Tag: Chak De! India

  • Criminal Justice: Behind Closed Doors is a ‘whydunnit’

    Criminal Justice: Behind Closed Doors is a ‘whydunnit’

    NEW DELHI: Innocent until proven guilty. In To Kill a Mockingbird, Atticus Finch passionately upheld this legal principle while defending a Black man who had all the odds, and prejudices, stacked against him. And in the first trailer of Criminal Justice: Behind Closed Doors, lawyer Madhav Mishra is seen firmly reminding us of this inalienable tenet in the age of media trials.

    At a virtual press conference, Disney+ Hotstar has released the first look at the new season of its investigative legal drama Criminal Justice. The intense video clip shows Pankaj Tripathi reprising the role of lawyer Madhav Mishra and becoming embroiled in another gripping murder case.

    The second chapter of Criminal Justice also stars Kirti Kulhari (Pink, Four More Shots Please!) as Anuradha Chandra, and the premise is based on her character apparently committing the murder of her husband and reputed lawyer Bikram Chandra, played by Jisshu Sengupta (Manikarnika, Shakuntala Devi). Actor Anupriya Goenka returns as Madhav’s capable colleague Nikhat Hussain, while Shilpa Shukla (Chak De! India, B.A. Pass) joins the cast to portray an enigmatic character.

    The new season of the critically acclaimed web series will premiere on Disney+ Hotstar on December 24 and will be available to VIP subscribers in seven languages.

    “Great television has always been about outstanding characters and I feel that what we have with Madhav Mishra is a true benchmark for Indian OTT shows,” said Star India Hindi entertainment president Gaurav Banerjee during a virtual press conference for the trailer launch.

    Without giving away too much, he added that the story delves into a very important issue which has been brilliantly developed by the writers, and it will give audiences something to think and reflect about.

    “It’s a ‘whydunnit’. You’ll get to it as the mystery unfolds. Viewers are in for a good, entertaining and enriching ride,” teased Banerjee.

    Applause Entertainment founder & series producer Sameer Nair said they had taken characters from the first season forward and developed them further, something that wasn’t done by the British series from which Criminal Justice has been adapted. The “little universe” of the police and legal system that surrounds Madhav expands in the new season, with the addition of new characters, issues and a layered mystery to be unravelled.

    On his part, Pankaj Tripathi is glad to once again essay the role of the street-smart advocate with the zingy one-liners, and disclosed that he finds Madhav extremely relatable as a person.

    "If Madhav Mishra were an actor, he would have been me from five years ago. He's a jugaadu aadmi (resourceful man) like me. Just like Madhav doesn't get any big cases, I didn't get any proper roles either. He comes across as a wily, street-smart guy who knows how to survive; but when he gets into a case, he's very upright and keeps a clean conscience," he detailed.

    The case that Madhav takes on this time around is his toughest yet, plus he also has to deal with the enigma that his client (Kulhari’s Anu Chandra) is – which makes for a confounding, keep-you-on-the-edge-of-your-seat mystery.

    “The whole series is about ‘kyun kiya’ – the motive behind the crime. What made Anuradha Chandra who she is, that she takes the step to stab her husband, the journey that leads up to that point is very exciting. It’s a story that will leave you rattled. There’s also a diverse array of women characters, each of whom is distinct but there’s something universal about them, that connects them all,” said Kulhari.

    Among these strong female characters is that of an inmate in a women’s prison, played by Shilpa Shukla. “You know they (female criminals) are going to be judged, but the beauty of the entire narrative is that you cannot really judge because there are differing and equally relevant perspectives. It’s humane,” she said.

    The new season puts the lens on women’s prisons in the country – how they’re run, the conditions there, the internal politics at play. Director Arjun Mukerjee stated that owing to security concerns, research and getting on-ground footage of real prisons for reference was quite tough, though production crews eventually managed to speak to wardens and staff and take a few pictures. Then a dabba factory was converted into an “exact replica” of a women’s prison, where they shot several scenes over many days.

    Banerjee shared that the maiden edition of Criminal Justice was his favourite show as a viewer, but more than that, the series has proved to be the best performing drama for Disney+ Hotstar.

    “It was the most viewed drama and it acquired subscribers for us – people who saw the trailer said they wanted to sign up. It did truly, phenomenally well and so we’re hopeful that the series has become a firm fan favourite and we can make more seasons going forwards. And that happened because of the incredible effort put into adapting the story, making it truly Indian and telling it in an entertaining and gripping manner. So, great writing, superb direction, and a fabulous cast who gave really good performances. It’s a great delight to have them (Pankaj Tripathi and Anupriya Goenka) coming back this season,” he said.

    As for whether the show will be back with a third chapter, along with the core characters of Madhav and Nikhat, the showrunners hinted that there’s hope. “A lot will depend on how they handle this case,” quipped Nair. 

  • Doodle Collection inks licensing deal with Yash Raj Films

    Doodle Collection inks licensing deal with Yash Raj Films

    MUMBAI: Doodle Collection has inked a licensing deal with Yash Raj Films Licensing to launch a limited edition range of diaries inspired from some of the studio’s films.

     

    Doodle Collection’s limited edition range of YRF diaries celebrate cinema and Bollywood in its most colourful, creative and quirky form. The diaries are inspired by YRF movies across genres – from the classic KabhiKabhie to the modern and spunky Band Baaja Baaraat. The typographic designs are inspired from Rocket Singh Salesman of the Year and Chak De! India.

     

    The highlight of the collection is the diary inspired by the cult hit DilwaleDulhania Le Jayenge.

    The diaries are available on the Doodle Collection website and at stationery retailers like Landmark and Crossword along with online portals like Flipkart, Amazon and Fashionara.

  • Star’s ‘Mauka’ becomes victory anthem for Indian cricket fans

    Star’s ‘Mauka’ becomes victory anthem for Indian cricket fans

    MUMBAI: Not long back team India’s victory in a cricket match was celebrated with chants like Vande Maataram, Chak De India or Jai Hind. That seems to have changed in the 2015 edition of World Cup. The moment India wins a match, an unusual scenario develops in India and it can be called Mauka Mania.

     

    The Hindi word Mauka, which implies to opportunity in English has been used in such a way by Star Sports (the official broadcaster of ICC World Cup 2015 in India) that it has turned that innocuous word to an anthem – An anthem dedicated to both winners and losers of the match.        

     

    When queried on how the Mauka campaign started, Star India spokesperson said, “The India Pakistan match is the biggest unifying factor in the country regardless of age, gender or whether you’re a sports fan or not. We wanted a campaign, which will get the attention of the nation and would have a life of its own, but still be a part of the larger umbrella campaign #wontgiveitback.” 

     

    India’s undisputed victories over Pakistan in the World Cups were taken as a concept to create the campaign. It is quite natural to get invisible in the flurry of ads during an Indo –Pak bout and hence it was extremely important to be different from others and Mauka was indeed different. On the conceptualisation of the campaign the official asserted, “The brief was clear, we haven’t lost to them ever in a World Cup and we should not give this record up. After we had the idea in place we knew it was a disruptive thought that people would talk about and share. The proposition for the Mauka campaign was way beyond cricket and so needed to be the campaign. It used fan’s passion in a unique way. The idea was at a human level, it was true, funny and ignited a sense of pride without being nasty to the opponents.”

     

    The initial response videos came from Pakistan, where they planned and launched a new video to counter it creatively. That set the stage perfectly for a creative battle. Appreciating sportsman spirit of the counterpart the spokesperson said, “They accepted the film in great spirit and rebutted without any hate message or dirty war of words. The film that intended to unite India brought fans from both sides of the border together like never before – and that truly reflected the ‘power of cricket’ as a unifier especially in our part of the world.” 

     

    The success of the first video ignited the zest to go for the second one. While a series of advertisements were launched, the Mauka video managed to be the stand out amongst the lot. The video went viral and was trending in social media platforms. “The morning after the online release, we knew we had gone viral and had to do the second film for India- South Africa match, taking the Mauka thought forward. With the positive reactions coming in, we knew we had to relook at the entire World Cup through an India Pakistan lens,” the spokesperson added. 

     

    On the challenge to be spontaneous and match the level of expectation created by previous versions the spokesperson said, “Our routine for the group games is to watch the game, script for both outcomes of the next game. As we are nearing release, being in touch with the audience online helps make minor tweaks depending on fan sentiment closer to the next game.”

    He also added, “Having an internal team work on this creative was a boon as the team knows the working of the channel well and is able to get things done quickly. We got real time feedback and reactions to the campaign instantly to drive it forward.” 

     

    Credits for all Mauka campaigns

     

    Star Sports Team: Rohit Khanna, Venkataraman Mandalam, Juju Basu, Mustafa Rangwala, Prathamesh Sapte, Vikas Dubey,  Atulya Parashar, Ajeet Mestry, Dayanand Bhoite.

     

    Production House: Bubblewrap Films

     

    Directors: Suresh Triveni & Ninad Chavan (UAE film)

     

    Producer: Ketaki Guhagarkar

     

    Music: Rohan & Vinayak

     

    Lyrics: Vikas Dubey

     

    India is yet to face a defeat in the tournament, while no Indian will want to see Team India facing a defeat the curious mind will always want to know Mauka’s strategy to depict India’s defeat.

  • Hero Hockey India League 2015 unveils new ‘Ladoh To Aise’ campaign

    Hero Hockey India League 2015 unveils new ‘Ladoh To Aise’ campaign

    MUMBAI: Last year saw the emergence of many sports leagues and it definitely hasn’t stopped there. The countdown to the third season of the Hero Hockey India League has begun. Its official broadcaster Star Sports and the organizers Hockey India have launched their new campaign, with the tagline – ‘Ladoh Toh Aise’ (Fight Like This).

     

    As part of the new campaign, two TVCs in Hindi have been shot. Interestingly, the director of the Shah Rukh Khan starrer Chak De! India, Shimit Amin returns once again to India’s national sport. Amin is the creative director of the new Hockey India League campaign.

     

    The campaign brief seeks to reach out the ‘brave new and emerging Indian,’ one who is fearless and determined to create his own identity. As a change agent, the new Indian doesn’t believe in walking the conventional path but charting his own legend and history. Resolute in his belief, the brave new Indian is ready to fight the world to realise his dreams.

     

    The brief further elaborates that the HIL is the battleground for such brave Indians. By giving them the platform to fight for what they feel is right, it seeks to showcase their expertise and prove their mettle on a grand stage, which will be watched by millions in India and abroad.

     

    The first film features India and Delhi Waveriders’ captain, Sardar Singh and the second has the vivacious Indian and Uttar Pradesh Wizards’ goalkeeper, PR Sreejesh. The first film showcases Singh as an individual who, since childhood, is always the first one to step forward to any situation and is a born leader. The situations range from entering an orange orchard through barbed wires to entering a wrestling arena to fight against a heavyweight champion.

     

    On the other hand, the second film showcases custodian Sreejesh as a calm and fun guy, who sings his way through any stressful situation. He is seen performing an aerial and bike stunt while singing the folk song ‘surangani’, both with equal ease. The different facets of these men are two approaches of the brave new Indians in the league – ‘Ladoh Toh Aise.’

     

    Star Sports creative communication head Juju Basu along with his team members comprising Vaibhav Chib, Vikas Dubey and Charles Chakkunny were part of the campaign. Red Ice Films was the production house that shot both the films. The film, featuring Sardar Singh, has been directed by Basu while the one with Sreejesh has been directed by Surya Balakrishnan.

     

    The matches of the league will be telecast live on Star Sports 2, Star Sports 3 and Star Sports HD2 channels, while its website starsports.com too will carry the live coverage of the matches at 6:45 pm beginning from 22 January. 

     

    Six teams, Dabang Mumbai, Uttar Pradesh Wizards, Kalinga Lancers, Ranchi Rays, Delhi Waveriders and Punjab Warriors will compete in the third edition to bag the winning title.

  • Sony Max gets ‘filmy’ yet again!

    Sony Max gets ‘filmy’ yet again!

    MUMBAI: It’s no surprise that Indians have always been crazy or ‘deewana’ about two things – Bollywood and cricket. It is the only country, where in the most unexpected of moments one can find people using a dialogue from a movie or breaking into a song. And it’s this ‘Bollywood Fever’ which makes it important for Hindi movie channel Sony Max to bring out the ‘deewanapan’ (craziness) in a new, surprising manner every time.

     

    It was in 2012, when the channel felt the need to get viewers close to the world of movies and live the life filmy style, and thus launching a campaign titled, ‘Shuruaat Yahin Se’ which celebrated 100 years of cinema. It talked about how watching a good film is a way to handle extreme emotions.

     

    But the phrase failed to click with the audiences, and so in 2013, the channel’s tagline ‘Deewana Bana De’ had to come back in a new avatar. Max launched three television commercials as part of its brand campaign – ‘Jahan Dekho, Vahaan Deewana’ which added a new dimension to its existing positioning, ‘Deewana Bana De’.

     

    This year, to further strengthen its emotional connect with the consumers, the channel has launched three commercials as part of its brand campaign – ‘Ab Khulkar phailegi Deewangi’. The three 40-seconders, carve out the very basic element within the common man. It doesn’t talk about brand Max, but about the deewanapan in everyone.

     

    The first of the three TVCs that went on-air on 15 December shows how an extremely slow tuk-tuk driver gets charged-up by listening to the ‘Dhoom’ song tune and starts cruising through the road in full speed.

     

    The second TVC shows bridesmaids along with an old aunt making a war cry for the bride ‘Chak De’ to perk her up from the anxiety of her suhagraat. The third TVC depicts how a furniture showroom salesman bitten by the Bollywood bug replicates the iconic Zanjeer movie scene while attending a customer.

     

    This year the channel has particularly borrowed dialogues and songs from key films like Zanjeer (1973), Dhoom and Chak De India. The films have a very subtle humorous appeal and the brand films are directed by ace ad film maker Anaam Mishra from Crome Pictures.

     

    Sony Max VP – marketing Vaishali Sharma believes that this will make the campaign more powerful. “It will help us integrate the brand seamlessly into the consumers’ life,” she says.  

     

    According to Sony Max senior VP and business head Neeraj Vyas, Hindi films have their own kind of crafting and now the germ is all over. “In the last 50 years of cinema, the characters and songs have become larger than life. There is filmy madness in everybody and now the madness is spreading. Till last year, we said ‘Deewana Bana De’ and showered some elements and this year we are saying that look, now the craziness is spreading.”

     

    Conceptualised by DDB Mudra, it took two months for the channel from planning to the execution of all the three commercials. Vyas found the scripts very cute and in the Max zone. When asked why the channel picked these three movies, he says, “It could have been anything else as well. But when you sit for a campaign for over two months you go through a lot of ideas and scripts. We thought that these were quite relevant and without being over-the-top funny.”

     

    According to Sharma every year the channel continues to strengthen its emotional connect with the consumers so that it can, within the space of Hindi movie genre, continue to occupy strong position and affinity in the hearts and minds of consumers.

     

    For Sharma , ‘Deewana Bana De’ as a positioning line, has lived for a long time but the channel’s attempt in the last one-two years has been to make it more relevant to people’s life.  “The impact that Bollywood films have on our lives is ingrained into our DNA. Also from the brand perspective, strengthening the fact that people from all strata’s continue to watch Max and owning the space of how movies impact our daily lives.”

     

    DDB Mudra Group chairman and CCO Sonal Dabral feels that the new campaign is all about infecting people with passion and love for this great Indian cinema and to encourage people to see the lighter side in every walk of life. He adds, “India is a country passionate and obsessed with ‘Bollywood’ and what better way to capture this unique obsession than by coming out with a campaign which pays homage to Indian cinema.”

     

    Sharma shares the learning that the channel has acquired over the years. One, to understand what role movies plays in people’s lives and two, how it is a big source of entertainment.  “Over the years how we have evolved as a brand is how we make ‘Deewana Bana De’ or Max as a brand more relatable. We have wide range of audience’s right from people in metros to LC1 and rural markets, but to find a brand essence and a campaign that cuts across audiences is a tricky task for us.”

     

    So to make the job easy, year-on-year the channel keeps in touch with the consumers by doing qualitative and quantitative research to find out how they are interacting with the brand and how movies on television forms a big chunk of their daily lives. “Especially when you keep going down to smaller and smaller towns, the whole aspect of ‘I wait to watch movies on television to brighten up my life’ is what consumers share the relation with the brand. So the brand affinity scores are very high for Max.”

     

    According to Vyas, the channel does hygiene research every year to keep understanding what the consumers want and to keep a tab on social relevant changes that keeps on happening across which also helps the channel in the kind of movies it picks.

     

    To give an extra dose of entertainment, apart from the brand campaigns, fillers like Bittu Bak Bak, Fully Deewana, etc also keep running throughout the day.

     

    On the marketing front, it’s a primarily television led campaign. Apart from both the movie properties – Max and Max 2, the commercials will also be available across the Sony network. Moreover, Max has bought space on 32 channels for over three weeks from other networks to promote the new campaigns. These include English news, regional channels, kids and music channels to a large extent. The 360 degree marketing plan also includes a digital campaign and cinema across key markets spread over the next one month.

  • Curry Nation executes first commercial for Netsurf Communications

    Curry Nation executes first commercial for Netsurf Communications

    MUMBAI: Curry Nation has come out with Netsurf Communication‘s first television commercial. The first commercial went air on 28 July. The creative agency had won the creative mandate for Netsurf two months back with the aim to leverage its brand proposition.

    The ad establishes an emotional connect with consumers and promotes Netsurf amongst existing distributors and consumers while building up on the new base attracting others. On the campaign, Curry Nation creative head Priti Nair said, “Through the TVC we have attempted to showcase how people connect with one another by touching each and influencing others lives. This is similar to the philosophy of Netsurf which goes out connecting with its audience while building an emotional connect with them.”

    The tagline for the campaign is Sehat, Barkat, Muskurahat. “This communication was designed to ensure that the brand stays in the mind of the consumers and distributors. We want to create a recall value for the brand. When it comes to executing a commercial for a client like Netsurf, the brand and branding becomes more important than the product as it is a company which engages in a cooperative selling concept,” added Nair.

    The total ad spent allocated to marketing Netsurf Network‘s is Rs five crore with heavy focus on the television and digital medium. BTL would be used as a support medium where the brand would promote itself via mall activations.

    Headquartered in Pune, Netsurf has consumers majorly situated in the states of Maharashtra and Gujarat. “We have plans to establish our office in Karnataka, Rajasthan, Madhya Pradesh, Chhattisgarh, Delhi, Uttar Pradesh, Haryana and West Bengal with our presence in more than 300 districts across India,” said Netsurf Network Limited chairman Sujit Jain.

    Netsurf jointly with Curry Nation plans to set up new standard concrete platforms in the field of network marketing in India. “The communication task was to establish Netsurf as a serious player in the business by leveraging the core truth of the product offering. We aim at empowering people and touching lives. The gift of health, wealth and prosperity is what the network offers to the people,” he added.

    “The challenge we faced while executing the commercial was that we had to alter the process of showcasing our product portfolio and creating an emotional connect on the product lines. I think Curry Nation has done an excellent job to communicate the same,” said Jain.

    The film has been conceptualised by Priti Nair and directed by Shimit Amin of the Chak De India fame.

  • B.A. Pass to be released on 12 July

    B.A. Pass to be released on 12 July

    NEW DELHI: Ajay Bahl‘s B.A. Pass, which won the best film award in the Indian Competition section of 12th Osian‘s Cinefan Film Festival here last year will release on 12 July.

    B.A. Pass also won the Audience Award at the South Asian Alternative Film Festival in Paris in January this year.

    The film features Shadab Kamal and Shilpa Shukla from Chak De! India fame in lead roles. It revolves around 19 year old Mukesh who after losing his parents in a car accident lands up in Delhi worrying how to support himself and his two younger sisters. He then stumbles in the world of gigolos.

  • YRF’s Y-Films launches third film

    YRF’s Y-Films launches third film

    MUMBAI: Yash Raj Films‘ youth films studio, Y-Films, has launched its third production entitled Mere Dad Ki Maruti (MDKM).

    The film is supposed to be an outrageous comedy set against the backdrop of a loud Punjabi wedding in Chandigarh. It tells the story of a boy who sneaks his dad‘s fancy new car out to impress the college hottie and how all hell breaks loose when he loses it.

    Mere Dad Ki Maruti stars Saqib Saleem who made his debut in last year‘s Y-Films‘ sleeper hit Mujhse Fraaandship Karoge. The film also marks the directorial debut of Ashima Chibber who has been associated with Shimit Amin as first assistant director of Ab Tak Chappan and Chak De India. The last film she did was with Imtiaz Ali as first assistant director in Rockstar.

    The first two films coming out from the Y-Films banner were Luv Ka The End and Mujhse Fraaandship Karoge.

  • Adieu, eventful ’07!

    Adieu, eventful ’07!

    Man, it’s been an eventful year if you have been faithfully stuck to the couch lapping up everything offered on the tube.

    So much happened on the telly, and yet, so little was achieved. There was an average of a new soap every fortnight, an average of a talent hunt every month, and enough of cricket and cinema buzz to get those sticky eyeballs. But if cinema left a Chak De India or a Taare Zameen Par for audiences to ruminate on, TV this year left no equivalent imprint.

    Not many shows experimented, preferring the formula to being the first in
    the fray. So, Star One’s Laughter Challenge spawned a sequel and rival
    channels floated their me-too shows. Gajendra Singh carried his music
    talent format to Star Plus, and had to compete with his own Sa Re Ga Ma Pa Challenges on Zee for the ratings. Indian Idol had a tired season three,
    and Zee’s extended family of Betiyaan and Bahuraniyan, despite a
    ‘different’ beginning, dissolved into modified versions of Ekta Kapoor’s
    popular soaps elswhere. If anyone, it was Shah Rukh Khan who emerged as the surprise winner of the lot. No one expected Khan to be a patch on the Big B when it came to hosting Kaun Banega Crorepati, but Khan emerged with a style and spontaneity of his own that became endearing as the show progressed through the weeks. When the season ended, one was almost sorry to see him off.

    Well, not everyone stuck to the formula. Smriti Iraani, the actor, turned
    producer with Thodi Si Zameen Thoda Sa Aasman and later Virrudh. Interestingly, although neither show was meant to be a TRP hogger, both had a hard hitting plot, strong performances and made a subtle statement on society. Anurag Basu’s Love Story and Four, both on Sab, too were intended similarly, but somehow missed the mark. Unfortunately, all the experimentation seemed to miss the comedy genre entirely, with Star One finally relying on last year’s Sarabhai vs Sarabhai to bring on the smiles at primetime.

    All the laughter was restricted to stand-up gags offered by Raju Shrivastav (who must have been TV’s top grosser this year) and others of his ilk who appeared with alarming regularity on mainstream channels as well as news channels. Sab’s desperate effort to bring on the laughter each night failed for the umpteenth time, but it keeps trying. News channels, meanwhile, found this year that the best bet to fill up programming is to run repeats of talent hunts and behind-the-scenes goings-on at these shows. Under the garb of ‘entertainment news,’ hours of Hindi news channels continued to be chock full of idols, voices of India and the chhote ustaads all through the day.

    Even as long running soaps continued to run – Saarthi, Kumkum, Kyunki…,
    Kahaani…are examples – a milestone of sorts was reached when the ‘bahu’ of Indian TV (Smriti Iraani for the uninitiated) crossed over into enemy territory as Vrinda on Zee’s Teen Bahuraniyan. Not just that, she came armed with a tulsi plant and a similar agenda – of saving the daughters of
    the family and salvaging the family’s reputation. Ekta’s long shadow on television programming refuses to fade.

    But the year clearly belonged to the genre of the music talent hunt. If you
    had half a voice and wanted to be discovered, TV was waiting for you.
    Whether you knew the lyrics (Bol Baby Bol), were a kid that could sing (Lil
    Champs
    , Chhote Ustaad) or were an amateur singer (Indian Idol, Voice of India, Bathroom Singer…) TV was waiting with auditions in remote towns to find you. Of course, even if you were a wellknown composer or playback singer, or even a TV actor with pretensions to singing, but had never had your share of the limelight, you stood an excellent chance of turning into a mini celeb yourself. Ask Vishal – Shekhar, Abhijeet, Ismail Durbar, Alisha, Shiamak Davar and the rest who never had it so good as this year.

    But if anything marred the happiness of the couch potato, it was the unending film promotions that invaded everything on TV – the talent hunts, the soaps and the news and music channels. The marketing of Om Shanti Om and Saawariya on TV reached a screeching crescendo in November, till
    viewers’ ears ached from listening to ‘Dard e Disco’ and watching Ranbir Kapoor drop his towel for the umpteenth time.

    Also irritating was the omnipresence of judge/mentors like Javed Akhtar and Mahesh Bhatt, who judged shows, voiced their opinions on every subject and were probably present at every award show that was aired on TV.

    But couch potato’s vote of the year goes to Rakhi Sawant, who has
    established herself as the queen bee of Indian TV, by hook or by crook. With her antics, her tears and tantrums and her comments, the ‘item girl’ showed us that it was easy to get into primetime, if you knew how to tease the camera and tempt the channels. Lage raho, Rakhi!