Tag: Chromecast

  • Dish TV switches on VZY Smart TVs to stream into the future of home viewing

    Dish TV switches on VZY Smart TVs to stream into the future of home viewing

    MUMBAI: Dish TV has flipped the channel on its future and this time, it’s not just about broadcasting. The country’s leading DTH provider, trusted in Indian homes for over 22 years, has launched VZY Smart TVs, marking its grand entry into the integrated Smart TV segment.

    Standing for Vibe, Zone & You, VZY is pitched not as “just another TV” but as a full-blown entertainment universe. It blends Dish TV’s legacy in live television with cutting-edge streaming, creating what the company calls an all-in-one screen where DTH meets OTT.

    “For over two decades, Dish TV has been a trusted name in millions of Indian homes, built on innovation and customer focus. With VZY, we are building an entertainment universe that converges live TV, OTT, smart features, and immersive design,” said Dish TV India CEO & executive director Manoj Dobhal.

    What’s inside the box? Plenty of tech wizardry. VZY Smart TVs will be available in sizes from 32” HD to 55” 4K UHD QLED, with premium features such as Dolby Vision, HDR10, up to 350 nits brightness, and a bezel-less design. For audio, all models feature Dolby Audio, with select premium models stepping up to Dolby Atmos.

    Running on Google TV 5 (Android 14), the TVs come loaded with streaming staples like Netflix, Prime Video, and Youtube. Add to that voice-enabled remotes, Chromecast, Airplay, and in select models, an inbuilt DTH set-top box, offering instant access to both live TV and streaming apps.

    “The modern Indian family is digital-first and experience-driven. VZY goes beyond being just a television to deliver an immersive, curated experience,” added Dish TV India chief revenue officer Sukhpreet Singh.

    For performance, the range supports up to 2GB RAM and 32GB storage, ensuring smooth navigation and app usage. To make the smart shift easier on the wallet, Dish TV is offering Rs 0 down payment and 0 per cent EMI financing options.

    The VZY Smart TV range will hit retail shelves nationwide and will also be available through online platforms, reaching metros as well as Tier 2 and Tier 3 markets.

    With this move, Dish TV isn’t just selling a new screen, it’s making a play to own the living room once again, this time with a smarter, sleeker, and more immersive avatar.

  • HBO Max delivers a new mobile, desktop apps for an improved user experience globally

    HBO Max delivers a new mobile, desktop apps for an improved user experience globally

    Mumbai: Warner Bros. Discovery’s OTT service HBO Max has completed the rollout of a new user experience on desktop, iOS and Android mobile devices, and Amazon Fire tablets, where available globally. The replatformed app delivers highly requested new features from HBO Max fans and marks the conclusion of moving all HBO Max apps to a new, more performant tech stack. This was a process that started with replacing connected TV applications last year in September.

    The latest features available in the updated HBO Max mobile and desktop applications include:

    1.     Shuffle button functionality is expanded to mobile devices. Previously, only available on the desktop and CTV experiences, this feature gives users the ability to randomise the first episode that plays for select series on the platform.
    2.     SharePlay support for iPhone and iPad users (US only): Subscribers in the US with an ad-free plan and an iPhone or iPad can now use SharePlay to watch their favourite HBO Max programmes in sync with friends and family while on a FaceTime call.
    3.     A dedicated home for downloaded content with improved performance and stability.
    4.     Tablet support for both landscape and portrait orientations.
    5.     An enhanced screen reader experience with improved navigation elements and functionality.
    6.     The ability to split screens with other apps on any behaviour-supported mobile device.
    7.     The intuitive navigation has been updated.
    8.     A refined design and visual styling to let the content shine.
    9.     Chromecast’s stability has been improved.
    10.  

    According to the platform, these updates mark a significant improvement to the experience that will further connect audiences with the stories and storytellers.

    Warner Bros. Discovery Streaming senior VP of product design Kamyar Keshmiri said, “We are delighted to introduce the revamped HBO Max mobile and desktop apps. The changes give our users more of the features they care most about, along with improved navigation and a more immersive canvas for storytelling, helping them click play on their favourite content faster and with less friction.”

  • Mainstream TV is offering “Balcony Ticket” with Pay and Watch possibilities – THE FIRST OTT PLATFORM TO OFFER PAY PER VIEW MODEL.

    Mainstream TV is offering “Balcony Ticket” with Pay and Watch possibilities – THE FIRST OTT PLATFORM TO OFFER PAY PER VIEW MODEL.

    Mainstream TV OTT was launched when the world of Malayalam movie goers barely had any options to watch and enjoy movies. Our first Direct to Digital Premier Musical Chair had an immense reception across Malayalam speaking audiences, especially at gulf countries and the number of viewers from Angola, Libiya, New Zealand etc. shows the reach of Mainstream Tv app.

    Mainstream TV is available on iOS, Android, Fire TV and Chromecast.

    Musical Chair enquires the hidden truth behind death. The uniqueness in the theme is what makes Musical Chair different. Death still remains an unanswered question to the ever genius human race. Vipin Atlee is giving a new definition to death which is quite simple and understandable even for a normal audience. Apart from being the director, Atlee made memorable acting sequences as well in the movie.

    You can book the "Balcony Ticket" in Mainstream Tv and enjoy the movie same way as you enjoy it in a theatre. The viewer’s enjoys Mainstream release Musical Chair equally as they enjoy Amazon release Sufiyum Sujathayum. A bunch of brand new movies are waiting to be released through Mainstream TV and will reach the viewer’s soon.

    Mainstream Tv puts forward numerous marketing and entertainment possibilities.  It renders a super wide release for the movies so that the viewers from Trivandrum and Brooklyn can enjoy the movie at the same time. Audience from anywhere around the world with access to internet can enjoy the movie as they enjoy a movie in the theatres. This pay and watch which helps the producer to receive revenue directly is fault free and secured. We can avail the ticket range according to the producer’s requirement. One can purchase the "balcony ticket" in Mainstream TV through India's secured banks such as SBI, HDFC,ICICI etc. Mainstream TV had made sure that the payment gateway is faultless and highly secured.

    Siva, the founder & CEO of Mainstream Tv says, "A producer goes through immense pressure during a movie release. Mainstream TV could somehow reduce this anxiety. The producer can see the number of views and locations from which the movie is viewed. This gives clarity for the required promotion. The producer could also receive the revenue collected for his movie within 30 thirty days."
     

  • Amazon Fire TV stick active users soar to 40 million globally

    Amazon Fire TV stick active users soar to 40 million globally

    Mumbai: As preferences of people shifting from cable TV to video-on-demand, Amazon Inc on Monday said its streaming device Fire TV stick has surpassed over 40 million active users globally.

    Amazon Fire TV has successfully left behind the Roku TV, a US-based digital media player that allows customers to access internet streamed videos. Roku Inc had 32.3 million active users in November, said PTI report.

    Apple TV, Chromecast and Fire TV have opened new avenues for the customers to stream internet content on television sets.

    The Fire TV stick launched by Amazon in 2014, features content from Netflix, Amazon Prime Video among others and casts video directly to the television.

  • Prime Video app now available for chromecast and android tv devices, official YouTube app on Fire TV is now available

    Prime Video app now available for chromecast and android tv devices, official YouTube app on Fire TV is now available

    MUMBAI: Beginning today, the Prime Video app is available for streaming to Chromecast, Chromecast built-in devices, and Android TV devices. Also, the official YouTube app for Amazon Fire TV is launching today in India on Fire TV Stick and Fire TV Stick 4K, both of which include the Alexa Voice Remote. 

    Prime Video App on Chromecast and Android TV Devices

    Chromecast and Chromecast built-in users, as well as Android TV users, now have access to the Prime Video catalog, including latest seasons of Amazon Originals like Made in Heaven, Mirzapur, Four More Shots Please!, Breathe, Inside Edge, the upcoming Comicstaan Season 2 launching on July 12th and global Amazon Originals such as Good Omens, Fleabag, The Marvelous Mrs. Maisel, Tom Clancy’s Jack Ryan along with the newest Amazon Original movies such as The Jonas Brothers’ documentary Chasing Happiness, Guava Island starring Donald Gambino and Rihanna, an array of latest films across nine Indian languages including Kalank, Maharshi, NGK, Ishq, Bhoot Chaturdarshi and all-time super hits like Zindagi Na Milegi Dobara, Hera Pheri, 2.0, KGF, Bharat Ane Nenu among others. Prime Video also offers access to 4K titles included with Prime at no additional cost. To use Chromecast on Prime Video, please download the latest Prime Video version from the Google Play Store or Apple App Store.

    Official YouTube App on Fire TV

    Customers can find the new YouTube app tile in their ‘Your Apps and Channels’ row. The official YouTube app on Fire TV is better than ever with expanded Alexa voice controls that help customers find, launch, and control content (pause, play, rewind, fast-forward) using their voice. When they open the app for the first time they’ll be automatically prompted to download the app—once installed, they can simply say “Alexa, open YouTube” or click into the app to sign in to their existing YouTube account and access their full library of content including subscriptions, playlists, and recommendations. Plus, they can play compatible videos in 4K HDR at 60 fps on supported TVs and streaming media players. The new YouTube app will be the default YouTube experience for customers using a compatible Fire TV device, effective immediately.

    Amazon Prime Video has the largest selection of latest & exclusive movies and TV shows, stand-up comedy, biggest Indian and Hollywood films, US TV series, most popular Indian & international kids’ shows, and award-winning Amazon Originals, all available, ad-free, with a world class customer experience. The service includes titles available in Hindi, Marathi, Tamil, Malayalam, Gujarati, Telugu, Kannada, Punjabi and Bengali.

    To watch the newest releases in Hollywood & Bollywood, the latest US TV shows, kids’ favourite toons and Amazon Originals, please visit www.PrimeVideo.com or download the Amazon Prime Video app today and sign-up for a Prime membership only at ₹999 annually or ₹129 monthly.

    Please visit the Amazon Day One Blog to learn more about both of these new experiences. 

  • YouTube launches TV app in the US to better serve in-home viewing

    YouTube launches TV app in the US to better serve in-home viewing

    MUMBAI: YouTube continues to march into traditional TV’s domain. Earlier this year, it launched its 40 channel bundle in the US for about $35 in certain markets. Along with some originals, the personalisation and recommendation has helped its content consumption skyrocket. Using Chromecast, viewers in 50 markets in the US can now watch it on their TV sets, apart from wirelessly watching it on their tablets, their phones and their computers.

    But that was a thing of the past: it has just announced the launch of its own YouTube app which will first be available on the Android app store for any Android TVs and Xbox Ones, followed by releases on Apple TV, Roku and smart TVs from Samsung Sony and LG.

    Why did the streaming service-turned- cloud pay TV operator have to take this route? YouTube executives state that customers insisted that they wanted it on more fixed devices, especially in US living rooms which are primarily TVs. Data showed that despite the mobile first option, living room is still the hub of entertainment.

    Additionally, it is just protecting its turf. Traditional advertising on desktop browsers is sliding, and mobile ads are picking up the slack, even as viewers are continuing to consume content in living rooms on their TV sets. By launching an app for its YouTube TV, it will be able to capture some more ad dollars is the reasoning.

    The YouTube TV app has an in-depth programming guide. Each channel has a page which features the top programmes, a zapper sidebar lets you scroll through channels even as a you watch a show of your own. And what’s most important is the voice enabled search which allows you to talk to your TV set.

    The YouTube TV app built for actual television sets doesn’t cut any of the features you find on the mobile version, but it does add a bunch of new ones. Mobile didn’t feature an in-depth programming guide, but the living room experience has one, so you can see what’s playing a few hours in the future. There are also channel pages that show off top picks from network partners. The programming team built the app in HTML so it can easily be ported onto any device without having to recreate it for other operating systems of other smart TVs.

    Recent data releases from YouTube have revealed that close to a billion hours of video are being watched every day. Mobile viewing accounts for 600 million; desktop is at 300 million hours, while TV accounts for 100 million hours. But the last is growing at a rapid 70 per cent per annum; hence the YouTube App will only see it accelerate faster.

    Clearly, the battle for viewers eyeballs with traditionally delivered cable TV is only going to get more intense. When the service will arrive in India is not known. But it’s something that both India’s struggling cable TV MSOs and operators need to keep a close watch on. Google, with its billions of dollars in cash reserves, can turn on the switch in a second. And that might be too late for the low-on-cash Indian cable TV distribution system.

  • Niche regional OTT player Hoichoi offers Bengali content on iOS, Android and Chromecast

    Niche regional OTT player Hoichoi offers Bengali content on iOS, Android and Chromecast

    MUMBAI: As predicted by most observers, regionalisation as well as niche services are coming to the VOD or OTT ecosystem in India. It’s happening at a trickle now, but could gain momentum over the next few months. For with its large population of more than a billion mobile users, there is room for more — for sure. Kolkata-based Bengali entertainment major Shree Venkatesh Films (SVF), is the latest to take the plunge with its OTT play called Hoichoi.

    Vishnu Mohta – one of the promoters – who has worked with KPMG Risk Advisory and Lloyds TSB corporate strategy in their London offices, is the driving force behind the new platform which is targeting 220 million Bengalis globally. With original web-series, short films, and documentaries exclusively for Hoichoi in the pipeline, the service will also offer over 500 Bengali Movies and 1000 songs for subscribers. Recently, in the run-up to the Hoichoi launch, SVF had rolled out an innovative social media campaign to promote its upcoming original web series, an adult-comedy, Dupur Thakurpo.

    Among the big players in the game figure global players such as Amazon Prime and Netflix, and homegrown startups such as Hotstar, dittoTV, Voot, ALT Balaji and SonyLiv, as well as independent platforms such as TVF Play and Spuul. The congested Indian OTT market has around 32 plus players – some with an overwhelming or exclusive content, some with niche content or pricing plans and others who want to be counted.

    SVF, on its part, had selected ViewLift, a global content distribution and monetisation platform, as its technology partner. The VOD service claims to provide the largest collection of the best in Bengali entertainment content on Web, iOS, Android, and Chromecast. ViewLift CTO Manik Bambha states, “Hoichoi is well positioned to capture significant opportunities in the space with a niche offering meant for Bengali consumers. Hoichoi will benefit from our extensive marketing, data and analytics tools that will help them enhance interaction with their audience.”

    “ViewLift is an expert in the OTT space,” says Vishn, who has a Bachelor of Commerce degree from Bond University Australia and MSc in International Business from Aston University Birmingham, UK. With enhanced service architecture, extensive data and analytics insights, and global client support, ViewLift delivers high quality video consumption experiences worldwide.

    SVF is helmed by Shrikant Mohta, Mahendra Soni and Vishnu. Shrikant is SVF’s creative muscle who produced the internationally acclaimed ‘Chokher Bali’ and five other national award-winning films — ‘Raincoat’, ‘Memories in March’, ‘Apur Panchali’, ‘Chotoder Chobi’, and ‘Chander Pahar’. President of Eastern India Motion Pictures Association (EIMPA), and an active member of Kolkata International Film Festival (KIFF), he initiated the shooting of Bengali films abroad.

    Under Soni’s leadership, SVF distributed almost 900 films including blockbusters like ‘Dangal’, ‘Sultan’, ‘Dabangg’, ‘Ghajini’, ‘’Ae Dil Hai Mushkil’, ‘Kahaani 2’, ‘The Jungle Book’, ‘Kapoor & Sons’, ‘Neerja’, ‘Airlift’ and Drishyam.’ He also drives satellite and music syndication deals, along with film acquisitions.

    Mohta and Soni are pretty gung-ho about Hoichoi. The Indian consumer who has access to OTT entertainment — with internet penetration around 32-34 per cent today, and one-third owning smartphones — may well be spoilt for choice, now.

  • Cartoon Network increases content across platforms

    MUMBAI: Cartoon Network has announced a holistic slate of content for the 2017-18 upfront season that will provide something new to fans every day, across a wide spectrum of platforms.

    As one of the most immersive brands in Turner’s portfolio, Cartoon will deliver even greater content experiences that drive engagement across all screens and connects to the way their fans are consuming. Today, Cartoon announced a new slate of content including six new series and seven returning hits, as well as more than 20 original mobile and console games.

    Long acknowledged for being in the forefront of bringing together premium content, fan experiences and technology, Cartoon’s success extends beyond television screens into the digital and mobile space with a growing and diverse multiplatform portfolio.

    o   Cartoon has amassed a robust digital and mobile portfolio of 44 apps, approaching nearly 150 million worldwide downloads.

    o   A roster of more than 400 free-to-play online games with the Game Creator franchise, generating more than 2 billion global game plays life to date.

    o   Cartoon’s Emmy winning flagship app will get an expansion to Chromecast later this year and at least nine more games being added to its slate, plus two integrated game consoles.

    “As kids’ viewing habits have evolved, Cartoon Network has always been there with them,” said Cartoon Network-Adult Swim-Boomerang  president Christina Miller. “From their first experience with a Kids network website and video app; to their first series VR game; and most recently, their firstapp to use ACR, we are keeping our sole focus on them as they inspire us to reimagine television.”

    “Cartoon Network has cracked the code on how a leading media brand can engage with fans through true total consumption,” said Turner ad sales president Donna Speciale. “Whether it’s VOD or gaming, or everything in between, plurals are connecting with this brand globally in ways most media brands haven’t yet experienced. That presents an incredibly powerful opportunity for our advertising partners this Upfront.”

    New Series

    · Apple & Onion – Being new and naïve to the ways of the “big city of sophisticated food” doesn’t stop the wide-eyed enthusiasm of the lovable buddies Apple and Onion who are destined to find their way and make lots of friends on their incredible adventure of life. The friendship comedy is created by George Gendi (The Amazing World of Gumball).

    · Craig of the Creek – At the Creek, the rules of the outside world don’t apply in this kid utopia of untamed wilderness where Craig and his two best friends have ventured and tribes of children reign over tree forts and dirt bike ramps. The adventure series is created by Matt Burnett and Ben Levin, formerly from Steven Universe.

    · Summer Camp Island – Having completed a momentous and critically acclaimed run at this year’s most notable festivals including the Sundance Film Festival and SXSW, this wildly imaginative animated series, based on the original Cartoon Network short, will continue unfolding the mysteries that Oscar and his best friend Hedgehog encounter at a magical summer camp. The series hails from creator Julia Pott (Adventure Time).

    · OK K.O.! Let’s Be Heroes – Cartoon Network powers up a world of original heroes across the TV and gaming landscape together with the green light of this action-packed comedy followed by the console and PC game jointly developed with indie video game studio Capybara games.  The knockout series is inspired by creator Ian Jones-Quartey’s childhood and follows the heroic feats of K.O., an endlessly optimistic boy attempting to level up to be the best he can be in a dynamic universe of heroes, friends and challenging foes. The series builds on OK K.O.! Lakewood Plaza Turbo, the network’s first original standalone mobile game and was developed from a pilot that was part of Cartoon Network’s Emmy Award-winning shorts program.

    · Ben 10 –The newest show coming out of the highly successful franchise has launched multiple animated series, and numerous animated and live-action movies. Playmates Toys serves as the worldwide master toy partner for the new Ben 10 with a full line of toys based on the show that will include a range of figures, play sets, and role-play items set to launch at retail globally this fall. The wild adventures begin debuting Monday, April 10 and will introduce fun loving, 10-year-old, Ben Tennyson, his cousin Gwen, and Grandpa Max, as they traverse the country during summer vacation. Once Ben finds the Omnitrix, a mysterious watch that transforms him into 10 different heroic aliens, a world of extraterrestrial superpowers opens to him, which kids of all ages will admire. Ben 10 is created by and executive produced by Man of Action Entertainment.

    · Cloudy with A Chance of Meatballs– The mouth-watering animated comedy series premiered earlier this month and is based on Sony Pictures Animation’s highly successful 2009 global feature Cloudy with a Chance of Meatballs and subsequent, Cloudy with a Chance of Meatballs 2. The TV series is produced in association with DHX Media, Sony Pictures Animation and Corus Entertainment.

    Returning Series

    · We Bare Bears– The BAFTA Award-winning series created by Daniel Chong stacks up a third and hilarious season. In the newest season, Grizzly (Eric Edelstein), Panda (Bobby Moynihan) and Ice Bear (Demetri Martin) meet up with favorite friends and frenemies voiced by Patton Oswalt, Charlyne Yi, Jason Lee, Ellie Kemper and Cameron Esposito. The adorable baby bears add more hijinks and commotion to the delight of fans. Festive holiday specials and new guest appearances by comedian Ron Funches and notable voice actor John DiMaggio round out the season as the Bears continue their comedic adventures around the Bay Area and beyond.

    · The Powerpuff Girls – The Emmy nominated series is back and kicking off a second season featuring all-new characters and specials, plus action-packed battles between the superhero sisters and fan-favorite villains HIM and Mojo Jojo. The newly reimagined series is executive produced by Nick Jennings and co-executive produced by Bob Boyle, and will continue to further Cartoon Network’s commitment to STEAM education with two additional themed episodes this season. The wildly successful online Powerpuff Yourself avatar maker, which reached over 12 million fans at its launch, has now been updated so even more fans can see themselves as a real Townsville superhero. The original series was created by Craig McCracken.

    · Mighty Magiswords –Recently picked up for a second season,Mighty Magiswords will expand on Prohyas and Vambre’s epic adventures as they embark on more hilarious quests in pursuit of the latest and greatest Magiswords to add to their coveted collections. Created by Kyle A. Carrozza, Mighty Magiswords is comprised of a rich hub of more than 500 pieces of original content including interactive shorts, narrative vlogs and a multitude of immersive digital games and apps.

    · Adventure Time – The Emmy and Peabody Award-winning show is back with an eight-part miniseries of epic proportions later this year. Fans will be just as surprised as Finn to discover what happened to the kingdoms of Ooo while he was away at sea. This next miniseries comes fresh off the heels of Adventure Time: Islands. The series is created by Pendleton Ward and executive produced by Adam Muto.

    · Steven Universe–Friendships are tested as the saga continues in this Emmy-nominated series, created by Rebecca Sugar. The show returns with new adventurous story arcs and specials, in which fans will meet more Gems, spend time with the Diamonds and gain insight into the ever-mysterious Gem Homeworld while the series’ titular hero Steven Universe will grow as a leader. Steven Universe is lauded for having a voice of inclusion, and was recently nominated for its first GLAAD Media Award in the Outstanding Comedy Series category.

    · Teen Titans Go! –Season four of the hit series continues and get ready for the show’s 200th episode as Robin, Starfire, Raven, Beast Boy and Cyborg prepare to save the world in a special, two-part episode. Audiences are also in for an egg-ceptional treat in a spring special featuring the mythical Tooth Fairy who tries to take over the holiday from the Easter Bunny. Series is produced by Warner Bros. Animation.

    · The Amazing World of Gumball –This BAFTA and Emmy Award-winning series from Cartoon Network Studios EMEA conjures up a new Halloween special and continues warm-hearted adventures including an episode with live-action puppets with the energetic and fearless blue cat – Gumball – andhis idiosyncratic family, the Wattersons.

    Mobile – Console Games – Apps

    · The Powerpuff Girls Lego Dimensions – Lego Dimensions, the Lego toy and videogame hybrid, is adding The Powerpuff Girls to its roster with a new Team Pack and Fun Pack. The Team Pack features Blossom and Bubbles minifigures, and the Fun Pack completes the team with Buttercup. Both packs give access to the Townsville Hub area where players can fly around Townsville and see sights like Pokey Oaks elementary, City Hall, Rainbow Land, the Pickle Museum and of course the girls’ home base complete with Professor Utonium’s lab.

    · Steven Universe: Save The Light –Developed with renowned hit maker Grumpy face Studios, this is a new console game with an original story crafted by Steven Universe series creator Rebecca Sugar. The RPG console game is a sequel to the 2015 hit mobile title,Attack the Light and is expected to launch this summer.

    OK K.O.! Let’s Be Heroes –This action brawler console and PC game with RPG elements is set in the outrageous world of the upcoming animated series OK K.O.! Let’s Be Heroes created by Ian Jones-Quartey. It is developed by award-winning Capybara Games and arrives later this fall.

    · Ben 10: Up to Speed – Ben 10: Up to Speed is a runner that follows Ben Tennyson as he goes on the best summer vacation ever with his Grandpa Max and cousin Gwen. He discovers an alien artifact called the Omnitrix that allows him to transform into powerful alien heroes. Playing as Ben and his various alien alter egos, gamers will save the world by stopping evildoers, from giant robots to menacing magic users.

    · Glitch Fixers-The Powerpuff Girls – Bubbles, Blossom and Buttercup continue to save the day in the latest Cartoon Network mobile game, Glitch Fixers. Based on the popular episode “Viral Spiral,” Glitch Fixers is a turn-based puzzler that takes gamers on a wild digital ride. Using virtual command blocks, Bubbles is tasked with helping Blossom and Buttercup escape the internet and defeat the evil Amoeba Boys through the power of coding.

    · Surely You Quest – As part of a connected hub that includes the linear series Mighty Magiswords, the newest mobile game links to another integrated app MagiMobile, to give fans access to their Magiswords and allow them to expand their collections. Gamers can use the swords they previously earned in MagiMobile for gameplay in Surely You Quest, and the more fans watch and engage with MagiMobile, the more options they will have for battles in the game.

  • ‘Regional VOD, cashless subs among 2017 trends’

    ‘Regional VOD, cashless subs among 2017 trends’

    MUMBAI: The video on demand streaming industry in India is only blooming, with a host of developments in this year. The digital eco-system has seen production houses like Balaji Telefilms, Indian broadcasting networks such as Star India, Sony Pictures Networks, Viacom18, Zee, etc and few international players like Netflix, Hooq, Amazon Prime, Spuul, etc entering this space which caters to the varied tastes of a very heterogeneous Indian audience. The demand for customized viewing of digital content in India is only increasing. Various factors such as smartphone penetration, launch of 4G, data cost coming down, better infrastructure, diverse library of content offerings not only in Hindi and English but also in several regional languages, etc are the key factors that have driven the rise  of video content this year.  

    In the year 2017, according to the Akamai & NASSCOM report on the future of internet in India, the mobile video content to grow at an 83 per cent CAGR in next 5 years. OTT has not only arrived, it is here to stay, and the advent of 4G and improved bandwidth speeds have only re-enforced this. With increased competition between the video on demand apps, regional content that appeals to particular states will be the key to capture user share.

    Online video subscription numbers fluctuate dramatically every month. The number of unique online video viewers will grow from 66 million in 2015 to 355 million in 2020. E-payments and mobile wallets are getting more popular among the millennials in the country. Digitization of cash will accelerate over the next few years.

    Spuul India’s Rajiv Vaidya opined:

    Cord Cutting

    Today’s viewers have a choice of a host of viewing platforms to choose from, including digital television, internet, tablets and smartphones. Revolutionary app-powered devices like Roku, Apple TV, Chromecast and other streaming devices lets viewers watch their favourite shows across a variety of screens. According to the Akamai & NASSCOM report on the future of internet in India, the mobile video content to grow at an 83 per cent CAGR in five years. Every major television manufacturer now offers “smart” television sets, with integrated internet features that provide access to a host of on-demand streaming media directly. OTT has not only arrived, it is here to stay, and the advent of 4G and improved bandwidth speeds have only re-enforced this. This surging popularity of OTT platforms has challenged the exclusivity that linear television enjoyed till quite recently. Broadcasters have begun witnessing the market trend of “cord cutting”, with a sizeable segment of viewers tuning out from cable subscription and completely switching over to OTT platforms. In fact the millennials have grown up watching shows online, and will possibly never subscribe to paid television services due to multiple streaming options now available and multiple generations that are accustomed to on-demand services. Looking at trends in the US, 2010 was the first year that regular pay television saw a quarterly decline in subscription numbers (this was reported by WSJ, back in 2012). We’re still a while away from that but a small pocket of users in India (usually in the larger cities) are exploring their options when it comes to cord cutting.

    Let’s go regional

    With increased competition between the video on demand apps, regional content that appeals to particular states will be the key to capture user share. According to the Akamai & NASSCOM report on the future of internet in India, about 75% of the new internet users consume content in local language. The real trick in winning the market is to capture the Tier III towns and the rural areas. According to the Frost & Sullivan report a large percentage of video-on-demand viewership in India is fragmented across states and languages. We have seen a lot of growth in regional content on the video on demand apps, fuelled by demand from both local viewers and the international diaspora. According to Internet and Mobile Association in India (IMAI), the Internet user base will cross 500 million by 2018, with rural Internet users alone being almost 210 million.

    Micro transactions and cashless transactions

    According to the Frost & Sullivan report there are 66 million unique connected video viewers in India, of which 1.3 million are paid video subscribers. Online video subscription numbers fluctuate dramatically every month. The number of unique online video viewers will grow from 66 million in 2015 to 355 million in 2020. The country is heading for a cashless economy with a colossal change in the way netizens make their day to day transactions. E-payments and mobile wallets are getting more popular among the millennials in the country. Digitization of cash will accelerate over the next few years. Non-cash payment transactions, which today constitute 22 per cent of all consumer payments, will overtake cash transactions by 2023. Digital payments instruments will drive the growth in non-cash payments, according to Google BCG Report. Micro-transactions will form a substantial portion of the industry, with over 50 per cent of person-to-merchant transactions expected to be under INR 100 the study said. The report predicts that the value of remittances and money transfer that will pass through alternate digital payment instruments will double to 30 per cent by 2020.

  • ‘Regional VOD, cashless subs among 2017 trends’

    ‘Regional VOD, cashless subs among 2017 trends’

    MUMBAI: The video on demand streaming industry in India is only blooming, with a host of developments in this year. The digital eco-system has seen production houses like Balaji Telefilms, Indian broadcasting networks such as Star India, Sony Pictures Networks, Viacom18, Zee, etc and few international players like Netflix, Hooq, Amazon Prime, Spuul, etc entering this space which caters to the varied tastes of a very heterogeneous Indian audience. The demand for customized viewing of digital content in India is only increasing. Various factors such as smartphone penetration, launch of 4G, data cost coming down, better infrastructure, diverse library of content offerings not only in Hindi and English but also in several regional languages, etc are the key factors that have driven the rise  of video content this year.  

    In the year 2017, according to the Akamai & NASSCOM report on the future of internet in India, the mobile video content to grow at an 83 per cent CAGR in next 5 years. OTT has not only arrived, it is here to stay, and the advent of 4G and improved bandwidth speeds have only re-enforced this. With increased competition between the video on demand apps, regional content that appeals to particular states will be the key to capture user share.

    Online video subscription numbers fluctuate dramatically every month. The number of unique online video viewers will grow from 66 million in 2015 to 355 million in 2020. E-payments and mobile wallets are getting more popular among the millennials in the country. Digitization of cash will accelerate over the next few years.

    Spuul India’s Rajiv Vaidya opined:

    Cord Cutting

    Today’s viewers have a choice of a host of viewing platforms to choose from, including digital television, internet, tablets and smartphones. Revolutionary app-powered devices like Roku, Apple TV, Chromecast and other streaming devices lets viewers watch their favourite shows across a variety of screens. According to the Akamai & NASSCOM report on the future of internet in India, the mobile video content to grow at an 83 per cent CAGR in five years. Every major television manufacturer now offers “smart” television sets, with integrated internet features that provide access to a host of on-demand streaming media directly. OTT has not only arrived, it is here to stay, and the advent of 4G and improved bandwidth speeds have only re-enforced this. This surging popularity of OTT platforms has challenged the exclusivity that linear television enjoyed till quite recently. Broadcasters have begun witnessing the market trend of “cord cutting”, with a sizeable segment of viewers tuning out from cable subscription and completely switching over to OTT platforms. In fact the millennials have grown up watching shows online, and will possibly never subscribe to paid television services due to multiple streaming options now available and multiple generations that are accustomed to on-demand services. Looking at trends in the US, 2010 was the first year that regular pay television saw a quarterly decline in subscription numbers (this was reported by WSJ, back in 2012). We’re still a while away from that but a small pocket of users in India (usually in the larger cities) are exploring their options when it comes to cord cutting.

    Let’s go regional

    With increased competition between the video on demand apps, regional content that appeals to particular states will be the key to capture user share. According to the Akamai & NASSCOM report on the future of internet in India, about 75% of the new internet users consume content in local language. The real trick in winning the market is to capture the Tier III towns and the rural areas. According to the Frost & Sullivan report a large percentage of video-on-demand viewership in India is fragmented across states and languages. We have seen a lot of growth in regional content on the video on demand apps, fuelled by demand from both local viewers and the international diaspora. According to Internet and Mobile Association in India (IMAI), the Internet user base will cross 500 million by 2018, with rural Internet users alone being almost 210 million.

    Micro transactions and cashless transactions

    According to the Frost & Sullivan report there are 66 million unique connected video viewers in India, of which 1.3 million are paid video subscribers. Online video subscription numbers fluctuate dramatically every month. The number of unique online video viewers will grow from 66 million in 2015 to 355 million in 2020. The country is heading for a cashless economy with a colossal change in the way netizens make their day to day transactions. E-payments and mobile wallets are getting more popular among the millennials in the country. Digitization of cash will accelerate over the next few years. Non-cash payment transactions, which today constitute 22 per cent of all consumer payments, will overtake cash transactions by 2023. Digital payments instruments will drive the growth in non-cash payments, according to Google BCG Report. Micro-transactions will form a substantial portion of the industry, with over 50 per cent of person-to-merchant transactions expected to be under INR 100 the study said. The report predicts that the value of remittances and money transfer that will pass through alternate digital payment instruments will double to 30 per cent by 2020.