Tag: China

  • India lags in fixed broadband, but ahead in mobile: ESCAP

    India lags in fixed broadband, but ahead in mobile: ESCAP

    NEW DELHI: India had just over 100 million fixed broadband subscriptions in 2015 as compared to Iran and Japan which had more than 250 million.

    There were only 1.3 fixed broadband subscribers per 100 inhabitants in the country as against South Korea which had 40.2 per 100 inhabitants and China and Hong Kong which had 31.9. India stood at the 40th place, even below its immediate neighbours Bangladesh and Sri Lanka.

    However, a map of fixed broadband subscriptions per 100 inhabitants in Asia and the Pacific in 2015 shows India as the most developed country in this regard.

    These facts were revealed by the State of ICT in Asia and The Pacific 2016 Report by the Information and Communications Technology and Disaster Risk Reduction Division of the United Nations Economic and Social Commission for Asia and the Pacific (ESCAP).

    South and South-West Asia, Sri Lanka, Turkey, India and the Islamic Republic of Iran progressed well in both online services and telecommunications infrastructure development between 2008 and 2014. Other countries such as Bangladesh and Maldives performed well predominantly in the development of the telecommunications infrastructure.

    India has risen from just under 4 to around 5.5 out of seven in online services index among South Asian countries between 2008 and 2014.

    India was also among the top active mobile broadband subscriptions per 100 inhabitants in the Asia-Pacific region in 2015 with 120 million subscribers in 2015, the study showed.
    Disaster Risk Reduction Division.

    In 2015, China announced the One Belt One Road (OBOR) initiative, based on six economic corridors corresponding to the Silk Road. These economic corridors (China-Mongolia-Russia Corridor; New Eurasia Land Bridge; China-Central Asia-West Asia; China-Pakistan; Bangladesh-China-India-Myanmar; and China-Indochina Economic Corridor) aim to promote connectivity of these economies with China through infrastructure, trade and investment based on the original Silk Road’s pathway.

    The Global NGO Online Technology Report found that there are diverse regional differences in how NGOs worldwide utilize online technology. Within Asia Pacific, the report notes that the NGOs’ use of online technology varies greatly from subregion to subregion. For instance, India has hundreds of thousands of NGOs likely to come online in the next five years, while internet access throughout South-East Asia is growing as smartphone sales soar across the country. In Australia and Oceania, Europe and North America, NGOs’ use of web and e-mail communications, online fundraising tools, and social media is high, but NGOs in Asia, Africa and Latin America lag behind.

    Lack of a robust internet infrastructure is suggested to be a potential cause for this NGO divide. The report remarks that social, economic and political factors have either hastened or hindered the development of the infrastructure, and thereby also the uptake by the NGO sector.

    In a discussion on net neutrality, the paper says “Free Basics, formerly known as Internet.org, has sparked discussions in India and is one such case of net neutrality. This initiative pursues telecom companies in emerging markets, such as India — the world’s second largest market — to provide their customers free access to Facebook and entailing websites willing to play by its rule.”

    TechCrunch notes that these Facebook rules make it difficult to build competing social network or messaging applications. In February 2016, the Telecom Regulatory Authority of India (Trai) announced the prohibition of internet services such as Free Basics, claiming that they offer discriminatory tariffs for data services on the basis of content. While this may be a victory for neutrality supporters, others might be disappointed with the outcome as the goal of the Facebook initiative is to connect people who may otherwise not have internet access. The ruling will be in place for two years but may be open for review — it is still an open question whether the project will succeed in the long term.”

    The competition for spectrum has significant impact on the cost and affordability associated with broadband networks and access. As observed in the cases of the recent fourth generation (4G) spectrum auctions in India and Thailand, the quests for bandwidth and frequency would intensify along with the demand for mobile access and services, and subsequent need for more extensive broadband infrastructure.

    The report says Asia-Pacific countries are expanding their investments in the ICT infrastructure. For instance, in July 2015, the Chinese State Council announced the plan to develop underground telecommunication networks connecting 10 cities, which will be funded by the USD 160 billion bond programme designed for infrastructure projects.

    A mobile operator in India announced its plan to invest USD 9 billion for their mobile broadband network expansion in the next three years.

    Maldives will soon have USD 25 million nationwide fibre optic submarine networks of 1,200 kilometres to provide high-bandwidth services throughout the island nation. A mobile operator in Brunei announced plan for a nationwide Wi-Fi network rollout through more than 60 hotspots.

    The report found that connectivity still constrains not only ICT development but also various socioeconomic development opportunities. For instance, an UNCTAD report found that despite the unparalleled promise of the digital economy, the main barrier to B2C transactions in Asia and the Pacific appear to be the low internet penetration, the relatively poor postal reliability, and the low number of secure servers, which are essential for online shopping sites.

    China has demonstrated an exponential increase in fixed and mobile broadband, while slowest growths have been detected among LDCs, LLDCs and SIDs. The persistent challenge is that one-third of ESCAP member-countries have made only negligible progress over the last 15 years. In these countries, broadband access is still largely unavailable and unaffordable, while the gap as compared to the fast-growing economies is widening. Some sub-regions, such as Central Asia, seem to have made more holistic progress. The report also conducted descriptive statistical analysis using standard deviation on fixed broadband subscriptions per 100 inhabitants so as to statistically understand the digital divide.

    The results showed that Europe is the only region that has demonstrated a reduction in the broadband digital divide, while in Asia and the Pacific, it
    is in fact widening.

    Despite the increasing spotlight on newer technologies such as the IoT that aims to connect millions of devices and machines worldwide, the region still suffers from the lack of ICT connectivity, and mobile devices are mainly used for communication and entertainment.

    The report found that some countries have focused on broadband access expansion over online content and service development, but, in the long run, both infrastructure and content should be developed in tandem. The telecommunications investment seems to co-relate with fixed broadband subscriptions more strongly than with mobile broadband, indicating the investment-intensive nature of the fixed broadband infrastructure, which is a prerequisite for e-commerce.

    The report also found that weak regulatory framework might be associated with slow broadband growth.

    Regional broadband initiatives, such as the Asia-Pacific Information Superhighway, have become an essential and strategic development intervention that will shape the future of the region, the report concludes.

  • Leveraging culture for greater understanding among BRICS nations

    Leveraging culture for greater understanding among BRICS nations

    NEW DELHI: The BRICS (Brazil, Russia, India, China and South Africa) should leverage the culture, filming techniques and the market of the member nations to increase greater understanding and foster people-to-people exchange.

    This was the common view of BRICS delegates at a press meet just before the BRICS Film Festival in the capital.

    Those present at the press conference included Mr Hugo Lorenzetti Neto (Brazil), Mr Kirill Razligov (Russia), Mr C. Senthil Rajan (India who is Director of Film Festivals), Mr Zhou Jiandong and Ms Monica Newton (South Africa).

    The discussions focused on the similarities and differences in the cinema of the five BRICS countries, while focussing on the exchange of cultural diversities and techniques used by the cinema of these nations.

    ‘Building Responsive, Inclusive & Collective Solutions’ (BRICS) is the aim of the merger of the five coutries, aimed at enhancing bilateral and friendly relations. In the BRICS Summit 2015 held in Russia, Prime Minister Narendra Modi introduced the BRICS Film Festival, an addition to the yearly summits that would connect masses through the exchange of culture and art.

    ”Films made in a country connect to at least one of the other nations. The movies for the festival have been specially selected to showcase culture, art and history of the countries they are made in.” said Neto.

    Razligov said: “Discussions made at the BRICS Film Festival will help us better understand the complexities and art of film making by the member nations. We all need to work in cooperation and create films together to bring people closer.”

    Speaking on the occasion, Rajan said, “The BRICS Film Festival will begin a new journey to witness the growth of the rich cinema of the five countries. This step will be leveraged as a bridge to take cinema making to a new level through the exchange of techniques, art and ideas. Furthermore, the festival will serve as an opportunity for the people to interact and learn the culture of the participating nations.”

    Highlighting the role of cinema in creating friendly relations, Jiandong said, “Indian films from the period of 1970 to 1980 were quite famous in China and today we have movies like Xuan Zang, where the actors of China and India have worked together to create a masterpiece. Cinema plays a key role in creating harmonious relations as the films speak universal language to the world.”

    “The BRICS Film Festival is the first of its kind, which will bring the masses together. This festival is an amazing canvas to exchange the art work of the five countries that has never been done before. For a young country like South Africa, the sphere of innovation and development in cinema is large, where we are learning from the member nations.” added Ms. Newton.

    The cultural diversity of the nations will also be portrayed through the Craft Fair organized at the festival, where the member countries will set up their stalls with souvenirs and products for sale. At this five-day bioscope of culture, art, films and food, one can explore exclusive cuisines from all the BRICS nations at the Food Court, arranged in the festival venue.

    Starting tomorrow, the film festival will have special meets with the cast and crew from the five nations, movie screenings and Film Panchayats, panel discussions with renowned personalities on the topics ranging from Cinema and Nation building, Women in BRICS Cinema, BRICS coproduction , Opportunities and Challenges, etc.

    Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.
    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS; Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and the founding member of Filmmakers against Racism.

  • Leveraging culture for greater understanding among BRICS nations

    Leveraging culture for greater understanding among BRICS nations

    NEW DELHI: The BRICS (Brazil, Russia, India, China and South Africa) should leverage the culture, filming techniques and the market of the member nations to increase greater understanding and foster people-to-people exchange.

    This was the common view of BRICS delegates at a press meet just before the BRICS Film Festival in the capital.

    Those present at the press conference included Mr Hugo Lorenzetti Neto (Brazil), Mr Kirill Razligov (Russia), Mr C. Senthil Rajan (India who is Director of Film Festivals), Mr Zhou Jiandong and Ms Monica Newton (South Africa).

    The discussions focused on the similarities and differences in the cinema of the five BRICS countries, while focussing on the exchange of cultural diversities and techniques used by the cinema of these nations.

    ‘Building Responsive, Inclusive & Collective Solutions’ (BRICS) is the aim of the merger of the five coutries, aimed at enhancing bilateral and friendly relations. In the BRICS Summit 2015 held in Russia, Prime Minister Narendra Modi introduced the BRICS Film Festival, an addition to the yearly summits that would connect masses through the exchange of culture and art.

    ”Films made in a country connect to at least one of the other nations. The movies for the festival have been specially selected to showcase culture, art and history of the countries they are made in.” said Neto.

    Razligov said: “Discussions made at the BRICS Film Festival will help us better understand the complexities and art of film making by the member nations. We all need to work in cooperation and create films together to bring people closer.”

    Speaking on the occasion, Rajan said, “The BRICS Film Festival will begin a new journey to witness the growth of the rich cinema of the five countries. This step will be leveraged as a bridge to take cinema making to a new level through the exchange of techniques, art and ideas. Furthermore, the festival will serve as an opportunity for the people to interact and learn the culture of the participating nations.”

    Highlighting the role of cinema in creating friendly relations, Jiandong said, “Indian films from the period of 1970 to 1980 were quite famous in China and today we have movies like Xuan Zang, where the actors of China and India have worked together to create a masterpiece. Cinema plays a key role in creating harmonious relations as the films speak universal language to the world.”

    “The BRICS Film Festival is the first of its kind, which will bring the masses together. This festival is an amazing canvas to exchange the art work of the five countries that has never been done before. For a young country like South Africa, the sphere of innovation and development in cinema is large, where we are learning from the member nations.” added Ms. Newton.

    The cultural diversity of the nations will also be portrayed through the Craft Fair organized at the festival, where the member countries will set up their stalls with souvenirs and products for sale. At this five-day bioscope of culture, art, films and food, one can explore exclusive cuisines from all the BRICS nations at the Food Court, arranged in the festival venue.

    Starting tomorrow, the film festival will have special meets with the cast and crew from the five nations, movie screenings and Film Panchayats, panel discussions with renowned personalities on the topics ranging from Cinema and Nation building, Women in BRICS Cinema, BRICS coproduction , Opportunities and Challenges, etc.

    Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.
    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS; Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and the founding member of Filmmakers against Racism.

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • China bans K-Pop and K-Dramas?

    China bans K-Pop and K-Dramas?

    MUMBAI: It is one of the biggest markets for south Korean dramas and pop music known to all as K-Pop. China, according to some experts, accounts for more than a few dollar billion in revenues for the K-Pop and K-Drama industry.

    But now the market appears to be shutting down as the Chinese seem to be prone to restricting Korean entertainment’s access to the mainland following Seoul’s plan to deploy the US Terminal High-Altitude Areas Defense (THAAD) anti-missile system.

    Reports from Chinese media state that the media industry’s watchdog State Administration of Press, Publications, Radio, Film, and Television (SAPPRFT) has issued orders to at least two stations in the province of Gaungdong they should not come with new approvals for TV programs featuring South Korean pop stars as they would not be given the approval.

    According to China Film Insider, reports have appeared locally which state that Korean talent will not be allowed to appear in films, television dramas, musical concerts, variety shows, or advertisements in the immediate future. The restrictions will supposedly begin on 1 September.

    Shares of many listed South Korean entertainment companies, such as SM Entertainment (Girls Generation) and YG Entertainment (Psy) have been seen an erosion in their values following the ban murmurings which have been emanating from media outlets such as People’s Daily.

    An official announcement was yet to be made by the Chinese government but apparently verbal instructions had come from the regulator. How the ban will impact several China-South Korean co-productions was yet to be clarified at the time of writing, though observers expect the restrictions to apply to them too.

    “Could this be an opportunity for Indians to swoop in and push Indian content in China?” asks a media observer. “Let the Indian production and broadcasting community give it a closer look see.”

  • China bans K-Pop and K-Dramas?

    China bans K-Pop and K-Dramas?

    MUMBAI: It is one of the biggest markets for south Korean dramas and pop music known to all as K-Pop. China, according to some experts, accounts for more than a few dollar billion in revenues for the K-Pop and K-Drama industry.

    But now the market appears to be shutting down as the Chinese seem to be prone to restricting Korean entertainment’s access to the mainland following Seoul’s plan to deploy the US Terminal High-Altitude Areas Defense (THAAD) anti-missile system.

    Reports from Chinese media state that the media industry’s watchdog State Administration of Press, Publications, Radio, Film, and Television (SAPPRFT) has issued orders to at least two stations in the province of Gaungdong they should not come with new approvals for TV programs featuring South Korean pop stars as they would not be given the approval.

    According to China Film Insider, reports have appeared locally which state that Korean talent will not be allowed to appear in films, television dramas, musical concerts, variety shows, or advertisements in the immediate future. The restrictions will supposedly begin on 1 September.

    Shares of many listed South Korean entertainment companies, such as SM Entertainment (Girls Generation) and YG Entertainment (Psy) have been seen an erosion in their values following the ban murmurings which have been emanating from media outlets such as People’s Daily.

    An official announcement was yet to be made by the Chinese government but apparently verbal instructions had come from the regulator. How the ban will impact several China-South Korean co-productions was yet to be clarified at the time of writing, though observers expect the restrictions to apply to them too.

    “Could this be an opportunity for Indians to swoop in and push Indian content in China?” asks a media observer. “Let the Indian production and broadcasting community give it a closer look see.”

  • Cherry Lu and Kelvin Ko are new sales managers at Keshet International

    Cherry Lu and Kelvin Ko are new sales managers at Keshet International

    MUMBAI: Keshet International (KI) has hired Cherry Lu and Kelvin Ko as new sales managers taking advantage of the company’s momentum in recent months which has seen it close deals in China, India, Vietnam and Thailand. . The two will report to KI’s Asia head Gary Pudney.

    Talking about the hires, Pudney said, “We are very pleased to welcome Cherry and Kelvin on board as we continue to grow our operations in Asia. Their dynamic experience and understanding of the region’s rich content industry makes us well-positioned to further build on our success.”

    Lu was previously head of International projects at Beijing Century Media, leading her to work on the Chinese edition of KI’sinteractive talent show Rising Star. She was responsible for coordinating international TV format acquisitions and productions. She brings her wealth of experience working with local Chinese broadcasters and her understanding of the local TV IP trade market to her new role. Based in Beijing, Lu will champion the KI catalogue and identify commercial opportunities for acquisitions and co-development deals across the region including China, Taiwan and Mongolia.

    Ko has over 15 years of content, sales and distribution experience and was previously TV Sales manager at Hit Entertainment, part of the Mattel Group. Based in Hong Kong, he will leverage his experience and strong relationships with Asian broadcasters, distributors and digital platforms to support and grow KI’s business across Asia including Vietnam, Thailand, Malaysia, Indonesia and the Philippines.

    KI has also licensed a number of its hit formats and premium dramas across Asia and has also announced the Indian remake of its drama format, Prisoners of War with Star Plus.

    The second 12 episode season of its children’s singing format Master Class, produced locally by 3C Media, has just finished airing on Beijing Satellite TV and Sichuan Satellite TV. KI Asia has also closed deals for the show in Vietnam (TTN Media Corp.), its branded entertainment car game show Trade Upin China (CCTV-2) and its original variety game show Who’s On Top in Indonesia (RCTI). RCTI is also home to series two of KI’s interactive talent show Rising Star which will air this Winter.

    The production house is actively acquiring content from the region and staffing up its local operations.