Tag: Channels

  • Twelve applicants/channels denied permission to launch private satellite channels in last number, total remains at 869

    Twelve applicants/channels denied permission to launch private satellite channels in last number, total remains at 869

    New Delhi, 8 April: Even though the number of permissions granted to private satellite television channels uplinking from or downlinking into India crossed the 1000 figure for the first time, as many as 138 have been denied permission.

    Thus, the total number of operative channels as on 31 March was 869, of which news and current affairs channels number 394. Thus the number of general entertainment channels is 475.

    Thus, the government had given permission to a total of 1007 channels which included 126 whose permissions were cancelled later. The last list issued on 31 March had said 126 had been refused permission but twelve new channels had been permitted, taking the total to 869. This number remains the same.

    Twenty channels including seven news channels have been permitted to uplink from India but not downlink within the country.  

    A total of 754 channels including 382 GECs are allowed to uplink and downlink in the country while 95 including 80 GECs are uplinked from overseas but allowed to downlink into TV homes in the country.   

    Thus, the number allowed to uplink and downlink in the country has fallen by one even though the number of general entertainment channels has risen by eight. This is because the number of news channels has fallen by eight to 372.

    After 31 January, the news channels cleared are: Zee Bihar Jharkhand; WIO; and Zee 24 Hour Business.

    The Non-News channels cleared are Sab Bangla; Sab Tamil; Sab Punjabi; Sab Marathi; Sab Telugu; Sony Wah; Sony Rox; Jewel Alliance; Star Utsav Movies (Earlier:Star Gold Romance); Maa HD;  Jalsha Movies HD; Star Jalsha HD; Maa Movies HD;  Star Pravah HD; Star Movies Premiere; Star Movies Premiere HD; Fox Crime HD; Rishtey Cineplex; Stay Raw; And Vijay Super.

    The Information and Broadcasting Ministry site (mib.nic.in) also contains the full details of the owners of these channels, the languages in which they will beam, and the date on which the clearance came. However, there are no details of channels denied permission.

  • Twelve applicants/channels denied permission to launch private satellite channels in last number, total remains at 869

    Twelve applicants/channels denied permission to launch private satellite channels in last number, total remains at 869

    New Delhi, 8 April: Even though the number of permissions granted to private satellite television channels uplinking from or downlinking into India crossed the 1000 figure for the first time, as many as 138 have been denied permission.

    Thus, the total number of operative channels as on 31 March was 869, of which news and current affairs channels number 394. Thus the number of general entertainment channels is 475.

    Thus, the government had given permission to a total of 1007 channels which included 126 whose permissions were cancelled later. The last list issued on 31 March had said 126 had been refused permission but twelve new channels had been permitted, taking the total to 869. This number remains the same.

    Twenty channels including seven news channels have been permitted to uplink from India but not downlink within the country.  

    A total of 754 channels including 382 GECs are allowed to uplink and downlink in the country while 95 including 80 GECs are uplinked from overseas but allowed to downlink into TV homes in the country.   

    Thus, the number allowed to uplink and downlink in the country has fallen by one even though the number of general entertainment channels has risen by eight. This is because the number of news channels has fallen by eight to 372.

    After 31 January, the news channels cleared are: Zee Bihar Jharkhand; WIO; and Zee 24 Hour Business.

    The Non-News channels cleared are Sab Bangla; Sab Tamil; Sab Punjabi; Sab Marathi; Sab Telugu; Sony Wah; Sony Rox; Jewel Alliance; Star Utsav Movies (Earlier:Star Gold Romance); Maa HD;  Jalsha Movies HD; Star Jalsha HD; Maa Movies HD;  Star Pravah HD; Star Movies Premiere; Star Movies Premiere HD; Fox Crime HD; Rishtey Cineplex; Stay Raw; And Vijay Super.

    The Information and Broadcasting Ministry site (mib.nic.in) also contains the full details of the owners of these channels, the languages in which they will beam, and the date on which the clearance came. However, there are no details of channels denied permission.

  • Non-traditional advertisers flock to Turner’s kids channels

    Non-traditional advertisers flock to Turner’s kids channels

    MUMBAI: The year 2015 was an exciting one for kids’ television, what with several new shows being added to popular time bands and channels going the original way for content. From the perspective of advertising expenditure too, 2015 spelled as a fruitful year for the kids category on television as it managed to attract several non-conventional advertisers.

     

    Giving an insight on the facts and figures for the year’s performance in the genre, Turner International India vice president ad sales –  South Asia Juhi Ravindranath says, “The ad spends in 2015 were largely driven by categories like autos and e-commerce, which are not the conventional advertisers in the kids’ genre. FMCGs have performed really well. The overall estimate for TV has grown by over 14 per cent while the kids’ genre has also seen a decent double-digit growth.”

     

    Turner International rode this wave successfully and kept up with the pace of Indian entertainment market as well. “Pogo and Cartoon Network have received newer advertisers and categories coming on board, and their dependence on non-kids advertisers is also growing. Currently, nearly 60 to 65 per cent of the inventory on the kids’ genre is from non-kids’ brands. The channels have advertised with non-conventional advertisers through the conventional vignettes, brand integrations of the content messaging, creating co-branded promos, etc,” Ravindranath informs.

     

    On the brand integration front, channels have offered several new initiatives. “One of the key highlights for the year was the brand integration with Kellogg’s & Chhota Bheem. Another creative brand integration included: Perfetti in the animated movie series Sholay on Pogo. In addition to this, Perfetti Alpenliebe Juzt Jelly will join hands for the upcoming telefilm, Kris Ka Scooba Dooba Ajooba on Cartoon Network,” she says. 

     

    With advertisers from the non-kids category and FMCG brands coming onboard, the network’s content strategy for 2016 is also expected to ramp up.

     

    Turner International, executive director and network head – kids Krishna Desai adds, “Original content is key to us in fulfilling a long term and sustainable content pipe. A very large majority of all the content on CN comprises Cartoon Network Originals. On Pogo, large chunks of our pipe are either co-productions or from our sister company Warner Bros. Making content locally relevant is crucial – be it in the form of dubbing or home grown content.”

     

    With original content being the key focus, the channels will soon work on their line up for the year. “Turner International India will slowly bring in local content on the channel Toonami, along with the super hero shows. The second movie of the series Chakra that was worked along with Stan Lee, will be premiere in a few weeks,” informs Desai.

     

    However he asserts that good stories with universal themes told in a language understood and preferred by the audience, makes the differentiation between local versus international and irrelevant one. “Ben10 on Cartoon Network is as Indian as a Chhota Bheem as they have always seen him talk in Hindi,” he adds.

     

    Years ago Cartoon Network was the sole ruler in the genre. However, things changed as more and more new kids channels made their entry in the country. Although the channel continues to hold its place in the top three positions through the year, it is no longer the most watched channel in the category.

     

    When asked if Turner International India will strive to reclaim its number one spot in the category, Desai says, “The portfolio share makes us the number one kids portfolio in India. Our endeavor is to grow this share and also have leadership in the individual channel ranks. Our strategy is based on putting the consumer at the center of everything that we do.”

     

    With more and more kids content being available digitally, channels must also buckle up to retain their audiences. Desai says that offering app based services and experiences are one way to tap in the changing dynamics in kids content. 

     

    “Our kids brand digital offerings are transitioning towards being more ‘app’ based. The applications CN Watch and Play and CN Anything will be launched soon in India while Pogo channel’s website will shortly migrate on a new and much responsive platform. Kids love playing games than watching videos. CN Watch and Play app lets you do that at the same time,” Desai points out. 

     

    The network is also building shows that have a specific digital strategy, which may mean that they get premiered first on the digital platform.

  • Non-traditional advertisers flock to Turner’s kids channels

    Non-traditional advertisers flock to Turner’s kids channels

    MUMBAI: The year 2015 was an exciting one for kids’ television, what with several new shows being added to popular time bands and channels going the original way for content. From the perspective of advertising expenditure too, 2015 spelled as a fruitful year for the kids category on television as it managed to attract several non-conventional advertisers.

     

    Giving an insight on the facts and figures for the year’s performance in the genre, Turner International India vice president ad sales –  South Asia Juhi Ravindranath says, “The ad spends in 2015 were largely driven by categories like autos and e-commerce, which are not the conventional advertisers in the kids’ genre. FMCGs have performed really well. The overall estimate for TV has grown by over 14 per cent while the kids’ genre has also seen a decent double-digit growth.”

     

    Turner International rode this wave successfully and kept up with the pace of Indian entertainment market as well. “Pogo and Cartoon Network have received newer advertisers and categories coming on board, and their dependence on non-kids advertisers is also growing. Currently, nearly 60 to 65 per cent of the inventory on the kids’ genre is from non-kids’ brands. The channels have advertised with non-conventional advertisers through the conventional vignettes, brand integrations of the content messaging, creating co-branded promos, etc,” Ravindranath informs.

     

    On the brand integration front, channels have offered several new initiatives. “One of the key highlights for the year was the brand integration with Kellogg’s & Chhota Bheem. Another creative brand integration included: Perfetti in the animated movie series Sholay on Pogo. In addition to this, Perfetti Alpenliebe Juzt Jelly will join hands for the upcoming telefilm, Kris Ka Scooba Dooba Ajooba on Cartoon Network,” she says. 

     

    With advertisers from the non-kids category and FMCG brands coming onboard, the network’s content strategy for 2016 is also expected to ramp up.

     

    Turner International, executive director and network head – kids Krishna Desai adds, “Original content is key to us in fulfilling a long term and sustainable content pipe. A very large majority of all the content on CN comprises Cartoon Network Originals. On Pogo, large chunks of our pipe are either co-productions or from our sister company Warner Bros. Making content locally relevant is crucial – be it in the form of dubbing or home grown content.”

     

    With original content being the key focus, the channels will soon work on their line up for the year. “Turner International India will slowly bring in local content on the channel Toonami, along with the super hero shows. The second movie of the series Chakra that was worked along with Stan Lee, will be premiere in a few weeks,” informs Desai.

     

    However he asserts that good stories with universal themes told in a language understood and preferred by the audience, makes the differentiation between local versus international and irrelevant one. “Ben10 on Cartoon Network is as Indian as a Chhota Bheem as they have always seen him talk in Hindi,” he adds.

     

    Years ago Cartoon Network was the sole ruler in the genre. However, things changed as more and more new kids channels made their entry in the country. Although the channel continues to hold its place in the top three positions through the year, it is no longer the most watched channel in the category.

     

    When asked if Turner International India will strive to reclaim its number one spot in the category, Desai says, “The portfolio share makes us the number one kids portfolio in India. Our endeavor is to grow this share and also have leadership in the individual channel ranks. Our strategy is based on putting the consumer at the center of everything that we do.”

     

    With more and more kids content being available digitally, channels must also buckle up to retain their audiences. Desai says that offering app based services and experiences are one way to tap in the changing dynamics in kids content. 

     

    “Our kids brand digital offerings are transitioning towards being more ‘app’ based. The applications CN Watch and Play and CN Anything will be launched soon in India while Pogo channel’s website will shortly migrate on a new and much responsive platform. Kids love playing games than watching videos. CN Watch and Play app lets you do that at the same time,” Desai points out. 

     

    The network is also building shows that have a specific digital strategy, which may mean that they get premiered first on the digital platform.

  • ‘Kolaveri Di’ becomes 1st Indian video to touch 100 m views on YouTube

    ‘Kolaveri Di’ becomes 1st Indian video to touch 100 m views on YouTube

    MUMBAI: Kolaveri Di, the song from the movie 3 has become the first Indian video to cross 100 million views on YouTube on 2 December, 2015.

     

    The song was released by Sony Music India on 16 November, 2011 and has been sung by Dhanush.

     

    The song went viral with over a million YouTube views on its release and has attracted many people because of its simplicity, originality and colloquial lyrics, which the viewers could easily relate to.

     

    The video is made in an unplugged recording by the Sony Music team and was also promoted on social media channels. The song has attracted all categories of people and has reached into all corners of the globe.

     

    The movie 3 stars Dhanush and Shruti Haasan in the lead.

  • BARC introduces Alpha Club

    BARC introduces Alpha Club

    MUMBAI: Broadcast Audience Research Council (BARC) India plans to roll out all Indian audience measurement data with new monthly communique called Alpha Club.

     

    Alpha Club will offer analysis and insights into NCCS A1, A2, and A3 viewership of six mega cities, by presenting cumulative data of preceding four weeks for Rat’000, Coverage’000, and ATS(Viewer). Channels for which data has been released for all four weeks will be covered. The service is exclusively for BARC India’s subscribers and will be rolled one working day after 4th week’s data is released.

    BARC says that the move is in the pursuit of providing sharper consumer insights and was based on the feedback from its subscribers 

    The first edition of Alpha Club will be sent out to its subscribers on November 17, 2015. The first edition would consist of two sets of analyses: one for data of Week 37-40, and the other for Week 41-44.

  • Chrome Data: Only Religious channels gain in week 5

    Chrome Data: Only Religious channels gain in week 5

    MUMBAI: Week 5 of 2015 saw more fall than rise in the opportunity to see (OTS) collated by Chrome Data Analytics & Media.

     

    The only genre to see a rise was Religious in the Hindi Speaking Market (HSM). In the category, which saw a marginal jump of 0.6 per cent, Aastha channel continued its supremacy with 97.1 per cent OTS.

     

    As for the losers, the maximum drop was witnessed by English Movies channels in the eight metros. It fell by 4.4 per cent. Movies Now with 66.4 per cent OTS topped the chart in the genre.

     

    Business News in the eight metros saw a drop of 3.4 per cent followed by English News with 2.3 per cent drop.

     

    CNBC Awaaz with 81.4 per cent OTS and Times Now with 78.1 per cent OTS topped their respective genres.

     

    In the eight metros, English Entertainment channels too saw a drop of 1.4 per cent. However, Comedy Central with 56.6 per cent OTS remained on top.

  • BARC India to conduct roadshows in February

    BARC India to conduct roadshows in February

    MUMBAI: The Broadcast Audience Research Council (BARC) is all set for 2015, as it will hold roadshows in February on the GUI (Graphical User Interface) in Mumbai, Delhi, Kolkata and Bengaluru.

    It was in 2013 when the Council held its first round of roadshows that aimed at sharing the latest updates from BARC with all constituents across the entire broadcast value chain, and, equally important, to receive feedback and suggestions, so that the new television measurement system is completely robust, transparent and representative.

    Welcoming the New Year, the council thanked its stakeholders, vendors, partners and associates as well as highlighted its achievements. With more than 275 channels having ordered for embedders, all major networks in each region and across genres are now on-board.

    As it continues to reach out to the stakeholders for feedback, the playout monitoring facilities are in action and meta-tagging of content across watermarked channels is in full throttle in Mumbai and Bengaluru.

    It has also tested the end-to-end integration of the system, which is working perfectly fine. The technology handshakes are in place and ratings are being generated from the BARC system now.

    In continuation to unravel the puzzle of TV audience measurement system in India, BARC India shared a few learnings and insights on the importance of Relative Errors and Confidence Levels in audience measurement for new beginnings.

    BARC India and the importance of Relative Error

    Over the past few months, BARC India has highlighted its commitment to data robustness and has spoken about lower Relative Errors at high Confidence Levels. It has repeatedly highlighted that Relative Errors are an important factor to be considered whenever it evaluated the ratings data, or read any research report, for that matter.

    Relative Error and its impact on research data

    It is not possible to sample every individual (except perhaps, a Census); hence, sample surveys are undertaken. Statistics offer scientific methods to estimate phenomena across entire population by studying samples. Any sample survey suffers inherently from various errors. Owing to these, statistics never talk about an average (or mean) without talking simultaneously about a measure of dispersion, usually the standard deviation.

    A researcher has to balance between demands of greater accuracy and constraints of finite resources. Statisticians therefore work with defined ‘Confidence Intervals’ and ‘Sampling Errors’. One of these sampling errors is the ‘Relative Error’, or the deviation (in percentage) of the observed value from the actual (expected) value.

    Confidence Level (or Confidence Interval)

    Confidence Level is generally defined as a percentage or a decimal figure less than one. So, if a researcher says that the Confidence Interval is 90 per cent, what he means is that 90 per cent of the samples of the same size taken from the same population will produce results within a defined range.

    Relative Error

    A TV ratings measurement system estimates that the programme has 1 TRP with a standard deviation of 0.25. This means that the actual rating is expected to lie between 1-0.25 and 1+0.25 or 0.75 and 1.25. The relative error is simply 0.25/1.0 or 25 per cent.

     A simplistic explanation that may antagonise a purist, but can be explained simply in the diagram below:

    In other words, it is important for a research to ensure least possible Relative Error at the highest possible Confidence Level; else it risks generating data with such wide variance that it becomes meaningless. Just imagine saying that a programme has 1 TRP at the above Relative Errors.

    Factors affecting Relative Error

    The most important factor that affects Relative Error is sample size. Relative Error increases in geometric magnitude as sample size decreases, while it becomes independent of sample size beyond a certain threshold.

    Sampling is also relatively simpler when estimating a homogenous population and more complex for heterogeneous population. It is hence extremely important to have a significantly large sample size, especially when calculating estimates for large heterogeneous universe.

    On how BARC India intends to handle issues related to sample size to ensure robustness of data, the council shares a hypothetical scenario – A planner wishes to evaluate programme viewership for the following TG for a premium brand – males, NCCS AB, 40+ in Delhi

    Total Sample Size: 130

    Approx. sample size for a programme with a rating of 1 per cent viewers: 13

     A sample size of 13 is way too low to do any meaningful evaluation. Hence, BARC India would not encourage such evaluations.

     To circumvent this issue, BARC India intends to aggregate the data through one of the following means:

    •        Aggregate viewership data across two or more weeks

    •        Add more cities to the sample, aggregating geographically

    •        Instead of considering a particular individual programme or a limited time, evaluate a day part, thus aggregating by time bands

    Each of the above methods would increase the sample size and would allow the planner to make his decision based on robust relevant data. The BARC India Technical Committee is evaluating options of either hardcoding the aggregations in the pre-publishing stage itself, or allowing the planner to decide the aggregation based on his/her requirements. This decision would be taken only after seeing the data for all panel homes and assessing the pros and cons of each method.

  • Chrome Data: English News gains the most in week 52

    Chrome Data: English News gains the most in week 52

    MUMBAI: The English News in the eight metros gained the most when it comes to opportunity to see (OTS) collated by Chrome Data Analytics & Media for the week 52.

    The channels in the category jumped by 1.5 per cent with Times Now continuing its supremacy in the genre with 80.8 per cent OTS.

    Hindi News and Hindi GECs saw a 0.6 per cent and 0.2 per cent rise, respectively, in the Hindi speaking market (HSM). ABP News with 95.8 per cent OTS and Star Plus with 97 per cent OTS ruled their respective genres.

    Across India, Infotainment channels too saw a rise of 0.2 per cent. Discovery reigned the genre with 85.2 per cent OTS.

    As for top losers, English Entertainment channels in the eight metros saw the steepest fall with 4.3 per cent OTS. Comedy Central with 61.4 per cent OTS toppled AXN in the genre.

    English Movies too fell by 0.9 per cent in the eight metros. Movies Now topped the charts with 68.2 per cent OTS.

    In the HSM, Religious channels and Music channels fell by 0.6 per cent and 0.5 per cent, respectively. Aastha with 95.8 per cent OTS and MTV with 90.2 per cent OTS gained in their respective genres.

     

  • Chrome Data: Week 51 sees a marginal gain

    Chrome Data: Week 51 sees a marginal gain

    MUMBAI: The week 51 of opportunity to see (OTS) collated by Chrome Data Analytics & Media saw English Entertainment channels in the eight metros rise by 1.7 per cent. Comedy Central toppled AXN to lead the genre with 63.8 per cent OTS.

     

    In the Hindi speaking market (HSM), Music channels with 1.1 per cent and Religious channels with 0.6 per cent saw an upward trend. MTV with 90.3 per cent OTS and Aastha with 97.2 per cent OTS ruled their respective genres.

     

    Business News in the eight metros too saw a marginal growth of 0.4 per cent. CNBC Awaaz with 81.7 per cent OTS gained the most in the genre.

     

    As for top losers, all across India Infotainment channel dropped by 1.6 per cent. Discovery continued with reign in the genre with 85 per cent OTS. Both, Hindi GECs in the HSM and English News in the eight metros saw 0.7 per cent drop. DD National with 96.9 per cent OTS and Times Now with 80.7 per cent OTS gained the most in their respective genres.

     

    Sports channels across India too fell by 0.3 per cent. DD Sports ruled the game with 73.3 per cent OTS.