Tag: Channel 5

  • Liz Clarke joins Fabric as director of sales & business development

    Liz Clarke joins Fabric as director of sales & business development

    MUMBAI: Fabric, the entertainment industry’s powerhouse for data and operations solutions, has shaken up its sales and business development team by appointing Liz Clarke as director of sales and business development, EMEA. With over two decades of experience in media, entertainment, and post-production, Clarke is stepping in to steer Fabric’s growth strategy across the region, ensuring that media companies cut through the operational chaos and tap into new revenue streams with ease.

    Fabric, fresh off its integration with Xytech, continues to redefine media management by consolidating workflows, from quote-to-invoice to project management and content metadata. In other words, it’s taking the industry’s messy backend and tidying it up into one smart, seamless platform. And Clarke, with her extensive expertise, is stepping in at precisely the right moment to help drive that transformation.

    Before joining Fabric, Clarke served as EVP of strategy and development at Bitmax, where she championed business growth initiatives and streamlined workflows across international teams. Her journey has also included a pivotal role as VP of client operations at Mirriad, working with major broadcasters like Channel 4, Channel 5, RTE.ie, TF1, France Télévisions, Prosiebens, and RTL. Having previously held senior positions at Ascent Media, Deluxe, and Prime Focus Group, Clarke is no stranger to building and executing world-class media strategies.

    Fabric CRO Kira Baca expressed enthusiasm for Clarke’s arrival, “We are thrilled to welcome Liz to Fabric. Her impressive industry expertise, incredible reputation, and proven ability to drive business growth align perfectly with our mission to help media companies scale and succeed. Liz’s leadership will be instrumental in expanding our footprint across EMEA, ensuring that more organisations can leverage Fabric’s solutions to meet their content goals.”

    Fabric’s goal is simple but ambitious: unify media operations, streamline data, and help teams worldwide deliver seamless content experiences. The company’s solutions integrate operations and catalogue management, resource scheduling, data enrichment, and AI-powered workflow insights—effectively eliminating operational bottlenecks that have long plagued media companies.

    According to Clarke, the opportunity to be part of this mission was too compelling to pass up. “Fabric is focused on providing solutions that deliver provable value, from simplifying and streamlining operations to maximising content revenue potential globally. I am excited to join the team and bring my experience in business development and sales, along with my understanding of the M&E industry, to drive growth across the EMEA region. I look forward to working with the teams to unlock new opportunities and enhance operational efficiencies with Fabric’s innovative solutions.”

    With global digital ad spending projected to reach $667.6 billion in 2025, the demand for integrated, AI-driven media solutions has never been greater. The media landscape is shifting, and companies must adapt to stay relevant. Fabric’s integrated approach offers a competitive edge by eliminating inefficiencies, optimising workflows, and giving businesses a crystal-clear view of their content pipelines.

    Fabric’s expansion into EMEA comes at a time when media companies are grappling with increasing operational complexity. As advertisers pour more dollars into programmatic and AI-driven content personalisation, Fabric’s solutions provide the agility needed to navigate this rapidly evolving landscape.

    With Clarke leading the charge, expect Fabric to strengthen its presence across Europe, the middle east, and Africa, proving once again that smart, data-driven operations are the future of media management.

  • Notices to several Pak TV channels for ‘violations’

    MUMBAI: Freedom of speech is being curtailed in the sub-continent. Media watchdog Pakistan Electronic Media Regulatory Authority (PEMRA) has issued show-cause notices to nine channels — Waqt TV, Ab Tak TV, Channel 5, 7 News, Aaj TV, Sach TV, Roze TV, News One and Capital TV — for airing ‘fake news’ between 8.00pm and 9.00pm on 22 March about a plane crash in Kallar Syedan near Rawalpindi. The channels have been asked to respond by 31 March.

    PEMRA has also issued a notice to ARY News, a private channel, for airing “hate speech” against the country’s prime minister Nawaz Sharif asking it to respond by the same date. The regulator has the powers to ban the channel’s ‘offensive’ programme, cancel its operating licence and impose a fine of a million rupees.

    Also, PEMRA issued a separate notice to Dawn News TV for failing to comply with its decision to suspend Zara Hat Kay talk show for three days. The host on 9 March had discussed a corruption case against Justice Shaukat Aziz Siddiqui despite a case being sub-judice. This act of violating the Authority’s order is tantamount to willful defiance and the Authority has directed the channel’s management to explain within three days i.e. before or on 27 March before 4.00pm why it defied.

    According to the ‘hate speech’ details, a guest speaker, who appeared on ‘The Reporter’, a programme on ARY on Thursday, termed a recent statement of Sharif as “blasphemous”.

    PEMRA said it was a dangerous trend. The hosts of the programme neither intervened on this occasion nor stopped him from passing such comments, which was a violation of PEMRA Code of Conduct 2015.

    In a separate case, PEMRA had informed the Pakistan Broadcasters Association (PBA) on 17 February to amend the advertisement of “Zong 4G” till 20 February before 6 pm;  otherwise, PEMRA under Section 27 of PEMRA Ordinance 2002 as amended by PEMRA (Amendment) Act 2007 shall prohibit the said advertisement forthwith.

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  • Channel 5 brings House Doctor Back

    Channel 5 brings House Doctor Back

    MUMBAI:  The iconic home makeover show, House Doctor will return to Channel 5 later this year as Boundless Productions, part of FremantleMedia UK confirms it has been commissioned to make 45×60 episodes. Worldwide distribution will be handled by FremantleMedia International.

    Tracy Metro, a top designer from LA and regular on Oprah Winfrey’s Home Made Simple, is the House Doctor. Tracy’s upbeat, creative approach to design proves that with a minimum of investment, simple home-styling can turn dodgy décor into stunning transformations that sell houses quickly.

    In any housing market, there’s a marked contrast between the houses that sell in a heartbeat and those that languish on the market.  Tracy is convinced it’s all to do with presenting the house in the best possible light. It’s time to get rid of cluttered, dirty, dark and old fashioned homes and employ some quick and clever fixes that get buyers-to-be rushing to exchange contracts.

    Tracey Metro said: “There is so much potential in the houses I’ve seen and I love the thrill of bringing my distinctive design aesthetic and peppering it throughout the UK, transforming houses as I go.”

    Managing Director of Boundless Hannah Wyatt said: “I am delighted that House Doctor is coming back to our screens. Tracy is a fresh and exciting new presenter who brings a real can-do approach to the show, providing inspiration and insight into how to maximise selling a house. “

    Emma Westcott, Channel 5’s Commissioning Editor Factual commented: “The return of the original and best home selling show with fresh new talent is a real treat for viewers.  Interest in the UK property market has never been greater with people hungry for advice on how to maximise the value and marketability of hard to sell homes.

    House Doctor is a 45×60 minute Boundless production for Channel 5.  Commissioned by Emma Westcott, Channel 5.  Series Editor is Helen White, Executive Producer is John Comerford for Boundless Productions. 

  • Channel 5 brings House Doctor Back

    Channel 5 brings House Doctor Back

    MUMBAI:  The iconic home makeover show, House Doctor will return to Channel 5 later this year as Boundless Productions, part of FremantleMedia UK confirms it has been commissioned to make 45×60 episodes. Worldwide distribution will be handled by FremantleMedia International.

    Tracy Metro, a top designer from LA and regular on Oprah Winfrey’s Home Made Simple, is the House Doctor. Tracy’s upbeat, creative approach to design proves that with a minimum of investment, simple home-styling can turn dodgy décor into stunning transformations that sell houses quickly.

    In any housing market, there’s a marked contrast between the houses that sell in a heartbeat and those that languish on the market.  Tracy is convinced it’s all to do with presenting the house in the best possible light. It’s time to get rid of cluttered, dirty, dark and old fashioned homes and employ some quick and clever fixes that get buyers-to-be rushing to exchange contracts.

    Tracey Metro said: “There is so much potential in the houses I’ve seen and I love the thrill of bringing my distinctive design aesthetic and peppering it throughout the UK, transforming houses as I go.”

    Managing Director of Boundless Hannah Wyatt said: “I am delighted that House Doctor is coming back to our screens. Tracy is a fresh and exciting new presenter who brings a real can-do approach to the show, providing inspiration and insight into how to maximise selling a house. “

    Emma Westcott, Channel 5’s Commissioning Editor Factual commented: “The return of the original and best home selling show with fresh new talent is a real treat for viewers.  Interest in the UK property market has never been greater with people hungry for advice on how to maximise the value and marketability of hard to sell homes.

    House Doctor is a 45×60 minute Boundless production for Channel 5.  Commissioned by Emma Westcott, Channel 5.  Series Editor is Helen White, Executive Producer is John Comerford for Boundless Productions. 

  • FY-2015: Lower Filmed Entertainment numbers drag Viacom revenue down 3.7 percent

    FY-2015: Lower Filmed Entertainment numbers drag Viacom revenue down 3.7 percent

    BENGALURU: Viacom Inc (Viacom) reported 3.7 percent drop (reduced by $515 million) in revenue for the year ended September 30, 2015 (FY-2015, current year) at $13,268 million as compared to $13,783 million in FY-2014. Viacom says that the fall in revenue was due to due to lower revenues across the distribution windows. Of the two segments that the company has, Filmed Entertainment reported 22.6 percent (reduced by $842 million) lower revenue in FY-2015 at $2,883 million as compared to $3,725 million in the previous year.

     

    Viacom says that excluding an unfavourable 2 percent impact of foreign exchange, revenues declined 2 percent, while excluding an unfavourable 2 percent and 4 percent impact of foreign exchange, Filmed Entertainment revenues declined 19 percent.

     

    The company’s operating income fell 22.8 percent (reduced by $970 million) to $3,112 million from $4,082 reported for last year. Adjusted operating income decreased 5 percent ($205 million) to $3,920 million in FY-2015. Adjusted results exclude the impact of restructuring and programming charges totalling $784 million and a non-cash pension settlement loss of $24 million in 2015 and a non-cash impairment charge of $43 million in 2014. Including the impact of these items, operating income decreased $970 million, as mentioned above.

     

    Filmed Entertainment segment’s adjusted operating income reduced 45.9 percent (reduced by $94 million) in the current year to $111 million as compared to $205 million in the company’s previous fiscal. The lower adjusted operating income for this segment reflects lower contribution from films in release across the distribution windows says Viacom. Last quarter (Q3-2015), also lower results from the Filmed Entertainment segment had pulled down the company’s revenues by 11 percent.

     

    The company’s other segment, Media Networks reported 3.1 percent (increased by $319 million) increase in revenue in FY-2015 to $10,490 million from $10,171 million, driven primarily by higher affiliate fees and advertising revenues. Media Networks adjusted operating income reduced by 3 percent (reduced by $128 million) in the current year to $4,143 million from $4,271 million in FY-2014. Viacom says that higher revenues from the segment were more than offset by an increase in programming and marketing expenses.

     

    Viacom Executive Chairman Sumner M Redstone said, “Viacom continues to create some of the most compelling and entertaining content in the world. I am confident that Viacom’s leadership team will continue to lead through our industry’s period of transition and succeed well into the future.”

     

    Viacom President and Chief Executive Officer Philippe Dauman said, “Viacom’s fourth quarter and year-end results are indicative of our progress in key areas, including recent ratings improvement and renewals of important distribution agreements. Our strategy of increasing and accelerating investment in original content and expanding our profitable international footprint are among the major factors driving this success, which we believe will continue in 2016 and beyond. We are making great progress in tackling industry-wide inefficiencies in audience measurement, while expanding our audience reach with landmark distribution agreements.

     

    “Viacom’s family of Media Networks are the most watched by highly coveted younger audiences, and we are building engagement on all platforms, leading to first-of-their-kind marketing opportunities with our advertising partners. Our investment in content continues to grow, supporting an unprecedented amount of quality original programming and a more robust slate of films. In addition, in fiscal 2015 we launched 21 channels overseas – including six in India – fuelling the fastest international growth in our history.”

     

    Segment Performance

     

    As mentioned above, two segments contribute to Viacom’s numbers-Media Networks, which has three components – Advertising, Affiliate Fees and Ancillary; and Filmed Entertainment which has four components-Theatrical, Home Entertainment, License Fees and Ancillary.

     

    Media Networks

     

    Excluding an unfavourable 2 percent impact of foreign exchange, worldwide revenues increased 5 percent. Domestic revenues were $8,635 million, an increase of $10 million. International revenues were $1,855 million, an increase of $309 million, or 20 percent, primarily due to the acquisition of Channel 5 Broadcasting Limited (Channel 5), partially offset by foreign exchange, which had a 10 percentage point unfavourable impact on international revenues says Viacom.

     

    Advertising

     

    Worldwide advertising revenues increased $54 million, or 1.1 percent, to $5,007 million in FY-2015 . Domestic advertising revenues decreased 7 percent. The company says that while pricing remained essentially flat, softer ratings caused lower audience delivery, reducing impressions and associated revenue. International advertising revenues increased 60 percent, reflecting growth in Europe driven by the acquisition of Channel 5, partially offset by the impact of foreign exchange, which had a 10 percentage point unfavourable impact on international advertising revenues.

     

    Affiliate Fees

     

    Worldwide affiliate fees increased $248 million, or 5.3 percent, to $4,908 million in FY-2015. Domestic affiliate revenues increased 8 percent, driven by rate increases as well as the benefit of distribution arrangements which are affected by the timing of available programming. Excluding the impact from the timing of product available under these distribution agreements, domestic affiliate revenues grew in the mid-single digits. International revenues decreased 7 percent, principally due to foreign exchange, which had an 11 percentage point unfavourable impact, partially offset by an increase in revenues driven by the launch of new channels and new distribution agreements.

     

    Filmed Entertainment

     

    Excluding an unfavourable 4 percent impact of foreign exchange, worldwide revenues declined 19 percent, due to lower revenues across the distribution windows reflecting the mix of films. Domestic revenues were $1,374 million, a decrease of $347 million, or 20 percent. International revenues were $1,509 million, a decrease of $495 million, or 25 percent, with foreign exchange having an 8- percentage point unfavourable impact on international revenues.

     

    Theatrical revenues :in the current year reduced 30.4 percent (reduced by $368 million) to $841 million from $1209 million due to the mix of releases, partially offset by higher carryover revenues of $54 million from prior year releases, principally from Teenage Mutant Ninja Turtles. Domestic theatrical revenues decreased 26 percent and international revenues decreased 34 percent. Foreign exchange had a 10 percentage point unfavourable impact on international theatrical revenue

     

    Home Entertainment: Worldwide home entertainment revenues decreased $293 million, or 25.2 percent, to $871 million FY-2015, reflecting a decline in revenues from third-party distribution titles, carryover revenues from prior year releases and Viacom’s current year releases due to the mix of titles. Significant titles in the current year included Teenage Mutant Ninja Turtles,Interstellar and The SpongeBob Movie: Sponge Out of Water, while the prior year includedTransformers : Age of ExtinctionThe Wolf of Wall StreetNoah and Jackass : Bad Grandpa. Domestic and international home entertainment revenues decreased 16 percent and 35 percent respectively. Foreign exchange had a 7-percentage point unfavourable impact on international home entertainment revenues.

     

    License Fees :decreased $135 million, or 12.1 percent, to $980 million FY-2015, primarily driven by the mix of available titles.

     

    Ancillary:Ancillary revenues decreased $46 million, or 19.4 percent, to $191 million in FY-2015, primarily driven by a benefit from the sale of certain distribution rights in the prior year.

  • Q3-2015: Poor Filmed Entertainment drives Viacom revenue down 11%

    Q3-2015: Poor Filmed Entertainment drives Viacom revenue down 11%

    BENGALURU: Viacom Inc reported 11 per cent decline in revenue in the quarter ended 30 June, 2015 (Q3-2015) at $3058 million as compared to the $3421 million in the corresponding year ago quarter. 

     

    The company’s quarterly revenues declined due to lower theatrical revenues in its Filmed Entertainment segment, which scheduled no wide theatrical releases in the quarter. Filmed Entertainment revenues declined by a massive 44 per cent to $479 million in the current quarter as compared to the $856 million in Q3-2015.

     

    Viacom’s operating income remained almost flat at $1084 million in Q3-2015 as compared to the $1086 million in Q3-2014.

     

    Viacom’s other segment, Media Networks reported almost flat revenue at $2597 in Q3-2015 as compared to the $2591 million in the corresponding quarter of the previous year, the slight increase of $6 million was due to higher affiliate fees.

     

    Absent an unfavourable two per cent impact of foreign exchange, Media Networks revenues increased two per cent. Worldwide and domestic affiliate revenues rose two per cent, driven by rate increases. Excluding the impact from the timing of product available under certain distribution agreements, domestic affiliate revenues grew in the mid-single digits. Domestic advertising revenues decreased nine per cent, due to a decline in traditional ratings. Worldwide advertising revenues decreased two per cent, which reflects a 58 per cent gain in international advertising revenues driven principally by Channel 5.

     

    Filmed Entertainment revenues decreased largely due to a decline in theatrical revenues of 92 per cent related to the timing of the summer season theatrical slate. In the prior year, Transformers: Age of Extinction was released in the third quarter, while this year’s summer tentpoles, Terminator: Genisys and Mission: Impossible – Rogue Nation, were widely released in the fourth quarter. 

     

    Worldwide home entertainment revenues decreased 30 per cent, to $199 million in the quarter, and ancillary revenues declined 43 per cent, primarily driven by the benefit in the prior year of the sale of certain distribution rights.

     

    Viacom executive chairman Sumner M Redstone said, “Viacom is meeting the challenges of a rapidly-changing media landscape by creating exciting, unique content that connects with audiences on all platforms. Our management team is positioning Viacom for success, and I am confident that we have the strategies in place to thrive.”

     

    Viacom CEO Philippe Dauman added, “Viacom continues to drive change in our business, creating unprecedented levels of original content, forging innovative marketing and distribution partnerships, and prioritizing international growth through organic expansion and strategic investments. Our Media Networks are quickly bringing innovative data-based advertising products to market,   broadening our sales capabilities and developing new solutions for marketing partners that capture the full scope and depth of our powerful multiplatform brands. We introduced several popular new series in the third quarter, including Lip Sync Battle and Scream and expanded agreements with important distribution partners. Paramount also set the stage for the return of one of the studio’s most successful franchises, Mission: Impossible, and is anticipating the broadcast premiere of the first Paramount Television production, Minority Report, next month.

     

    “Underpinning this, we are operating more efficiently than ever, accelerating content development and delivering programming more quickly to audiences on all screens. We maintain a strong balance sheet, giving us significant financial flexibility and we remain committed to resuming Viacom’s share repurchase program in October,” said Dauman.

  • Spike to launch as FTA channel in UK

    Spike to launch as FTA channel in UK

    MUMBAI: A new free-to-air TV channel will launch with a bang in millions of UK homes on 15 April, when Spike goes on air offering a mix of British commissions and big-name talent alongside a range of acclaimed drama and entertainment.

     

    Original commissions will feature prominently on Spike from launch. Police Interceptors Unleashed marks a return to British TV screens for actor and former professional footballer, Vinnie Jones, who will front the series, following the work of the high-speed police interception unit. Another new series, Tattoo Disasters UK, will seek out some of the most painful examples of British body art and the individuals having to learn to live with their inky mistakes.

     

    Spike’s launch line-up will also feature some of the most acclaimed and talked about TV drama of recent times, including Breaking Bad, which will be broadcast from start to finish for the first time on British TV. The latest and fifth series of The Walking Dead will also be available on Spike, the first time it will be accessible free-to-air to British TV viewers.

     

    Other acquired dramas that will broadcast on Spike from launch include the British TV premiere of mythological blockbuster, Olympus, Emmy nominated Justified and crime thriller Sons of Anarchy.

     

    Lip Sync Battle, hosted by two-time Grammy Award-winner LL COOL J, will be the entertainment flagship of Spike’s launch schedule. The half-hour original series – based on the cultural phenomenon of lip sync battling seen by millions on television and online – has been created by Jimmy Fallon and his Eight Million Plus Productions, Stephen Merchant, John Krasinski, Matador and Casey Patterson. Merchant also features on-screen as one of the many A-list musical combatants in the series.

     

    Social media comedy phenomenon, Fail Army, has also been reworked for television and will be introduced to UK TV audiences by Spike.

     

    Spike will also be the UK TV home of mixed martial arts. The channel will televise Bellator MMA, the emerging sports franchise featuring many of the world’s greatest fighters including British champion, Liam McGeary, and Paul Daley. Spike has also signed an exclusive deal with the British Association of Mixed Martial Arts (BAMMA) for its tournaments, which will feature in a Saturday ‘Fight Night.’

     

    The channel will also offer a range of reality series from Spike in the US, including Catch a Contractor and Frankenfood, as well as repeats of some of Channel 5’s most popular factual output.

     

    The 24-hour network will be available from launch on the majority of the UK’s digital TV platforms, including Sky TV, Freesat and Freeview, on which it will occupy channel slot 31.

     

    Channel 5 programme director Ben Frow, whose editorial team will oversee commissioning, scheduling and acquisitions for the new channel, said, “Spike is a driven, high-energy channel offering a point of view and programme mix I think is different from anything else on British TV right now. I can’t wait to see our viewers embrace this exhilarating new channel.”

     

  • Viacom to re-brand Channel 5

    Viacom to re-brand Channel 5

    NEW DELHI: Viacom will rebrand Channel 5 later this year. The channel was acquired from Richard Desmond for ?463 million (€645m) in May 2014.

     

    MTV UK general manager and SVP of youth and music Kerry Taylor has been named the company’s chief marketing officer and has been tasked with the rebranding.

     

    She will be aided by MTV UK vice president of marketing and communications Jo Bacon.

     

    “Their task will be to capture changing perceptions about the brand amongst lighter viewers as Channel 5 continues to improve programme range and quality and its ratings performance,” said Viacom UK, Australia and central and Eastern Europe president David Lynn.

     

    Ad agency Joint has been appointed as the strategic agency for the rebrand of Channel 5.

     

    Meanwhile, as was reported by Indiantelevision.com, Channel 5 has struck a deal to broadcast Big Brother for the next three years. Under the deal, which is worth as much as ?60 million, Channel 5 has secured the rights to broadcast the reality series until the end of 2018.

  • Channel 5 renews ‘Big Brother’ for three more years

    Channel 5 renews ‘Big Brother’ for three more years

    MUMBAI: Channel 5 has extended its UK rights deal for Big Brother with Endemol Shine UK for a further three years allowing it to continue airing its popular reality flagship until at least the end of 2018.

     

    Under the terms of the extended deal, Channel 5 will continue to broadcast two series of Celebrity Big Brother and one series of Big Brother each year, as well as associated programming, all produced by Endemol Shine UK label, Initial. 

     

    The renewal follows record ratings for the latest series of Celebrity Big Brother broadcast on Channel 5 in January, which attracted an average audience of 3.1 million per episode and an 11.4 per cent share of viewing.

     

    Following the acquisition of Channel 5 by Viacom International Media Networks, repeats of Celebrity Big Brother also appeared on MTV UK and outperformed the channel’s all day average audience amongst 16-34s by almost 20 per cent. More than 21 million viewers tuned into the series at least once across all VIMN-owned channels during the course of its run.

     

    Channel 5 chief operating officer Paul Dunthorne, who negotiated the deal extension on behalf of the broadcaster, said, “Big Brother in all its guises brings a huge and varied cross section of viewers to Channel 5 and typifies the appointment-to-view programming we want on the channel. It remains one of TV’s most talked about and popular programmes and I’m genuinely delighted we’ve secured it for at least three more years.”

     

    Initial managing director Nick Samwell-Smith added, “Channel 5 is a fantastic home for Big Brother. Over the past four years we’ve worked closely together to keep this extraordinary format feeling fresh, noisy, and creatively vibrant.  I’m thrilled that this landmark deal means we can look forward to three more years of big characters and juicy storylines from inside our favourite house.”

     

  • SES launches Astra 2F Satellite

    SES launches Astra 2F Satellite

    MUMBAI: Leading satellite operator SES has said its new Astra 2F satellite has been successfully launched on 28 September, on board an Ariane 5 rocket from Kourou, French Guiana. This is SES’ 36th successful launch on Ariane.

     

    Astra 2F was built by Astrium in Toulouse using a Eurostar E3000 platform and carries Ku- and Ka-band payloads for the delivery of high-performance Direct-to-Home (DTH) and next generation broadband services. It is the first of a three satellite investment programme (Astra 2E, 2F and 2G), that provides replacement and growth capacity for the UK and Ireland at the 28.2/28.5 degrees East neighbourhood.

    The new satellites in this neighbourhood will, as of October 2013, also use additional frequency spectrum for which the right of use was granted to SES by Media Broadcast pursuant to an agreement entered into in 2005. The new Astra 2F spacecraft also provides Ku-band capacity for pan-European services and for Sub-Saharan Africa. Its Ka-band payload will allow SES Broadband Services to support download speeds of up to 20 Mps.

     

    “The successful launch of Astra 2F is part of our fleet replacement and expansion programme,” said SES CEO Romain Bausch. “Astra 2F will provide seamless replacement capacity for our UK customers like BSkyB, the BBC, ITV, Channel 4 and Channel 5, and will allow us to operate additional capacity at 28.2/28.5 degrees East on SES satellites. This orbital neighbourhood today serves close to 13 million DTH homes in the UK and Ireland. We would like to thank our long-standing partners Astrium and Arianespace for this mission success.”

    Astra 2F had a launch mass of 6 tons, generates 13 kW of power, and has a design life of 15 years. It is the fifth Eurostar satellite in the SES fleet. The new spacecraft will be brought into commercial service in the next few weeks following the completion of the extensive in-orbit testing programme.