Tag: Charulata

  • Epic to celebrate one year mark with better programming

    Epic to celebrate one year mark with better programming

    MUMBAI: In the entertainment world abound with clutter, niche television channels have to fight an uphill battle in order to get the necessary traction from viewers. As the Indian cable and satellite industry slowly but surely moves towards digital addressable systems (DAS), more and more niche channels will be viable with digitisation cutting distribution costs.

     

    One such niche channel that’s in it for the long haul, is The Epic Channel, which is on the brink of completing a year on air. Launched on 19 November, 2014, The Epic Channel will be celebrating its first anniversary by offering two news shows to its viewers. What’s more the channel also went High Definition (HD) on the Tata Sky DTH platform recently.

     

    The first new finite show, which will go on air from 19 October is titled Khwaabon Ka Safar with Mahesh Bhatt and will be aired on Mondays at 10 pm. 

     

    The second show is titled Devlok by popular Indian author Devdutt Pattanaik and will be an exploration of gods, demons, curses. Set to premiere on 21 October, this will be aired on Wednesdays and Thursdays at 10 pm.

     

    Speaking exclusively to Indiantelevision.com, The Epic Channel founder and MD Mahesh Samat said, “We have a rich film history and with Khwaabon Ka Safar, we are looking at the big film studios in the industry, which have some history attached to it. And I think Mahesh Bhatt is the best person to narrate these stories. He has been in the industry for a long time now and knows the industry inside out. Another show that we have in the pipeline is Devdutt Pattanaik’s show Devlok in which he will talk about mythology.”

     

    Claiming its hold over the 10 pm slot is the channel’s campaign with the tagline – ‘Maaf Kijiye Abhi Dus Nahin Baje.’ “The campaign is doing quite well to claim the 10 pm TV viewing time to establish the association between the Epic Channel and the time slot,” Samat says.

     

    In a span of one year, the channel has enthralled audiences with epic mythological and historical series. Showcasing the mythology and history in a contemporary form has been the channel’s agenda.

     

    Stories by Rabindranath Tagore showcasing ‘epic’ tales like Choker Bali, Charulata, Atithi andKabuliwala amongst others brought etched characters created by Tagore to the small screen. Also the channel was seen recollecting old Bollywood stars in a nostalgic show set up with Javed Akhtar.

     

    With increasing penetration of HD television sets, more and more channels are now adding the HD feed to offer better consumer experience. Talking about the same, Samat says, “We have always been an HD channel. The idea was to launch the stories around Indian history and mythology in HD. All our shows have been produced and shot in HD. Our channel is uplinked and downlinked in HD. For various technical reasons, some MSOs transfer the channel differently, but from our end the strategy is to be one feed HD channel. The HD experience is necessary for the kind of shows we produce.”

     

    Stressing on how HD shows will change the way television is viewed in the country, Samat says, “The technology has evolved to meet consumers’ expectations. HD is definitely a better viewing experience and HD shows will change the way we watch television in India. We are likely to see an upsurge of HD in the coming year. From a consumer stand point, it is a far better experience so there is really no reason not to have HD.” 

     

    With The Epic Channel HD feed, Samat is also hoping that the channel will see an increase in the number of viewers due to the addressability factor.

     

    “I think the experience of mythological and all the great fiction and non-fiction viewing would be much better, which will result into more and more viewers coming in. I believe we are going to see increase in numbers of viewers as Epic is assessable in HD. A hike in advertising rates will eventually follow with a rise in viewership,” he informs.

     

    The Epic Channel has seen a lot of advertising interest from the automobiles sector amongst others. “More than viewership, we are a channel that reaches across the country and hence we have that reach. With HD, we are moving one step ahead in our target group, so we expect to see ad rates following the same,” asserts Samat.

     

    On the eve of the channel’s one year of operations, Samat shares the journey so far as well as the company’s future vision. “The overall journey has been pretty good. It’s a channel that delivered all the promises that were made in the beginning of the year in terms of stories and content. There is a new range of programming coming up from 19 October. We are pretty optimistic that in the next few months, higher viewership and ad sales will follow,” he says.

     

    The value of niche television channels is derived from the quality of viewers and not the size. Phase I & II of DAS is what enabled a niche like The Epic Channel to launch in the country. “The success of the first two phases of digitisation is what enabled a large number of channels to pull in viewers. Without it we would not have been able to launch Epic. So digitisation has played a vital role in the launch of the channel. Also, as digitisation continues, consumers will become more and more demanding and we will see a lot more content differentiation,” he says.

     

    Samat is of the opinion that with Phase III & IV of DAS, the industry is looking for transparency as well as having a better understanding of revenue stream and visibility. “All the good things associated with digitisation are exciting for the entire industry and not only for the broadcaster,” he adds.

     

    Not wanting to comment on the specifics of ratings and viewership, Samat says that overall The Epic Channel has received a good response from the industry as well as from viewers. “The channel has established a position in the mind of the consumers and eventually we have added a brand to the television ecosystem in India,” he signs off.

  • Anurag Basu to helm ‘Stories by Rabindranath Tagore’ for Epic

    Anurag Basu to helm ‘Stories by Rabindranath Tagore’ for Epic

    MUMBAI: In order to connect better with the audiences, segmented Hindi entertainment channel Epic is gearing up to launch a series that masterfully recreates the magic of old Bengal through some of Rabindranath Tagore’s short stories and novels.

     

    ‘Stories by Rabindranath Tagore’ showcasing ‘epic’ tales like Choker Bali, Charulata, Atithi and Kabuliwala amongst others will bring intricately etched characters created by Tagore to the small screen. The series will be directed by filmmaker Anurag Basu, who has to his credit movies like Barfi and Life in a Metro

     

    Through this series, the characters of Tagore’s stories will spring into life through Basu’s imagination and vision.

     

    Set in a politically volatile period, the stories are constantly shifting in the social world of the early 20th century in undivided Bengal. The hub of new India, Calcutta is the melting pot where the protagonists are pouring in from their rural, social and cultural spaces to encourage this upcoming new world.

     

    Talking about the show, Epic founder and managing director Mahesh Samat says that he has always been a big admirer of Tagore and his work. “Many of Tagore’s stories are perfect for television and after discussing the thought with Basu, I felt that it would be a great fit for Epic. With Basu, we found the perfect synergy in vision and passion for recreating Tagore’s stories for television. In fact, he wanted to do this for the past 10 years. The show looks great. Let’s hope the viewers enjoy watching it as much as we enjoyed making it for them,” said Samat.

     

    Basu retains Tagore’s style of narrative even in the visual medium and enhances words of his pages by bringing in talent that truly captures the essence of each his beloved characters. Unlike ordinary characters, these personalities pack a rebellious punch.

     

    The filmmaker delves deeper into this society in transition, with songs, music, cultural references and its newfound political and social manifestations, a little more than the actual described world within Tagore’s narratives.

     

    Keeping in line with the channel strategy, Stories by Rabindranath Tagore is a finite series with 26 episodes and is slated to hit the television screens in July this year.

     

    The channel has been in active conversation with its viewers since its launch in November last year. “A feedback we received was to recreate stories of iconic authors and this lead us to develop Stories by Rabindranath Tagore. As we go forward, we are going to explore many other authors.”

     

    Epic is leaving no stones unturned to market the big-budget property. The channel released the show’s first look recently on Rabindranath Tagore’s birthday (9 May). The first look has already grabbed eyeballs of close to 78,000 views on YouTube at the time of writing the article.

     

    “Since 9 May was the Bengali birthday of Tagore and Basu, it was the ideal day to release the first look of the show. We’ve got people talking about the show and it’s going strong. We will maintain the momentum till the show launches. There’s a lot more coming up but I wouldn’t want to kill the surprise so early. Needless to say, this show is an important part of our overall plans,” informs Samat.

     

    Stories by Rabindranath Tagore has talented actors like Amrita Puri and Radhika Apte on board, who have played key roles in the self-titled stories, Charulata and Chokher Bali respectively. Epic will be working closely with the actors to keep the buzz going.

     

    Media planners are gung-ho about the show. Maxus managing partner Navin Khemka believes that it is a great concept and Tagore’s stories are popular. “If produced well, the show could drive eyeballs to the channel. It will click with the mature audiences. The buzz on the channel is positive. A lot of sampling is happening. If this program drives stickiness for them it will be good,” Khemka opines.

  • Sydney Filmfest to screen two Indian films on lonely housewives

    Sydney Filmfest to screen two Indian films on lonely housewives

    NEW DELHI: Two Indian films being screened at the ongoing 61st Sydney Film Festival are on a common theme – lonely housewives in different eras who are forced to find interests elsewhere. 

     

    Even as Ritesh Batra’s highly-lauded The Lunchbox is among the four Indian films being screened at Festival, the other film is Charulata, made by cine craftsman Satyajit Ray and being screened almost 50 years after it was last exhibited at the same festival.

     

    This movie is one of Ray’s women-centric films that was well ahead of its times when made in 1964 with Madhabi Mukherjee in the lead. The film is based on a story by Rabindranath Tagore and set in the late nineteenth century and tells the tale of the lonely housewife whose busy husband has no time for her.

     

    Coincidentally, The Lunchbox is also the story of a loney housewife and how she begins to correspond with someone through letters sent inside a lunchbox. 

     

    The Festival which commenced on 4 June, will also show Pan Nalin’s Faith Connections and Richie Mehta’s Siddharth in different sections.

     

    Richie Mehta’s film Siddharth is about the search by a father for his lost son despite his own poverty.

     

    Pan Nalin’s documentary Faith Connections is primarily on the Kumbh Mela, which takes place every three years at selected places along India’s river banks and is attended by about 100 million people.