Tag: China

  • Star India in deal for Olympic Games coverage

    Star India in deal for Olympic Games coverage

    MUMBAI: Star India has scored the rights to carry the upcoming 2014 Winter Olympics from Sochi and the 2016 Summer Olympics from Rio across seven South Asian countries.

     

    The deal with the International Olympic Committee (IOC) also covers the Summer Youth Olympic Games, taking place next year in Nanjing, China. Star India has the free to air, pay TV, Internet and mobile rights for Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan and Sri Lanka. In 2012, the Olympics were broadcast in India on state broadcaster Doordarshan.

     

    “We welcome the opportunity to work with Star India for the upcoming editions of the Olympic Games and Youth Olympic Games,” said IOC president Jacques Rogge. “We are confident they will do a great job providing the best possible broadcast coverage of the Games, on a variety of platforms, to the largest possible audience in the seven different countries.”

     

    IOC chairman finance commission Richard Carrión, said, “The Star India deal marked a shift in the organisation’s handling of broadcast rights in Asia. Traditionally the IOC has negotiated broadcast rights on a pan-Asian basis; however, the media landscape is changing and we have adapted our approach recently by negotiating directly in certain markets. We are very pleased to have reached this agreement directly with Star India.”

     

    For the 2012 games, the IOC had a pan-Asian free-TV deal with the Asia-Pacific Broadcasting Union and a pay-TV deal with the now defunct ESPN Star Sports.

     

    Star India head of sport business Nitin Kukreja added, “The Olympic Games remain the pinnacle of sporting achievement where the world’s best in various disciplines face off for the title of Olympic champion. Indian athletes have also performed admirably over the last few editions, which is evident in the medal-winning performances that we have come to admire. We value our partnership with the IOC and feel that this spectacular extravaganza can be taken to even greater heights in India on both television as well as on digital platforms.”??

     

    Elsewhere in the region, deals for the 2014 and 2016 games were previously concluded with CCTV in China, SBS in Korea and a consortium of broadcasters in Japan.

  • Chinese theaters ban Despicable Me 2

    Chinese theaters ban Despicable Me 2

     MUMBAI: In an effort to thwart imported animated flicks, the government has denied permission to release the movie in the country. The previous installment was also not released in 2010.

     

    Despite the fact that an article, praising the movie’s success in the US was published, hopes of getting a release in the country were crushed. Though the movie got a good reception from Hong Kong, it won’t see the light of the day in China.

     

    Previously DreamWorks’ movie The Croods was pulled from the country’s screens two weeks early in June this year. However, Monsters University has got clearance to be released on 23 August in China. It will face competition from the 3D version of Jurassic Park.

  • China’s Han Geng set for ‘Transformers 4?

    China’s Han Geng set for ‘Transformers 4?

    MUMBAI: Paramount Pictures and Michael Bay have added Asian superstar Han Geng to the cast of Transformers 4.

    He would be joining the likes of Chinese actress Li Bingbing, Mark Wahlberg, Stanley Tucci, Kelsey Grammer, Jack Reynor, Nicola Peltz, Sophia Myles, and TJ Miller in the big budget sequel. 

    Geng, 29, is a singer, dancer, and actor who started his career as a member of the Korean pop group Super Junior. He‘s also been dubbed China‘s “King of Popularity,” which should help boost the region‘s box office when Paramount releases the robo-fourquel next summer.

    Transformers 4 hits screens on 27 June 2014.

     

  • China expected to be principal guest country at IFFI Goa

    China expected to be principal guest country at IFFI Goa

    NEW DELHI: Chinese cinema is expected to be given the pride of place at the International Film Festival of India in Goa in November this year.

    This emerged during talks between Information and Broadcasting Minister Manish Tewari and Chinese Minister of State Administration for Press, Publication, Radio, Film and Television Cai Fuchao.

    The two Ministers had delegation level talks covering a wide range of subjects in the Information and Broadcasting sector.

    During the discussions, it was proposed to accord the status of Principal Guest Country to China during IFFI 2014. The International Film Festival of India is scheduled to be held from 20 to 30 November. The Chinese side may consider facilitating participation of prominent Chinese films with film personalities in the ‘Competition’ and ‘Cinemas of the World‘ sections of the festival. Both sides could consider cooperation between Film and Television Institutes of the two countries through exchange programmes of students and faculty”, Tewari added.

    It was also agreed that a roadmap should be outlined to enhance bilateral cooperation in critical sectors of the Films and Broadcasting. It was reiterated that such a roadmap would enable enhancing people to people contact between the two countries.

    During the discussions Tewari and Cai Fuchao were assisted by senior officials belonging to the Information & Broadcasting and SAPPRFT from the Chinese side. Both sides agreed to enhance cooperation and capacity building between personnel of the public broadcasters in both countries, strengthen cultural exchange programmes related to convening of Film Festivals and enhance exchange between the private film industries of both countries.

    One of the key highlights of the discussion was the decision to enhance student exchange programme between Film Institutes of India and the Beijing Films School. Both sides agreed that the hosting of the Chinese Film Festival in Delhi was an important step to enhance the role and relevance of films between the people of both countries. Both sides also agreed to work out the modalities for strengthening capacity building of technical personnel of Broadcasting Sector. Another critical area of discussion pertained to exploring the possibility of Co-production agreements between India and China in the audio visual sector.

  • Pixar to woo Chinese audience with Asian premier of Monster’s University

    Pixar to woo Chinese audience with Asian premier of Monster’s University

    MUMBAI: Pixar‘s Monster‘s University, a sequel to the 2001 Monster Inc. is slated to release in China as the curtain raiser of the Shanghai International Film Festival on June 15.

    The 3-D animation comedy will release in the Chinese version with Xu Zheng voicing the protagonist blue haired monster Sulley and He Jiong, voicing the single eyed green monster Mike.

    The Lost in Thailand director-star Xu Zheng‘s roped in by He Jiong has gained immense popularity in the country with his prestige and reputation as the man behind the highest-grossing domestic release in China. The comedy raked in $203.9 million (1.25 billion yuan) during its three-month run at the box office from December 2012 to February 2013 as stated by Hollywood Reporter.

    The actor-singer He Jiong has too achieved fame for his 10-year stint as host of Happy Family, one of the most popular TV variety shows in the country. The premier of Monster University is a move by the American animator Pixar to push the movie in China. A collection of the animation studio‘s previous short films will also be shown during the festival.

    Pixar has yet to announce Monsters University‘s release date in the country. The film is imported into China as one of the 34 "shared-revenue” films allowed into the country every year.

    The animated comic movie is slated to premiere at the Seattle International Film Festival on June 8, followed by screenings at the Sydney (June 10) and Los Angeles (June 18) festivals before its opening wide screening in the U.S. on June 21, a week after Warner Bros‘ Man of Steel is slated to release.

  • Man of steel sets course for China

    Man of steel sets course for China

    MUMBAI: After a much eagerly awaited Super-Man reboot, Zack Synder‘s Man of Steel is all set to release on June 14. The movie will also be released in mainland China on June 20, according to a press release from the country‘s state-owned distribution agency.

    Post Iron Man‘s stupendous success in China both as a franchise and in terms of revenue collection, it is the red capped Superman‘s turn to woo the Chinese audiences.

    According to an update on the website of China Film Group Digital Cinema Line Co. Superman reboot is slated for a month long run in Chinese cinemas posing no close threat in the Chinese box office for good two weeks with the Jet Li-starring, Hong Kong-set action comedy-thriller Badges of Fury opening on June 28 and Keanu Reeves‘ Sino-U.S. co-production Man of Tai Chi hitting the theatres in China on July 5.

    The film is also debuting in Hong Kong on June 27 where the box office operates an independent distribution and exhibition system from mainland China.

    Warner Bros and Legendary Pictures‘ Man of Steel which stars Henry Cavill, Amy Adams, Russell Crowe, Kevin Costnerand Diane Lane opens in the US and UK on June 14.

  • Taiwanese gangster films highlight of New York Asian Filmfest

    Taiwanese gangster films highlight of New York Asian Filmfest

    NEW DELHI: The 12th New York Film Festival will include a major tribute to Taiwan exploitation cinema and close with the Taiwan-produced kung fu-musical The Rooftop.
     
    Rooftop, which screens in New York just days after it opens in China and Taiwan, is described as a "musical extravaganza" with romance, martial arts and special effects. The film stars musician Jay Chou, also directing, opposite Gary Yang and Alan Ko.
     
    The Festival, to be held from 28 June to 15 July, will have a highlight in Taiwan Pulp! Tales of Gangsters, Female Avengers and Ninjas! focusing on a little-known period of Asian exploitation cinema from 1979 to 1983 with five rarely-screened classics and the documentary Taiwan Black Movies (2005).
     
    The festival has also announced New York-set Thai thriller Countdown, martial arts biopic Ip Man: The Final Fight, China western An inaccurate Memoir and Japanese horror films Helter Skelter and Lesson of the Evil.

  • DreamWorks Experience to unveil in Macao, China

    DreamWorks Experience to unveil in Macao, China

    MUMBAI: As part of a new partnership between DreamWorks Animation and Sands China, the studio will debut its DreamWorks Experience at the Sands Cotai central resort in Macao beginning 1 July. With the new license agreement, popularly known characters Shrek the ogre, Po the panda and other characters will appear, as reported by the Hollywood Reporter.
     
    The DreamWorks Experience will see characters from Kung Fu Panda, How to Train Your Dragon, Shrek and Madagascar attending events, shows and other offerings throughout Cotai strip resorts on the Sands Cotai Central and the Venetian Macao properties. It is supported on a wide range by the Macao Government tourist office.
     
    "All of us at DreamWorks Animation are excited to bring the DreamWorks Experience to this amazing integrated resort city," said DreamWorks Animation CEO Jeffrey Katzenberg.
     
    "Sands China is pleased to bring the hugely popular DreamWorks Experience to Macao," said Sands China president and CEO Edward Tracy.

  • Iron Man 3 rakes in the even before its US release

    Iron Man 3 rakes in the even before its US release

    MUMBAI: The third installment in Marvel’s Iron Man series is breaking records in many markets as reported by the Hollywood Reporter.

    The Robert Downey Jr starrer has continued to give a strong performance since Thursday when it opened in supplementary foreign markets, grossing $23.3 million to bump its two-day international total to an astounding $36.5 million.

    The Disney  and Marvel Studios tent-pole, returning Downey in the title role, is racing ahead of Iron Man 2 in many international markets, prompting box-office observers to speculate that the ‘threequel‘ is benefiting mightily from last year‘s mega blockbuster The Avengers, which starred Downey‘s character along with other Marvel superheroes.

    Iron Man 3 is opening internationally a week ahead of its North American debut on 3 May, similar to Iron Man 2, which posted a foreign opening of about $100 million in 2010. Pundits expect Iron Man 3 to post a foreign opening north of $110 million.

    The superhero franchise rolled out in a dozen countries on Wednesday, making $13.2 million. On Thursday, it opened in another raft of markets. In Korea, the movie opened to $3 million — the third-biggest opening of all time behind the final Pirates of the Caribbean movie and the third Transformers.

    Iron Man 3 opened to $3.6 million in the UK, just 9 per cent behind Avengers. while in Argentina, it opened to $700,000, the second-biggest debut of all time behind the final Harry Potter movie.

    By Sunday, the threequel will be playing in 80 per cent of the international marketplace, minus the U.S., China and Russia. Disney said on Friday that the Chinese release date has been shifted from 3 May to 1 May.

  • India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    MUMBAI: Asian tigers China and India together are expected to contribute almost 69 per cent of pay-TV revenues in the Asia Pacific from 2012 to 2020, according to findings of a new report by Singapore-based pay-TV research firm Media Partners Asia (MPA).

    MPA analysis shows that China and India will contribute 46 per cent and 23 per cent respectively to pay-TV industry revenue growth between 2012-20. Excluding China, India‘s contribution grows to 42 per cent, followed by Korea and Japan at 12 per cent and 13 per cent respectively, and Australia at 7 per cent.

    According to MPA, India‘s contribution reflects large volumes, a significant growth in accessible digital subscription revenues (distributed evenly across the value chain) and a large local advertising pie.

    In Southeast Asia, Malaysia leads with a 5.5 per cent contribution to revenue growth, driven by the growth of ARPUs and ad sales. Advertising revenues will also experience significant growth from a low base in key Southeast Asia markets such as Indonesia, Philippines, Thailand, and Vietnam.

    MPA forecasts indicate that Asia Pacific pay-TV industry revenues will grow at a 7.6 per cent CAGR between 2012 and 2020, doubling from $48 billion to $86 billion.

    Within this segment, subscription fees will grow at a 7.4 per cent CAGR, rising from $37 billion to $65 billion over the same period while net advertising revenues, calculated after estimated discounts, will grow at 8.1 per cent CAGR, reaching $21 billion in 2020 versus $11 billion in 2012, the report says.

    The digital pay-TV homes in Asia are projected to reach 696 million by 2020 from 444 million in 2012 driven by strong subscriber growth in India and China. Asia Pacific is expected to have 631 million digital pay-TV homes by 2017.

    The report adds that China and India will contribute 66 per cent and 21 per cent respectively to Asia Pacific pay-TV subscriber growth between 2012 and 2020.

    According to MPA, the Asia Pacific pay-TV subscriber growth is expected to witness robust growth with 13-14 million new subscribers added every year between 2013 and 2016, moderating thereafter though still adding close to 7 million subscribers per year by 2020.

    In Asia excluding China, India accounts for a massive 63 per cent of new subscriber growth between 2012 and 2020, underlining its huge importance to the pay-TV ecosystem, while Southeast Asia will contribute 16 per cent led by Indonesia at 7 per cent.

    Adjusting for multiple connections or homes, pay-TV penetration in Asia excluding China will grow from 53 per cent in 2012 to 61 per cent by 2020.

    Net new subscriber additions totaled 31 million in 2012, with year-on-year customer growth at 8 per cent. Excluding China, new pay-TV subscribers came in at a somewhat milder 13.4 million in 2012, taking the overall Asia ex-China subscriber base to 211 million.

    The growth in Southeast Asia was strong with 3.5 million new subscribers. India experienced a slowdown but managed to add close to 6 million new subscribers.

    Driven by digital TV (DTV) transition in China, India, Korea and Taiwan and the steady growth of DTV pay subs in Southeast Asia, MPA sees total digital subscribers growing from 257 million in 2012 to 539 million in 2017, and 626 million by 2020. Digital penetration of total pay-TV subs will grow from 58 per cent in 2012 to 90 per cent by 2020.

    After adjusting for multiple connections in a household, the MPA forecasts indicate that pay-TV penetration will climb from 51% in 2012 to 68% by 2020.

    The HD pay-TV subscriber universe is expected to rise exponentially to 160 million by 2020 from 37 million subscribers in 2012, while DVR subscribers will grow to 18 million from 6 million over the same period.

    China will be the major contributor to HD growth, followed by India, Japan, Korea, Australia, Taiwan and Malaysia, the report explains.

    The projections are published in a new report called Asia Pacific Pay-TV & Broadband Markets, an analysis of consumption, investment and revenue generation across pay-TV, broadband, digital TV and interactive value added services in 18 Asia Pacific markets.

    Commenting on the findings, MPA director Vivek Couto said, “A steady growth in population and a young demographic, combined with a rising middle class and the spread of wealth amongst local groups, is driving strategic decisions and execution in the pay-TV industry. These factors, in turn, will help boost household formation and consumer spends. This will also help grow pay-TV consumption and investment.”

    According to Couto, subscriber growth and revenue generation will be driven by: (1) Continued investment in local content, and the growth of localization among global and regional brands; (2) Digitalization in emerging markets; and (3) The growth of HD, premium and on-demand services in more mature markets.

    Significantly, the MPA report also notes: The growth of mobility and broadband penetration (with fiber expected to play a larger role in the future) is also influencing pay-TV strategy, execution and consumption.

    Fragmentation of eyeballs is growing with the proliferation of multiple devices. This is also driving consumption of illegal online video in many territories. The response of pay-TV companies has been defensive and aggressive in equal measure, the report notes.

    In 2012, TV Everywhere (TVE) type solutions with improved windows have been deployed across most of the region largely authenticated to customers with a pay-TV connection.

    Arguably, the most aggressive responses have come from content powerhouses that own most of their IP with clear packaging and a commitment to product innovation, the report concludes.