Tag: Channel

  • Sony Sports Network to live broadcast ‘Roland Garros 2022’ in four languages

    Sony Sports Network to live broadcast ‘Roland Garros 2022’ in four languages

    Mumbai: Sony Sports Network is all set to broadcast the year’s second grand slam event, the ‘Roland-Garros 2022’. The tournament will be live from 22 May. For the first time in India, the audiences will get to watch the Roland Garros in a language of their choice, English, Hindi, Tamil & Telugu across Sony Six SIX, Sony Ten 2, Sony Ten 3, and Sony Ten 4 channels as well as live-stream the tournament on its on-demand OTT platform SonyLIV.

    This is the first year that the Sports Network will be showing the prestigious grand slam and the broadcaster is going all out with live coverage of the event in four languages.

    Sony Sports Network will provide the viewers with an unparalleled viewing experience of the marquee event with a holistic coverage of the tournament with four language feeds and a live studio show. The tournament will see the return of Extraaa Serve, which is the broadcaster’s flagship show for Grand Slam tournaments. The show will be hosted by Sarthak Lal and will feature expert panelists like Olympian Somdev Devvarman, Davis Cup player Purav Raja, and former tennis player Gaurav Natekar.

    The Hindi commentary on Sony Ten 3 channels will be provided by Manish Batavia, Atish Thukral, and Gaurav Natekar. Current Indian players Jeevan Nedunchezhiyan and Arun Venugopal will be part of the Tamil commentary panel, while Asian Game medalist Vishnu Vardhan and Sandeep Kumar will be seen doing Telugu language commentary on the channel.

    Roland Garros has always been circled by tennis fans as this is the only grand slam where they get to watch the top ranked tennis players from across the world perform on the clay court. While the King of Clay, Rafael Nadal is an absolute fan favourite, last year’s champion Novak Djokovic will also look to defend his title and look to join Nadal in the 21 Grand Slam winners club. Apart from the tennis giants, Carlos Alcaraz has also caught the interest of fans with his brilliant performances. In the women’s matches, World No. 1, Iga Swiatek will look to extend her stupendous performance and win her second Grand Slam title against the likes of Barbora Krejcikova, and Paula Badosa. The marquee tournament will also see participation from top-seeded Indian players like Rohan Bopanna and Sania Mirza among others.

    Sony Sports Network has received a huge response from advertisers with brands like Hyundai, Amul, Rolex, Apple, 1x News, Target One, Fairplay News, Lottoland and Dafa News coming onboard.

  • HITS launches on Airtel Digital TV

    HITS launches on Airtel Digital TV

    Mumbai: Airtel Digital TV is ready to enthrall its subscribers yet again with the launch of its new service – Airtel HITS HD.

    HITS brings the iconic series all set to launch on Airtel Digital TV on 20 May 2022.

    Featuring a selection of some of the most popular, iconic, and award-winning Hollywood television content from the 60s to the early 2000’s, the channel is sure to take you on a lovely trip down memory lane. Airtel digital TV subscribers can now enjoy a window to the best content ever produced for television in HD like Diff’rent Strokes, Bewitched, Charmed, Bonanza, The Lucy Show, Baywatch, The Bionic Woman, Sherlock Holmes, among many others. These award-winning titles are sure to appeal to both those who remember the Golden Age of Hollywood and modern audiences.

    Airtel Digital TV CEO Manu Sood said, “At Airtel we are always looking at serving the discerning content needs of our subscribers. With Airtel HITS HD we are giving our subscribers a platform to indulge in their favourite Hollywood shows from the 60s to the early 2000’s. The diverse assortment of English shows from the good old days fulfills a need gap for our evolving viewers who are constantly looking for unique entertainment destinations that are not available elsewhere be it TV or OTT.”

    Rewind Networks CEO Avi Himatsinghani said, “We are thrilled to associate with Airtel Digital TV to bring Airtel HITS HD to their subscribers in India. Airtel viewers can now tune in to enjoy the finest curation of the most popular, iconic, and award-winning Hollywood television content from the past in high definition! I am certain our hand-picked selection will make the viewers reminisce over their favourite TV shows, making Airtel HITS HD a perfect destination for family viewing and entertainment. We look forward to the partnership!”

    HITS features a carefully curated collection of top TV dramas and sitcoms from Hollywood and UK majors such as The Walt Disney Company, ITV Studios, Paramount, NBCUniversal, Fremantle and Sony Pictures, and will progressively introduce more titles from other studios.

    The channel shall be available free for the first 10 days followed by Rs 75 per month. Airtel HITS HD will be available on Channel 167 on Airtel Digital TV and will be aired in high definition (HD) with English subtitles.

  • Gautam Bhattacharya appointed as editor of Zee 24 Ghanta

    Gautam Bhattacharya appointed as editor of Zee 24 Ghanta

    Mumbai: Zee Media Corp has announced the appointment of Gautam Bhattacharya as editor of Zee 24 Ghanta. In this new role, he will oversee the input and output of all content for the channel to drive its growth.

    Bhattacharya is one of the most respected and renowned sports journalists in the country. His unique content style is sure to enrich the news consumption experience of the Bengali audience.

    “Gautam’s wealth of experience will make Zee 24 Ghanta stronger. He is a known face in the industry who always leads from the front, and we have immense confidence in him,” remarked Zee 24 Ghanta’s CEO Purushottam Vaishnava. “With the joining of Gautam Bhattacharya, we are equipped with one of the most robust regional teams. The channel is already undergoing a few changes in content and Gautam could not have joined at a better time.”

    “We are excited to have Gautam on board,” said Zee Media Corp CRO Abhay Ojha. “His varied experience will help in curating a viewing experience unparalleled in the Bengal news industry. This will also help us drive the revenue growth projected for the channel.”

    Currently, Zee 24 Ghanta is on a fresh route to rediscover the true essence of news in the increasing clutter. Dedicated to keeping the people of Bengal abreast with the latest happenings, factual reporting, and in-depth analysis, the channel is one of the key news channels in the regional news space.

  • QYou Media India launches animation channel The Q Kahaniyan

    QYou Media India launches animation channel The Q Kahaniyan

    Mumbai: Following the launch of The Q and Q Marathi, global media company QYou Media India on Tuesday announced the setting up of its digital exclusive animation channel – The Q Kahaniyan. With the tagline ‘Hatke Kisse, Datke Masti,’ the animated content channel will target young viewers between age group of 13 to 35 years.

    “The Q Kahaniyan is a category creator that bridges the need gap for entertaining, relatable animated stories and content for young adults in India. Echoing the network’s core proposition, it will showcase differentiated and high-quality alternative animated content that will cut across genres,” said the media company in a statement. 

    The channel will curate and bring forward stories from leading Indian and global animation studios and creators such as PM Toons, Digimonks, Utkal Cartoon World and Core Infotech. Shows such as “Nattu,” “Bakaiti,” “Anokhi Kahaniya,” “Daravni Kahaniya,” “Dilchasp Kahaniya” are sure to strike a chord with viewers and create a niche for themselves as well for animated content in the growing general entertainment category, the statement added. 

    “Globally, the interest in animated content is astonishing; in India however, the category and format are indexed and typically viewed from a kid’s lens,” remarked QYou Media India’s chief operating officer Krishna Menon. “Having experienced success with animation on The Q, we believe that there exists a strong demand for such content and it is only apt for us as a disruptive and differentiated brand to take a step forward and give such content a place and platform of its own.”

    “With The Q Kahaniyan, we are curating stories that are relevant, relatable and different from what is already available. We are certain of the channel’s success and hope to give animated content the limelight it truly deserves,” he further added.

    The Q Kahaniyan is currently available on connected TV and video-on-demand platforms including Samsung TV Plus, Mi, TCL, Cloudwalker, Jio TV, Jio TV Plus, MX Player, and Snapchat, among others.

  • Republic Media Network emerges in pole position in BARC news ratings

    Republic Media Network emerges in pole position in BARC news ratings

    Republic Media Network claims to establish complete and ultimate news dominance across the English, Hindi and Bangla news genres.

    According to the latest BARC data provided by Republic Media Network, the channel claims to record a smashing performance across India, and across time bands.

    Across Republic TV, Republic Bharat and Republic Bangla, Republic Media Network has witnessed increased viewership. Republic TV is 200 percent greater than the Number 2 channel TIMES NOW.  

    Republic TV’s continued dominance in super primetime was once again established by the whopping 44 per cent viewership share it recorded in the time band. Across India, Republic TV’s viewership was 270 per cent greater than India Today, and 330 per cent greater than CNN News18. 

    Source – BARC India | Target Group:-NCCS 15+ | Period:- WK.10’22 | Market:- India | Days:- All Days

    Source – BARC India | Target Group:-NCCS M 22+ | Period:- WK.10’22 | Market:- West Bengal | Days:- Weekdays | Time:- 1700-2000

    Source- BARC India | Target Group:-NCCS AB 22+ | Period:- WK.10’22 | Market:- HSM | Days:- Weekdays | Time:- 1900-2000

    This all-round performance that has towered over the competition single-handedly shatters the entire conspiracy and propaganda campaigns against Republic TV. 

    Republic Bharat has continued to dominate the Hindi news genre with a splendid and record-breaking performance that has unseated AajTak in primetime. Republic Bharat’s primetime show Poochta Hai Bharat is in pole position as India’s most-watched news show in its slot. As India’s most loved Hindi news channel which has dominated on its coverage of the Ukraine-Russia War and the recently concluded elections, the record viewership ratings released today have once again toppled the legacy Hindi news player. 

    With the scorching and historic entry of Republic Bangla into the Bengal news genre, a new order in Bengali news has been undisputedly established. 

    Republic Media Network’s Editor-in-Chief, Arnab Goswami, said, “The viewership across the Network is historical. These numbers are the ultimate answer to the conspirators who laboriously spent months hatching conspiracy after conspiracy against us. The truth and the viewership are both with the Republic because we have the faith of the people of India, and no one can change that.”

    Specifically commenting on the wide gap between Republic and the competition, Goswami said, “We are 200 per cent bigger than any other channel in the English News Genre. That is unmatched dominance. In Hindi, with Republic Bharat we have become the leading channel much ahead of AajTak in the most critical slots. In Bangla, we have created history by a thundering entry. We have become Number 1, beating ABP Ananda in primetime which was the leading channel there. Today, with pride I can say that Republic is the largest News Network in India. These phenomenal results are a slap in the face of channels who conspired against us.”

    On the overwhelming reaction from the people of India, Goswami said, “We are flooded with calls from Advertisers, Supporters and Viewers who are calling the channel to congratulate us. We are so grateful for their support.”

    “There is a phenomenal spirit and energy in all our newsrooms—Mumbai, Noida and Kolkata. I am so proud of my team who has let their journalism do the talking. I will say though that even though this is a big vindication Brand Republic, the game has just begun,” he added.

  • Azaad TV aspires to be the most credible platform for rural India: Bharat Kumar Ranga

    Azaad TV aspires to be the most credible platform for rural India: Bharat Kumar Ranga

    New Delhi: Even as the fast-growing network of Over the Top (OTT) platforms take the media industry by storm, television continues to hold its position as the preferred screen choice for a majority of Indians. And, a vast section of this audience lives in rural India. In fact, the ownership of TV sets in rural India has outpaced growth in urban pockets, shows the latest data from the Broadcast Audience Research Council (BARC).

    With this, has come a paradigm shift, where consumers have once again taken the centre stage in determining how traditional broadcasters decide their content offerings. While there may be a plethora of content for urban viewers, there aren’t still enough choices for the rural audience. It is this vast market that Mumbai-based Beginnen Media is keen to tap into, with its new Hindi GEC- Azaad TV. The channel with its philosophy – ‘People First, Rural First’ hit the airwaves in May and caters exclusively to people in rural India. It’s currently available on DD Free Dish and select DPOs.

    In an exclusive interaction with Indiantelevision.com, Beginnen Media, managing director Bharat Kumar Ranga talks about his vision for the new channel, its financial model, content offerings, and introduces for the first time, the newly formed team that helped build the brand.

    Edited excerpts:

    On the decision to focus on rural India

    At Beginnen Media, we wanted to relook at the media and entertainment sector with a fresh perspective. We believe that the real transition is not from broadcasting to individual casting or TV to digital, but from being from creative/content-centric to being consumer-centric. We found a great opportunity in the rural segment. While the urban segment has been over-serviced by TV and digital platforms, consumers in rural India are still under-serviced with content that was originally created for urban viewers. They weren’t really considered primary consumers. So, we thought that there was an opportunity for us to see them as primary consumers and create stories exclusively for them.

    On how the target audience was identified

    We put most of our energies into identifying our target audience. We saw that rural people have a certain mindset, and we decided to focus on that. No matter which place they migrate to, they will carry that mindset with them. Though our content will cater to the Hindi-speaking audience, it will also try to reach out to Hindi-understanding markets like parts of Gujarat, West Bengal, Punjab, Maharashtra, where people may not speak Hindi, but they do understand the language. We want to design our content in such a way that people from across states relate to it. We have also hired specialist agencies that work on consumer products, like the Delhi-based agency- Futurebrands, which is led by Santosh Desai to provide us with data and insights.

    On the decision to go Free-to-air (FTA) and growth opportunities in the rural market

    In terms of distribution, the TV consumption in rural India is largely through DD Free Dish, and you cannot be on DD Free Dish if you are a Pay channel. So, we chose FTA so that we could reach out to that audience. Since we are the first rural GEC, we thought it makes much more sense to reach out to people quickly, and start building on that connection.

    Generally, people tend to confuse Free-to-air (FTA) with rural. While it is fair to say that most people who consume FTA channels are in rural India, and that is the market that we are entering into. But a significant part of the rural audience is also watching pay platforms, other than on DD Free Dish. So, we are venturing into a new category, where we are competing with not just the FTA channels, but also the Pay channels in the rural segment. FTA channels are also available in more households than Pay TV. It’s just that the FTA market has not unlocked its full potential yet. The over-supply of acquired content on these channels does not seem to be working anymore. The audience understands that the channels are recycling content, and they want something new, so that is why we hope that our rural model might work.

    On the content offerings and original shows

    Our original shows got delayed because of the pandemic. But since we had to start the channel distribution, we went ahead with the soft launch. We started building a connection with the audience. Now, our new shows are also under production and we hope that we will be able to sustain and keep the process running in case there’s a third wave too.

    In terms of content, we have put in a huge amount of energy to determine what our rural audience will like to watch. On the face of it, our content might not look different, but the larger differentiation is in the point of view of the people, that we will try to reflect in the shows. Currently, stories on pay platforms are set up in rural areas, but they are told to an urban audience. We wish to tell stories that reflect their point of view irrespective of where they are based.

    On the financial model and opportunities for advertisers

    As a rural entertainment channel, we need to have all kinds of revenue- subscription-based, advertising-based, as well as digital revenue. In terms of advertising revenue, we are looking at some sort of premium around the environment that we are giving to our advertisers- ‘digital virtues in a TV business’.  Firstly, we are providing a focussed target audience. For instance, if a campaign runs on any FTA channel, the advertiser may not know if it’s reaching the urban or rural audience. But, in the case of Azaad, the focus is entirely on people with a rural mindset. Secondly, the programming environment. If an advertisement is put on YouTube, it’s difficult to identify the content/genre that the consumer is watching. However, we will offer brand safety in terms of content that aligns well with the values of the brand. Advertisers will be interested in an entertainment platform that is consumer-focussed. We already have some regular advertisers like HUL on board. But the main exercise will begin once we launch original shows.

    On the distribution plans for the channel

    Simple to our plan, we have looked at all the MSOs. We began with DD Free Dish, where the channel is currently being aired. Then we identified some 50 individual distribution cable operators in rural areas. We are also in talks with 15 more such operators who are working in the outskirts of these areas. They may be lesser-known but attractive to us. We are also in touch with some top DTH and MSOs, but our priority is rural India and we will stick to that.

    Rural is a super mass category. We want to create a little space for ourselves, and we understand that it will take some time for us to create a relationship with the audience. We want to become the most credible platform for rural audiences.

    On the team that leads Beginnen Media

    Director – project & operations: Mohan Gopinath 

    A media and broadcast veteran, Gopinath carries nearly 25 years of work experience. He worked with Zee Entertainment Enterprises Ltd (ZEEL) for 18 years, turned entrepreneur, and co-created Bhu Entertainment in 2015. He also helped Viacom launch its first movie channel, Rishtey Cineplex.

    Chief marketing officer – Rachin Khanijo

    Khanijo carries over 17 years of extensive MarComm experience, during which he has worked at Eros Now as vice president, marketing, and COLORS as associate director – marketing. He has also worked as marketing head at &TV and brand director – Filmfare, Femina, and GoodHomes. At Beginnen Media, he handles marketing, corporate communications, on-air promotions, research & distribution.

    General manager, product: Doris Dey

    Dey spearheads Business Development, Programming & Content Strategy, Product Innovation, Content Creation, and Curation. In a career spanning 18 years, she has worked as a writer, creative director, and even Independent Producer (OTT). In her previous stint at Essel Group, she envisaged and launched &TV.’

    Chief revenue officer, Johnson Jain

    Jain carries over two decades of experience in the Media & Entertainment industry and specialises in advertising revenue. He has worked with leading media conglomerates including ZEEL, Sony Network (SET India) & 9x Group. He has played a key role in relaunching Zing in 2016.

    Chief financial officer, Dinesh Bhutra

    An associate member of the Institute of Chartered Accountants of India, Bhutra has more than a decade of experience in various sectors like Airlines, Telecom, Entertainment, Education, Finance, Media, Data Centre and Refinery including Jet Airways, Reliance Jio, Essel Corporate, MT Educare Ltd, ISSL.  At Beginnen Media, Bhutra also heads Commercial, Administration & Human Resources as its chief finance officer.

  • Sony YAY! taps the power of music for kids

    New Delhi: The power of music can play an instrumental role in kids’ life by instilling hope and inspiring a positive outlook in them. With this objective in mind, the kids’ entertainment channel Sony YAY! has decided to bring children closer to the power of music on this World Music Day.

    The channel has joined hands with leading musicians of the country like Rekha Bhardwaj, Shankar-Ehsaan-Loy, Vishal Dadlani, Shaan, and Suneeta Rao who have donated their autographed musical instruments for kids who otherwise might not have the privilege of its access.

    Sony Pictures Networks India, Kids’ Genre, business head, Leena Lele Dutta said, “It’s been a tough year for kids. Music has always gone beyond the boundaries of entertainment to be relaxing and healing thus aiding and empowering kids to overcome any challenges. Our initiative for world music day recognises the need to reinforce the importance of celebrating music amongst kids. I thank each one of the musical heroes for participating and inspiring hope and positivity in the lives of kids.”

    Forces of the Indian music industry like Rekha Bhardwaj who gave us tunes like Sasural Genda Phool has donated her Digital Ragini for this initiative. The coolest sonic trio of the Hindi film industry Shankar-Ehsaan-Loy autographed a Ukulele, Clap Box, and Guitar respectively. Known for his epic romantic tunes and velvety voice, singer Shaan signed a Mandolin for the kids. Lastly, since the 90s fever is trending, the melody queen of the era, Suneeta Rao has also shown her support by signing a Bongo Drum.

    Singer Shaan emphasized the importance of music in his life. “It has taught me patience and hard work and this World Music Day, I hope that children across the world learn the importance of perseverance and adopt the value of hard work. Through this initiative by Sony YAY!, I hope we bring inspiration in the lives of these kids,” he said.

    Talking about the initiative, musician Shankar Mahadeva said, “It’s a difficult time for everyone as we all have been spending time at home in isolation. Having ample time at our disposal as we stay indoors, we must put some aside to celebrate a wonderful thing called music. For it is something that can be your friend, philosopher, guide, it can just be with you. So, on World Music Day, create, innovate, introspect and see what kind of talent you have and how much can you nurture it. I am extremely thankful to Sony YAY! and their entire team for helping us embark on this beautiful journey of music together.”

  • Sony BBC Earth scripts success with programming and marketing innovations in 2020

    Sony BBC Earth scripts success with programming and marketing innovations in 2020

    New Delhi: Sony BBC Earth has successfully closed in a year of achievements riding on its might of insightful storytelling and family viewing experiences. Despite a year filled with challenges, Sony BBC Earth was quick to adapt to the changing trends and realign its programming and marketing strategies. From launching genre binding marketing initiatives to bringing topical content–the channel scaled up its audience engagement, across all touchpoints. As a consumer first brand, Sony BBC Earth focused on innovations to emerge as the fastest growing channel SD+HD in the infotainment category in terms of both, reach and viewership when comparing Q4’CY 2019 to Q4’CY 2020*.

    Adhering to the changing consumption trends in the post COVID world, the channel was quick to re-strategize. Sony BBC Earth was among the first few channels in March to acquire and air a documentary specific to the pandemic – coronavirus: How to Isolate Yourself, at a time when the Indian audience was grappling with information overflow on the virus and its prevention. Offering expert insights and real-life instances, the show succeeded in reaching out to 2.5 million viewers across India. The channel also premiered the biggest show on biodiversity ever produced –Seven Worlds, One Planet and another milestone series – Spy in the Wild 2.

    This was followed by the introduction of specially curated afternoon bands to cater to the increased viewership during lockdown and scale up non-prime time viewership. Sunny Side Up was launched as a special slot offering genres like food, fitness, world adventures, kid friendly content and more, making for a complete family viewing experience. ‘Couch Travels’ anthology was introduced as a respite for all those suffering from lockdown blues.

    When it comes to marketing initiatives, Sony BBC Earth fortified its digital presence beyond social media, to build richer engagement with audiences across all age groups.

    To begin with, recognizing the immediate transition to e-learning this year, Sony BBC Earth moved fast to revamp its flagship school engagement program – ‘Feel Alive Hours’, to create an online learning experience. With an aim of building consistent engagement with a community of over two-and-a-half lakh students across 600 schools in seven cities, the brand created multiple touchpoints such as monthly newsletters, LIVE sessions, exclusive video content and an e-destination, which has already garnered more than four lakh footfalls within three months. The content across touchpoints is carefully curated understanding the need for meaningful co-curriculars at a time when parents and students need newer ways to stay engaged.

    In another riveting initiative, Sony BBC Earth tapped the most popular social media behavior that increased multifold during the lockdown – photography, to scale up yet another brand IP – Earth in Focus. On World Photography Day, the brand launched a month-long contest for every photography enthusiast who has a keen eye to capture moments in time, with or without professional skills or equipment. Award-winning photographer and filmmaker, Amoghavarsha JS was roped in to judge the contest which garnered more than 2,500 splendid entries and which received over 1.3 lakh votes in the round of public voting. Even the website which hosted the contest had more than eight lakh visitors ensuring that the contest was a success and that it paves way for similar models to follow.

    With more time being spent on social media daily post lockdown, Sony BBC Earth leveraged the platform to not only promote shows but also to amplify conversations and stay relevant to audiences. From creating an experiential AR filter for ‘Spy in the wild 2’ and hosting LIVE chats around topics like sustainability and eco-conscious lifestyle with influencers like Randeep Hooda and filmmakers Amoghvarsha JS and Sandesh Kadur, to initiating conversations with world renowned experts like Steve Backshall and Gordon Buchanan, Sony BBC Earth ensured consistent engagement and an increased reach, on social media.

    Marking the year end with yet another milestone, Sony BBC Earth launched a 360-brand campaign that bolstered the channel’s distinguished narrative and attributes in the minds of the viewers and potential advertisers. Not only did it establish Sony BBC Earth as a brand that provides a conducive and safe environment for partners to grow hand in hand, but it also reinforced the positive impact the channel has on people’s lives, beyond just world-class entertainment. This robust, two-pronged campaign was rolled out with eye-grabbing outdoors, cable promotions and social media communication aimed at viewers, and trade-centric print ads coupled with a highly targeted campaign, aimed at advertisers.

    Even through a challenging year like 2020, Sony BBC Earth continued to place the consumer needs first and it is because of this approach that all its initiatives were a success. In a year that demanded positive reinforcements more than ever, Sony BBC Earth drove salience and stayed true to its promise of bringing pureplay factual entertainment and positive storytelling that truly makes people ‘Feel Alive’.

    Sonly Pictures Networks India business head, English Cluster Tushar Shah said, “Despite the unparalleled challenges that 2020 presented, Sony BBC Earth managed to sustain growth with a continued focus on positive and impactful storytelling. Our constant endeavor to make people feel alive with our distinct and relevant content on-air and off-air has resulted in Sony BBC Earth’s loyal fan base and has paved way for potential like-minded partners. We are looking forward to 2021 and hope to continue to grow with the love and the support from our viewers”.

  • Zee Learn clocks marginal profit in Q2 2020

    Zee Learn clocks marginal profit in Q2 2020

    NEW DELHI: Zee Learn, a leading player in the education segment, has posted revenue of Rs 89.67 crore and profit of Rs 2.24 crore in Q2 2020. The EBIDTA stood at Rs 19.93 crore (26 per cent of the operating income) during this time.

    Both revenue and profit (after tax) for the company has witnessed a decline year-on-year basis. During the same time, in 2019, the revenue stood at Rs 148.41 crore and profit (after tax) stood at Rs 24.40 crore.

    The two also saw a decline from Q1 2020 where the revenue stood at Rs 92.64 crore and profit (after tax) stood at Rs 3.36 crore.

    However, the profit before tax grew by 37 per cent in Q2 2020 on a quarter-on-quarter basis on the back of its optimisation measures.

    Zee Learn whole time executive director and CEO Vikash Kumar Kar said, "In spite of the educational institutions still being under lockdown coupled with the uncertainty of re-opening, the company has successfully been surmounting various challenges to continue delivering an excellent learning experience. Various business continuity measures helped us to manage the operating expenses and operations in a reasonable manner. We continue to stay fully committed to staying ahead of the curve and fulfilling the learning needs of our students and engaging with our partners to provide constant support to navigate through this period.”

    Zee Learn CFO Rakesh Agarwal added, "Even though there are various ongoing challenges, the company has managed to deliver profits by undertaking various optimization measures. We hope that the authorities will come up with various measures to handhold and stabilize the education sector which is very important for the well-being of our nation and for the future of the children."

    The company has won several laurels during this year such as ‘Great Place to Work’, ‘Dream Companies to work for in Education Sector 2020’, ‘Premier Franchise to Watch for in 2019’, ‘Outstanding contribution to quality education in India’, and others.

  • Sun Direct offers 155 channels for Rs 130 network capacity fee

    Sun Direct offers 155 channels for Rs 130 network capacity fee

    MUMBAI: DTH operator Sun Direct is now allowing subscribers to select up to 155 channels for a monthly network capacity fee of Rs 130/- plus applicable taxes.

    Sun Direct is the first DTH to officially declare NCF allowing more than 100 channels along with the removal of the additional slab. The operator has been offering almost the entire FTA channels bouquet available on its platform on complementary basis with the Rs 130 NCF base pack from the start of the new tariff order.

    While most operators have declared Rs 130 as NCF for 100 channels, most of them have been offering hundreds of FTA channels on a complimentary basis with discounted NCF on bundle packs.

    The DTH operator had on 24 January declared its network capacity fee days ahead of the switch over to the new tariff order. The network capacity fee payable monthly back then was set at Rs 130/- plus applicable taxes for 100 SD channels. Additional slab NCF was set at Rs 20/- plus applicable taxes for the next 25 SD channels.