Tag: Chief Creative Officer

  • Dentsu International announces Merlee Jayme as CCO-APAC

    MUMBAI: Dentsu International on Thursday announced the appointment of Merlee Jayme as the chief creative officer, Asia Pacific (APAC), with immediate effect. She will be responsible for creative excellence across dentsu’s creative and experience agencies in the region. These agencies include Isobar, dentsumcgarrybowen, and creative agencies under the house of dentsu, such as dentsu One, Dentsu Webchutney, and Taproot Dentsu.

    Jayme will report to dentsu global CEO-creative, Jean Lin and dentsu Asia Pacific CEO Ashish Bhasin. Merlee will continue as part of the core team in the global creative experience council at dentsu and sponsor of the region’s Diversity, Equity, and Inclusivity (DEI) programme.

    Welcoming Merlee on board, Jean Lin said, “At dentsu, we bring together brand and experience around the organising power of an idea. Dentsu wants to be the most integrated agency network in the world, and compelling ideas and cultural insights play a pivotal role in achieving this vision. Merlee’s inclusive creative leadership, Asian roots, and global experience work brilliantly to deliver idea-led transformation in Asia Pacific – one of the most vibrant playgrounds for business creativity. We have an ambitious plan for the Asia Pacific and are thrilled to have Merlee focus on the region she calls home.”

    Jayme is one of the most awarded Asian creative leaders and entrepreneurs in the industry, who joined the group through dentsu’s acquisition of her creative agency, JaymeSyfu. She was previously dentsumcgarrybowen’s global co-president. Merlee is a passionate advocate for the power of ideas in changing the world and DEI, and recently served as Jury President for Radio & Audio at Cannes Lions Festival of Creativity 2021.
    On her new role, Jayme commented, “My global role at dentsumcgarrybowen has opened my eyes to the integrated opportunities we can create to push creativity and innovation, solving our client’s problems with all creative capabilities across dentsu. I am excited to be back in my home region, working hand-in-hand with our amazing colleagues in Asia Pacific to create great work that matters for our clients.”

    Ashish Bhasin said, “Merlee’s creative ability speaks for itself and when the opportunity arose to give her a broader remit across the region, it was a no-brainer. Her entrepreneurial spirit, creativity, and innate ability to get the best out of the people she works with make her truly unique, and I am excited to see her instill further excellence across our agencies and unleash the potential of our Creative business, driving deeper connections with our clients and the consumers they’re talking with.”

  • 5Star’s new ad draws flak; Ogilvy terms it as ‘unfortunate’ timing

    5Star’s new ad draws flak; Ogilvy terms it as ‘unfortunate’ timing

    MUMBAI: Even though Cadbury attempted to change its 5Star campaign strategy recently, it's got itself in a fix. The new ad film has drawn ire from netizens. Ogilvy India has termed the timing for the campaign as ‘unfortunate’.

    Ogilvy India chief creative officer Sukesh Nayak, responding to indiantelevision.com said: “The timing has been most unfortunate. However, the campaign was conceptualised and executed way before.”

    The new advertising campaign has not gone well with the netizens, especially with the youth, as many took to social media to express their objection regarding the ad film.

    According to them, the ad shows today’s youth in a distasteful manner, at a time when many are voicing their concern by coming out on the streets over the passage and implementation of the Citizenship Amendment Act (CAA).

    The chief creative officer explaining further said, “We did not think anyone would take a message that is meant to make you smile, in a wrong way. But yes, there are people who have not understood the point being made and there are a few who have misunderstood the message and are reading it negatively.”

    Cadbury’s 5Star recently changed its television commercial (TVC) and came up with the new ad campaign with renewed tag line — Eat 5Star, Do Nothing. The agency, explaining the idea behind the new ad film, said that the earlier campaign had started to become predictable and as youth abhors predictability, it was eventually decided to change the old ad campaign — Jo Khaaye, Kho Jaaye.

    The new television ad film opens with an aged woman, who is sitting on a roadside bench, asks a young boy to pick up her walking stick that's fallen on the road. The boy is seen standing a little away from her bench and eating his 5Star chocolate. He being busy enjoying his 5Star bar responds to the lady with affirmation 'Ji Maaji' but fails not to move from his position. To which, old lady gets up from the bench to pick the stick herself, and moves away from a bench. The moment she picks up her stick a grand piano falls on the bench that she was sitting on. The lady eventually thanks to the boy for not doing anything.

    As many others appreciating the brand’s message, Nayak mentioned that there are also young people who have understood the message and meaning of the point being made.

    “A large majority are enjoying the creative execution that comes through the humour of the campaign. What is heartening is that some are returning to watch the ad again and again,” he added.

  • “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    At a young age he decided to convert his passion into profession. At 21 he made his first ad and by the time he was 23, he joined Contract Advertising. At 25 he was off to BBDO Bangkok where he waited outside the office for 17 days as the security did not allow him to go inside due to a language problem.

     

    At 28 he started BBDO Mumbai with five creative officers and five interns and took the company to new heights. He has many accolades against his name and one of them is being the youngest executive creative director. He is Leo Burnett India chief creative officer Rajdeepak Das.

     

    A Bob Dylan and Steve Jobs fan, a firm believer in Hope, Faith, Love and Charity, Das speaks to Indiantelevision.com’s Anirban Roy Choudhury about the changing advertising industry and the role that mobile is going to play in near future.

     

    Excerpts:

     

    Do you think the ad fraternity will have to start adapting to the growth of smartphones in India?

     

    Special ads will soon start storming in for the mobile phone where the format is not landscape anymore. It will be more candid, more catchy, sometimes longer and interactive. Mobile opens a number of avenues like geo-targetting. For example, there is no point in showing a Bandra person, an ad about Delhi. Moreover, mobile also enables us to know the behavior and attitude of users. The adaptation has already started and the ad fraternity is creating special creatives and strategies for smart phones.

     

    Do you think the device mobile phone is used a little too often in ads now?

     

    We have 300 million TV and 500 million mobile phones and therein lay the answers. In next 10 years, the country will have 1.2 billion mobile phones, which will be three or four times more than a TV. People are on Facebook, Whatsaap, Twitter and the amount of time they spend on the mobile is way more than TV. The time spent on mobile phones is only likely to increase more with time.

     

    Let’s take prime time for example. What has happened to prime time? It used to be from 7 pm – 10 pm but that has changed. Now the prime time is the time you are in the toilet or traveling. The phone has enabled us to decide our prime time where we can consume content at our own convenience. The mobile phone is a major target of brands and hence in every second ad there is a phone on the screen.

     

    Do you think different treatment should be given to campaigns curated for a high magnitude and prolonged event like IPL to avoid repetitiveness?

     

    Vodafone came up with 52 days 52 ads with their Zoo Zoo campaign during IPL. So variety is possible. We launched around five ads during this IPL. Sometimes repetition is necessary to make something noticeable hence you can’t totally get away with it.

     

    What role is social media playing in advertising? Are shares and likes becoming one of the prime demands of clients?

     

    I think this is one of the best times to be in the creative field. While we are solving clients’ problems, it’s not about shares and likes. It’s more about creating something that addresses the problem.

     

    Gone are the days when advertising was just creating an ad. Now it is about understanding issues like clients problem, business problem etc. At times you might not even need an ad. A simple change in packaging, understanding the ground territory or understanding what people want can do the trick

     

    At Burnett, we follow the philosophy of Human Kind, so we try to understand the problem from people’s point of view. Social media has emerged as a weapon for us. The interaction has become faster, we get to know the reaction immediately and if we see that we need to correct it somewhere, we go ahead and do it.

     

    Crash the IPL was a great example of crowd sourcing. Do you think following its success, it can become a trend and disrupt the ad agency?

     

    If I want something to be written, I can go to the crowd. There are many amateur writers. All of them will send something but will it carry a solution for the brand? Maybe… maybe not.

     

    It is not necessary that quality content can become a quality solution. So with crowd sourcing, the chances of hit are less and miss are more while an agency will surely provide you with a solution.

     

    Interaction with crowd will always be there. There will be more interactive creative campaigns, which will make people talk about it. But for the time being, I don’t see crowd sourcing becoming a trend and hurting ad agencies.

     

    Due to YouTube and other technical innovations, foreign ads have become easily accessible and with that emerged a competitive debate. Where do you see us compared to them?

     

    What works in India will work anywhere in the world. We cry, we smile, we fall in love, we have desires and greed and that’s the same everywhere. I love Japanese ads and ads of Thailand. So if it is good work, it will garner global recognition.

     

    The difference is in quality of production. Their crafting is better than us and they exhibit some quality work. Having said that, we are not far behind. Our directors are getting better as is our story telling. At the creative thinking level, we are at par if not better than them.

     

    Do you think out of the box ideas, which once created can be recreated? And if it is recreated, will it work?

     

    It depends on the story telling and how well the execution is. Dil Chahta Hai,Zindagi Na Milegi Dobara and Rock On had the same story. Did it work? Of course it did. It worked and it became bigger and better. So out of the box concepts will always stand out and there will be many more recreations. It will be a mix of new and old, depending on the need of the brand. Everything will work if it is done eloquently.

     

    What should young minds who aspire to become an ad man do? Is classroom education enough?

     

    Classroom education is not enough. They should start working as soon as possible. Work for small clients, less money but work. They should start practicing the art as early as possible. The greatest of minds in this world are college dropouts. I am not insisting anyone to dropout from college but them becoming big have a reason.

     

    They learn by themselves. For them, learning 5+5 = 10 is not as easy as it is for someone in college and schools. In the process of learning 5+5 = 10, they learnt 10 different things, which made them what they are. I want all of them who aspire to become an ad man to start working as early as possible and that will take them a long way.

     

    What do you like about the advertising industry and is there anything that the industry should change?

     

    The beauty of our industry is that whether it is an intern or a chief creative officer, we all start by looking at an empty white page. Whoever cracks the idea and comes with a better concept is victorious. So there’s a subtle unanimity in all hierarchal positions. In other words, there is no boss or everyone is the boss.

     

    The thing that the advertising industry needs to change is to stop making an ad, if it is not necessary. An ad is not the solution of each and every problem. We should understand the problem and address it. After duly understanding the problem, if there is a need of an ad, only then should we go for it. Ads shouldn’t be a subject of hatred for consumers. We can’t keep interrupting someone with a pop-up ad. By doing that, we will only manage to get skipped and nothing beyond that.

     

    What’s the way forward for Rajdeepak Das?

     

    I love what I do and there is one thing that I will do till my last breath and that is ads. I want to keep making quality ads provide creative solutions to brands, which helps them rejuvenate their statistics. I believe in the four magical words that I saw written on Steve Jobs’ grave: Hope, Faith, Love and Charity and that says it all.

  • Chris Garbutt promoted to Chief Creative Officer of Ogilvy & Mather East

    Chris Garbutt promoted to Chief Creative Officer of Ogilvy & Mather East

    MUMBAI: Ogilvy & Mather announced today the promotion of Chris Garbutt to Chief Creative Officer of Ogilvy & Mather East. He is currently Chief Creative Officer for Ogilvy & Mather France and will transition into his new role by mid-year. He will be based in New York and report to North American Chief Creative Officer Steve Simpson.

    Garbutt will be responsible for driving the creative vision and delivery for clients across all of Ogilvy & Mather’s East disciplines, including advertising, customer engagement, public relations, digital, shopper marketing, branded content and entertainment. He will continue to work with many of the agency’s global brands and will also continue to sit on the agency’s Worldwide Creative Council.

    Chris first started his career at Ogilvy & Mather Johannesburg in 1995 then moved to TBWAHuntLascaris. He was European Creative Director at TBWAParis where he worked on Nissan, Sony Playstation and Absolut Vodka for five years. He re-joined Ogilvy & Mather France in 2008 as Executive Creative Director working on global campaigns for Dove, Perrier, Coca-Cola, IBM, Louis Vuitton and more. He is currently ranked in the top ten most awarded Chief Creative Officers in the world.

    Tham Khai Meng, Worldwide Chief Creative Officer stated: “Chris inspires, teaches and raises standards. His rare talent, relentless perseverance to always excel in the creative work and his proven leadership skills make him the ideal candidate for this newly created role. I have every confidence that Chris, working with our talented team in New York, will shine and take our office to the next level.”

    Commenting on his move to New York, Chris said, “One of the most exhilarating things about working at Ogilvy is the power of our global network and the opportunity to transcend regions and disciplines. The ability to continue to work with some of the world’s most respected brands but also create the new model agency of the future was something not to be missed.”

    “This is the age of the adaptable agency. Our work is changing daily, and it requires different talent and disciplines,” said Steve Simpson, North American Chief Creative Officer for Ogilvy & Mather. “This development plays to Ogilvy’s strengths. In this new role, Chris will only help us speed our progress and our own evolution.”

    He has worked with a variety of brands and categories, from radio stations to airlines; Volkswagen to BMW; Nando’s Restaurants to KFC; luxury to fast moving consumer goods. Chris’s significant award wins include numerous international awards from festivals such as Eurobest, Cannes Lions, D&AD, One Show, Clios, New York Festivals and the European Effie Awards.