year.
     
    Note:  100,00,000 = 100 Lakhs = 10 million = 1 crore
     
    Let us look at the other Q2-2015 and HY-2015 numbers reported by Network18
     
    Consolidated loss for Q2-2015 was lower at Rs 36.47 crore versus the one time adjusted massive loss of Rs 1021.88 crore in the last quarter and the Rs 36.28 crore in Q2-2014. Loss in HY-2015 has widened to a huge Rs 1058.35 crore because of the Q1-2015 adjustments, versus the Rs 20.93 crore loss in HY-2014.
     
    Correspondingly, consolidated profit before depreciation, interest and taxes (PBDIT) numbers for the current quarter has improved to Rs 33.6 crore which was 36.2 per cent higher than Rs 24.7 crore in the immediate trailing quarter and 14.9 per cent more than the Rs 29.3 crore in the year ago quarter. In H1-2015, consolidated PBDIT at Rs. 58.3 crore was 6 times (up 514 per cent) more than the Rs. 9.5 crore in H1-2014.
     
    The company’s consolidated total expenditure at Rs 746.90 crore (100.3 per cent of TIO) was 1.8 per cent more than the Rs 733.45 crore (103.5 per cent of TIO) in Q1-2015 and 11.5 per cent more than the Rs 670.1 crore (fractionally more than 100 per cent of TIO) in Q2-2014. HY-2015 total expenditure at Rs 1480.36 crore (101.9 per cent of TIO) was 15.5 per cent more than the Rs 1281.92 crore (104.5 per cent of TIO) in HY-2014.
     
    Consolidated Programming cost at Rs 172.39 crore (23.1 per cent of TIO) was 1.7 per cent more than the Rs 169.54 crore (26.7 per cent of TIO) in Q1-2015 and 10.5 per cent more than the Rs 143.84 crore (21.5 per cent of TIO)in Q2-2014. HY-2015 programming cost at Rs 341.93 crore (23.5 per cent of TIO) was 46.9 per cent more than the Rs 232.71 crore (19 per cent of TIO) in the corresponding half year -period of last year.
     
    Finance costs in Q2-2015 was 6 per cent lower at Rs 29.01 crore (3.9 per cent of TIO) versus the Rs 30.88 crore (4.4 per cent of TIO) in Q1-2015 and 4.3 per cent more than the Rs 27.83 crore (4.2 per cent of TIO) in Q2-2014. Finance costs in HY-2015 at Rs 59.89 crore (4.1 per cent of TIO) was 0.6 per cent more than the Rs 59.53 crore (4.9 per cent of TIO) in HY-2014.
     
    On a consolidated basis, two segments contribute to the company’s numbers – Media Operations (MO) and Film production and distribution (Film).
     

    Consolidated Segment figures
     
    MO revenue in Q2-2015 was 4.5 per cent more at Rs 727.94 crore versus the Rs 694.08 crore in Q1-2015 and 19.3 per cent more than the Rs 607.8 crore in Q2-2014. In HY-2015, MO reported revenue of Rs 1419.05 crore which was 23.8 per cent more than the Rs 1146.61 crore in HY-2014.
     
    MO reported operating profit of Rs 3.88 crore in Q2-2015 versus an operating loss of Rs 83.88 crore in Q1-2015 and an operating profit of Rs 9.46 crore in Q2-2014. For HY-2015, operating loss from MO widened to Rs 79.90 crore from Rs 30.39 crore in HY-2014.
     
    Film segment reported 38.7 per cent higher revenue at Rs 19.85 crore in Q2-2015 versus the Rs 14.32 crore in Q1-2015, but was 68 per cent lower than the Rs 62.05 crore in Q2-2014. For HY-2015, Film segment revenue fell by 57.7 per cent to Rs 34.17 crore from Rs 80.85 crore in HY-2014.
     
    Film segment reported operating loss of Rs 4.38 crore in Q2-2015, operating loss of Rs 0.95 crore in Q1-2015 against an operating profit of Rs 3.13 crore. For HY-2015, this segment’s operating loss for both HY-2015 and HY-2014 was Rs 5.33 crore .
     

    Network18 Standalone Q2-2015 and HY-2015 numbers
     
    On a standalone basis, Network18 reported lower TIO in Q2-2015 at Rs 16.80 crore versus the Rs 17.77 crore in Q1-2015 and the Rs 29.23 crore in Q2-2014. HY-2015 TIO at Rs 57.95 crore was better than the Rs 34.58 crore in HY-2014. Standalone loss for Q2-2015 at Rs 18.52 crore was lower than the Rs 637.96 crore in Q1-2015 (one-time adjustment) and the Rs 32.59 crore in Q2-2014.
     

    Standalone segment figures
     
    Three segments contributed to Network18 standalone numbers – Event Management (EM), Web operations (WO) and Publishing business (publishing).
     
    Event management had no revenue in Q2-2015 and Q1-2015, and Rs 8.95 crore revenue in Q2-2014. Operating losses from this segment in Q2-2015, Q1-2015 and Q2-2014 were Rs 0.11 crore, Rs 0.06 crore and Rs 0.76 crore respectively.
     
    WO reported revenue of Rs 12.98 crore in Q2-2015, Rs 12.68 crore in Q1-2015 and Rs 9.22 crore in Q2-2014. Operating losses from this segment were Rs 2.75 crore in Q2-2015, Rs 3.99 crore in Q1-2015 and Rs 9.99 crore in Q2-2014.
     
    Publishing segment reported revenue of Rs 3.82 crore in Q2-2015, Rs 5.09 crore in Q1-2015 and Rs 10.59 crore in Q2-2015. Operating losses from this segment were Rs 1.66 crore in Q2-2015, Rs 2.29 crore in Q1-2015 and Rs 3.91 crore in Q2-2014.
     
    Additional Notes
     
    1.       Pursuant to the enactment of the Companies Act, 2013 (the Act), the Group has, effective from 1st April, 2014, reassessed the useful life of its fixed assets and has computed depreciation with reference to the useful life of assets as recommended in Schedule II to the Act. . Consequently Depreciation for the quarter and half year ended 30th September is higher by Rs.1.16 crore and Rs.9.78 crore respectively and net loss is higher by Rs. 1.16 crore nd Rs.9.78 crore respectively. Further, based on the transitional provision provided in Schedule II, an amount of Rs. 7.13  crore has been adjusted with the opening reserves during the half year ended 30th September 2014.
     
    2.        During the quarter ended 30th June, 2014, based on a review of the (i) investments, and (ii) other current and non-current assets, the Group has accounted for (a) diminution in the value of certain investments to the extent of Rs. 142.83 crore and goodwill Rs. 234.78 crore; (b) obsolescence/impairment in the value of certain tangible and intangible assets to the extent of Rs. 127.43 crore and (b) write-off and provisions of non-recoverable and doubtful loans/advances /receivables to the extent of Rs. 519.41 crore and the same has been disclosed as Exceptional Items. Further, Exceptional Items for the said quarter ended 30th June 2014 also includes Rs. 20.94 crore towards severance pay and consultancy charges. However, these adjustments will have no impact on the future operating profit and cash flows of the businesses of the Group.
     
     
    3.       Equator Trading Enterprises Private Limited (“Equator”) including its subsidiaries Panorama Television Private Limited and Prism TV Private Limited had become wholly owned subsidiary of the Company with effect from 22nd January, 2014. Hence, the consolidated results of the current period also include the results of these subsidiary companies. Eenadu Television Private Limited had also become an associate with effect from 22nd January 2014 and its results have been accounted as “Associate” under accounting standard 23 on Accounting for Investments in Associates in Consolidated Financial Statements. To this extent, the results of this period are not comparable with the corresponding previous period.

     

     

    Click here for the financial statement

  • CNBC and Burson-Marsteller reveal results of corporate perception indicator

    CNBC and Burson-Marsteller reveal results of corporate perception indicator

    MUMBAI: CNBC and Burson-Marsteller, a global strategic communications firm, unveiled the results of the ‘CNBC/Burson-Marsteller Corporate Perception Indicator: A Global Survey from Main Street to the Executive Suite.’ Exclusively for this sweeping report, research firm Penn Schoen Berland surveyed more than 25,000 individuals from the general public and more than 1,800 business executives in 25 global markets on their opinions about the roles and responsibilities of corporations in society and in contributing to the economy.  CNBC’s Becky Quick, co-anchor of “Squawk Box” will lead the network’s global on-air coverage of the survey.

     

    The survey uncovered a sharp divide between the developed economies of North America and Western Europe, and emerging economies like China, Russia and Brazil, particularly in people’s disposition toward corporate influence over government, corporate stewardship of the environment, and perhaps most importantly, the role corporations play as engines of job creation and economic growth.  

     

    According to the survey, the general public in developed economies has a much more cynical view of corporations compared to the general public in emerging economies. In developed economies, 52% of the general public has a favorable view toward corporations versus 72% of the general public in emerging economies. A deeper dive into those emerging economies finds that the general public and business executives are much more likely to see corporations as a source of hope, rather than fear, when compared to their developed country counterparts.

     

    When it comes to corporate taxation, however, the major markets are generally in agreement. Fifty-seven percent of the general population and 53% of executives say corporations take advantage of tax loopholes to avoid paying their fair share rather than paying what they owe. Most of the global markets agree that it’s important for corporations to pay their “fair share” of taxes including 70% of the general population and 67% of business leaders in the United States saying it’s very important. The exception is Russia, where only 12% say it is very important for corporations to pay their fair share and more than half said it is not important.

     

    “We discovered in our initial reporting that there is a serious dearth of data spotlighting the way corporations are perceived from all points of view,” said CNBC Business News SVP & editor in chief Nikhil Deogun. “These findings will ignite debates and discussions important to CNBC’s audience across all platforms.”

     

    “Six years after the economic crisis hit, this major survey makes clear that, while the reputations of corporations and business leaders are improving, there is still real work to do to dispel doubts about their impact,” said Burson-Marsteller worldwide chair and CEO Donald A. Baer. “The good news is this survey is a corporate compass that points in the direction of even deeper engagement between corporations and their leaders and the broader public about their essential roles in building the economy and improving society.”

     

    Among the survey’s other findings:

     

    • Health Care: Compared to people in other developed countries, Americans are much more likely to say corporations are responsible for providing health care insurance. Sixty-five percent of consumers in developed countries say the government is responsible for providing health care, but the United States is a major exception. In the U.S., only 37% of the general population says the government should provide healthcare coverage; 29% say individuals should be responsible; and 21% say corporations should be responsible.

     

    • Retirement: Business executives around the world agree that corporations should have an obligation to provide retirement benefits to employees. In the U.S., a higher percentage of business executives (84%) hold this view, compared to just 75% of the general population.

     

    • CEO Pay: Most of the world thinks CEO salaries are high with 38% of total respondents (and 32% of Americans) saying CEOs make more money than professional athletes, entertainers and heads of state. Thirty percent of Americans say teachers should be the highest paid workers in society, followed by police & firefighters (22%) and doctors (15%).

     

    • Social Responsibility: Nearly one-third of the executive suite in the developed world says corporations are becoming less socially responsible. That view is especially prevalent in Western Europe where 52% of Germans, 46% of French, and 45% of Dutch say corporations have become less socially responsible over the past decade.

     

    • CEO Reputation: In the U.S., 47% of the general population identifies CEOs as among the most powerful people in society, but only 9% view them as among the most respected.

     

    • Corporate Nationalism: 63 per cent of the general population in China has a more favorable view of a corporation if it is American while 71% of the general public in America has a less favorable view of a corporation if it is Chinese. Sixty-one percent of the general population in Russia and 59% of the general population in Germany says they have a less favorable view of a corporation if it is American.

     

    From June 28 – August 15, 2014, Burson-Marsteller and CNBC surveyed 25,012 individuals from the general population and 1,816 business executives in 25 global markets on their opinions about the role of corporations in society and the economy. The research was conducted using an online questionnaire in the native language of each global market by Penn Schoen Berland with sample provided by Kantar.  The total general population sample has a margin of error of ±0.62%.  The total business executive sample has a margin of error of ±2.3%.

     

  • RIL will stand the test of time: Raghav Bahl

    RIL will stand the test of time: Raghav Bahl

    MUMBAI: He was much in the media about three months ago when he had sold his baby to an Indian business tycoon. After spending two months in the US researching for his ‘second innings’ as he calls it, Network18 founder and non-executive director Raghav Bahl is back in business.

     

    Speaking at the TV.Nxt 2014 summit with Vanita Kohli Khandekar, Bahl seemed at ease while talking about his 18 successful years in the business and what could have been avoided. He highlights two life changing situations for his company with the first being in 1999, when he decided to move from a software and content production company to a broadcasting one. ”If you want to scale up you had to be in broadcast and we clearly wanted to be in the news side of it. It was no fun in being a 10 per cent player,” he says.

     

     

    The second string of life was in 2007-08 when Viacom came to India looking for a partner and along with Network18 created the GEC Colors. ”They thought that if CNN and CNBC could coexist in the same balance sheet then they must be doing something right,” he proudly says adding that their main point was being a news company that entered the entertainment field. 

     

     

    “When the parent is a news company, we have a draconian law in India that a single Indian shareholder has to have 51 per cent of the news broadcast company, which meant I had to have 51 per cent at any point of time. That’s draconian for a single first generation entrepreneur. A lot of issues that TV18 faced were due to this, which is a less understood facet of the company,” he adds.

     

    However, he also agrees that his peak investment phase in 2008 including diverging into HomeShop18 and Infomedia was a classical error because it coincided with the economic depression. ”We were losing about Rs 2 crore a day with cash loss of Rs 750 crore.” he admits. Although in 2009-10 he got an infusion of Rs 1000 crore equity capital, Bahl says that he should have used at least half of it to reduce debts than expand.

     

    As popularly perceived that news is a loss making business, Bahl disagrees by saying that it actually makes a lot of money. Network 18’s news side was making Rs 700 crore to Rs 800 crore topline which it reinvested back in the business. “Which is why it seemed like it was making losses,” he says.

     

     

    Bahl also points out that in the last four months, the company has launched six channels. ”Our EBIDTA was Rs 150 crore to Rs 200 crore. This is very healthy.  Out of this, Rs 100 crore EBIDTA comes from CNBC business,” he informs. As per him, the nearest competitor to Network18 reaps Rs 250 crore to Rs 300 crore in topline.

     

    He is unperturbed about the hype that surrounded Reliance Industries’ takeover of his company. ”There has been a lot of prejudgment regarding RIL. Just because we were a news company, we were in focus because there is an institutional morality built into it. The larger the biz house, the more the issue,”  he says, while adding that Ronnie Screwvala’s deal of selling UTV to Disney didn’t come as much under media scanner as his company. The deal with Mukesh Ambani was a contractual commitment that was declared as convertible debentures on the first day. He hopes well for Network 18 in its new owners’ hands. ”Few years down the line, its balance sheet will be good,” he saysSide by side, he also foresees subscription revenues to grow to Rs 1000 to Rs 1500.

     

    Addressing the slew of exits from the company after his own departure, Bahl asserts that those were just a few, while dozens have stayed loyal including R Jagannathan from Firstpost and Senthil Chengalvarayan, Menaka Doshi and Latha Venkatesh from CNBC-TV18. ”We just assume that the owner wants to compromise. I think Reliance Industries will stand the test of time,” he asserts.

     

    Fear of journalism being tampered with is also a big question with the acquisition. Bahl feels that people undervalue Indian journalism. ”The world thinks it is power but it actually is a thankless business,” he says. Media in India is independent and plural with no media having more than 5-7 per cent voice, he adds.

     

    With digital on the rise, which is also to be Bahl’s second stint at entrepreneurship, he believes that it will be the biggest competition to news, though not immediately but in the next 10 yearsHe has chosen to tread the path of mobile news. ”I am out of the TV business but news is my first love. There is a large amount of innovation happening in news. The way I serve, target, personalise and curate content will be important,” says he. According to him, the next generation news companies won’t be just content focused but will be a 50:50 share of content and technology. At the same time, the engineer will be as important as the editor. 

     

    Khandekar said that this view was similar to what Google is doing by offering news. But Bahl clarified that Google does not create content, it only curates content. In today’s world even big media companies, curate content apart from its original ones. But what matters most to the consumer is the experience. ”Anybody who says that he won’t curate or aggregate content is living in the medieval age. A journalist is a curator himself. But, the quality of original content will be the differentiating factor,” he stresses. His two month experience in the US has also taught him that in order to have a good brand, one needs at least 33-40 per cent original stuff.

     

     

    While company acquisitions happen world over, Bahl feels that the industry does need capital in it. He feels that technology companies will find it difficult to enter the news business but news creators can learn technology easily. According to him New York Times and Times of India are examples of how companies have adopted better technology while online sites such as Vice and Vox have emerged into the digital era with high quality production of news. 

    Finally talking about the huge sum of money that Bahl pocketed from the transaction, he says that although it has taken away his insecurity, it has also made him more sensible.

  • NDTV Car & Bike Awards are back with their 9th edition

    MUMBAI: The coveted NDTV Car & Bike Awards are back with their 9th edition, scheduled to be held at the Taj Palace Hotel, New Delhi on Monday, January 13, 2014. Presented by Mobil1, the Awards will once again honour the best cars and bikes in the country’s vibrant automobile sector and give recognition to the minds and the efforts behind their success.

     

    The NDTV Car & Bike Awards have emerged as the most credible automobile industry awards that have created a niche for themselves in the sector and among automobile aficionados. The 9th edition will felicitate 35 most deserving winners across various categories. A new category has been introduced, the ‘CNB Visioneer Award’ that will acknowledge outstanding contribution to the Indian Automobile Industry.

     

    Announcing the 9th edition of the awards, Siddharth Vinayak Patankar, Editor -Auto & Head Automobile Programming, NDTV said, “It has been quite a journey and I am very proud that we have now completed 10 years of CNB on the NDTV Network. The fact that the CNB awards are now recognised as most credible across the automobile industry is a matter of great pride for us at NDTV. We are very happy with the anticipation around this year’s edition, and I too cannot wait to find out who will be going home with the coveted trophies on awards night.”

     

    He further added, “The 9th edition of our own independent and trusted automobile awards will once again establish a set of credible winners – chosen by an eminent jury comprising the best names in the business. I am equally excited as always by the annual Viewers’ Choice category. The hundreds of thousands of votes as always represent our most valued viewers and what they believe are the best products of the year.”

     

    Car and Two Wheeler of the Year awards will take the top honours while the CNB Viewers’ Choice Awards gives viewers the exciting opportunity to vote for their favourite car and bike nominees and stand a chance to take the year’s hottest wheels home. The CNB Viewers’ Choice category has already received over twenty thousand votes through online and mobile messages and the numbers are growing every hour.

     

    To ensure a fool proof and fair selection process, each Jury member assesses and awards each nominee in complete isolation to other jurors. Each car and bike nominated is driven, evaluated and tested by the Jury along with a detailed research on each nominee’s specifications; its market performance and its immediate competition also being provided to them. Tabulators at Ernst and Young monitor the entire process.

     

    An eminent Jury consisting of an expert panel of auto aficionados will select the winners of this year’s awards. These include Adil Jal Darukhanawala, Editor in Chief, Zeegnation; Aditya Patel, one of India’s brightest young racers; Dilip Chhabria, an eminent and internationally acclaimed automobile designer; Dhruv Behl, Founder and Managing Editor of AutoX; Gul Panag, known as much for being an auto enthusiast and biker, as her silver-screen avatar; Jens Meiners, based in Germany and in New York, Jens is one of the foremost international motor journalists; Kamlesh Patel, Former Rallyist and automobile enthusiast; Karun Chandhok, India’s youngest Formula One driver; Kushan Mitra, Managing Editor, Digital and New Projects of The Pioneer newspaper; Dr V Sumantran, currently the Non-Executive Vice Chairman at Ashok Leyland and Siddharth Vinayak Patankar; Editor – Auto & Head Automobile Programming, NDTV.

     

    The Awards also recognise Marketing, Advertising and Communication efforts of the players which contribute to any product’s success, with the CNB-AAA Awards. The categories in this include Best PR & Communications Team, Best Integrated Campaign, Best TV Commercial Two Wheeler & Four Wheeler categories and Brand Ambassador of the Year.

     

    The CNB AAA Awards Jury includes Raj Kamle, Managing Partner, StrawberryFrog, Vinod G Nair, Managing Director & Chief Executive Officer, Clea PR, Sam Balsara, CMD, Madison Communications, Shruti Verma Singh, Consulting Editor, NDTV and Siddharth Vinayak Patankar; Editor – Auto & Head Automobile Programming, NDTV.